For its first appearance at ManiFeste, the Austrian ensemble Schallfeld has chosen to focus on the adventure of the young Italian composer Maurizio Azzan, who set out on the traces of Ariadne. She who helped Theseus to destroy the Minotaur, embodies sleeping beauty, abandonment and solitude on her island, perplexity and doubt, all mythological and contemporary attributes. An intimate voice diffracted in the audience, the non-linear narration conceived by librettist Daniele Bellomi,\u00a0Ariadne<\/i>\u00a0embodies wandering more than a marked path. From\u00a0Ariadne<\/i>\u00a0to Beat Furrer’s\u00a0Aria<\/i>, a family history emerges that explores dramaturgy in space and the constant ambiguity between instrumental and vocal. Between these two universes, the young composer Rachel Beja experiments with a new kind of music: strings, electronics, and the beating of a Daf, a large drum from the Persian tradition.<\/p>\n
Anna Piroli\u00a0<\/strong>soprano <\/p>\n Maurizio Azzan<\/strong>\u00a0Ariadne –\u00a0<\/i>French premiere For its first appearance at ManiFeste, the Austrian ensemble Schallfeld has chosen to focus on the adventure of the young Italian composer Maurizio Azzan, who set out on the traces […]<\/p>\n
\nEnsemble<\/strong>\u00a0Schallfeld
\nLeonhard Garms<\/strong>\u00a0conductor
\n\u00c9tienne D\u00e9moulin<\/strong>\u00a0IRCAM computer-music design<\/p>\n
\nRachel Beja\u00a0<\/strong>Frammenti di memoria abolita<\/i>\u00a0–\u00a0premiere 2021
\ncommissiond by IRCAM-Centre Pompidou and the Divertimento ensemble with the support of the ULYSSES network, supported by the European Union\u2019s Creative Europe program
\nBeat Furrer\u00a0<\/strong>Aria<\/i><\/p>\n","protected":false},"excerpt":{"rendered":"