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DTSTART;TZID=Europe/Vienna:20261016T193000
DTEND;TZID=Europe/Vienna:20261016T210000
DTSTAMP:20260329T173846Z
CREATED:20250930T170401Z
LAST-MODIFIED:20260329T173846Z
UID:8320-1792179000-1792184400@www.schallfeldensemble.com
SUMMARY:Text im Klang #7
DESCRIPTION:Premieres of impuls composition commissions\n16.10.2026\, 19.30\nKUG . Palais Meran . Florentinersaal\, Leonhardstraße 15\, 8010 Graz\n\n\n\n\n\nKlaus Kastberger Introduction to the work of Friederike Mayröcker \n  \nLuca Bardelle New Work (2026\, world premiere) \nDilay Doğanay New Work (2026\, world premiere) \nForrest Moody New Work (2026\, world premiere) \nJoanna Wozny New Work (2026\, world premiere) \n  \n  \nSchallfeld Ensemble \nZinajda Kodrič flute \nSzilárd Benes clarinet \nNN piano \nLorenzo Derinni violin \nMyriam García Fidalgo cello \n\n\n \n\n\n\n\n„Text im Klang” is already looking forward to its 7th edition in 2026. From the very beginning\, the project has seen itself as a laboratory\, where medial interlacings with a focal point on impulses are put into practice. In specific\, literary texts as well as the active exchange between composer and author hereby provide the initial impulses for new compositions. The intention of the project hereby does not pursue a classical setting such as words to music\, nor a simple translation of the words with voices\, nor tonal representations of the texts – what is called for is rather texts functioning as movens with their\, for example\, rhythmic and syntactic qualities\, in its tonal coloration\, its timbre\, in its atmospheric or thematic density\, as semantic abutment\, … Hereby the experimental setup of „Text im Klang” has always been slightly modified throughout the years: in 2014 and 2016\, preselected texts by various Austrian authors served the composers in various pairings as a source of inspiration; in the performances\, music and text were sometimes intertwined\, the latter read by actors or the authors themselves\, sometimes being integrated directly in the composition itself live or e.g. as an edited or processed recording. In 2018 in turn\, the focus for all composers was put on one specific short text\, in 2020\, both text and music were created from scratch on a jointly developed theme. In 2022 Ferdinand Schmatz´s „das gehörte feuer. orphische skizzen“ was the starting point for the new compositions\, which partly included fragments of the text both in acoustic and visual ways aside from other parts being read by the author\, and in 2024 Elfriede Jelinek agreed that any of her numerous texts could function as impulse and starting point for new musical works\, which that time were written for the very classical line-up of Schubert´s Forellenquintett. \n  \nLike in former years\, with Schallfeld Ensemble also the musicians of course play an important role in the project\, being included in the process from the very beginning and standing in close connection specially with the composers for the realization of their new works. Throughout the different editions Schallfeld Ensemble has hereby presented itself in various line-ups. \n  \nIn 2026 five years will have passed since the death of one of the Grandes Dames of Austrian literature\, Friederike Mayröcker. With unwavering curiosity\, she worked until the very end on a multi-award-winning body of work comprising over 120 books — with numerous references to music\, visual arts\, philosophy\, and poetry. Its magic\, visual power\, and poetic radicalism had a decisive influence on German-language literature. Klaus Kastberger\, who has worked and published on her oeuvre\, accompanies the project as an intermediary to the writer and her literary work as well as to her musical preferences\, giving an introduction also at the day of the premieres. Once more „Text im Klang“ offers a dramaturgically coherent program on October 16th\, and concludes the following day with an open brunch\, allowing reflections on the overall process of the project and an exchange with the audience on their impressions. \n\n\n€ 18 | € 12* | € 7** \n* Pupils\, students\, conscripts/civil servants and unemployed persons with valid identity card \n** Music students with valid ID at the box office and children up to 10 years of age \n*** Free admission for Hunger auf Kunst & Kultur at the box office from 15 minutes before the start of the concert. \nTicket reservation: office@impuls.cc \nThe program will also be performed on October 20th\, 2026 at echoraum in Vienna.
URL:https://www.schallfeldensemble.com/event/text-im-klang-7/
LOCATION:Florentinersaal\, Palais Meran . Florentinersaal\, Leonhardstraße 15\, Graz\, 8010\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/schallfeld5.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20261017T100000
DTEND;TZID=Europe/Vienna:20261017T130000
DTSTAMP:20260908T161204Z
CREATED:20250930T172902Z
LAST-MODIFIED:20260908T161204Z
UID:8326-1792231200-1792242000@www.schallfeldensemble.com
SUMMARY:Text im Klang #7 Discourse : Open Brunch
DESCRIPTION:Statements by and discussion with the involved artists of the project “Text im Klang” after the premieres on October 16th with Luca Bardelle | Forrest Moody | Dilay Doğanay | Joanna Wozny | Schallfeld Ensemble as well as Klaus Kastberger \n  \nFree admission / guests are asked to pay for their consumption though.
URL:https://www.schallfeldensemble.com/event/text-im-klang-7-discourse-open-brunch/
LOCATION:Parkhaus\, Stadtpark 2\, Graz\, 8010\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/schallfeld5.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20261020T200000
DTEND;TZID=Europe/Vienna:20261020T200000
DTSTAMP:20260924T094817Z
CREATED:20251002T092907Z
LAST-MODIFIED:20260924T094817Z
UID:8329-1792526400-1792526400@www.schallfeldensemble.com
SUMMARY:Text im Klang #7 Vienna
DESCRIPTION:Impuls composition commissions\n\n\n\n\n\n  \nLuca Bardelle New Work (2026) \nForrest Moody New Work (2026) \nDilay Doğanay New Work (2026) \nJoanna Wozny New Work (2026) \n  \nSchallfeld Ensemble \nElisa Azzarà flute \nSzilárd Benes clarinet \nNN piano \nLorenzo Derinni violin \nMyriam García Fidalgo cello \n\n\n\n\n\n\n\n„Text im Klang” is already looking forward to its 7th edition in 2026. From the very beginning\, the project has seen itself as a laboratory\, where medial interlacings with a focal point on impulses are put into practice. In specific\, literary texts as well as the active exchange between composer and author hereby provide the initial impulses for new compositions. The intention of the project hereby does not pursue a classical setting such as words to music\, nor a simple translation of the words with voices\, nor tonal representations of the texts – what is called for is rather texts functioning as movens with their\, for example\, rhythmic and syntactic qualities\, in its tonal coloration\, its timbre\, in its atmospheric or thematic density\, as semantic abutment\, … Hereby the experimental setup of „Text im Klang” has always been slightly modified throughout the years: in 2014 and 2016\, preselected texts by various Austrian authors served the composers in various pairings as a source of inspiration; in the performances\, music and text were sometimes intertwined\, the latter read by actors or the authors themselves\, sometimes being integrated directly in the composition itself live or e.g. as an edited or processed recording. In 2018 in turn\, the focus for all composers was put on one specific short text\, in 2020\, both text and music were created from scratch on a jointly developed theme. In 2022 Ferdinand Schmatz´s „das gehörte feuer. orphische skizzen“ was the starting point for the new compositions\, which partly included fragments of the text both in acoustic and visual ways aside from other parts being read by the author\, and in 2024 Elfriede Jelinek agreed that any of her numerous texts could function as impulse and starting point for new musical works\, which that time were written for the very classical line-up of Schubert´s Forellenquintett. \nLike in former years\, with Schallfeld Ensemble also the musicians of course play an important role in the project\, being included in the process from the very beginning and standing in close connection specially with the composers for the realization of their new works. Throughout the different editions Schallfeld Ensemble has hereby presented itself in various line-ups. \nIn 2026 five years will have passed since the death of one of the Grandes Dames of Austrian literature\, Friederike Mayröcker. With unwavering curiosity\, she worked until the very end on a multi-award-winning body of work comprising over 120 books — with numerous references to music\, visual arts\, philosophy\, and poetry. Its magic\, visual power\, and poetic radicalism had a decisive influence on German-language literature. Klaus Kastberger\, who has worked and published on her oeuvre\, accompanies the project as an intermediary to the writer and her literary work as well as to her musical preferences. \nThe pieces will be premiered on the 16.10.2026 in Graz. More info in the impuls website
URL:https://www.schallfeldensemble.com/event/text-im-klang-7-vienna/
LOCATION:echoraum\, Sechshauser Straße 66\, Wien\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/schallfeld5.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20261028T200000
DTEND;TZID=Europe/Vienna:20261028T213000
DTSTAMP:20260926T142952Z
CREATED:20260820T073946Z
LAST-MODIFIED:20260926T142952Z
UID:8790-1793217600-1793223000@www.schallfeldensemble.com
SUMMARY:Spiegelungen V: ... à travers ...
DESCRIPTION:On October 28 at 8 pm\, the Schallfeld Ensemble opens its autumn season with Spiegelungen V “…à travers…” – appearing for the first time as a guest at TiB – Theater im Bahnhof\, Graz. At the center of the program is the world premiere of Maurizio Azzan ‘s (StAir 2026) Wasteland – fragile\, almost a presence\, for six spatially distributed instruments and electronics. This is followed by three acoustic works for mixed quartet: Klein Fountain by Reuben Jelleyman (StAir 2026) \, musica spolia by Katherine Balch\, and Tristan Murail’s Feuilles à travers les cloches – a reversal of Debussy’s famous Prélude. An evening of highly varied music that nonetheless vividly reflects and evokes different conceptions of landscape and nature. \nProgram \nMaurizio Azzan – Wasteland_fragile\, almost a presence\nKatherine Balch – Musica spolia\nReuben Jelleyman – Klein Fountain\nTristan Murail – Feuilles à travers les cloches
URL:https://www.schallfeldensemble.com/event/spiegelungen-v/
LOCATION:Theater im Bahnhof\, Elisabethinergasse 27a\, 8020\, Graz\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/Philippe-Henry231704092_26580b8937_o.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20261121T193000
DTEND;TZID=Europe/Vienna:20261121T203000
DTSTAMP:20260914T150946Z
CREATED:20260914T150516Z
LAST-MODIFIED:20260914T150946Z
UID:8812-1795289400-1795293000@www.schallfeldensemble.com
SUMMARY:IGNM Steiermark - Aequora
DESCRIPTION:Programm \nJón Nordal – Duo für Geige und Violoncello (1983) \nAnna Thorvaldsdottir – Spectra für Geige\, Bratsche und Violoncello (2017) \nElisabeth Harnik – White Object for solo-voice (2001) \nMaría Huld Markan Sigfúsdóttir – Re/fractions I (Geige\, Klavier) \nMaría Huld Markan Sigfúsdóttir – Aequora (for piano & electronics) \nChristoph Renhart – Neues Werk für Vl\, Vla\, Vlc und El\, Grazer Erstaufführung
URL:https://www.schallfeldensemble.com/event/ignm-steiermark-aequora/
LOCATION:imCUBUS\, Mariahilferplatz 3 / I 8020\, Graz\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/schallfeld5.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20261202T200000
DTEND;TZID=Europe/Vienna:20261202T213000
DTSTAMP:20260823T150439Z
CREATED:20260823T150439Z
LAST-MODIFIED:20260823T150439Z
UID:8794-1796241600-1796247000@www.schallfeldensemble.com
SUMMARY:Spiegelungen VI
DESCRIPTION:Music by Pedro Berardinelli\, Zesses Seglias (WP) and Jon Yu (WP) \nMore info coming soon
URL:https://www.schallfeldensemble.com/event/spiegelungen-vi/
LOCATION:Minoritensaal Graz\, Mariahilferplatz 3\, Graz\, Austria
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20261210T073000
DTEND;TZID=Europe/Vienna:20261210T203000
DTSTAMP:20260915T151253Z
CREATED:20260912T090027Z
LAST-MODIFIED:20260915T151253Z
UID:8799-1796887800-1796934600@www.schallfeldensemble.com
SUMMARY:lonesingness
DESCRIPTION:Between breath\, body\, voice\, and instrument: The duo project of Elisa Azzarà and Margarethe Maierhofer-Lischka explores the framework of an instrumental duo and plays with the vocality and physicality of music-making. The six compositions were largely created in close collaboration with the two musicians and incorporate breathing\, singing\, and speaking voice as resonance spaces for the instruments. Theatrical gestures\, song fragments\, natural sounds\, and bodily sounds invite listeners to experience musicality anew. \nElisa Azzarà – flute\nMargarethe Maierhofer-Lischka – double Bass\nProgram\nXue Han – SharpDopPupPipTrip (2019) \nZesses Seglias – lonesingness (2011) \nLeonardo Mezzalira – biotope study #1 (premiere) \nSinan Samanli – “Mehtab-ı Seher” (premiere) \nLuisa Valeria Carpignano – Gschnas (premiere) \nJuan Sarmiento – Cantares (premiere)
URL:https://www.schallfeldensemble.com/event/lonesingness/
LOCATION:imCUBUS\, Mariahilferplatz 3 / I 8020\, Graz\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/ElisaMargarethe.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261211
DTEND;VALUE=DATE:20261212
DTSTAMP:20260915T151343Z
CREATED:20260912T090827Z
LAST-MODIFIED:20260915T151343Z
UID:8806-1796947200-1797033599@www.schallfeldensemble.com
SUMMARY:lonesingness
DESCRIPTION:Between breath\, body\, voice\, and instrument: The duo project of Elisa Azzarà and Margarethe Maierhofer-Lischka explores the framework of an instrumental duo and plays with the vocality and physicality of music-making. The six compositions were largely created in close collaboration with the two musicians and incorporate breathing\, singing\, and speaking voice as resonance spaces for the instruments. Theatrical gestures\, song fragments\, natural sounds\, and bodily sounds invite listeners to experience musicality anew. \nElisa Azzarà – flute\nMargarethe Maierhofer-Lischka – double Bass\nProgram\nXue Han – SharpDopPupPipTrip (2019) \nZesses Seglias – lonesingness (2011) \nLeonardo Mezzalira – biotope study #1 (premiere) \nSinan Samanli – “Mehtab-ı Seher” (premiere) \nLuisa Valeria Carpignano – Gschnas (premiere) \nJuan Sarmiento – Cantares (premiere)
URL:https://www.schallfeldensemble.com/event/lonesingness-2/
LOCATION:echoraum\, Sechshauser Straße 66\, Wien\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/ElisaMargarethe.jpg
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