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BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20260126T190000
DTEND;TZID=Europe/Vienna:20260126T203000
DTSTAMP:20260423T234843
CREATED:20250707T161244Z
LAST-MODIFIED:20260107T123355Z
UID:8258-1769454000-1769459400@www.schallfeldensemble.com
SUMMARY:SMC Lausanne
DESCRIPTION:Patricia Alessandrini (*1970)\nLeçon des ténèbres pour ensemble (2015 / 2025) NOUVELLE VERSION \n\n\n\n\nHannes Kerschbaumer (*1981)\nTektono pour ensemble et électronique (2019) \n\n\n\n\nFrancesca Verunelli (*1979)\nCinemaolio pour sextuor (2013 / 2014) \n\n\n\n\nBenjamin Scheuer (*1987)\nJammerorgel pour ensemble\, performer et samples (2017) \n  \n\n\nMit Unterstützung des Österreichischen Kulturforums Bern
URL:https://www.schallfeldensemble.com/event/smc-lausanne/
LOCATION:Haute Ecole de Musique (HEMU) | BCV Concert Hall\, Voie du Chariot 23\, Lausanne\, Switzerland
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/Captura-de-pantalla-2025-07-07-a-las-18.11.31.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20251203T200000
DTEND;TZID=Europe/Vienna:20251203T210000
DTSTAMP:20260423T234843
CREATED:20251118T145543Z
LAST-MODIFIED:20251118T155501Z
UID:8377-1764792000-1764795600@www.schallfeldensemble.com
SUMMARY:Korpus V: DARKROOM
DESCRIPTION:It has probably happened to many of us: someone turns on the radio\, hears an unfamiliar piece of music – perhaps the announcement has already ended\, perhaps there is not enough time to listen to the end – and is immediately captivated\, without ever finding out what it was. \nIt also often happens that a tip for listening is passed on\, or that you leaf through the programme booklet of a concert and – even before a single note is played – form an idea of what you will like and what you will not. \nWith Korpus V – Darkroom\, Schallfeld ends the 2025 season with an experiment: a concert without a disclosed programme. Solo works and chamber music\, new and older pieces – or rather\, new music for those who don’t know it yet (or don’t recognise it). \nA concert without a programme that invites us to explore whether we hear differently when we don’t know what we’re listening to. \nSCHALLFELD ENSEMBLE\nManuel Alcaraz Clemente – Percussion \nSzilárd Benes – Clarinet \nDavide Gagliardi – Live electronics and sound direction \nTicket information: \n€15 | €10* | €5**\n* KUG staff // Unemployed persons with valid ID\n** Students with valid ID at the box office\n*** Free admission for Hunger auf Kunst & Kultur at the box office from 15 minutes before the concert begins \n TICKETS
URL:https://www.schallfeldensemble.com/event/darkroom/
LOCATION:esc medien kunst labor\, Bürgergasse 5\, Graz\, Austria
ATTACH;FMTTYPE=image/png:https://www.schallfeldensemble.com/wp-content/uploads/Captura-de-pantalla-2025-11-18-a-las-15.58.08.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20251124T200000
DTEND;TZID=Europe/Vienna:20251124T213000
DTSTAMP:20260423T234843
CREATED:20250823T074737Z
LAST-MODIFIED:20251113T172712Z
UID:8294-1764014400-1764019800@www.schallfeldensemble.com
SUMMARY:Saisonkonzert Korpus IV: Alla luce e al sangue
DESCRIPTION:ALLA LUCE E AL SANGUE is the fourth concert of Schallfeld Ensemble 2025 KORPUS season. \nThe programme includes works by Patricia Alessandrini and Zesses Seglias\, as well as two world premieres by Anna Arkushyna and Brendan Champeaux. \nProgram\nBrendan Champeaux* – Cipher (2025 UA) \nComissioned by Schallfeld Ensemble with the support of SACEM \nAnna Arkushyna – Unnatural Selection: Real Body Fake (2025 UA) \nComissioned by Schallfeld Ensemble funded by BMWKMS and SKE-Fonds \nPatricia Alessandrini – Leçons de ténèbres (2016 – UA der neuen Fassung 2025) \nZesses Seglias** – Madrigali alla luce e al sangue (2021-2022) \n  \n*Brendan Champeaux is Styrian Artist in Residence (StAiR) 2025 \n** With the support of  The J.F. Costopoulos Foundation \n  \nTicket information: \n€15 | €10* | €5**\n* KUG staff // Unemployed persons with valid ID\n** Students with valid ID at the box office\n*** Free admission for Hunger auf Kunst & Kultur at the box office from 15 minutes before the concert begins \n  \n TICKETS\n  \nWith the support of The J.F. Costopoulos Foundation and SACEM \n             
URL:https://www.schallfeldensemble.com/event/saisonkonzert-korpus-iv/
LOCATION:Minoritensaal Graz\, Mariahilferplatz 3\, Graz\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/Captura-de-pantalla-2025-09-30-a-las-19.09.23.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20251103T190000
DTEND;TZID=Europe/Vienna:20251103T203000
DTSTAMP:20260423T234843
CREATED:20250712T070435Z
LAST-MODIFIED:20250823T075131Z
UID:8264-1762196400-1762201800@www.schallfeldensemble.com
SUMMARY:Ensemble project Mozarteum Salzburg
DESCRIPTION:New pieces by Mozarteum Composition Students\nMore info coming soon \nKleines Studio\nMirabellplatz 1\, 5020 Salzburg
URL:https://www.schallfeldensemble.com/event/mozarteum-salzburg/
LOCATION:Mozarteum University\, Kleines Studio\, Salzburg\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/schallfeld5.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20250920T193000
DTEND;TZID=Europe/Vienna:20250920T210000
DTSTAMP:20260423T234843
CREATED:20250815T072900Z
LAST-MODIFIED:20250815T073728Z
UID:8287-1758396600-1758402000@www.schallfeldensemble.com
SUMMARY:The Story of the Wolf Tone
DESCRIPTION:  \n  \n  \nA wolf tone is an acoustic disturbance\, a “howling” sound made by bowed string instruments. Its name refers to the wolf fifth\, an interval perceived as very dissonant that was shunned in Western music for a long time and has been eliminated in today’s standardized tuning. Using this sonic outsider as a point of departure\, Augustin Maurs looks at what is excluded from harmonic music and harmonic societies in his musical performance. He draws upon the cultural history of the wolf as a symbol of fear\, deviation\, and resistance—from the myth of Lycaon via Disney villains to current political fearmongering. \n\nIn English and German with English subtitles \n\nDuration: ca. 80 min. \nConcept and music: Augustin Maurs / The Friends of the Wolftone \nSoprano: Corina Koller\nNey: Hamzeh Hassan \nSchallfeld Ensemble\nRecorders: Gobi Drab\nPiano: Ana Ostojic\nViolin: Lorenzo Derinni\nCello: Anna Grenzner\nDouble bass and theremin: Margarethe Maierhofer-Lischka \nChoir: Grazer Universitätchor\nChoirmaster: Matthias Unterkofler \nWolf images: Annika Larsson\nProduction assistance: Lena Chalupka \n\nCommissioned and produced by steirischer herbst ’25 \n\n\n TICKETS\n  \nFoto: Annika Larsson
URL:https://www.schallfeldensemble.com/event/the-story-of-the-wolf-tone-2/
LOCATION:Dom in Berg\, Schlossbergsteig\, Graz
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/Maurs.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20250919T210000
DTEND;TZID=Europe/Vienna:20250919T223000
DTSTAMP:20260423T234843
CREATED:20250815T071700Z
LAST-MODIFIED:20250815T072916Z
UID:8277-1758315600-1758321000@www.schallfeldensemble.com
SUMMARY:The Story of the Wolf Tone
DESCRIPTION:  \n  \n  \nA wolf tone is an acoustic disturbance\, a “howling” sound made by bowed string instruments. Its name refers to the wolf fifth\, an interval perceived as very dissonant that was shunned in Western music for a long time and has been eliminated in today’s standardized tuning. Using this sonic outsider as a point of departure\, Augustin Maurs looks at what is excluded from harmonic music and harmonic societies in his musical performance. He draws upon the cultural history of the wolf as a symbol of fear\, deviation\, and resistance—from the myth of Lycaon via Disney villains to current political fearmongering. \n\nIn English and German with English subtitles \n\nDuration: ca. 80 min. \nConcept and music: Augustin Maurs / The Friends of the Wolftone \nSoprano: Corina Koller\nNey: Hamzeh Hassan \nSchallfeld Ensemble\nRecorders: Gobi Drab\nPiano: Ana Ostojic\nViolin: Lorenzo Derinni\nCello: Anna Grenzner\nDouble bass and theremin: Margarethe Maierhofer-Lischka \nChoir: Grazer Universitätchor\nChoirmaster: Matthias Unterkofler \nWolf images: Annika Larsson\nProduction assistance: Lena Chalupka \n\nCommissioned and produced by steirischer herbst ’25 \n\n\n TICKETS\n  \nFoto: Annika Larsson
URL:https://www.schallfeldensemble.com/event/the-story-of-the-wolf-tone/
LOCATION:Dom in Berg\, Schlossbergsteig\, Graz
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/Maurs.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250715
DTEND;VALUE=DATE:20250801
DTSTAMP:20260423T234843
CREATED:20241212T205553Z
LAST-MODIFIED:20250628T153818Z
UID:7983-1752537600-1754006399@www.schallfeldensemble.com
SUMMARY:Escola Superior de Música de Lisboa - final presentation of the postgraduate students
DESCRIPTION:Program 30.07: \nAmanda Onnela – Yöaie / نية آخر الليل \nAgustín Castellón Molina – violet veins \nEric So – Spatial Canon \nJoão Quinteiro – [ab]strata_wA:pS:sC \nMarco Benetti – Trio n. 3 \nPouyan Ramezanpour – Derevaun Seraun \n 
URL:https://www.schallfeldensemble.com/event/escola-superior-de-musica-de-lisboa-final-presentation-of-the-postgraduate-students/
LOCATION:Escola Superior de Musica de Lisboa\, Campus de Benfica do Instituto Politécnico de Lisboa\, Lisboa\, Portugal
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/47683706_2164178610498577_684074903116185600_n.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20250706T190000
DTEND;TZID=Europe/Vienna:20250706T213000
DTSTAMP:20260423T234843
CREATED:20250531T163208Z
LAST-MODIFIED:20250531T163208Z
UID:8238-1751828400-1751837400@www.schallfeldensemble.com
SUMMARY:Tiroler Festspiele Erl : George Benjamin - Picture a day like this
DESCRIPTION:More info in the German version or the Tiroler Festspiele Erl Website \n  \nPicture by Petr Šmídek
URL:https://www.schallfeldensemble.com/event/tiroler-festspiele-erl-george-benjamin-picture-a-day-like-this-2/
LOCATION:Festspiele Erl\, Mühlgraben 56a\, Erl\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/picture_3777_13.jpg-1600x1200-koncertni-sal-pro-tyrolsky-festival-tiroler-festspiele-erl.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20250704T190000
DTEND;TZID=Europe/Vienna:20250704T213000
DTSTAMP:20260423T234843
CREATED:20250531T162324Z
LAST-MODIFIED:20250531T163131Z
UID:8231-1751655600-1751664600@www.schallfeldensemble.com
SUMMARY:Tiroler Festspiele Erl : George Benjamin - Picture a day like this
DESCRIPTION:More info in the German version or the Tiroler Festspiele Erl Website \n  \nPicture by Petr Šmídek
URL:https://www.schallfeldensemble.com/event/tiroler-festspiele-erl-george-benjamin-picture-a-day-like-this/
LOCATION:Festspiele Erl\, Mühlgraben 56a\, Erl\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/picture_3777_13.jpg-1600x1200-koncertni-sal-pro-tyrolsky-festival-tiroler-festspiele-erl.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20250605T180000
DTEND;TZID=Europe/Vienna:20250605T200000
DTSTAMP:20260423T234843
CREATED:20250509T162517Z
LAST-MODIFIED:20250509T162517Z
UID:8210-1749146400-1749153600@www.schallfeldensemble.com
SUMMARY:American Academy in Rom - Summer Open Studios
DESCRIPTION:The American Academy in Rome will showcase the work of its Rome Prize and Italian Fellows in the arts with Summer Open Studios. The event provides access to the inner workings of Fellows’ projects in studios and spaces throughout the McKim\, Mead & White Building. The evening will feature installations\, collaborations\, readings\, and performances across many disciplines in the arts. \nVisitors will encounter work that highlights issues that have fueled Fellows’ investigations this season. \nArchitecture\nMichelle Jaja Chang\nDavid Costanza \nDesign\nAmy Revier \nHistoric Preservation and Conservation\nKatherine L. Beaty \nLandscape Architecture\nMegumi Aihara and Dan Spiegel\nGiuseppe Grant \nLiterature\nSelby Wynn Schwartz \nMusical Composition\nJonah Nuoja Luo Haven\nJen Shyu \nVisual Arts\nMonia Ben Hamouda\nLex Brown\nMatthew Connors\nDevon Dikeou\nRichard Mosse\nClarissa Tossin \n\nSchallfeld Ensemble\nLorenzo Derinni – violin \nGeorgia Privitera – violin \nFrancesca Piccioni – viola \nManuel Schager – cello
URL:https://www.schallfeldensemble.com/event/american-academy-in-rom-summer-open-studios/
LOCATION:American Academy\, Via Angelo Masina 5\, Rom\, Italy
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/support-planned-giving-2021.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20250524T200000
DTEND;TZID=Europe/Vienna:20250524T210000
DTSTAMP:20260423T234843
CREATED:20241213T105031Z
LAST-MODIFIED:20250508T095721Z
UID:7998-1748116800-1748120400@www.schallfeldensemble.com
SUMMARY:Saison 2025 KORPUS III: SKIN
DESCRIPTION:On 24 May\, Schallfeld will perform SKIN\, the third concert of its 2025 KORPUS season. \nUnder the title SKIN\, things get musically intimate as we present music that literally gets under your skin in a poetic\, metaphorical and sensual way. In addition to two world premieres by Luca Guidarini (Styrian Artist in Residence 2025) and Andrés Gutiérrez Martínez (Grain\, 2017 – new version 2025)\, which delve into organic worlds of sound\,we dedicate ourselves to the magnum opus ‘Skin’ by the renowned British composer Rebecca Saunders (Ernst von Siemens Music Prize 2019). Ensemble Schallfeld will be accompanied by soprano Juliet Fraser\, for whom this work was composed. \nJuliet Fraser © Dimitri DjuricLuca GuidariniAndrés Gutiérrez MartínezRebecca Saunders c. Astrid Ackermann TICKETS\n  \n€ 15 | € 10* | € 5** \n* KUG employees // unemployed persons with valid identity card \n** Students with valid ID \n*** Free entry for Hunger auf Kunst & Kultur members.
URL:https://www.schallfeldensemble.com/event/saison-2025-korpus-iii/
LOCATION:Minoritensaal Graz\, Mariahilferplatz 3\, Graz\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/schallfeld5.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250502
DTEND;VALUE=DATE:20250505
DTSTAMP:20260423T234843
CREATED:20250424T163759Z
LAST-MODIFIED:20250502T082624Z
UID:8165-1746144000-1746403199@www.schallfeldensemble.com
SUMMARY:Ensemble in Residence Sesin Yolculuğu Festival - Istanbul
DESCRIPTION:  \nSchallfeld Ensemble will perform new works for piano trio by the participants of the Academy. \nWith the support of the
URL:https://www.schallfeldensemble.com/event/ensemble-in-residence-sesin-yolculugu-festival-istanbul/
LOCATION:Atatürk Kültür Merkezy\, Tiyatro Salonu\, Gümüşsuyu Neighbourhood Mete Street No: 2 Beyoglu\, Istanbul\, Turkey
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/rino0470emredorterakm.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20250406T200000
DTEND;TZID=Europe/Vienna:20250406T210000
DTSTAMP:20260423T234843
CREATED:20250221T110741Z
LAST-MODIFIED:20250221T110805Z
UID:8071-1743969600-1743973200@www.schallfeldensemble.com
SUMMARY:Biennale Zagreb: Mauro Lanza & Andrea Valle - Systema Naturae
DESCRIPTION:Systema Naturae is about discovery. It is a meditation on the process\, rather than the act. It depicts the ways in which we classify\, organise and most importantly give name to the minutiae of the natural world. The project draws inspiration from two traditions: phantasmagorical catalogues of animals\, plants\, and minerals\, such as the medieval bestiaries\, herbariums and lapidariums\, and Linnaeus’ taxonomy exhibited in his work Systema Naturae. \nEach composition in the cycle is structured as a catalogue: a collection of short pieces with fictitious Latin names thematises individual branches of nature or natural sciences. Through a four-part “play” – Regnum Animale (2013)\, Regnum Vegetabile (2014)\, Regnum Lapideum (2016) and Fossilia(2016/17) – Mauro Lanza and Andrea Valle created a vast\, wide-open metaphor of the world that reflects our own histories of observation and categorisation. Through an amalgam of medieval imagination and rational classification\, the cycle explores the way in which history and modernity can coexist in sound. \n/// \nComposer Mauro Lanza was born in Venice\, Italy. He is known for combining classical instruments with unconventional sources of sound such as toys\, sound machines\, and different found objects. His music is also often used in interdisciplinary projects such as dance and video-opera. \nAndrea Valle is a composer and researcher from the University of Turin\, whose work combines computer programming and analogue instruments. For example\, in the project Vedute della luna scritte in Braille\, he uses the hybrid instrument Rumentarium\, which he built and programmed himself\, in order to create a piece about Galileo’s descriptions of the Moon surface\, in which engines\, tins and Lego blocks produce uncommon\, weightless sounds. \nProgramm: \nMauro Lanza & Andrea Valle: Systema Naturae \nRegnum animale\, for violin\, viola\, cello and electromechanical devices\n           Regnum vegetabile\, for flute\, oboe\, clarinet\, violin\, viola\, cello and electromechanical devices\n           Regnum lapideum\, for flute\, saxophone\, percussion\, piano\, guitar\, viola\, cello and electromechanical devices\n           Fossilia\, for flute\, oboe\, clarinet\, saxophone\, percussion\, piano\, guitar\, violin\, viola\, cello and electromechanical devices \nsupported by the Austrian Cultural Forum
URL:https://www.schallfeldensemble.com/event/biennale-zagreb-mauro-lanza-andrea-valle-systema-naturae/
LOCATION:Lauba\, prilaz baruna Filipovića 23A\, 10000\, Zagreb\, Croatia (Local Name: Hrvatska)
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/IMG_3558.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20250320T203000
DTEND;TZID=Europe/Vienna:20250320T220000
DTSTAMP:20260423T234843
CREATED:20240925T163652Z
LAST-MODIFIED:20250228T135423Z
UID:7908-1742502600-1742508000@www.schallfeldensemble.com
SUMMARY:IGNM Basel - (AUS DER NÄHE)
DESCRIPTION:(AUS DER NÄHE)\nAn diesem Abend werden verschiedene Wege der Introspektion erkundet: Themen wie Körperlichkeit (in Klang und Mensch) und Liminalität (in Wahrnehmung und Identität) spielen dabei eine zentrale Rolle. Beide Werke deuten eine mögliche Vokalität an: In «Gesang der Töne» von Caspar Johannes Walter ist sie latent\, während sie bei Timothy McCormack in ihren Randbereichen erforscht wird. Obwohl die beiden Kompositionen von unterschiedlichen Ansätzen ausgehen\, teilen sie die Suche nach neuen Ausdrucksmöglichkeiten. \nMit\nSchallfeld Ensemble: Chiara Percivati (Klarinetten)\, Maria Flavia Cerrato (Klavier)\, Manuel Alcaraz Clemente (Schlagzeug)\, Lorenzo Derinni (Violine)\, Myriam García Fidalgo (Violoncello)\, Margarethe Maierhofer-Lischka (Kontrabass)\, Davide Gagliardi (Klangregie und Live-Elektronik); Ty Bouque (Stimme) \nProgramm \nCaspar Johannes Walter: «Gesang der Töne (aus der Nähe)» (2000/2001)\nTimothy McCormack: «yours in the process of being absorbed» (2023) \nKonzertort: Druckereihalle im Ackermannshof\, St. Johanns-Vorstadt 19-21\, 4056 Basel \n\n\n\n\n  \nMit Unterstützung des Österreichischen Kulturforums Bern
URL:https://www.schallfeldensemble.com/event/ignm-basel-aus-der-nahe/
LOCATION:Druckereihalle\, Druckereihalle im Ackermannshof\, St. Johanns-Vorstadt 19-21\, Basel\, 4056\, Switzerland
ATTACH;FMTTYPE=image/png:https://www.schallfeldensemble.com/wp-content/uploads/Captura-de-pantalla-2024-09-25-a-las-18.20.59.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20250318T193000
DTEND;TZID=Europe/Vienna:20250318T210000
DTSTAMP:20260423T234843
CREATED:20250127T193346Z
LAST-MODIFIED:20250225T105619Z
UID:8059-1742326200-1742331600@www.schallfeldensemble.com
SUMMARY:(Aus der Nähe) - Vienna
DESCRIPTION:This evening will explore different ways of introspection: Themes such as physicality (in sound and people) and liminality (in perception and identity) play a central role. Both works hint at a possible vocality: In ‘Gesang der Töne’ by Caspar Johannes Walter it is latent\, while in Timothy McCormack it is explored in its peripheral areas. Although the two compositions are based on different approaches\, they share a search for new expressive possibilities. \n  \nProgramme \nCaspar Johannes Walter: ‘Gesang der Töne (aus der Nähe)’ (2000/2001) \nTimothy McCormack: «yours in the process of being absorbed» (2023) \n  \nSchallfeld Ensemble \nChiara Percivati (clarinets) \nMaria Flavia Cerrato (piano) \nManuel Alcaraz Clemente (percussion) \nLorenzo Derinni (violin) \nMyriam García Fidalgo (violoncello) \nMargarethe Maierhofer-Lischka (double bass) \nDavide Gagliardi (sound direction and live electronics) \nSoloist: Ty Bouque (voice) \nTICKETS \n€ 20 | € 15* | € 10** \n*From 65 \n** Students with valid ID \n*** Free entry for Hunger auf Kunst & Kultur members.
URL:https://www.schallfeldensemble.com/event/aus-der-nahe-vienna/
LOCATION:Ehrbar Saal\, Mühlgasse 30\, Vienna\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/Ausdernahe16.10.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20250317T200000
DTEND;TZID=Europe/Vienna:20250317T210000
DTSTAMP:20260423T234843
CREATED:20241213T102226Z
LAST-MODIFIED:20250213T125945Z
UID:7989-1742241600-1742245200@www.schallfeldensemble.com
SUMMARY:Saison 2025 - KORPUS II: (AUS DER NÄHE)
DESCRIPTION:This evening will explore different ways of introspection: Themes such as physicality (in sound and people) and liminality (in perception and identity) play a central role. Both works hint at a possible vocality: In ‘Gesang der Töne’ by Caspar Johannes Walter it is latent\, while in Timothy McCormack it is explored in its peripheral areas. Although the two compositions are based on different approaches\, they share a search for new expressive possibilities. \n  \nProgramme \nCaspar Johannes Walter: ‘Gesang der Töne (aus der Nähe)’ (2000/2001) \nTimothy McCormack: «yours in the process of being absorbed» (2023) \n  \n TICKETS\n  \nSchallfeld Ensemble \nChiara Percivati (clarinets) \nMaria Flavia Cerrato (piano) \nManuel Alcaraz Clemente (percussion) \nLorenzo Derinni (violin) \nMyriam García Fidalgo (violoncello) \nMargarethe Maierhofer-Lischka (double bass) \nDavide Gagliardi (sound direction and live electronics) \nSoloist: Ty Bouque (voice) \n  \nTickets: \n€ 15 | € 10* | € 5** \n* KUG employees // unemployed persons with valid identity card \n** Students with valid ID \n*** Free entry for Hunger auf Kunst & Kultur members. \n  \nFoto: Nigel Sommerfeld
URL:https://www.schallfeldensemble.com/event/ausdernaehe/
LOCATION:Florentinersaal\, Palais Meran . Florentinersaal\, Leonhardstraße 15\, Graz\, 8010\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/Ausdernahe16.10.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20250219T200000
DTEND;TZID=Europe/Vienna:20250219T210000
DTSTAMP:20260423T234843
CREATED:20241211T211442Z
LAST-MODIFIED:20241211T212229Z
UID:7971-1739995200-1739998800@www.schallfeldensemble.com
SUMMARY:impuls Festival: KORPUS I
DESCRIPTION:Claudio Panariello To learn the obscene art of suffering pain\, for flute\, clarinet\, saxophone\, percussion\, piano\, violin\, viola\, cello\, double bass\, electronics (2022) \nCarola Bauckholt Keil\, for flute\, clarinet\, percussion\, piano\, violin\, viola\, cello\, double bass (2000) \nChristophe Bertrand Madrigal\, for soprano\, flute\, clarinet\, percussion\, piano\, violin\, cello (2005) \nMisato Mochizuki Voilages\, for flute\, clarinet\, piano\, violin\, viola\, cello (2000) \nAlexander Khubeev don’t leave the room\, for performer\, flute\, clarinet\, trombone\, percussion\, piano\, violin\, cello\, electronics\, live-video (2020)* \n\nHaving been connected to impuls in various ways over the years\, Graz based Schallfeld Ensemble presents its first concert of the 2025 season – dedicated to „Body“ as main theme – within the impuls Festival. Starting with the experience of pain (and confrontation with hybridity\, otherness and detachment) in Panariello´s work\, the program clashes into the hyperbolic description of Gargantua’s gigantic body (Bertrand) and finally arrives at Khubeev’s paradoxical musical investigation of the body as a linguistic medium. Just like in former years\, with Carola Bauckholt and Misato Mochizuki two renowned composers teaching at the impuls Academy\, are included in the program\, opening up the possibility to work and exchange closely with them. \n\nSchallfeld Ensemble \nElisa Azzarà flutes \nSzilárd Benes clarinets \nDiego García Pliego saxophones \nPablo Marin-Reyes trombone \nMaria Flavia Cerrato piano \nManuel Alcaraz Clemente (solo*) percussion \nSimon Klavžar percussion \nLorenzo Derinni violin \nFrancesca Piccioni viola \nMyriam García Fidalgo cello \nMargarethe Maierhofer-Lischka double bass \n  \nAnnette Schönmüller voice \nDavide Gagliardi sound design\, live-electronics \nLeonhard Garms conductor \n\n€ 18 | € 12* | € 7** \n* Pupils\, students\, conscripts/civil servants and unemployed persons with valid identity card \n** Music students with valid ID at the box office and children up to 10 years of age \n*** Free admission for Hunger auf Kunst & Kultur at the box office from 15 minutes before the start of the concert \nTicket reservation: office@impuls.cc \nA cooperation of Schallfeld Ensemble and impuls\, supported by IGNM Steiermark \n 
URL:https://www.schallfeldensemble.com/event/impuls-festival-korpus-i/
LOCATION:Ligeti Saal\, Lichtenfelsgasse 14\, Graz\, 8010\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/impulsbanner_aussendung-2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20250129T193000
DTEND;TZID=Europe/Vienna:20250129T210000
DTSTAMP:20260423T234843
CREATED:20241103T222353Z
LAST-MODIFIED:20250109T094452Z
UID:7940-1738179000-1738184400@www.schallfeldensemble.com
SUMMARY:Alive  - NOW! Oper der Gegenwart
DESCRIPTION:Sinan Samanli (TUR/AT) | Komposition\, Oud\nAlisa Kobzar (UKR/AT) | Klangkunst\, Live Audio-Visual\nAntonis Rouvelas (GRE/AT) | Lichtdesign\nmit Schallfeld Ensemble \n\nDie Handlung von Alive basiert auf dem philosophischen Roman Hayy ibn Yaqzan des arabisch-andalusischen Universalgelehrten Ibn Tufail aus dem 12. Jahrhundert.\nDie Geschichte erzählt von einem Kind\, das allein auf einer abgeschiedenen indischen Insel aufwächst. Seine einzigen Gefährten sind wilde Tiere\, von denen eines die Rolle einer Elternfigur übernimmt und es aufzieht\, bis es eigenständig wird. Der Protagonist Hayy spricht in den ersten 50 Jahren seines Lebens nicht\, doch seine unstillbare Neugier führt ihn von einem sprachlich eingeschränkten Autodidakten zu einer systematischen Erforschung von Wissen\, die schließlich in einer umfassenden metaphysischen Perspektive mündet. Die Struktur des Romans zeichnet Hayys intellektuelle und spirituelle Entwicklung über die ersten fünf Jahrzehnte seines Lebens nach.\nIbn Tufails brillante literarische Technik\, die philosophische Tiefe seines Werkes in einen direkten und ansprechenden Stil zu kleiden\, inspirierte die Konzeption eines multimedialen Werks ohne gesprochene Worte. Stattdessen stehen Klang und Bild im Mittelpunkt. Hayys tiefe Neugier auf die natürlichen Gegebenheiten seiner Insel sowie seine intellektuellen und spirituellen Erkundungen transzendentaler Ideen bilden die Grundlage für ein immersives audiovisuelles Erlebnis mit Instrumenten und interaktiver Live-Elektronik.\nDie unkonventionelle Instrumentenbesetzung wurde so gewählt\, dass sie eine vielfältige Klangpalette bietet. Raumkonzepte spielen in der Musik eine zentrale Rolle\, um die Landschaften zu veranschaulichen\, mit denen Hayy interagiert. Die Flöte nimmt dabei eine besondere Stellung ein\, da sie von allen Instrumenten dem menschlichen Sprachklang am nächsten kommt. Das traditionelle östliche Instrument Oud vermittelt mit seiner einzigartigen Klanglichkeit die Wärme und Eleganz von Ibn Tufails Stil.
URL:https://www.schallfeldensemble.com/event/ibn-yaqdhan-now-oper-der-gegenwart/
LOCATION:Theater am Lend\, Wienerstraße 58a\, Graz
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/Poster_Alive_A3.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20250115T193000
DTEND;TZID=Europe/Vienna:20250115T203000
DTSTAMP:20260423T234843
CREATED:20250109T140118Z
LAST-MODIFIED:20250115T131004Z
UID:8022-1736969400-1736973000@www.schallfeldensemble.com
SUMMARY:Musik hilft: Charity concert for Valencia
DESCRIPTION:On 29 October last\, Valencia was hit by a DANA that flooded a large part of the so-called region of l’Horta Sud\, causing innumerable material damages and fatalities. The need to do something about this climatic catastrophe has mobilised musicians belonging to various contemporary music initiatives in Graz who have come together to offer a benefit concert to raise funds for musical associations in the region.\n\nMusicians members of Between Feathers\, Ensemble Coincidence\, LAKT\, Schallfeld Ensemble and Helena Sorokina will perform music by Kazu Fukushima\, Kaija Saariaho\, Salvatore Sciarrino\, Petra Stump-Linshalm\, Gundega Šmite\, James Tenney and Jeeyoung Yoo.\n\nAll donations from the concert will go to the Federation of Musical Societies of the Valencia Region (FSMCV).You can support the initiative also donating to their bank account: ES45 3159 0078 5630 4840 6023\n\nSalvatore Sciarrino (1947) – Vagabonde Blu (1998) \nMaria Mogas Gensana – Akkordion \nSanta Ratniece (*1977) – las ondas de este mar tempestuoso (2023\, Teresa de Ávila) \nHelena Sorokina – Kogler – Alt \nPetra Stump-Linshalm (*1975) – MADAME PELÉ’ (2021) \nElena Arbonies Jauregi – Bassklarinette \nKaija Saariaho (1952-2023) – Ciel étoile (1999) \nMario Porcar – Schlagzeug \nCarmen Rodríguez – Kontrabass \nKazu Fukushima(1930-2023) – Mei (1962) \nAleksandra Skrilecz – Flöte \nJeeyoung Yoo (1984) – Le Mura di Jerico (2021-23) \nMyriam García Fidalgo – Violoncello \nHelena Sorokina – Kogler – Alt \nJames Tenney (1934- 2006) – in a large open space (1994) \n\n\n\n\n                      \n\n\n\n\n  \n 
URL:https://www.schallfeldensemble.com/event/musik-hilft-charity-concert-for-valencia/
LOCATION:St. Andrä Kirche Graz\, Kernstockgasse 9\, Graz\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/fb-valencia-2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20250106T130000
DTEND;TZID=Europe/Vienna:20250106T143000
DTSTAMP:20260423T234843
CREATED:20241219T161334Z
LAST-MODIFIED:20241219T162035Z
UID:8005-1736168400-1736173800@www.schallfeldensemble.com
SUMMARY:Workshop and concert in the University of Southampton
DESCRIPTION:This concert is the result of a cooperation between Schallfeld\, the University of Southampton’s Music Department and the Austrian Cultural Forum London. It follows a workshop with composers and researchers Linhao Li and Uri Agnon. \nThe program features the premiere of their works. They combine with new pieces for flute and electronics by Pablo Galaz and Davide Gagliardi\, as well as a UK premiere by Maurizio Azzan. \nElisa Azzarà – flute \nDavide Gagliardi – live electronics \nWith the support of the \n \n 
URL:https://www.schallfeldensemble.com/event/workshop-and-concert-in-the-university-of-southampton/
LOCATION:Turner Sims Hall\, Turner Sims University of Southampton SO17 1BJ\, Southampton\, United Kingdom
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/5-2048x697-1.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20241206T190000
DTEND;TZID=Europe/Vienna:20241206T223000
DTSTAMP:20260423T234843
CREATED:20240208T161902Z
LAST-MODIFIED:20241122T210653Z
UID:7653-1733511600-1733524200@www.schallfeldensemble.com
SUMMARY:Festkonzert - 70 Years Beat Furrer
DESCRIPTION:Schallfeld Ensemble in cooperation with Cantando Admont \nClaudio Monteverdi (1567 – 1643)  \nHor che’l ciel e la terra \nFranco Donatoni (1927 – 2000)\nEtwas ruhiger im Ausdruck – für Flöte\, Klarinette\, Klavier\, Violine\, Violoncello \nBeat Furrer (*1954)\nIntorno al bianco – Klarinettenquintett \nBeat Furrer (*1954)  \nAkusmata – für 8 Stimmen & 8 Instrumente GEA \n  \n TICKETS\n  \nWith the friendly support of the \n \n  \n  \n  \n  \n\n     \n 
URL:https://www.schallfeldensemble.com/event/festkonzert-70-years-beat-furrer/
LOCATION:Helmut List Halle\, Waagner-Biro-Straße 98a\, Graz\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/211130_2021_Beat_Furrer_585.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20241126T193000
DTEND;TZID=Europe/Vienna:20241126T210000
DTSTAMP:20260423T234843
CREATED:20240708T160934Z
LAST-MODIFIED:20241020T134031Z
UID:7798-1732649400-1732654800@www.schallfeldensemble.com
SUMMARY:Musikagileak Contemporary Music Circuit
DESCRIPTION:Ramón Lazkano: Egan 2 \nAurelio Edler-Copes: Untitled November 2011 \nMikel Urquiza: Ars Memoriae \nGeorg Friedrich Haas: Tria ex uno \n  \nWith the support of \n \nThis project is supported in part by a grant from Acción Cultural Española (AC/E)\, a state agency.
URL:https://www.schallfeldensemble.com/event/musikagileak-contemporary-music-circuit/
LOCATION:Musikene\, Europa Plaza\, Nº2\, Donostia - San Sebastián\, 20018\, Spain
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20241124T163000
DTEND;TZID=Europe/Vienna:20241124T183000
DTSTAMP:20260423T234843
CREATED:20241020T145730Z
LAST-MODIFIED:20241020T145730Z
UID:7934-1732465800-1732473000@www.schallfeldensemble.com
SUMMARY:Open rehearsal with Ramón Lazkano
DESCRIPTION:Schallfeld will rehearsal with Ramón Lazkano his piece Egan 2. \nAula\, Kunst Universität Graz \nFree entry \nThis project is supported in part by a grant from Acción Cultural Española (AC/E)\, a state agency.
URL:https://www.schallfeldensemble.com/event/open-rehearsal-with-ramon-lazkano/
LOCATION:Kunst Universität Graz\, Leonhardstraße 15\, Graz\, 8010\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/ramon-lazkano-compositor.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20241031T213000
DTEND;TZID=Europe/Vienna:20241031T223000
DTSTAMP:20260423T234843
CREATED:20240808T090638Z
LAST-MODIFIED:20240813T175026Z
UID:7825-1730410200-1730413800@www.schallfeldensemble.com
SUMMARY:Arte no tempo
DESCRIPTION:Katharina Roth Tot ist das Mädchen* for violin\, viola\, violoncello\, double bass\, piano (2024) \nDaria Scia Wir sind alle und niemand. Wir umarmen uns für immer* for violin\, viola\, violoncello\, double bass\, piano (2024) \nHristina Šušak  DELIRIUM* for violin\, viola\, violoncello\, double bass\, piano (2024) \nLorenzo Troiani Im Magen des Ungeheuers* for violin\, viola\, violoncello\, double bass\, piano (2024) \nJoão Carlos Pinto (1998) | black midi** (2024\, WP) \n  \n*impuls composition commissions\, premiered on the 18.10.2024 in Graz as part of Text im Klang #6 \n**comission by Arte no Tempo financed by Direcção Geral das Artes.
URL:https://www.schallfeldensemble.com/event/arte-no-tempo/
LOCATION:Teatro aveirense\, Aveiro\, Portugal
ATTACH;FMTTYPE=image/png:https://www.schallfeldensemble.com/wp-content/uploads/ant-logoBranco250x250.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20241022T080000
DTEND;TZID=Europe/Vienna:20241022T210000
DTSTAMP:20260423T234843
CREATED:20240704T073656Z
LAST-MODIFIED:20240813T173448Z
UID:7793-1729584000-1729630800@www.schallfeldensemble.com
SUMMARY:Text im Klang #6
DESCRIPTION:Schallfeld: Text im Klang #6 \nVier neue Kompositionsaufträge für Violine\, Viola\, Violoncello\, Kontrabass\, Klavier. Textimpulse von Elfriede Jelinek. \nProgramm:\n \nKatharina Roth Tot ist das Mädchen* für Violine\, Viola\, Violoncello\, Kontrabass\, Klavier (2024\, UA) \nDaria Scia Wir sind alle und niemand. Wir umarmen uns für immer* für Violine\, Viola\, Violoncello\, Kontrabass\, Klavier (2024\, UA) \nHristina Šušak  DELIRIUM* für Violine\, Viola\, Violoncello\, Kontrabass\, Klavier (2024\, UA) \nLorenzo Troiani Im Magen des Ungeheuers* für Violine\, Viola\, Violoncello\, Kontrabass\, Klavier (2024\, UA) \n  \nSchallfeld Ensemble:\nLorenzo Derinni Violine\nFrancesca Piccioni Viola\nMyriam García Fidalgo Violoncello\nMargarethe Maierhofer-Lischka Kontrabass\nMaria Flavia Cerrato Klavier \nClaus Philipp Einführung zum Schaffen von Elfriede Jelinek \n„Text im Klang“ sieht heuer bereits seiner 6. Ausgabe entgegen. Von Anfang an verstand sich das Projekt als Labor\, das mediale Verschränkungen umzusetzen versucht\, deren Fokus auf dem Impuls liegen. Texte wie auch der aktive Austausch zwischen Komponisten und Autoren liefern dabei Initialimpulse zu neuen Kompositionen. Nicht Vertonungen im klassischen Sinn sind dabei intendiert\, keine Übersetzungen mit Stimme oder Sprecher\, keine klanglichen Repräsentationen der Texte – gefragt ist vielmehr der konkrete Text als Movens in seinen zum Beispiel rhythmischen und syntaktischen Qualitäten\, in seinen klangsprachlichen Färbungen\, in seiner atmosphärischen oder thematischen Dichte\, als semantische Widerlager … Die Versuchsanordnung von „Text im Klang“ wird im Rahmen der einzelnen Jahrgänge dabei immer wieder leicht modifiziert: 2014 und 2016 dienten den Komponisten Texte verschiedener österreichischer Autoren in verschiedenen Paarbildungen als Impulsgeber\, bei den Aufführungen wurden Musik und Text teils verschränkt\, letztere von Schauspielern oder den Autoren selbst vorgetragen\, teils dabei auch live oder beispielsweise als bearbeitete Zuspielung in den musikalischen Part integriert. 2018 lag der Fokus für alle Komponisten auf einem konkreten Kurztext\, 2020 entstanden sowohl Text wie Musik zu einem gemeinsam erarbeiteten Thema völlig neu. 2022 wiederum war Ferdinand Schmatz‘ „das gehörte feuer. orphische skizzen“ der Ausgangspunkt der neuen Kompositionen\, die teils Fragmente des Textes sowohl akustisch als auch visuell einbezogen\, teils auch vom Autor selbst gelesen wurden. \nIn den künstlerischen Austausch wie Prozess eingebunden sind nicht zuletzt mit Schallfeld Ensemble auch von Beginn an die Interpreten\, die ihrerseits für die Realisierung mit den Komponierenden in enger Zusammenarbeit stehen und über die Jahre auch in unterschiedlichen instrumentalen Formationen zu erleben sind. \nFür 2024 hat Elfriede Jelinek ihre Zustimmung gegeben\, dass jeder ihrer zahlreichen Texte als Impuls und Ausgangspunkt für neue musikalische Werke herangezogen werden kann. Die Besetzung ist diesmal mit Schuberts Forellenquintettinstrumentierung eine klassische. Den Uraufführungen voran geht eine Einführung zu Elfriede Jelinek durch Claus Philipp\, der das Projekt auch als Vermittler zur Schriftstellerin und ihrem literarischen Ouevre\, aber auch ihrem musikalischen Background und ihrer (gesellschafts-)politischen Rolle begleitet hat. Einmal mehr bietet „Text im Klang“ auch am 18. Oktober ein dramaturgisch schlüssiges Programm und schließt tags darauf mit einem öffentlich zugängigen Brunch ab\, bei dem der Gesamtprozess des Projekts nochmals reflektiert und die Eindrücke mit dem Publikum ausgetauscht werden können. \nEin Projekt von impuls:\nAm 18. Oktober 2024 um 20:00 Uhr wird dasselbe Programm in Graz im Florentinersaal des Palais Meran zu hören sein!\nhttps://www.impuls.cc/events-2024/1810-text-im-klang
URL:https://www.schallfeldensemble.com/event/text-im-klang-6-2/
LOCATION:echoraum\, Sechshauser Straße 66\, Wien\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/C0A2319.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20241018T200000
DTEND;TZID=Europe/Vienna:20241018T213000
DTSTAMP:20260423T234843
CREATED:20240116T092451Z
LAST-MODIFIED:20240901T163514Z
UID:7570-1729281600-1729287000@www.schallfeldensemble.com
SUMMARY:Text im Klang #6
DESCRIPTION:Premieres of impuls composition commissions\nKatharina Roth Tot ist das Mädchen\, for violin\, viola\, violoncello\, double bass\, piano (2024\, world premiere) \nDaria Scia Wir sind alle und niemand. Wir umarmen uns für immer\, for violin\, viola\, violoncello\, double bass\, piano (2024\, world premiere) \nHristina Šušak DELIRIUM\, for violin\, viola\, violoncello\, double bass\, piano (2024\, world premiere) \nLorenzo Troiani Im Magen des Ungeheuers\, viola\, violoncello\, double bass\, piano (2024\, world premiere) \n  \n  \nSchallfeld Ensemble \nLorenzo Derinni violin \nFrancesca Piccioni viola \nMyriam García Fidalgo violoncello \nMargarethe Maierhofer-Lischka double bass \nMaria Flavia Cerrato piano \n  \nClaus Philipp Introduction to the work of Elfriede Jelinek \n\n\n\n\n\n\n\n\n\n \n„Text im Klang” is already looking forward to its 6th edition this year. From the very beginning\, the project has seen itself as a laboratory\, where medial interlacings with a focal point on impulses are put into practice. In specific\, literary texts as well as the active exchange between composer and author hereby provide the initial impulses for new compositions. The intention of the project hereby does not pursue a classical setting such as words to music\, nor a simple translation of the words with voices\, nor tonal representations of the texts – what is called for is rather texts functioning as movens with their\, for example\, rhythmic and syntactic qualities\, in its tonal coloration\, its timbre\, in its atmospheric or thematic density\, as semantic abutment\, … Hereby the experimental setup of „Text im Klang” has always been slightly modified throughout the years: in 2014 and 2016\, texts by various Austrian authors served the composers in various pairings as a source of inspiration; in the performances\, music and text were sometimes intertwined\, the latter read by actors or the authors themselves\, sometimes being integrated directly in the composition itself live or e.g. as an edited or processed recording. In 2018 in turn\, the focus for all composers was put on one specific short text\, in 2020\, both text and music were created from scratch on a jointly developed theme and in 2022 Ferdinand Schmatz´s „das gehörte feuer. orphische skizzen“ was the starting point for the new compositions\, which partly included fragments of the text both in acoustic and visual ways aside from other parts being read by the author. \n  \nLike in former years\, with Schallfeld Ensemble also the musicians of course play an important role in the project\, being included in the process from the very beginning and standing in close connection specially with the composers for the realization of their new works. Throughout the different editions Schallfeld Ensemble has hereby presented itself in various line-ups. \n\n  \n\nFor 2024\, Elfriede Jelinek agreed that any of her numerous texts could function as impuls and starting point for new musical works\, which this time will be written for the very classical line-up of Schubert´s Forellenquintett. The world premieres will hereby come along with an introduction to Elfriede Jelinek by Claus Philipp\, who also accompanied the project as an intermediary to the writer and her literary work as well as to her musical background and (social-)political role. Once more „Text im Klang“ offers a dramaturgically coherent program on October 18th\, and concludes the following day with an open brunch\, allowing reflections on the overall process of the project and an exchange with the audience on their impressions. \n\n\n€ 18 | € 12* | € 7** \n* Pupils\, students\, conscripts/civil servants and unemployed persons with valid identity card \n** Music students with valid ID at the box office and children up to 10 years of age \n*** Free admission for Hunger auf Kunst & Kultur at the box office from 15 minutes before the start of the concert. \nTicket reservation: office@impuls.cc
URL:https://www.schallfeldensemble.com/event/text-im-klang-6/
LOCATION:Florentinersaal\, Palais Meran . Florentinersaal\, Leonhardstraße 15\, Graz\, 8010\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/schallfeld5.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20241008T200000
DTEND;TZID=Europe/Vienna:20241008T210000
DTSTAMP:20260423T234843
CREATED:20240528T161826Z
LAST-MODIFIED:20240916T115740Z
UID:7783-1728417600-1728421200@www.schallfeldensemble.com
SUMMARY:The great unlearning IV - Temporanea
DESCRIPTION:Schallfeld Ensemble returns after the summer break with the fourth concert of its 2024 season – The Great Unlearning\, for the first time at the MUWA – Museum der Wahrnehmung Graz.\nThe concert presents the world premiere of a new work by Alessandro Perini (StAiR Resident 2023) for three musicians and three motorized directional speakers.\nThe program also includes two other works by Perini\, a tribute to Luigi Nono on the occasion of his 100th birthday and two pieces by Gustavo Adolfo Delgado.\n\n\n TICKETS\n\n\nProgram\nAlessandro Perini* – Three studies for two voices \nfor two performers and embedded electronics \nAlessandro Perini *- On that day my left ear became a frog \nfor violin with custom-made amplified bow \nAlessandro Perini* – Temporanea. Aggregate (WP) \nor amplified trio with three rotating narrow-beam speakers  \nGustavo Adolfo Delgado – Di stanze  \nfor clarinet and live electronics \nGustavo Adolfo Delgado – MaxOut! \nfor clarinet and live electronics \nLuigi Nono – A Pierre. Dell’azzurro silenzio. \nfor bass flute\, contrabass clarinet and live electronics \n  \n*Alessandro Perini was Styrian Artist in Residence (StAiR) 2023. \n  \n  \n  \nPhoto © M. Benaglia
URL:https://www.schallfeldensemble.com/event/the-great-unlearning-iv/
LOCATION:Museum der Wahrnehmung – MUWA\, Friedrichgasse 41\, Graz\, 8010\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/Captura-de-pantalla-2024-08-13-a-las-19.59.32.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20240828T203000
DTEND;TZID=Europe/Vienna:20240828T213000
DTSTAMP:20260423T234843
CREATED:20240528T162357Z
LAST-MODIFIED:20250330T122014Z
UID:7787-1724877000-1724880600@www.schallfeldensemble.com
SUMMARY:Festival Contrasti
DESCRIPTION:Luigi Nono –  Non consumiamo Marx (1969) \nLuigi Nono –  …sofferte onde serene… (1976) \nLuigi Nono – Für Paul Dessau (1974) \nLuigi Nono – A Pierre. Dell’azzurro silenzio (1985)
URL:https://www.schallfeldensemble.com/event/festival-contrasti/
LOCATION:Liceo A. Rosmini – Aula Magna\, Via Bartolomeo Malfatti\, Trento\, Italy
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/schallfeld.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240810
DTEND;VALUE=DATE:20240817
DTSTAMP:20260423T234843
CREATED:20240709T174636Z
LAST-MODIFIED:20240709T174642Z
UID:7806-1723248000-1723852799@www.schallfeldensemble.com
SUMMARY:International Summer Academy for Composition of the Gustav Mahler Privatuniversität
DESCRIPTION:Workshop and concert with pieces by Bastian Jorquera Figueroa\, Caleb Walker\, Emil Lehre\, Ssu-Ting Lin\, Tinkara Zupan and Ziyi Tao. \n 
URL:https://www.schallfeldensemble.com/event/international-summer-academy-for-composition-of-the-gustav-mahler-privatuniversitat/
LOCATION:GMPU\, Mießtaler Straße 8\, Klagenfurt\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/C0A2319.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20240615T180000
DTEND;TZID=Europe/Vienna:20240615T210000
DTSTAMP:20260423T234843
CREATED:20240510T184727Z
LAST-MODIFIED:20240510T185304Z
UID:7777-1718474400-1718485200@www.schallfeldensemble.com
SUMMARY:Brücken Festival
DESCRIPTION:18 uhr / Bahnhof Hofwartesalon – Neuberg \nJohannes Brahms (1833-1897)\, Klarinettenquintett h-moll\, op.111 (1891)\nTexte über Brahms‘ Wanderungen\nPeter Rosegger (1843-1918)\, Gedichte\nGérard Pesson (*1958)\, Nebenstück\, op.10/4 (1998) \nWanderung über die Promenade zur Josef Pillhofer Skulpturenhalle. Jan Tabaka begleitet\, auf Stelzen gehend\, mit einer Gruppe von Schüler:innen das Publikum. Musik aus Werner Pirchners (1940-2001) „Do you know Emperor Joe“(1982). \n19.30 uhr / Josef Pillhofer Skulpturenhalle \nFrancesco Filidei (*1973)\, L’Opera (forse) (2008/09) – Text: Pierre Senges\nfür 6 Musiker:innen und Sprecher \nSpaziergang zum ARTISTsMUSEUM\, begleitet von Werner Pirchners Musik und den Stelzengeher:innen. \n20.20 uhr / ARTISTsMUSEUM \nBeat Furrer (*1954)\, „intorno al bianco“ (2016) für Klarinette und Streichquartett \nSchallfeld Ensemble\nLeonard Garms – Dirigent\nSebastian Wendelin – Sprecher\nHannes Haider und Freunde – Bläserquintett\nJan Tabaka mit Schüler:innen der Viktor Kaplan Volksschule – Stelzenkünstler:innen \nNeuberg\, Bahnhof Hofwartesalon / Josef Pillhofer Skulpturenhalle / ARTISTs MUSEUM
URL:https://www.schallfeldensemble.com/event/brucken-festival/
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/sujet_website-1.jpg
END:VEVENT
END:VCALENDAR