{"id":6282,"date":"2021-12-05T23:04:27","date_gmt":"2021-12-05T23:04:27","guid":{"rendered":"https:\/\/pruebas.nouensemble.com\/event\/overload-and-emptiness\/"},"modified":"2021-12-05T23:04:27","modified_gmt":"2021-12-05T23:04:27","slug":"overload-and-emptiness","status":"publish","type":"tribe_events","link":"https:\/\/www.schallfeldensemble.com\/de\/event\/overload-and-emptiness\/","title":{"rendered":"Overload and Emptiness"},"content":{"rendered":"<p>&nbsp;<\/p>\n<h4 style=\"font-family: Lato, Helvetica, Arial, sans-serif;\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-3553 aligncenter\" src=\"https:\/\/www.schallfeldensemble.com\/wp-content\/uploads\/2019\/05\/overload-300x214.jpg\" alt=\"\" width=\"608\" height=\"434\" \/><\/h4>\n<h4><\/h4>\n<h4><\/h4>\n<h4>PROGRAMM<\/h4>\n<p>Cathy van Eck (1979) &#8211;<span class=\"Apple-converted-space\">\u00a0 <\/span>Stumme Diener (2011)\u00a0\u00a0f\u00fcr Notenst\u00e4nder, Kontaktmikrofonen, kleine Lautsprecher und Live Elektronik.<\/p>\n<p>Alexander Khubeev (1986) -Memory scars \u00a0(2019) <i>Kompositionsauftrag BTZM<\/i><\/p>\n<p>Sara Caneva* (1991) &#8211; Idoli et Incubi (2019)<\/p>\n<p>Diana Soh (1984) &#8211; Modicum (2019) EA<\/p>\n<p>Lorenzo Troiani (1989) &#8211; Chronicles of the Afterbomb (2019) UA<span class=\"Apple-converted-space\">\u00a0 <\/span><i>Kompositionsauftrag finanziert durch das \u00f6sterreichische Bundeskanzleramt &#8211; Kunst und Kultur<\/i><\/p>\n<p style=\"text-align: right;\">*Artist-in-residence des StAiR-Programms 2019\u00a0des Landes Steiermark<\/p>\n<hr \/>\n<h4>19:00 Gespr\u00e4ch mit den Komponist*innen<\/h4>\n<h4>20:00 Konzert<\/h4>\n<hr \/>\n<p>SCHALLFELD ENSEMBLE<\/p>\n<p>Lorenzo Derinni &#8211; Geige<\/p>\n<p>Francesca Piccioni &#8211; Viola<\/p>\n<p>Myriam Garc\u00eda Fidalgo &#8211; Violoncello<\/p>\n<p>Margarethe Maierhofer-Lischka &#8211; Kontrabass<\/p>\n<p>Alessandro Baticci &#8211; Fl\u00f6ten<\/p>\n<p>Szil\u00e1rd Benes &#8211; Klarinetten<\/p>\n<p>Diego Garc\u00eda-Pliego &#8211; Saxophon<\/p>\n<p>Patrick Skrilecz &#8211; Klavier<\/p>\n<p>Manuel Alcaraz Clemente &#8211; Schlagzeug<\/p>\n<p>Elina Viluma &#8211; Stimme<\/p>\n<p>Davide Gagliardi &#8211; Klangregie, live electronics<\/p>\n<p>Leonhard Garms &#8211; Dirigent<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-3529 alignright\" src=\"https:\/\/www.schallfeldensemble.com\/wp-content\/uploads\/2019\/05\/prohelvetia-300x72.jpg\" alt=\"\" width=\"300\" height=\"72\" \/>[:de]\n<h4 style=\"font-family: Lato, Helvetica, Arial, sans-serif;\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-3553 aligncenter\" src=\"https:\/\/www.schallfeldensemble.com\/wp-content\/uploads\/2019\/05\/overload-300x214.jpg\" alt=\"\" width=\"608\" height=\"434\" \/><\/h4>\n<h4><\/h4>\n<h4><\/h4>\n<h4>PROGRAMM<\/h4>\n<p>Cathy van Eck (1979) &#8211;<span class=\"Apple-converted-space\">\u00a0 <\/span>Stumme Diener (2011)\u00a0\u00a0f\u00fcr Notenst\u00e4nder, Kontaktmikrofonen, kleine Lautsprecher und Live Elektronik.<\/p>\n<p>Alexander Khubeev (1986) -Memory scars \u00a0(2019) <i>Kompositionsauftrag BTZM<\/i><\/p>\n<p>Sara Caneva* (1991) &#8211; Idoli et Incubi (2019)<\/p>\n<p>Diana Soh (1984) &#8211; Modicum (2019) EA<\/p>\n<p>Lorenzo Troiani (1989) &#8211; Chronicles of the Afterbomb (2019) UA<span class=\"Apple-converted-space\">\u00a0 <\/span><i>Kompositionsauftrag finanziert durch das \u00f6sterreichische Bundeskanzleramt &#8211; Kunst und Kultur<\/i><\/p>\n<p style=\"text-align: right;\">*Artist-in-residence des StAiR-Programms 2019\u00a0des Landes Steiermark<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>SCHALLFELD ENSEMBLE<\/p>\n<p>Lorenzo Derinni &#8211; Geige<\/p>\n<p>Francesca Piccioni &#8211; Viola<\/p>\n<p>Myriam Garc\u00eda Fidalgo &#8211; Violoncello<\/p>\n<p>Margarethe Maierhofer-Lischka &#8211; Kontrabass<\/p>\n<p>Alessandro Baticci &#8211; Fl\u00f6ten<\/p>\n<p>Szil\u00e1rd Benes &#8211; Klarinetten<\/p>\n<p>Diego Garc\u00eda-Pliego &#8211; Saxophon<\/p>\n<p>Patrick Skrilecz &#8211; Klavier<\/p>\n<p>Manuel Alcaraz Clemente &#8211; Schlagzeug<\/p>\n<p>Elina Viluma &#8211; Stimme<\/p>\n<p>Davide Gagliardi &#8211; Klangregie, live electronics<\/p>\n<p>Leonhard Garms &#8211; Dirigent<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-3529 alignright\" src=\"https:\/\/www.schallfeldensemble.com\/wp-content\/uploads\/2019\/05\/prohelvetia-300x72.jpg\" alt=\"\" width=\"300\" height=\"72\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Music by Cathy van Eck, Alexander Khubeev, Sara Caneva, Diana Soh and Lorenzo Troiani<\/p>\n<p><a href=\"https:\/\/www.schallfeldensemble.com\/de\/event\/overload-and-emptiness\/\" class=\"more-link style3-button\">Weiterlesen<\/a><\/p>","protected":false},"author":2,"featured_media":0,"template":"","meta":{"_tribe_events_status":"","_tribe_events_status_reason":"","footnotes":""},"tags":[],"tribe_events_cat":[],"class_list":["post-6282","tribe_events","type-tribe_events","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.schallfeldensemble.com\/de\/wp-json\/wp\/v2\/tribe_events\/6282","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.schallfeldensemble.com\/de\/wp-json\/wp\/v2\/tribe_events"}],"about":[{"href":"https:\/\/www.schallfeldensemble.com\/de\/wp-json\/wp\/v2\/types\/tribe_events"}],"author":[{"embeddable":true,"href":"https:\/\/www.schallfeldensemble.com\/de\/wp-json\/wp\/v2\/users\/2"}],"version-history":[{"count":0,"href":"https:\/\/www.schallfeldensemble.com\/de\/wp-json\/wp\/v2\/tribe_events\/6282\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.schallfeldensemble.com\/de\/wp-json\/wp\/v2\/media?parent=6282"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.schallfeldensemble.com\/de\/wp-json\/wp\/v2\/tags?post=6282"},{"taxonomy":"tribe_events_cat","embeddable":true,"href":"https:\/\/www.schallfeldensemble.com\/de\/wp-json\/wp\/v2\/tribe_events_cat?post=6282"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}