\n
Organ and pre-recorded sounds<\/p>\n
The Three B\u2019s: the great masters of musical history, standing out in ways that other composers do not. This trio represents the triumph of Teutonic thought\u2014the deepest musical minds. Not customarily considered in the same way, the contemporary Three B\u2019s of US politics are a triumvirate of similarly powerful influence. Here are three portraits of the men who would rule us.<\/p>\n
This piece is dedicated to everyone and to no one, the red and the black.<\/p>\n
2020 postscript: For non-American audiences, the three B\u2019s of the title refer to John Boehner (Republican-Ohio), the former Speaker of the House of Representatives from 2011-15, Barack Obama, the 44th<\/sup> President of the United States, and Michael Bloomberg, Mayor of New York City from 2002-14. The piece is a triptych portrait of three American autocrats who conspired successfully to crush the Occupy movement, the galvanizing international movement for democratic and economic reforms against the world\u2019s richest individuals and corporations. In mid-November 2011, the Occupy Wall Street encampment at Zucotti Park (also known as Liberty Square) was cleared in a military-style raid in the middle of the night. I had been present at Zucotti Park from the start of the protest movement. This piece was written in the month following the raid.<\/p>\n<\/div><\/div><\/div>\n <\/p>\n
BIO<\/h3>\n<\/span>Alec Hall<\/div>Born in Toronto in 1985, Alec Hall currently resides in New York City, where he works as an independent composer. His music is centered on the nature of acoustic materials in the post-Avant-Garde musical landscape. Through samples, field recordings and other representational elements of sound, Hall engages both conceptually and aesthetically with important non-musical subjects, such as labor conditions in China, environmental destruction in Canada, state violence and civil disobedience in America, the Internet, animal cognition, (un)wellness, and beyond. The result is a sweeping body of work that crosses traditional boundaries, including instrumental and vocal pieces with and without electronics, orchestral compositions, experimental opera, architectural environments, kinetic installations, and intermedia pieces. He has had works performed by such groups as Ensemble Intercontemporain, Ensemble Proton, Ensemble SurPlus, the Orchestre Philharmonique de Radio-France, the JACK Quartet, the Cecilia Quartet, ICE, Talea, Either\/OR, TAK, Wet Ink, Continuum, Pamplemousse, Ekmeles, the Mivos Quartet and soloists Patrick Higgins, S\u00e9verine Ballon, Stephane Ginsburgh, and David Broome. He has also collaborated with a wide range of artists across multiple disciplines, including Vanessa Place, Tyshawn Sorey, MarieVic, the architecture collective : , Michael Mandiberg, and the Philosophical Investigation Agency. Hall is the co-founder of Qubit and currently serves as an artistic director. He was a curator and co-director of Project-Q, an experimental performance space in Harlem throughout 2018 which featured an array of new programming across multiple artistic disciplines, including the premiere of his opera \u201cThe House of Influence\u201d. Hall\u2019s work has been supported by the Canada Council for the Arts, the Conseil des Arts et des Lettres du Qu\u00e9bec, Arts Council Norway, the New York State Council on the Arts, the French American Cultural Exchange, New Music USA, the John Simon Guggenheim Memorial Foundation, and Das Land Steiermark as a 2020 Styria Artist-in-Residence with the Schallfeld Ensemble. His degrees include a doctorate of musical arts from Columbia University, a master of arts from UC San Diego and a B.Mus from McGill University.\u00a0<\/span>.<\/div><\/div>\n<\/span>Myriam Garc\u00eda Fidalgo<\/div>\n
Myriam Garc\u00eda Fidalgo is a cellist specialized in contemporary music. Member of Schallfeld Ensemble and Nou Ensemble, she also performs with groups including Klangforum Wien or Phace.<\/p>\n
After finishing her Grado Superior studies in the Conservatorio Superior de Salamanca (Spain) she moved to Austria. She studied with Andreas P\u00f6zlberger in the Anton Brucker University Linz, where she obtained the Master of Arts with honors. Later, she studied the Master \u201cPerformance Practice in Contemporary Music\u201d at the University of Graz under the guidance of Klangforum Wien.
\nEspecially interested in contemporary music, she studied with Andreas Lindenbaum and Benedikt Leitner, and has participated in courses such as the IMD Darmstadt (Lucas Fels), Impuls (Roham de Saram), Acanthes (A. Karttunen), Ensemble Modern Akademie Klangspuren or Ensemble-Akademie Freiburg (Ensemble Recherche).<\/p>\n
She has performed in Festivals such as Wien Modern, Huddersfield Contemporary Music Festival, Wiener Festwochen, Darmstadt Festival, Musikprotokoll Graz, Klangspuren Schwaz, Shangai Spring Festival, Daegu Festival for Contemporary Music, Biennale Zagreb, Open Music Graz, Fast-Forward Wien, Escena Contempor\u00e1nea Madrid, EMA Festival, Festival Bernaola, Festival Internacional Zemos98 or Mostra Sonora de Sueca.<\/p>\n
As a solist, she has performed in the pieces \u201cPr\u00e9carit\u00e9\u201d (Frederik Neyrinck), Berge. Tr\u00e4ume\u201d (K. Lang),\u201cHarold in Italien\u201d (C. Eftimiou) and \u201cEros\u201d (Luis de Pablo).<\/p>\n
In 2017 she has been awarded with the \u201cStartstipendium\u201d from the Austrian Ministry for Arts and Culture.<\/div><\/div>\n
<\/span>Olivia de Prato<\/div>\n
\n
\n
\n
Internationally recognized as a soloist as well as a chamber musician, Austro-Italian violinist Olivia De Prato has been described as \u201cflamboyant….convincing\u201d (New York Times) and an \u201cenchanting violinist\u201d (Messaggero Veneto, Italy). After moving to New York City she has quickly established herself as a passionate performer of contemporary and improvised music, breaking boundaries of the traditional violin repertoire and regularly performs in Europe, South America, China and the United States.<\/p>\n
Her chamber music activities include appearances at the Bang on a Can Marathon in New York City, the David Byrne Perspective Series at Carnegie Hall, the Lucerne Festival with Pierre Boulez, the Ensemble Modern Festival (Austria), „June in Buffalo\u201d Festival, the Ojai Festival with Steve Reich and Brad Lubman, the Darmstadt New Music Festival and the Aldeburgh Festival in the UK.<\/p>\n
Olivia is a member of New York contemporary music ensembles Signal and Victoire, and is the co-founder and first violinist of the Mivos String Quartet.
\nShe has recorded on New Amsterdam Records, Tzadik, Carrier, Sunnyside, Mode, Cantaloupe and Porter Records.<\/p>\n
In 2010 and 2011 she toured Europe and South Africa with Grammy-award winning Esperanza Spalding and Chamber Music Society on violin and viola.<\/p>\n
As a guest artist, she has been invited to hold solo and chamber music master-classes for young musicians and composers in Anchorage (Alaska), Medellin (Colombia), Vienna (Austria), Hong Kong, \u201cYong Siew Toh Conservatory\u201d (Singapore), Shanghai Conservatory, MIAM University (Turkey), Manhattan School of Music, Brooklyn College, New York University and CUNY Graduate Center in New York.<\/p>\n
Olivia has closely collaborated with well-known composers such as Sir Harrison Birtwistle, Pierre Boulez, Anthony Braxton, Chaya Czernowin, Peter Eotvos, Beat Furrer, Michael Gordon, Annie Gosfield, Georg Friedrich Haas, Helmut Lachenman, David Lang, Brad Lubman, Philippe Manoury, Benedict Mason, Meredith Monk, Krystof Penderecki, Hilda Peredes, Steve Reich, Todd Reynolds, Ned Rothenberg, Jorge Sanchez-Chiong, J.G Thirwell, Julia Wolfe, Charles Wuorinen, and Evan Ziporyn.<\/p>\n
Olivia De Prato grew up in Vienna and Italy. She studied at the University of Music and Arts in Vienna and holds degrees from the Eastman School of Music and the Manhattan School of Music.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n
<\/span>Aleksey Vylegzhanin<\/div>Aleksey Vylegzhanin wurde 1987 in Nowosibirsk (Russland) geboren. Erste musikalische Impulse erhielt er von seinen Eltern, einer Chorleiterin und einem S\u00e4nger. Mit sechs Jahren begann er Klavier zu spielen, einige Jahre sp\u00e4ter Orgel. Er studierte am Konservatorium seiner Heimatstadt bei Natalya Baginskaya. Seit Herbst 2010 studiert er an der Kunstuniversit\u00e4t Graz in der Orgelklasse von Gunther Rost. Dar\u00fcber hinaus nahm er an zahlreichen Meisterkursen teil, z. B. bei D. Roth, Z. Szathmary, L. Lohmann, J. van Oortmerssen, E. Bellotti, W. Porter und N. Hakim. Werke von Naji Hakim interpretierte er auch im Rahmen eines Soloalbums der CD-Reihe \u201cKlangdeb\u00fcts\u201d der Kunstuniversit\u00e4t Graz. Konzerte f\u00fchrten ihn bereits durch Russland, Slowenien, Kroatien, Deutschland, \u00d6sterreich und England, wobei er sowohl als Solist und Kammermusiker als auch mit Ch\u00f6ren und Orchestern auftritt. Aleksey Vylegzhanin war Preistr\u00e4ger des Internationalen Orgelwettbewerbs Bach und Moderne Graz 2008 und wiederholt erster Preistr\u00e4ger des Martha-Debelli-Stipendienwettbewerbs.<\/div><\/div>[:de]\n
PROGRAM<\/h3>\n
Alec Hall – There are only two ways to see inside someone (2019-20)<\/strong><\/p>\nViolin and live electronics<\/p>\n
Alec Hall – U.L.F. (2015-6)<\/strong><\/p>\nVioloncello and live electronics<\/p>\n
Alec Hall – Boehner, Barack, Bloomberg (2012)<\/strong><\/p>\nOrgan and pre-recorded sounds<\/p>\n
<\/p>\n
SCHALLFELD ENSEMBLE<\/h3>\n
Myriam Garc\u00eda Fidalgo \u2013 Violoncello<\/p>\n
Olivia de Prato \u2013 Geige<\/p>\n
Aleksey Vylegzhanin \u2013 Orgel<\/p>\n
Alec Hall – live electronics<\/p>\n
Batuhan G\u00fclcan – technical assistance<\/p>\n
<\/p>\n
Alec Hall ist Artist-in-residence des StAiR-Programms 2020\u00a0des Landes Steiermark<\/p>\n
![\"\"](\"https:\/\/www.schallfeldensemble.com\/wp-content\/uploads\/2019\/12\/landstmk_kultur_logo1-300x172.png\")
<\/p>\n
<\/p>\n
In collaboration with the IEM Graz<\/p>\n
![\"\"](\"https:\/\/www.schallfeldensemble.com\/wp-content\/uploads\/2017\/10\/iemlogo-1.png\")
\u00a0 \u00a0 \u00a0 ![\"\"](\"https:\/\/www.schallfeldensemble.com\/wp-content\/uploads\/2020\/10\/Captura-de-pantalla-2020-10-07-a-las-15.21.24-300x293.png\")
<\/p>\n
<\/p>\n
Eintritt: Freiwillige Spende<\/p>\n
PROGRAM NOTES<\/h3>\n<\/span>There are only two ways to see inside someone<\/strong><\/div>\n
Violin and live electronics (2019-20)<\/p>\n
For the last several years I have experienced regular discomfort in my hip and lower back; sometimes agonizing, other times only faintly perceptible, but always present. Trying to find the source of this pain was a multi-year process, with numerous imaging procedures from ultrasounds to x-rays to MRIs. The common refrain lab technicians say about MRIs is that \u201cthey\u2019re really noisy\u201d, as they offer you ear plugs before you climb in. What they don\u2019t seem to ever state is that the machines emit a myriad of rhythmic and melodic patterns, repeating for minutes on end in rather splendid surround sound. The MRI offers the most advanced imaging possible inside the human body\u2014a remarkable picture of what our delicate container of water, bones and other organic tissues we schlep around the world looks like. Studying the inside of yourself or another person is a bizarre experience, something that almost feels taboo, somehow. The other way to see inside another person is, often times taboo in polite company or at the very least uncouth, an erotic encounter. In the context of this concert, this piece is not a triptych like the other two, but more of a dialectic of opposing extremes: the sensual and the medical, the hot and the cold, the distant and the immediate.<\/p>\n<\/div><\/div>
<\/span>U.L.F.<\/strong><\/div>\n
Violoncello and live electronics (2015-6)<\/p>\n
Unknown life form \/ Ultra low frequency<\/em><\/p>\nThree disparate planes of physical existence: two are inhospitable to life without an enclosure that replicates conditions at the human scale. Another, the natural habitat, made unlivable by endogenous actions. We communicate intra and inter-spatially, between the upper-most reaches and the depths below. The voice is distinct in each medium\u2014each atmosphere (or lack thereof) creates aesthetic conditions in which the voice becomes a universe of its own, yet the simultaneous interaction between great distance and the immediacy of aural proximity is always a liminal event.<\/p>\n<\/div><\/div>
<\/span>Boehner, Barack, Bloomberg<\/strong><\/div>\n
Organ and pre-recorded sounds<\/p>\n
The Three B\u2019s: the great masters of musical history, standing out in ways that other composers do not. This trio represents the triumph of Teutonic thought\u2014the deepest musical minds. Not customarily considered in the same way, the contemporary Three B\u2019s of US politics are a triumvirate of similarly powerful influence. Here are three portraits of the men who would rule us.<\/p>\n
This piece is dedicated to everyone and to no one, the red and the black.<\/p>\n
2020 postscript: For non-American audiences, the three B\u2019s of the title refer to John Boehner (Republican-Ohio), the former Speaker of the House of Representatives from 2011-15, Barack Obama, the 44th<\/sup> President of the United States, and Michael Bloomberg, Mayor of New York City from 2002-14. The piece is a triptych portrait of three American autocrats who conspired successfully to crush the Occupy movement, the galvanizing international movement for democratic and economic reforms against the world\u2019s richest individuals and corporations. In mid-November 2011, the Occupy Wall Street encampment at Zucotti Park (also known as Liberty Square) was cleared in a military-style raid in the middle of the night. I had been present at Zucotti Park from the start of the protest movement. This piece was written in the month following the raid.<\/p>\n<\/div><\/div><\/div>\n <\/p>\n
BIO<\/h3>\n<\/span>Alec Hall<\/div>Born in Toronto in 1985, Alec Hall currently resides in New York City, where he works as an independent composer. His music is centered on the nature of acoustic materials in the post-Avant-Garde musical landscape. Through samples, field recordings and other representational elements of sound, Hall engages both conceptually and aesthetically with important non-musical subjects, such as labor conditions in China, environmental destruction in Canada, state violence and civil disobedience in America, the Internet, animal cognition, (un)wellness, and beyond. The result is a sweeping body of work that crosses traditional boundaries, including instrumental and vocal pieces with and without electronics, orchestral compositions, experimental opera, architectural environments, kinetic installations, and intermedia pieces. He has had works performed by such groups as Ensemble Intercontemporain, Ensemble Proton, Ensemble SurPlus, the Orchestre Philharmonique de Radio-France, the JACK Quartet, the Cecilia Quartet, ICE, Talea, Either\/OR, TAK, Wet Ink, Continuum, Pamplemousse, Ekmeles, the Mivos Quartet and soloists Patrick Higgins, S\u00e9verine Ballon, Stephane Ginsburgh, and David Broome. He has also collaborated with a wide range of artists across multiple disciplines, including Vanessa Place, Tyshawn Sorey, MarieVic, the architecture collective : , Michael Mandiberg, and the Philosophical Investigation Agency. Hall is the co-founder of Qubit and currently serves as an artistic director. He was a curator and co-director of Project-Q, an experimental performance space in Harlem throughout 2018 which featured an array of new programming across multiple artistic disciplines, including the premiere of his opera \u201cThe House of Influence\u201d. Hall\u2019s work has been supported by the Canada Council for the Arts, the Conseil des Arts et des Lettres du Qu\u00e9bec, Arts Council Norway, the New York State Council on the Arts, the French American Cultural Exchange, New Music USA, the John Simon Guggenheim Memorial Foundation, and Das Land Steiermark as a 2020 Styria Artist-in-Residence with the Schallfeld Ensemble. His degrees include a doctorate of musical arts from Columbia University, a master of arts from UC San Diego and a B.Mus from McGill University.\u00a0<\/span>.<\/div><\/div>\n<\/span>Myriam Garc\u00eda Fidalgo<\/div>Myriam Garc\u00eda Fidalgo ist eine auf die Interpretation zeitgen\u00f6ssischer Musik spezialisierte Cellistin. Sie ist Mitglied der Ensembles Schallfeld und Nou Ensemble und gastiert u.a. mit dem Klangforum Wien und Phace. Nach Abschlu\u00df eines Bachelors am Conservatorio Superior de Salamanca und eines postgraduate-Studienganges an der Musikhochschule Barcelona ESMUC, zieht sie 2007 nach \u00d6sterreich, wo sie an der Anton Bruckner Universit\u00e4t Linz einen Master im Konzertfach Violoncello bei Prof. A. P\u00f6zlberger mit Auszeichnung absolviert. Parallel dazu belegt Myriam Garcia beim Klangforum Wien den Masterstudiengang \u201cPerformance Practice in Contemporary Music\u201d an der Universit\u00e4t f\u00fcr Musik und darstellende Kunst Graz. Von der Kunstuniversit\u00e4t Graz erh\u00e4lt sie ein Sonderstipendium aufgrund besonderer Leistungen. Weitere wichtige Impulse im Bereich der zeitgen\u00f6ssischen Musik waren Meisterkurse mit dem Ensemble Modern und dem Ensemble Recherche sowie bei Lucas Fels, Anssi Karttunen und Roham de Saram. Myriam Garcia konzertiert u.a. bei den Wiener Festwochen, dem Wien Modern, dem Huddersfield Contemporary Music Festival, dem Musikprotokoll Graz, den Klangspuren Schwaz, dem Shangai Spring Festival, der Biennale Zagreb, Open Music Graz, Fast Forward Wien und dem Festival Escena Contempor\u00e1nea Madrid. Als Solistin war sie bei den St\u00fccken \u201cPr\u00e9carit\u00e9\u201d (Frederik Neyrinck), \u201cBerge. Tr\u00e4ume\u201d von K. Lang, \u201cHarold in Italien\u201d von C. Eftimiou und \u201cEros\u201d, von L. de Pablo zu erleben. 2017 erhielt sie das Startstipendium f\u00fcr Musik des BMUKK.<\/div><\/div>\n
<\/span>Olivia de Prato<\/div>Die \u00f6sterreichisch – italienische Violinistin, Olivia De Prato, international anerkannt als Solistin und Kammermusikerin, wird von der Presse als \u201cextravagant und \u00fcberzeugend“ (New York Times) und \u201cverzaubernd\u201d (Messaggero Veneto, Italien) hoch gelobt. Sie lebt seit 2005 in New York wo sie sich schnell einen Namen als leidenschaftliche Vertreterin der Neuen Musik und Improvisation gemacht hat, grenz\u00fcberschreitend mit klassischer Musik. Sie konzertiert regelm\u00e4\u00dfig in Europa, Japan, S\u00fcdamerika, China und in den Vereinigten Staaten. Ihre Auftritte als Kammermusikerin sind gefragt in vielen bedeutenden Festivals: u.a. im Lincoln Center Festival, in der Carnegie Hall, in der NY Phil Biennale, im Luzern Festival, im Ensemble Modern Festival, im \u201cJune in Buffalo\u201d Festival, im \u201cOjai Festival\u201d mit Steve Reich und Brad Lubman, im Wien Modern Festival, im Acht Br\u00fccken Festival in K\u00f6ln, der Venice Biennale, in den \u201cDarmst\u00e4dter Ferienkursen f\u00fcr Neue Musik\u201d als auch im Aldeburgh Festival in England. Olivia ist Mitglied zweier New Yorker Ensembles f\u00fcr zeitgen\u00f6ssische Musik: des \u201eEnsemble Signal\u201c dirigiert von Brad Lubman, und – als Mitbegr\u00fcnderin und erste Violine – des Mivos Streichquartetts. Sie hat Cds mit Amsterdam Records, Tzadik, Carrier, Sunnyside, Mode, Cantaloupe und Harmonia Mundi eingespielt.<\/p>\n
Olivia De Prato war mehrfach eingeladen, sowohl Solo \u2013 als auch Kammermusik – Meisterklassen f\u00fcr junge MusikerInnen und Komponisten zu halten: in Anchorage (Alaska), Universidad EAFIT Medellin (Columbia), am \u201cYong Siew Toh\u201d- Conservatory in Singapore, am Shanghai Conservatory, an der MIAM University (T\u00fcrkei), an der Hochschule f\u00fcr Musik Mannheim, and der Manhattan School of Music, am Brooklyn College, an der New York University, an der Duke University, an der UC Berkeley, and der UC San Diego und am CUNY Graduate Center in New York zu halten.<\/p>\n
Olivia, in Wien geboren, wuchs in Italien und Wien auf, studierte bei Prof. Dora Schwarzberg an der Universit\u00e4t f\u00fcr Musik und darstellende Kunst in Wien, erhielt ihr Bachelor Diplom bei Prof. Charles Castleman an der Eastman School of Music in Rochester (USA) und Ihren Master Abschluss in Contemporary Performance an der Manhattan School of Music in New York City (USA). Im M\u00e4rz 2018 hat sie ihr erste solo Cd mit neuen Werke f\u00fcr Violine solo und Violine mit Elektronik auf New Focus Recordings herausgebracht hat. Diese Cd, \u201cStreya\u201d , wurde mit dem Werk von Missy Mazzoli f\u00fcr ein Grammy 2019 nominiert. Das Mivos Quartett gewann den Dwight und Ursula Mamlok-Preis f\u00fcr Interpretation zeitgen\u00f6ssischer Musik 2019. Olivia De Prato spielt auf einer Violine von Nicolaus Gagliano filius Alexandri fecit Napoli 1751.<\/div><\/div>\n
<\/span>Aleksey Vylegzhanin<\/div>Aleksey Vylegzhanin wurde 1987 in Nowosibirsk (Russland) geboren. Erste musikalische Impulse erhielt er von seinen Eltern, einer Chorleiterin und einem S\u00e4nger. Mit sechs Jahren begann er Klavier zu spielen, einige Jahre sp\u00e4ter Orgel. Er studierte am Konservatorium seiner Heimatstadt bei Natalya Baginskaya. Seit Herbst 2010 studiert er an der Kunstuniversit\u00e4t Graz in der Orgelklasse von Gunther Rost. Dar\u00fcber hinaus nahm er an zahlreichen Meisterkursen teil, z. B. bei D. Roth, Z. Szathmary, L. Lohmann, J. van Oortmerssen, E. Bellotti, W. Porter und N. Hakim. Werke von Naji Hakim interpretierte er auch im Rahmen eines Soloalbums der CD-Reihe \u201cKlangdeb\u00fcts\u201d der Kunstuniversit\u00e4t Graz. Konzerte f\u00fchrten ihn bereits durch Russland, Slowenien, Kroatien, Deutschland, \u00d6sterreich und England, wobei er sowohl als Solist und Kammermusiker als auch mit Ch\u00f6ren und Orchestern auftritt. Aleksey Vylegzhanin war Preistr\u00e4ger des Internationalen Orgelwettbewerbs Bach und Moderne Graz 2008 und wiederholt erster Preistr\u00e4ger des Martha-Debelli-Stipendienwettbewerbs.<\/div><\/div>[:]\n","protected":false},"excerpt":{"rendered":"
[:en] PROGRAM Alec Hall – There are only two ways to see inside someone (2019-20) Violin and live electronics Alec Hall – U.L.F. (2015-6) Violoncello and live electronics Alec Hall […]<\/p>\n
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