{"id":7005,"date":"2022-06-16T19:58:31","date_gmt":"2022-06-16T17:58:31","guid":{"rendered":"https:\/\/www.schallfeldensemble.com\/?post_type=tribe_events&p=7005"},"modified":"2022-06-22T16:10:35","modified_gmt":"2022-06-22T14:10:35","slug":"time-of-music-ii-systema-naturae","status":"publish","type":"tribe_events","link":"https:\/\/www.schallfeldensemble.com\/de\/event\/time-of-music-ii-systema-naturae\/","title":{"rendered":"Time of music II: Systema Naturae"},"content":{"rendered":"

Mauro Lanza<\/a> & Andrea Valle<\/a>: Systema Naturae<\/p>\n

The cycle Systema Naturae includes four pieces. Its main feature is the use of acoustic instruments together with computer controlled physical objects placed in a specific spatial organization.
\nTwo references are at the base of the whole cycle. The first is the medieval, phantasmagoric tradition of bestiaria, herbaria and lapidaria intended as multi-faceted catalogues of miscellaneous beings (animals, stones, plants). A second reference is taxonomy, the systematic description of living organisms that dates back to Linnaeus\u2019 Systema Naturae (hence the name of the cycle) as the rationalistic ordering of nature. As a consequence, each piece is organized following the model of the catalogue, as a collection of short pieces receiving an invented latin name.<\/p>\n

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Regnum animale (2013) –\u00a0For string trio and electromechanical objects<\/p>\n

Regnum vegetabile (2014) –\u00a0For sextet and electromechanical objects<\/p>\n

Regnum lapideum (2016) –\u00a0For ensemble and electromechanical objects<\/p>\n

Fossilia (2016\/17) –\u00a0For ten musicians and electromechanical objects<\/p>\n

***<\/p>\n

Part of the Ulysses project<\/a> co-funded by Creative Europe.<\/p>\n