{"id":6297,"date":"2021-12-05T23:29:11","date_gmt":"2021-12-05T23:29:11","guid":{"rendered":"https:\/\/pruebas.nouensemble.com\/event\/remixing-a-clockwork-orange\/"},"modified":"2021-12-05T23:29:11","modified_gmt":"2021-12-05T23:29:11","slug":"remixing-a-clockwork-orange","status":"publish","type":"tribe_events","link":"https:\/\/www.schallfeldensemble.com\/de\/event\/remixing-a-clockwork-orange\/","title":{"rendered":"Remixing a clockwork orange"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-3389 size-large\" src=\"https:\/\/www.schallfeldensemble.com\/wp-content\/uploads\/2018\/12\/clockworkschallfeld-1024x730.jpeg\" alt=\"\" width=\"953\" height=\"679\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>Wendy Carlos\u2019 Soundtrack zu A Clockwork Orange benutzt Musik von Beethoven, Rossini und Purcell und l\u00e4sst durch den Klang des Moog-Synthesizers daraus etwas \u00e4sthetisch vollkommen Neues entstehen.<\/p>\n<p>2016 initiierte Schallfeld Ensemble bei den Darmst\u00e4dter Ferienkursen ein Projekt zum Thema, wie die Bearbeitung einer Bearbeitung dieser Musik heute klingen kann und stellten im weiteren Sinne Fragen nach der Beziehung zwischen Tradition und technischer Innovation, zwischen Repertoire und Komposition, sowie dem Verh\u00e4ltnis von Bild und Klang.<\/p>\n<p>Jetzt geht das Ensemble unter Beibehaltung der Kernfrage des \u201eRemix\u201c dramaturgisch einen Schritt weiter und zeichnet die Themen des Films, seine Bilder von Schuld, S\u00fchne und L\u00e4uterung in inhaltlich miteinander verschr\u00e4nkten St\u00fccken nach. Daf\u00fcr wurden Kompositionsauftr\u00e4ge an die KomponistInnen Jorge Sanchez Chiong*, Miko\u0142aj Laskowski, Zeno Baldi*, Lorenzo Romano* und Michelle Agnes Magalhaes* vergeben,\u00a0deren k\u00fcnstlerisches Interesse ebenfalls eng mit dem Medium Film verbunden ist.<\/p>\n<h3>Programm<\/h3>\n<div>Salvatore Sciarrino &#8211; Anamorfosi, f\u00fcr Klavier (1980)<\/div>\n<div>Jorge S\u00e1nchez-Chiong &#8211; TURN IT OFF! f\u00fcr Ensemble (2019)*<\/div>\n<div><a href=\"http:\/\/mikolaj-laskowski.com\" target=\"_blank\" rel=\"noopener noreferrer\">Miko\u0142aj Laskowski<\/a> &#8211; At the Opening of A Clockwork Orange, 1995 VHS, f\u00fcr Ensemble (2016)<\/div>\n<div><a href=\"http:\/\/www.zenobaldi.com\" target=\"_blank\" rel=\"noopener noreferrer\">Zeno Baldi<\/a> &#8211; Fondali, f\u00fcr 8 Instrumente und Elektronik (2019)*<\/div>\n<div><a href=\"https:\/\/www.michelleagnes.net\" target=\"_blank\" rel=\"noopener noreferrer\">Michelle Agnes Magalhaes<\/a> &#8211; Orange: <i>William tells<\/i> for cello, double bass and audioweb devices (2019)*<\/div>\n<div><a href=\"http:\/\/lorenzoromano.com\" target=\"_blank\" rel=\"noopener noreferrer\">Lorenzo Romano<\/a> &#8211; Ludovico Technique, f\u00fcr Ensemble und live-Elektronik *<\/div>\n<div><\/div>\n<div><\/div>\n<p>*Kompositionsauftr\u00e4ge finanziert durch die Ernst-von-Siemens- Musikstiftung<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-2692 alignright\" src=\"https:\/\/www.schallfeldensemble.com\/wp-content\/uploads\/2017\/12\/siemens-300x69.jpeg\" alt=\"\" width=\"213\" height=\"49\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/web455.webbox333.server-home.org\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-3400\" src=\"https:\/\/www.schallfeldensemble.com\/wp-content\/uploads\/2018\/12\/Schaumbad_Logo_kompakt_II-277x300.jpg\" alt=\"\" width=\"141\" height=\"153\" \/><\/a>[<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Stanley Kubrick\u2019s cinema classic A Clockwork Orange did not only become \u2028famous for its intense imagery, but also for its sophisticated \u2028soundtrack by Wendy Carlos. Re-interpretating music by Beethoven,\u2028Rossini and Purcell on her Moog Synthesizer, Carlos succeeds in opening \u2028up a new aesthetical dimension to these well-known pieces.\u2028\u2028 At the Darmst\u00e4dter Ferienkurse 2016, Schallfeld initiated a project \u2028focused on the question how a transcription of this transcription could\u2028 sound today, almost half a century after the film\u2019s original release. In\u2028 a broader sense, this encompassed also questions about the relation \u2028between tradition and (technical) innovation, repertoire works and new \u2028creations, between sound and the moving image.<\/p>\n<p><a href=\"https:\/\/www.schallfeldensemble.com\/de\/event\/remixing-a-clockwork-orange\/\" class=\"more-link style3-button\">Weiterlesen<\/a><\/p>","protected":false},"author":2,"featured_media":0,"template":"","meta":{"_tribe_events_status":"","_tribe_events_status_reason":"","footnotes":""},"tags":[],"tribe_events_cat":[],"class_list":["post-6297","tribe_events","type-tribe_events","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.schallfeldensemble.com\/de\/wp-json\/wp\/v2\/tribe_events\/6297","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.schallfeldensemble.com\/de\/wp-json\/wp\/v2\/tribe_events"}],"about":[{"href":"https:\/\/www.schallfeldensemble.com\/de\/wp-json\/wp\/v2\/types\/tribe_events"}],"author":[{"embeddable":true,"href":"https:\/\/www.schallfeldensemble.com\/de\/wp-json\/wp\/v2\/users\/2"}],"version-history":[{"count":0,"href":"https:\/\/www.schallfeldensemble.com\/de\/wp-json\/wp\/v2\/tribe_events\/6297\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.schallfeldensemble.com\/de\/wp-json\/wp\/v2\/media?parent=6297"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.schallfeldensemble.com\/de\/wp-json\/wp\/v2\/tags?post=6297"},{"taxonomy":"tribe_events_cat","embeddable":true,"href":"https:\/\/www.schallfeldensemble.com\/de\/wp-json\/wp\/v2\/tribe_events_cat?post=6297"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}