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DTSTART;TZID=Europe/Vienna:20261020T200000
DTEND;TZID=Europe/Vienna:20261020T200000
DTSTAMP:20260924T094817Z
CREATED:20251002T092907Z
LAST-MODIFIED:20260924T094817Z
UID:8329-1792526400-1792526400@www.schallfeldensemble.com
SUMMARY:Text im Klang #7 Vienna
DESCRIPTION:Impuls composition commissions\n\n\n\n\n\n  \nLuca Bardelle New Work (2026) \nForrest Moody New Work (2026) \nDilay Doğanay New Work (2026) \nJoanna Wozny New Work (2026) \n  \nSchallfeld Ensemble \nElisa Azzarà flute \nSzilárd Benes clarinet \nNN piano \nLorenzo Derinni violin \nMyriam García Fidalgo cello \n\n\n\n\n\n\n\n„Text im Klang” is already looking forward to its 7th edition in 2026. From the very beginning\, the project has seen itself as a laboratory\, where medial interlacings with a focal point on impulses are put into practice. In specific\, literary texts as well as the active exchange between composer and author hereby provide the initial impulses for new compositions. The intention of the project hereby does not pursue a classical setting such as words to music\, nor a simple translation of the words with voices\, nor tonal representations of the texts – what is called for is rather texts functioning as movens with their\, for example\, rhythmic and syntactic qualities\, in its tonal coloration\, its timbre\, in its atmospheric or thematic density\, as semantic abutment\, … Hereby the experimental setup of „Text im Klang” has always been slightly modified throughout the years: in 2014 and 2016\, preselected texts by various Austrian authors served the composers in various pairings as a source of inspiration; in the performances\, music and text were sometimes intertwined\, the latter read by actors or the authors themselves\, sometimes being integrated directly in the composition itself live or e.g. as an edited or processed recording. In 2018 in turn\, the focus for all composers was put on one specific short text\, in 2020\, both text and music were created from scratch on a jointly developed theme. In 2022 Ferdinand Schmatz´s „das gehörte feuer. orphische skizzen“ was the starting point for the new compositions\, which partly included fragments of the text both in acoustic and visual ways aside from other parts being read by the author\, and in 2024 Elfriede Jelinek agreed that any of her numerous texts could function as impulse and starting point for new musical works\, which that time were written for the very classical line-up of Schubert´s Forellenquintett. \nLike in former years\, with Schallfeld Ensemble also the musicians of course play an important role in the project\, being included in the process from the very beginning and standing in close connection specially with the composers for the realization of their new works. Throughout the different editions Schallfeld Ensemble has hereby presented itself in various line-ups. \nIn 2026 five years will have passed since the death of one of the Grandes Dames of Austrian literature\, Friederike Mayröcker. With unwavering curiosity\, she worked until the very end on a multi-award-winning body of work comprising over 120 books — with numerous references to music\, visual arts\, philosophy\, and poetry. Its magic\, visual power\, and poetic radicalism had a decisive influence on German-language literature. Klaus Kastberger\, who has worked and published on her oeuvre\, accompanies the project as an intermediary to the writer and her literary work as well as to her musical preferences. \nThe pieces will be premiered on the 16.10.2026 in Graz. More info in the impuls website
URL:https://www.schallfeldensemble.com/event/text-im-klang-7-vienna/
LOCATION:echoraum\, Sechshauser Straße 66\, Wien\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/schallfeld5.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20261017T100000
DTEND;TZID=Europe/Vienna:20261017T130000
DTSTAMP:20260908T161204Z
CREATED:20250930T172902Z
LAST-MODIFIED:20260908T161204Z
UID:8326-1792231200-1792242000@www.schallfeldensemble.com
SUMMARY:Text im Klang #7 Discourse : Open Brunch
DESCRIPTION:Statements by and discussion with the involved artists of the project “Text im Klang” after the premieres on October 16th with Luca Bardelle | Forrest Moody | Dilay Doğanay | Joanna Wozny | Schallfeld Ensemble as well as Klaus Kastberger \n  \nFree admission / guests are asked to pay for their consumption though.
URL:https://www.schallfeldensemble.com/event/text-im-klang-7-discourse-open-brunch/
LOCATION:Parkhaus\, Stadtpark 2\, Graz\, 8010\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/schallfeld5.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20261016T193000
DTEND;TZID=Europe/Vienna:20261016T210000
DTSTAMP:20260329T173846Z
CREATED:20250930T170401Z
LAST-MODIFIED:20260329T173846Z
UID:8320-1792179000-1792184400@www.schallfeldensemble.com
SUMMARY:Text im Klang #7
DESCRIPTION:Premieres of impuls composition commissions\n16.10.2026\, 19.30\nKUG . Palais Meran . Florentinersaal\, Leonhardstraße 15\, 8010 Graz\n\n\n\n\n\nKlaus Kastberger Introduction to the work of Friederike Mayröcker \n  \nLuca Bardelle New Work (2026\, world premiere) \nDilay Doğanay New Work (2026\, world premiere) \nForrest Moody New Work (2026\, world premiere) \nJoanna Wozny New Work (2026\, world premiere) \n  \n  \nSchallfeld Ensemble \nZinajda Kodrič flute \nSzilárd Benes clarinet \nNN piano \nLorenzo Derinni violin \nMyriam García Fidalgo cello \n\n\n \n\n\n\n\n„Text im Klang” is already looking forward to its 7th edition in 2026. From the very beginning\, the project has seen itself as a laboratory\, where medial interlacings with a focal point on impulses are put into practice. In specific\, literary texts as well as the active exchange between composer and author hereby provide the initial impulses for new compositions. The intention of the project hereby does not pursue a classical setting such as words to music\, nor a simple translation of the words with voices\, nor tonal representations of the texts – what is called for is rather texts functioning as movens with their\, for example\, rhythmic and syntactic qualities\, in its tonal coloration\, its timbre\, in its atmospheric or thematic density\, as semantic abutment\, … Hereby the experimental setup of „Text im Klang” has always been slightly modified throughout the years: in 2014 and 2016\, preselected texts by various Austrian authors served the composers in various pairings as a source of inspiration; in the performances\, music and text were sometimes intertwined\, the latter read by actors or the authors themselves\, sometimes being integrated directly in the composition itself live or e.g. as an edited or processed recording. In 2018 in turn\, the focus for all composers was put on one specific short text\, in 2020\, both text and music were created from scratch on a jointly developed theme. In 2022 Ferdinand Schmatz´s „das gehörte feuer. orphische skizzen“ was the starting point for the new compositions\, which partly included fragments of the text both in acoustic and visual ways aside from other parts being read by the author\, and in 2024 Elfriede Jelinek agreed that any of her numerous texts could function as impulse and starting point for new musical works\, which that time were written for the very classical line-up of Schubert´s Forellenquintett. \n  \nLike in former years\, with Schallfeld Ensemble also the musicians of course play an important role in the project\, being included in the process from the very beginning and standing in close connection specially with the composers for the realization of their new works. Throughout the different editions Schallfeld Ensemble has hereby presented itself in various line-ups. \n  \nIn 2026 five years will have passed since the death of one of the Grandes Dames of Austrian literature\, Friederike Mayröcker. With unwavering curiosity\, she worked until the very end on a multi-award-winning body of work comprising over 120 books — with numerous references to music\, visual arts\, philosophy\, and poetry. Its magic\, visual power\, and poetic radicalism had a decisive influence on German-language literature. Klaus Kastberger\, who has worked and published on her oeuvre\, accompanies the project as an intermediary to the writer and her literary work as well as to her musical preferences\, giving an introduction also at the day of the premieres. Once more „Text im Klang“ offers a dramaturgically coherent program on October 16th\, and concludes the following day with an open brunch\, allowing reflections on the overall process of the project and an exchange with the audience on their impressions. \n\n\n€ 18 | € 12* | € 7** \n* Pupils\, students\, conscripts/civil servants and unemployed persons with valid identity card \n** Music students with valid ID at the box office and children up to 10 years of age \n*** Free admission for Hunger auf Kunst & Kultur at the box office from 15 minutes before the start of the concert. \nTicket reservation: office@impuls.cc \nThe program will also be performed on October 20th\, 2026 at echoraum in Vienna.
URL:https://www.schallfeldensemble.com/event/text-im-klang-7/
LOCATION:Florentinersaal\, Palais Meran . Florentinersaal\, Leonhardstraße 15\, Graz\, 8010\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/schallfeld5.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20261003T130000
DTEND;TZID=Europe/Vienna:20261003T140000
DTSTAMP:20260912T095758Z
CREATED:20260331T162338Z
LAST-MODIFIED:20260912T095758Z
UID:8764-1791032400-1791036000@www.schallfeldensemble.com
SUMMARY:WIGMORE HALL -  VOICES OF TODAY
DESCRIPTION:Programme\nPATRICIA ALESSANDRINI (b. 1970) A place no one lives for soprano and ensemble (an extended version for live performance) (world première) [1]\nBEAT FURRER (b. 1954) Aria for soprano and six instruments \nEDA ER (b. 1989) Happily Ever After \nPATRICIA ALESSANDRINI New commission (for 2 sopranos and ensemble) (world première) [1]\n[1] Commissioned by Wigmore Hall (with the generous support of the Marchus Trust and the Wigmore Hall Endowment Fund) \n\n\nMarisol Montalvo – Soprano\n\nJohanna Vargas – Soprano\n\n\n\n\nOverview\nPatricia Alessandrini’s intricate sound sculptures encompass a seemingly unlimited range of tonal colours and textures\, both acoustic and electronic. The American composer and sound artist\, whose teachers include Tristan Murail and Thea Musgrave\, received praise from Gramophone for ‘her formidably disciplined manipulation of febrile emotions’. Her captivating art\, including a major new composition\, is complemented by the restless energy of Beat Furrer’s Aria from 1998-9. \n\n\nWith the support of the Swiss Arts Council Pro Helvetia \n \n 
URL:https://www.schallfeldensemble.com/event/wigmore-hall-voices-of-today/
LOCATION:Wigmore Hall\, 36 Wigmore Street\, London\, United Kingdom
ATTACH;FMTTYPE=image/webp:https://www.schallfeldensemble.com/wp-content/uploads/f_KK_03832_2.format-webp.width-3200_PIyIGWi1KYqFbkkD.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260721
DTEND;VALUE=DATE:20260728
DTSTAMP:20260220T165949Z
CREATED:20260220T165949Z
LAST-MODIFIED:20260220T165949Z
UID:8660-1784592000-1785196799@www.schallfeldensemble.com
SUMMARY:San Marino international summer music courses
DESCRIPTION:Schallfeld Ensemble will be ensemble in residence of the San Marino International Music Summer Courses new music project. \nSchallfeld will perform music by the selected composition students (who will have lessons with Maurizio Azzan and Lorenzo Pagliei) and will also offer contemporary violin\, cello and chamber music lessons.\n\nMore information here
URL:https://www.schallfeldensemble.com/event/san-marino-international-summer-music-courses/
LOCATION:San Marino\, San Marino
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/C0A2393.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20260720T180000
DTEND;TZID=Europe/Vienna:20260720T200000
DTSTAMP:20260709T124636Z
CREATED:20260615T080608Z
LAST-MODIFIED:20260709T124636Z
UID:8777-1784570400-1784577600@www.schallfeldensemble.com
SUMMARY:Spiegelungen IV
DESCRIPTION:Schallfeld Ensemble presents Brekzie\, the fourth concert of its season Spiegelungen. The program features works for string trio by Carlo Elia Praderio\, Sylvain Marty (world premiere)\, and Reuben Jelleyman\, Styrian Artist in Residence 2026 (world premiere).\nAt 18:00\, there will be an exclusive guided tour of the exhibition „Das Bleiben im Rahmen des Unmöglichen“\, led by his curator Roman Grabner. The concert begins at 19:00.\n\n\n\nProgram\nSylvain Marty – String trio (WP)\nReuben Jelleyman (StAiR 2026) – New work for string trio (WP)\nCarlo Elia Praderio – Brecce\n\n\n\nSchallfeld Ensemble\nLorenzo Derinni – violin\nFrancesca Piccioni – viola\nMyriam García Fidalgo – cello\n 
URL:https://www.schallfeldensemble.com/event/spiegelungen-iii/
LOCATION:Neue Galerie Graz\, BRUSEUM\, Graz\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/490141512_1224519829678604_810893908939287631_n.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20260629T190000
DTEND;TZID=Europe/Vienna:20260629T203000
DTSTAMP:20251006T182950Z
CREATED:20251006T173025Z
LAST-MODIFIED:20251006T182950Z
UID:8337-1782759600-1782765000@www.schallfeldensemble.com
SUMMARY:Workshop presentation KONSonanzen - Schallfeld Ensemble
DESCRIPTION:In der Schwebe – 100 Jahre Morton Feldman\n \n  \nOn the occasion of the 100th birthday of Morton Feldman (1926– 1987)\, this concert is dedicated to works that focus on listening itself – beyond clear forms\, categories and traditions.\nFeldman’s ‘Between Categories’ is symbolic of music that moves between sound and silence\, structure and dissolution. Francesco Filidei’s ‘Corde vuote’ and Arvo Pärt’s ‘Fratres’ also follow this search for the essential\, for the inner resonance of sound. Together\, the works create a state of suspension – sensitive\, open\, concentrated.\nIn this intergenerational exchange about the quiet possibilities of music\, members of the Schallfeld Ensemble perform together with pupils\, students and undergraduates from the Johann Joseph Fux Conservatory and participants in the supplementary subject ‘New Sounds’.
URL:https://www.schallfeldensemble.com/event/workshop-presentation-konsonanzen-schallfeld-ensemble/
LOCATION:Grazer Konservatorium\, Graz\, Austria
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20260625T193000
DTEND;TZID=Europe/Vienna:20260625T203000
DTSTAMP:20260407T075112Z
CREATED:20260226T194510Z
LAST-MODIFIED:20260407T075112Z
UID:8679-1782415800-1782419400@www.schallfeldensemble.com
SUMMARY:Ist das Oper oder kann das weg?
DESCRIPTION:Several tables\, packed with dishes\, glasses\, stuff and junk. Is that art or can it be thrown away? Here\, trivial things come to life and tell an ambiguous story with an absurd ending. A mini-drama that unfolds at the kitchen table. Curtain up and join in! Ist das Oper oder kann das weg? (eng. Is that Opera or can it be thrown away?) is a music theatre education project in response format. \n(c) ORF musikprotokoll\, Martin Gross \n\n\n\n\n\n\n\n\n\n\n\n\n\nInspired by the contemporary music theatre piece L’opera (forse) (eng. The maybe opera) by the Italian composer Francesco Filidei (with a libretto by Pierre Senges)\, several teams of students work on their own visions and versions of a ‘table and pocket opera’ in which everyday objects become musical instruments or scenic characters. Six classes from Styrian secondary schools develop their own ideas of what art is and what can be ‘left out’ based on Filidei’s anti-opera. The students learn to apply their practical skills creatively by working in groups\, with each group making an independent contribution to the overall performance. The project uses the potential of opera as a multidisciplinary art form: just as many trades come together in the theatre\, the students implement their own ideas for Filidei’s piece in an interdisciplinary way: texts\, costumes and scenography\, alternative dramaturgies and their own musical compositions for new scenes. \n\n\n\n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\nA team of experts in music and theatre education\, together with members of Schallfeld\, is developing a workshop concept in collaboration with teachers from several Styrian secondary and vocational schools that is tailored to the respective classes and school situations and takes into account the abilities of the students and their respective specialisations (craftsmanship\, music\, visual arts). A total of three schools with two classes each will be involved. \nThe results will be part of several concerts by the Schallfeld Ensemble\, in which both the original and the new perspectives will be presented. The low-threshold encounter with contemporary art and opera will spark curiosity about cultural activities. At the same time\, contemporary music will be made more accessible. The original setup of L’opera (forse) serves as the starting point in the workshops for new instruments as well as for writing and composing one’s own scenes. Everyday objects (bottles\, cutlery\, crockery…) become a creative field of experimentation for making sound generators or scenic objects. In addition\, the question arises: Could there be other twists instead of the tragic ending in Filidei? The project promotes interdisciplinary engagement with music and theatre while also providing a creative approach to sustainability\, as everyday materials and ‘junk’ are upcycled to become components of a musical theatre production. \n\n\n\n\n\n\n\n\n\n\n\n\nFilidei’s piece shows in a congenial way how the seemingly irreconcilable can come together: how poetry can arise from trash\, how kitchen Latin can be combined with profound philosophy\, and how music can be created from everyday gestures and objects. At the same time\, L’opera (forse) offers a broad framework for reflection through its multi-layered themes. The opera’s format\, in which an unlikely love story between a fish and a bird ends tragically – both end up as a banquet on Filidei’s table – makes it possible to talk about serious topics such as social exclusion and unequal friendships in a witty\, poetic and ironic way. Ist das Oper oder kann das weg? invites young people to bring their own social and future designs onto the stage in a poetic way. \nThe project is made possible by the Ernst von Siemens Music Foundation. \n \n\n\nMore info: office (at) schallfeldensemble.com \n\n\n TICKETS\n 
URL:https://www.schallfeldensemble.com/event/ist-das-oper-oder-kann-das-weg-5/
LOCATION:Theater am Ortweinplatz\, Ortweinplatz 1\, Graz\, Austria
CATEGORIES:Musikvermittlung
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/DSC8567-1536x1024-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20260624T120000
DTEND;TZID=Europe/Vienna:20260624T130000
DTSTAMP:20260226T193713Z
CREATED:20260226T193713Z
LAST-MODIFIED:20260226T193713Z
UID:8673-1782302400-1782306000@www.schallfeldensemble.com
SUMMARY:Ist das Oper oder kann das weg?
DESCRIPTION:Several tables\, packed with dishes\, glasses\, stuff and junk. Is that art or can it be thrown away? Here\, trivial things come to life and tell an ambiguous story with an absurd ending. A mini-drama that unfolds at the kitchen table. Curtain up and join in! Ist das Oper oder kann das weg? (eng. Is that Opera or can it be thrown away?) is a music theatre education project in response format. \n(c) ORF musikprotokoll\, Martin Gross \n\n\n\n\n\n\n\n\n\n\n\n\n\nInspired by the contemporary music theatre piece L’opera (forse) (eng. The maybe opera) by the Italian composer Francesco Filidei (with a libretto by Pierre Senges)\, several teams of students work on their own visions and versions of a ‘table and pocket opera’ in which everyday objects become musical instruments or scenic characters. Six classes from Styrian secondary schools develop their own ideas of what art is and what can be ‘left out’ based on Filidei’s anti-opera. The students learn to apply their practical skills creatively by working in groups\, with each group making an independent contribution to the overall performance. The project uses the potential of opera as a multidisciplinary art form: just as many trades come together in the theatre\, the students implement their own ideas for Filidei’s piece in an interdisciplinary way: texts\, costumes and scenography\, alternative dramaturgies and their own musical compositions for new scenes. \n\n\n\n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\nA team of experts in music and theatre education\, together with members of Schallfeld\, is developing a workshop concept in collaboration with teachers from several Styrian secondary and vocational schools that is tailored to the respective classes and school situations and takes into account the abilities of the students and their respective specialisations (craftsmanship\, music\, visual arts). A total of three schools with two classes each will be involved. \nThe results will be part of several concerts by the Schallfeld Ensemble\, in which both the original and the new perspectives will be presented. The low-threshold encounter with contemporary art and opera will spark curiosity about cultural activities. At the same time\, contemporary music will be made more accessible. The original setup of L’opera (forse) serves as the starting point in the workshops for new instruments as well as for writing and composing one’s own scenes. Everyday objects (bottles\, cutlery\, crockery…) become a creative field of experimentation for making sound generators or scenic objects. In addition\, the question arises: Could there be other twists instead of the tragic ending in Filidei? The project promotes interdisciplinary engagement with music and theatre while also providing a creative approach to sustainability\, as everyday materials and ‘junk’ are upcycled to become components of a musical theatre production. \n\n\n\n\n\n\n\n\n\n\n\n\nFilidei’s piece shows in a congenial way how the seemingly irreconcilable can come together: how poetry can arise from trash\, how kitchen Latin can be combined with profound philosophy\, and how music can be created from everyday gestures and objects. At the same time\, L’opera (forse) offers a broad framework for reflection through its multi-layered themes. The opera’s format\, in which an unlikely love story between a fish and a bird ends tragically – both end up as a banquet on Filidei’s table – makes it possible to talk about serious topics such as social exclusion and unequal friendships in a witty\, poetic and ironic way. Ist das Oper oder kann das weg? invites young people to bring their own social and future designs onto the stage in a poetic way. \nThe project is made possible by the Ernst von Siemens Music Foundation. \n \n\n\nMore info: office (at) schallfeldensemble.com \n\n\n TICKETS\n 
URL:https://www.schallfeldensemble.com/event/ist-das-oper-oder-kann-das-weg-4/
LOCATION:Theater am Ortweinplatz\, Ortweinplatz 1\, Graz\, Austria
CATEGORIES:Musikvermittlung
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/DSC8567-1536x1024-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20260624T100000
DTEND;TZID=Europe/Vienna:20260624T110000
DTSTAMP:20260226T192851Z
CREATED:20251108T113641Z
LAST-MODIFIED:20260226T192851Z
UID:8361-1782295200-1782298800@www.schallfeldensemble.com
SUMMARY:Ist das Oper oder kann das weg?
DESCRIPTION:Several tables\, packed with dishes\, glasses\, stuff and junk. Is that art or can it be thrown away? Here\, trivial things come to life and tell an ambiguous story with an absurd ending. A mini-drama that unfolds at the kitchen table. Curtain up and join in! Ist das Oper oder kann das weg? (eng. Is that Opera or can it be thrown away?) is a music theatre education project in response format. \n(c) ORF musikprotokoll\, Martin Gross \n\n\n\n\n\n\n\n\n\n\n\n\n\nInspired by the contemporary music theatre piece L’opera (forse) (eng. The maybe opera) by the Italian composer Francesco Filidei (with a libretto by Pierre Senges)\, several teams of students work on their own visions and versions of a ‘table and pocket opera’ in which everyday objects become musical instruments or scenic characters. Six classes from Styrian secondary schools develop their own ideas of what art is and what can be ‘left out’ based on Filidei’s anti-opera. The students learn to apply their practical skills creatively by working in groups\, with each group making an independent contribution to the overall performance. The project uses the potential of opera as a multidisciplinary art form: just as many trades come together in the theatre\, the students implement their own ideas for Filidei’s piece in an interdisciplinary way: texts\, costumes and scenography\, alternative dramaturgies and their own musical compositions for new scenes. \n\n\n\n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\nA team of experts in music and theatre education\, together with members of Schallfeld\, is developing a workshop concept in collaboration with teachers from several Styrian secondary and vocational schools that is tailored to the respective classes and school situations and takes into account the abilities of the students and their respective specialisations (craftsmanship\, music\, visual arts). A total of three schools with two classes each will be involved. \nThe results will be part of several concerts by the Schallfeld Ensemble\, in which both the original and the new perspectives will be presented. The low-threshold encounter with contemporary art and opera will spark curiosity about cultural activities. At the same time\, contemporary music will be made more accessible. The original setup of L’opera (forse) serves as the starting point in the workshops for new instruments as well as for writing and composing one’s own scenes. Everyday objects (bottles\, cutlery\, crockery…) become a creative field of experimentation for making sound generators or scenic objects. In addition\, the question arises: Could there be other twists instead of the tragic ending in Filidei? The project promotes interdisciplinary engagement with music and theatre while also providing a creative approach to sustainability\, as everyday materials and ‘junk’ are upcycled to become components of a musical theatre production. \n\n\n\n\n\n\n\n\n\n\n\n\nFilidei’s piece shows in a congenial way how the seemingly irreconcilable can come together: how poetry can arise from trash\, how kitchen Latin can be combined with profound philosophy\, and how music can be created from everyday gestures and objects. At the same time\, L’opera (forse) offers a broad framework for reflection through its multi-layered themes. The opera’s format\, in which an unlikely love story between a fish and a bird ends tragically – both end up as a banquet on Filidei’s table – makes it possible to talk about serious topics such as social exclusion and unequal friendships in a witty\, poetic and ironic way. Ist das Oper oder kann das weg? invites young people to bring their own social and future designs onto the stage in a poetic way. \nThe project is made possible by the Ernst von Siemens Music Foundation. \n \n\n\nMore info: office (at) schallfeldensemble.com \n\n\n TICKETS\n 
URL:https://www.schallfeldensemble.com/event/ist-das-oper-oder-kann-das-weg-2/
LOCATION:Theater am Ortweinplatz\, Ortweinplatz 1\, Graz\, Austria
CATEGORIES:Musikvermittlung
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/DSC8567-1536x1024-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260623
DTEND;VALUE=DATE:20260624
DTSTAMP:20260317T164015Z
CREATED:20251108T112720Z
LAST-MODIFIED:20260317T164015Z
UID:8356-1782172800-1782259199@www.schallfeldensemble.com
SUMMARY:Ist das Oper oder kann das weg?
DESCRIPTION:Several tables\, packed with dishes\, glasses\, stuff and junk. Is that art or can it be thrown away? Here\, trivial things come to life and tell an ambiguous story with an absurd ending. A mini-drama that unfolds at the kitchen table. Curtain up and join in! Ist das Oper oder kann das weg? (eng. Is that Opera or can it be thrown away?) is a music theatre education project in response format. \n\n\n\n\n\n\n\n\n\n\n\n\n\nInspired by the contemporary music theatre piece L’opera (forse) (eng. The maybe opera) by the Italian composer Francesco Filidei (with a libretto by Pierre Senges)\, several teams of students work on their own visions and versions of a ‘table and pocket opera’ in which everyday objects become musical instruments or scenic characters. Six classes from Styrian secondary schools develop their own ideas of what art is and what can be ‘left out’ based on Filidei’s anti-opera. The students learn to apply their practical skills creatively by working in groups\, with each group making an independent contribution to the overall performance. The project uses the potential of opera as a multidisciplinary art form: just as many trades come together in the theatre\, the students implement their own ideas for Filidei’s piece in an interdisciplinary way: texts\, costumes and scenography\, alternative dramaturgies and their own musical compositions for new scenes. \n\n\n\n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\nA team of experts in music and theatre education\, together with members of Schallfeld\, is developing a workshop concept in collaboration with teachers from several Styrian secondary and vocational schools that is tailored to the respective classes and school situations and takes into account the abilities of the students and their respective specialisations (craftsmanship\, music\, visual arts). A total of three schools with two classes each will be involved. \nThe results will be part of several concerts by the Schallfeld Ensemble\, in which both the original and the new perspectives will be presented. The low-threshold encounter with contemporary art and opera will spark curiosity about cultural activities. At the same time\, contemporary music will be made more accessible. The original setup of L’opera (forse) serves as the starting point in the workshops for new instruments as well as for writing and composing one’s own scenes. Everyday objects (bottles\, cutlery\, crockery…) become a creative field of experimentation for making sound generators or scenic objects. In addition\, the question arises: Could there be other twists instead of the tragic ending in Filidei? The project promotes interdisciplinary engagement with music and theatre while also providing a creative approach to sustainability\, as everyday materials and ‘junk’ are upcycled to become components of a musical theatre production. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nFilidei’s piece shows in a congenial way how the seemingly irreconcilable can come together: how poetry can arise from trash\, how kitchen Latin can be combined with profound philosophy\, and how music can be created from everyday gestures and objects. At the same time\, L’opera (forse) offers a broad framework for reflection through its multi-layered themes. The opera’s format\, in which an unlikely love story between a fish and a bird ends tragically – both end up as a banquet on Filidei’s table – makes it possible to talk about serious topics such as social exclusion and unequal friendships in a witty\, poetic and ironic way. Ist das Oper oder kann das weg? invites young people to bring their own social and future designs onto the stage in a poetic way. \nThe project is made possible by the Ernst von Siemens Music Foundation. \n  \n \n\n\nMore info: office (at) schallfeldensemble.com \n  \nDATES\n24.06.2026: 10:00 and 12:00 \n25.06.2026: 10:00 an 19:30 \nTheater am Ortweinplatz\, Ortweinplatz 1\, 8010\, Graz \n  \n\n\nTickets for the 23.06 are not available\, you can find the tickets for the 24. and 25.06 here\n 
URL:https://www.schallfeldensemble.com/event/ist-das-oper-oder-kann-das-weg/
LOCATION:Theater am Ortweinplatz\, Ortweinplatz 1\, Graz\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/DSC8567-1536x1024-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20260525T200000
DTEND;TZID=Europe/Vienna:20260525T213000
DTSTAMP:20260325T160453Z
CREATED:20260303T084359Z
LAST-MODIFIED:20260325T160453Z
UID:8689-1779739200-1779744600@www.schallfeldensemble.com
SUMMARY:Milano Musica
DESCRIPTION:Programm\nJérôme Combier \nNotebook of possible time (2026)*\n\nCommissioned by Schallfeld Ensemble e Milano Musica with the support of the Ernst von Siemens Musikstiftung\n \nBenjamin Scheuer \nKinetische Konturen (2026)*\nper ensemble ed elettronica\n \nCommissioned by Schallfeld Ensemble with the support of the Ernst von Siemens Musikstiftung \nFranck Bedrossian \nIt (2004\, 14′) \nLorenzo Troiani \nL’onda diagonale (2025-26\, 18′)\n\nCommission Schallfeld Ensemble with the support of BMWKMS
URL:https://www.schallfeldensemble.com/event/milano-musica/
LOCATION:Fabbrica del Vapore\, Via Giulio Cesare Procaccini\, 4\, Milan\, Italy
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/1.-MIMU26_Banner-1150x500px.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20260522T200000
DTEND;TZID=Europe/Vienna:20260522T213000
DTSTAMP:20260505T174313Z
CREATED:20260326T095631Z
LAST-MODIFIED:20260505T174313Z
UID:8738-1779480000-1779485400@www.schallfeldensemble.com
SUMMARY:Spiegelungen II
DESCRIPTION:Programm\nJérôme Combier \nNotebook of possible time (2026)* WP\n\nCommissioned by Schallfeld Ensemble and Milano Musica with the support of the Ernst von Siemens Musikstiftung\n \nBenjamin Scheuer \nKinetische Konturen (2026)* WP\nfor ensemble and electronics\n \nCommissioned by Schallfeld Ensemble with the support of the Ernst von Siemens Musikstiftung \nNoriko Baba \nBestiarium Musicale I \nLorenzo Troiani \nL’onda diagonale (2025-26\, 18′) WP\n\nCommission Schallfeld Ensemble with the support of BMWKMS \n TICKETS
URL:https://www.schallfeldensemble.com/event/spiegelungen-ii/
LOCATION:Minoritensaal Graz\, Mariahilferplatz 3\, Graz\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/schallfeldcopia-e1660827183606.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20260429T193000
DTEND;TZID=Europe/Vienna:20260429T213000
DTSTAMP:20260330T072613Z
CREATED:20260114T102746Z
LAST-MODIFIED:20260330T072613Z
UID:8410-1777491000-1777498200@www.schallfeldensemble.com
SUMMARY:Geometrien I: Spiegelungen
DESCRIPTION:Schallfeld Ensemble + NAMES \nNew works by Sara Stevanović & Filippo Perocco
URL:https://www.schallfeldensemble.com/event/geometrien-i-spiegelungen/
LOCATION:ArgeKultur Salzburg\, Ulrike-Gschwandtner-Straße 5\, 5020\, Salzburg\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/namescut-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20260427T200000
DTEND;TZID=Europe/Vienna:20260427T213000
DTSTAMP:20260301T102153Z
CREATED:20260114T102012Z
LAST-MODIFIED:20260301T102153Z
UID:8407-1777320000-1777325400@www.schallfeldensemble.com
SUMMARY:Spiegelungen I: Geometrien
DESCRIPTION:For the first time\, Ensemble NAMES – New Art and Music Ensemble Salzburg and Schallfeld Ensemble join forces in a special collaboration: a project for double ensemble featuring two world premieres written for the occasion. \nOn stage\, the two ensembles face one another in a symmetrical\, mirror-like configuration\, using spatial and non-spatial structures alike as points of departure for sonic\, relational\, and performative explorations. \nThe program consists of two world premieres. Filippo Perocco’s new work engages with fragments\, remnants\, and moments of precariousness. Drawing on Robert Schumann’s letters from Endenich\, the composition traces a movement toward a “zero point\,” where what remains comes as close as possible to a musical essence. The second premiere is a multimedia composition by Sara Stevanović\, exploring concepts such as similarity\, correspondence\, and the idea of an ideally balanced equilibrium on a musical level. \n TICKETS
URL:https://www.schallfeldensemble.com/event/spiegelungen-i-geometrien/
LOCATION:Schaumbad – Freies Atelierhaus Graz\, Puchstraße 41\, Graz\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/Captura-de-pantalla-2026-02-03-a-las-17.56.56-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20260126T190000
DTEND;TZID=Europe/Vienna:20260126T203000
DTSTAMP:20260107T123355Z
CREATED:20250707T161244Z
LAST-MODIFIED:20260107T123355Z
UID:8258-1769454000-1769459400@www.schallfeldensemble.com
SUMMARY:SMC Lausanne
DESCRIPTION:Patricia Alessandrini (*1970)\nLeçon des ténèbres pour ensemble (2015 / 2025) NOUVELLE VERSION \n\n\n\n\nHannes Kerschbaumer (*1981)\nTektono pour ensemble et électronique (2019) \n\n\n\n\nFrancesca Verunelli (*1979)\nCinemaolio pour sextuor (2013 / 2014) \n\n\n\n\nBenjamin Scheuer (*1987)\nJammerorgel pour ensemble\, performer et samples (2017) \n  \n\n\nMit Unterstützung des Österreichischen Kulturforums Bern
URL:https://www.schallfeldensemble.com/event/smc-lausanne/
LOCATION:Haute Ecole de Musique (HEMU) | BCV Concert Hall\, Voie du Chariot 23\, Lausanne\, Switzerland
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/Captura-de-pantalla-2025-07-07-a-las-18.11.31.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20251203T200000
DTEND;TZID=Europe/Vienna:20251203T210000
DTSTAMP:20251118T155501Z
CREATED:20251118T145543Z
LAST-MODIFIED:20251118T155501Z
UID:8377-1764792000-1764795600@www.schallfeldensemble.com
SUMMARY:Korpus V: DARKROOM
DESCRIPTION:It has probably happened to many of us: someone turns on the radio\, hears an unfamiliar piece of music – perhaps the announcement has already ended\, perhaps there is not enough time to listen to the end – and is immediately captivated\, without ever finding out what it was. \nIt also often happens that a tip for listening is passed on\, or that you leaf through the programme booklet of a concert and – even before a single note is played – form an idea of what you will like and what you will not. \nWith Korpus V – Darkroom\, Schallfeld ends the 2025 season with an experiment: a concert without a disclosed programme. Solo works and chamber music\, new and older pieces – or rather\, new music for those who don’t know it yet (or don’t recognise it). \nA concert without a programme that invites us to explore whether we hear differently when we don’t know what we’re listening to. \nSCHALLFELD ENSEMBLE\nManuel Alcaraz Clemente – Percussion \nSzilárd Benes – Clarinet \nDavide Gagliardi – Live electronics and sound direction \nTicket information: \n€15 | €10* | €5**\n* KUG staff // Unemployed persons with valid ID\n** Students with valid ID at the box office\n*** Free admission for Hunger auf Kunst & Kultur at the box office from 15 minutes before the concert begins \n TICKETS
URL:https://www.schallfeldensemble.com/event/darkroom/
LOCATION:esc medien kunst labor\, Bürgergasse 5\, Graz\, Austria
ATTACH;FMTTYPE=image/png:https://www.schallfeldensemble.com/wp-content/uploads/Captura-de-pantalla-2025-11-18-a-las-15.58.08.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20251124T200000
DTEND;TZID=Europe/Vienna:20251124T213000
DTSTAMP:20251113T172712Z
CREATED:20250823T074737Z
LAST-MODIFIED:20251113T172712Z
UID:8294-1764014400-1764019800@www.schallfeldensemble.com
SUMMARY:Saisonkonzert Korpus IV: Alla luce e al sangue
DESCRIPTION:ALLA LUCE E AL SANGUE is the fourth concert of Schallfeld Ensemble 2025 KORPUS season. \nThe programme includes works by Patricia Alessandrini and Zesses Seglias\, as well as two world premieres by Anna Arkushyna and Brendan Champeaux. \nProgram\nBrendan Champeaux* – Cipher (2025 UA) \nComissioned by Schallfeld Ensemble with the support of SACEM \nAnna Arkushyna – Unnatural Selection: Real Body Fake (2025 UA) \nComissioned by Schallfeld Ensemble funded by BMWKMS and SKE-Fonds \nPatricia Alessandrini – Leçons de ténèbres (2016 – UA der neuen Fassung 2025) \nZesses Seglias** – Madrigali alla luce e al sangue (2021-2022) \n  \n*Brendan Champeaux is Styrian Artist in Residence (StAiR) 2025 \n** With the support of  The J.F. Costopoulos Foundation \n  \nTicket information: \n€15 | €10* | €5**\n* KUG staff // Unemployed persons with valid ID\n** Students with valid ID at the box office\n*** Free admission for Hunger auf Kunst & Kultur at the box office from 15 minutes before the concert begins \n  \n TICKETS\n  \nWith the support of The J.F. Costopoulos Foundation and SACEM \n             
URL:https://www.schallfeldensemble.com/event/saisonkonzert-korpus-iv/
LOCATION:Minoritensaal Graz\, Mariahilferplatz 3\, Graz\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/Captura-de-pantalla-2025-09-30-a-las-19.09.23.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20251103T190000
DTEND;TZID=Europe/Vienna:20251103T203000
DTSTAMP:20250823T075131Z
CREATED:20250712T070435Z
LAST-MODIFIED:20250823T075131Z
UID:8264-1762196400-1762201800@www.schallfeldensemble.com
SUMMARY:Ensemble project Mozarteum Salzburg
DESCRIPTION:New pieces by Mozarteum Composition Students\nMore info coming soon \nKleines Studio\nMirabellplatz 1\, 5020 Salzburg
URL:https://www.schallfeldensemble.com/event/mozarteum-salzburg/
LOCATION:Mozarteum University\, Kleines Studio\, Salzburg\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/schallfeld5.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20250920T193000
DTEND;TZID=Europe/Vienna:20250920T210000
DTSTAMP:20250815T073728Z
CREATED:20250815T072900Z
LAST-MODIFIED:20250815T073728Z
UID:8287-1758396600-1758402000@www.schallfeldensemble.com
SUMMARY:The Story of the Wolf Tone
DESCRIPTION:  \n  \n  \nA wolf tone is an acoustic disturbance\, a “howling” sound made by bowed string instruments. Its name refers to the wolf fifth\, an interval perceived as very dissonant that was shunned in Western music for a long time and has been eliminated in today’s standardized tuning. Using this sonic outsider as a point of departure\, Augustin Maurs looks at what is excluded from harmonic music and harmonic societies in his musical performance. He draws upon the cultural history of the wolf as a symbol of fear\, deviation\, and resistance—from the myth of Lycaon via Disney villains to current political fearmongering. \n\nIn English and German with English subtitles \n\nDuration: ca. 80 min. \nConcept and music: Augustin Maurs / The Friends of the Wolftone \nSoprano: Corina Koller\nNey: Hamzeh Hassan \nSchallfeld Ensemble\nRecorders: Gobi Drab\nPiano: Ana Ostojic\nViolin: Lorenzo Derinni\nCello: Anna Grenzner\nDouble bass and theremin: Margarethe Maierhofer-Lischka \nChoir: Grazer Universitätchor\nChoirmaster: Matthias Unterkofler \nWolf images: Annika Larsson\nProduction assistance: Lena Chalupka \n\nCommissioned and produced by steirischer herbst ’25 \n\n\n TICKETS\n  \nFoto: Annika Larsson
URL:https://www.schallfeldensemble.com/event/the-story-of-the-wolf-tone-2/
LOCATION:Dom in Berg\, Schlossbergsteig\, Graz
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/Maurs.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20250919T210000
DTEND;TZID=Europe/Vienna:20250919T223000
DTSTAMP:20250815T072916Z
CREATED:20250815T071700Z
LAST-MODIFIED:20250815T072916Z
UID:8277-1758315600-1758321000@www.schallfeldensemble.com
SUMMARY:The Story of the Wolf Tone
DESCRIPTION:  \n  \n  \nA wolf tone is an acoustic disturbance\, a “howling” sound made by bowed string instruments. Its name refers to the wolf fifth\, an interval perceived as very dissonant that was shunned in Western music for a long time and has been eliminated in today’s standardized tuning. Using this sonic outsider as a point of departure\, Augustin Maurs looks at what is excluded from harmonic music and harmonic societies in his musical performance. He draws upon the cultural history of the wolf as a symbol of fear\, deviation\, and resistance—from the myth of Lycaon via Disney villains to current political fearmongering. \n\nIn English and German with English subtitles \n\nDuration: ca. 80 min. \nConcept and music: Augustin Maurs / The Friends of the Wolftone \nSoprano: Corina Koller\nNey: Hamzeh Hassan \nSchallfeld Ensemble\nRecorders: Gobi Drab\nPiano: Ana Ostojic\nViolin: Lorenzo Derinni\nCello: Anna Grenzner\nDouble bass and theremin: Margarethe Maierhofer-Lischka \nChoir: Grazer Universitätchor\nChoirmaster: Matthias Unterkofler \nWolf images: Annika Larsson\nProduction assistance: Lena Chalupka \n\nCommissioned and produced by steirischer herbst ’25 \n\n\n TICKETS\n  \nFoto: Annika Larsson
URL:https://www.schallfeldensemble.com/event/the-story-of-the-wolf-tone/
LOCATION:Dom in Berg\, Schlossbergsteig\, Graz
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/Maurs.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250715
DTEND;VALUE=DATE:20250801
DTSTAMP:20250628T153818Z
CREATED:20241212T205553Z
LAST-MODIFIED:20250628T153818Z
UID:7983-1752537600-1754006399@www.schallfeldensemble.com
SUMMARY:Escola Superior de Música de Lisboa - final presentation of the postgraduate students
DESCRIPTION:Program 30.07: \nAmanda Onnela – Yöaie / نية آخر الليل \nAgustín Castellón Molina – violet veins \nEric So – Spatial Canon \nJoão Quinteiro – [ab]strata_wA:pS:sC \nMarco Benetti – Trio n. 3 \nPouyan Ramezanpour – Derevaun Seraun \n 
URL:https://www.schallfeldensemble.com/event/escola-superior-de-musica-de-lisboa-final-presentation-of-the-postgraduate-students/
LOCATION:Escola Superior de Musica de Lisboa\, Campus de Benfica do Instituto Politécnico de Lisboa\, Lisboa\, Portugal
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/47683706_2164178610498577_684074903116185600_n.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20250706T190000
DTEND;TZID=Europe/Vienna:20250706T213000
DTSTAMP:20250531T163208Z
CREATED:20250531T163208Z
LAST-MODIFIED:20250531T163208Z
UID:8238-1751828400-1751837400@www.schallfeldensemble.com
SUMMARY:Tiroler Festspiele Erl : George Benjamin - Picture a day like this
DESCRIPTION:More info in the German version or the Tiroler Festspiele Erl Website \n  \nPicture by Petr Šmídek
URL:https://www.schallfeldensemble.com/event/tiroler-festspiele-erl-george-benjamin-picture-a-day-like-this-2/
LOCATION:Festspiele Erl\, Mühlgraben 56a\, Erl\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/picture_3777_13.jpg-1600x1200-koncertni-sal-pro-tyrolsky-festival-tiroler-festspiele-erl.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20250704T190000
DTEND;TZID=Europe/Vienna:20250704T213000
DTSTAMP:20250531T163131Z
CREATED:20250531T162324Z
LAST-MODIFIED:20250531T163131Z
UID:8231-1751655600-1751664600@www.schallfeldensemble.com
SUMMARY:Tiroler Festspiele Erl : George Benjamin - Picture a day like this
DESCRIPTION:More info in the German version or the Tiroler Festspiele Erl Website \n  \nPicture by Petr Šmídek
URL:https://www.schallfeldensemble.com/event/tiroler-festspiele-erl-george-benjamin-picture-a-day-like-this/
LOCATION:Festspiele Erl\, Mühlgraben 56a\, Erl\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/picture_3777_13.jpg-1600x1200-koncertni-sal-pro-tyrolsky-festival-tiroler-festspiele-erl.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20250605T180000
DTEND;TZID=Europe/Vienna:20250605T200000
DTSTAMP:20250509T162517Z
CREATED:20250509T162517Z
LAST-MODIFIED:20250509T162517Z
UID:8210-1749146400-1749153600@www.schallfeldensemble.com
SUMMARY:American Academy in Rom - Summer Open Studios
DESCRIPTION:The American Academy in Rome will showcase the work of its Rome Prize and Italian Fellows in the arts with Summer Open Studios. The event provides access to the inner workings of Fellows’ projects in studios and spaces throughout the McKim\, Mead & White Building. The evening will feature installations\, collaborations\, readings\, and performances across many disciplines in the arts. \nVisitors will encounter work that highlights issues that have fueled Fellows’ investigations this season. \nArchitecture\nMichelle Jaja Chang\nDavid Costanza \nDesign\nAmy Revier \nHistoric Preservation and Conservation\nKatherine L. Beaty \nLandscape Architecture\nMegumi Aihara and Dan Spiegel\nGiuseppe Grant \nLiterature\nSelby Wynn Schwartz \nMusical Composition\nJonah Nuoja Luo Haven\nJen Shyu \nVisual Arts\nMonia Ben Hamouda\nLex Brown\nMatthew Connors\nDevon Dikeou\nRichard Mosse\nClarissa Tossin \n\nSchallfeld Ensemble\nLorenzo Derinni – violin \nGeorgia Privitera – violin \nFrancesca Piccioni – viola \nManuel Schager – cello
URL:https://www.schallfeldensemble.com/event/american-academy-in-rom-summer-open-studios/
LOCATION:American Academy\, Via Angelo Masina 5\, Rom\, Italy
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20250524T200000
DTEND;TZID=Europe/Vienna:20250524T210000
DTSTAMP:20250508T095721Z
CREATED:20241213T105031Z
LAST-MODIFIED:20250508T095721Z
UID:7998-1748116800-1748120400@www.schallfeldensemble.com
SUMMARY:Saison 2025 KORPUS III: SKIN
DESCRIPTION:On 24 May\, Schallfeld will perform SKIN\, the third concert of its 2025 KORPUS season. \nUnder the title SKIN\, things get musically intimate as we present music that literally gets under your skin in a poetic\, metaphorical and sensual way. In addition to two world premieres by Luca Guidarini (Styrian Artist in Residence 2025) and Andrés Gutiérrez Martínez (Grain\, 2017 – new version 2025)\, which delve into organic worlds of sound\,we dedicate ourselves to the magnum opus ‘Skin’ by the renowned British composer Rebecca Saunders (Ernst von Siemens Music Prize 2019). Ensemble Schallfeld will be accompanied by soprano Juliet Fraser\, for whom this work was composed. \nJuliet Fraser © Dimitri DjuricLuca GuidariniAndrés Gutiérrez MartínezRebecca Saunders c. Astrid Ackermann TICKETS\n  \n€ 15 | € 10* | € 5** \n* KUG employees // unemployed persons with valid identity card \n** Students with valid ID \n*** Free entry for Hunger auf Kunst & Kultur members.
URL:https://www.schallfeldensemble.com/event/saison-2025-korpus-iii/
LOCATION:Minoritensaal Graz\, Mariahilferplatz 3\, Graz\, Austria
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20250502
DTEND;VALUE=DATE:20250505
DTSTAMP:20250502T082624Z
CREATED:20250424T163759Z
LAST-MODIFIED:20250502T082624Z
UID:8165-1746144000-1746403199@www.schallfeldensemble.com
SUMMARY:Ensemble in Residence Sesin Yolculuğu Festival - Istanbul
DESCRIPTION:  \nSchallfeld Ensemble will perform new works for piano trio by the participants of the Academy. \nWith the support of the
URL:https://www.schallfeldensemble.com/event/ensemble-in-residence-sesin-yolculugu-festival-istanbul/
LOCATION:Atatürk Kültür Merkezy\, Tiyatro Salonu\, Gümüşsuyu Neighbourhood Mete Street No: 2 Beyoglu\, Istanbul\, Turkey
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/rino0470emredorterakm.jpeg
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BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20250406T200000
DTEND;TZID=Europe/Vienna:20250406T210000
DTSTAMP:20250221T110805Z
CREATED:20250221T110741Z
LAST-MODIFIED:20250221T110805Z
UID:8071-1743969600-1743973200@www.schallfeldensemble.com
SUMMARY:Biennale Zagreb: Mauro Lanza & Andrea Valle - Systema Naturae
DESCRIPTION:Systema Naturae is about discovery. It is a meditation on the process\, rather than the act. It depicts the ways in which we classify\, organise and most importantly give name to the minutiae of the natural world. The project draws inspiration from two traditions: phantasmagorical catalogues of animals\, plants\, and minerals\, such as the medieval bestiaries\, herbariums and lapidariums\, and Linnaeus’ taxonomy exhibited in his work Systema Naturae. \nEach composition in the cycle is structured as a catalogue: a collection of short pieces with fictitious Latin names thematises individual branches of nature or natural sciences. Through a four-part “play” – Regnum Animale (2013)\, Regnum Vegetabile (2014)\, Regnum Lapideum (2016) and Fossilia(2016/17) – Mauro Lanza and Andrea Valle created a vast\, wide-open metaphor of the world that reflects our own histories of observation and categorisation. Through an amalgam of medieval imagination and rational classification\, the cycle explores the way in which history and modernity can coexist in sound. \n/// \nComposer Mauro Lanza was born in Venice\, Italy. He is known for combining classical instruments with unconventional sources of sound such as toys\, sound machines\, and different found objects. His music is also often used in interdisciplinary projects such as dance and video-opera. \nAndrea Valle is a composer and researcher from the University of Turin\, whose work combines computer programming and analogue instruments. For example\, in the project Vedute della luna scritte in Braille\, he uses the hybrid instrument Rumentarium\, which he built and programmed himself\, in order to create a piece about Galileo’s descriptions of the Moon surface\, in which engines\, tins and Lego blocks produce uncommon\, weightless sounds. \nProgramm: \nMauro Lanza & Andrea Valle: Systema Naturae \nRegnum animale\, for violin\, viola\, cello and electromechanical devices\n           Regnum vegetabile\, for flute\, oboe\, clarinet\, violin\, viola\, cello and electromechanical devices\n           Regnum lapideum\, for flute\, saxophone\, percussion\, piano\, guitar\, viola\, cello and electromechanical devices\n           Fossilia\, for flute\, oboe\, clarinet\, saxophone\, percussion\, piano\, guitar\, violin\, viola\, cello and electromechanical devices \nsupported by the Austrian Cultural Forum
URL:https://www.schallfeldensemble.com/event/biennale-zagreb-mauro-lanza-andrea-valle-systema-naturae/
LOCATION:Lauba\, prilaz baruna Filipovića 23A\, 10000\, Zagreb\, Croatia (Local Name: Hrvatska)
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/IMG_3558.jpeg
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BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20250320T203000
DTEND;TZID=Europe/Vienna:20250320T220000
DTSTAMP:20250228T135423Z
CREATED:20240925T163652Z
LAST-MODIFIED:20250228T135423Z
UID:7908-1742502600-1742508000@www.schallfeldensemble.com
SUMMARY:IGNM Basel - (AUS DER NÄHE)
DESCRIPTION:(AUS DER NÄHE)\nAn diesem Abend werden verschiedene Wege der Introspektion erkundet: Themen wie Körperlichkeit (in Klang und Mensch) und Liminalität (in Wahrnehmung und Identität) spielen dabei eine zentrale Rolle. Beide Werke deuten eine mögliche Vokalität an: In «Gesang der Töne» von Caspar Johannes Walter ist sie latent\, während sie bei Timothy McCormack in ihren Randbereichen erforscht wird. Obwohl die beiden Kompositionen von unterschiedlichen Ansätzen ausgehen\, teilen sie die Suche nach neuen Ausdrucksmöglichkeiten. \nMit\nSchallfeld Ensemble: Chiara Percivati (Klarinetten)\, Maria Flavia Cerrato (Klavier)\, Manuel Alcaraz Clemente (Schlagzeug)\, Lorenzo Derinni (Violine)\, Myriam García Fidalgo (Violoncello)\, Margarethe Maierhofer-Lischka (Kontrabass)\, Davide Gagliardi (Klangregie und Live-Elektronik); Ty Bouque (Stimme) \nProgramm \nCaspar Johannes Walter: «Gesang der Töne (aus der Nähe)» (2000/2001)\nTimothy McCormack: «yours in the process of being absorbed» (2023) \nKonzertort: Druckereihalle im Ackermannshof\, St. Johanns-Vorstadt 19-21\, 4056 Basel \n\n\n\n\n  \nMit Unterstützung des Österreichischen Kulturforums Bern
URL:https://www.schallfeldensemble.com/event/ignm-basel-aus-der-nahe/
LOCATION:Druckereihalle\, Druckereihalle im Ackermannshof\, St. Johanns-Vorstadt 19-21\, Basel\, 4056\, Switzerland
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BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20250318T193000
DTEND;TZID=Europe/Vienna:20250318T210000
DTSTAMP:20250225T105619Z
CREATED:20250127T193346Z
LAST-MODIFIED:20250225T105619Z
UID:8059-1742326200-1742331600@www.schallfeldensemble.com
SUMMARY:(Aus der Nähe) - Vienna
DESCRIPTION:This evening will explore different ways of introspection: Themes such as physicality (in sound and people) and liminality (in perception and identity) play a central role. Both works hint at a possible vocality: In ‘Gesang der Töne’ by Caspar Johannes Walter it is latent\, while in Timothy McCormack it is explored in its peripheral areas. Although the two compositions are based on different approaches\, they share a search for new expressive possibilities. \n  \nProgramme \nCaspar Johannes Walter: ‘Gesang der Töne (aus der Nähe)’ (2000/2001) \nTimothy McCormack: «yours in the process of being absorbed» (2023) \n  \nSchallfeld Ensemble \nChiara Percivati (clarinets) \nMaria Flavia Cerrato (piano) \nManuel Alcaraz Clemente (percussion) \nLorenzo Derinni (violin) \nMyriam García Fidalgo (violoncello) \nMargarethe Maierhofer-Lischka (double bass) \nDavide Gagliardi (sound direction and live electronics) \nSoloist: Ty Bouque (voice) \nTICKETS \n€ 20 | € 15* | € 10** \n*From 65 \n** Students with valid ID \n*** Free entry for Hunger auf Kunst & Kultur members.
URL:https://www.schallfeldensemble.com/event/aus-der-nahe-vienna/
LOCATION:Ehrbar Saal\, Mühlgasse 30\, Vienna\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/Ausdernahe16.10.jpg
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END:VCALENDAR