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DTSTART;TZID=Europe/Vienna:20260427T200000
DTEND;TZID=Europe/Vienna:20260427T213000
DTSTAMP:20260423T234736
CREATED:20260114T102012Z
LAST-MODIFIED:20260301T102153Z
UID:8407-1777320000-1777325400@www.schallfeldensemble.com
SUMMARY:Spiegelungen I: Geometrien
DESCRIPTION:For the first time\, Ensemble NAMES – New Art and Music Ensemble Salzburg and Schallfeld Ensemble join forces in a special collaboration: a project for double ensemble featuring two world premieres written for the occasion. \nOn stage\, the two ensembles face one another in a symmetrical\, mirror-like configuration\, using spatial and non-spatial structures alike as points of departure for sonic\, relational\, and performative explorations. \nThe program consists of two world premieres. Filippo Perocco’s new work engages with fragments\, remnants\, and moments of precariousness. Drawing on Robert Schumann’s letters from Endenich\, the composition traces a movement toward a “zero point\,” where what remains comes as close as possible to a musical essence. The second premiere is a multimedia composition by Sara Stevanović\, exploring concepts such as similarity\, correspondence\, and the idea of an ideally balanced equilibrium on a musical level. \n TICKETS
URL:https://www.schallfeldensemble.com/event/spiegelungen-i-geometrien/
LOCATION:Schaumbad – Freies Atelierhaus Graz\, Puchstraße 41\, Graz\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/Captura-de-pantalla-2026-02-03-a-las-17.56.56-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20260429T193000
DTEND;TZID=Europe/Vienna:20260429T213000
DTSTAMP:20260423T234736
CREATED:20260114T102746Z
LAST-MODIFIED:20260330T072613Z
UID:8410-1777491000-1777498200@www.schallfeldensemble.com
SUMMARY:Geometrien I: Spiegelungen
DESCRIPTION:Schallfeld Ensemble + NAMES \nNew works by Sara Stevanović & Filippo Perocco
URL:https://www.schallfeldensemble.com/event/geometrien-i-spiegelungen/
LOCATION:ArgeKultur Salzburg\, Ulrike-Gschwandtner-Straße 5\, 5020\, Salzburg\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/namescut-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20260522T200000
DTEND;TZID=Europe/Vienna:20260522T213000
DTSTAMP:20260423T234736
CREATED:20260326T095631Z
LAST-MODIFIED:20260326T100617Z
UID:8738-1779480000-1779485400@www.schallfeldensemble.com
SUMMARY:Spiegelungen II
DESCRIPTION:Programm\nJérôme Combier \nNotebook of possible time (2026)* WP\n\nCommissioned by Schallfeld Ensemble and Milano Musica with the support of the Ernst von Siemens Musikstiftung\n \nBenjamin Scheuer \nKinetische Konturen (2026)* WP\nfor ensemble and electronics\n \nCommissioned by Schallfeld Ensemble with the support of the Ernst von Siemens Musikstiftung \nNoriko Baba \nBestiarium Musicale I \nLorenzo Troiani \nL’onda diagonale (2025-26\, 18′) WP\n\nCommission Schallfeld Ensemble with the support of BMWKMS
URL:https://www.schallfeldensemble.com/event/spiegelungen-ii/
LOCATION:Minoritensaal Graz\, Mariahilferplatz 3\, Graz\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/schallfeldcopia-e1660827183606.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20260525T200000
DTEND;TZID=Europe/Vienna:20260525T213000
DTSTAMP:20260423T234736
CREATED:20260303T084359Z
LAST-MODIFIED:20260325T160453Z
UID:8689-1779739200-1779744600@www.schallfeldensemble.com
SUMMARY:Milano Musica
DESCRIPTION:Programm\nJérôme Combier \nNotebook of possible time (2026)*\n\nCommissioned by Schallfeld Ensemble e Milano Musica with the support of the Ernst von Siemens Musikstiftung\n \nBenjamin Scheuer \nKinetische Konturen (2026)*\nper ensemble ed elettronica\n \nCommissioned by Schallfeld Ensemble with the support of the Ernst von Siemens Musikstiftung \nFranck Bedrossian \nIt (2004\, 14′) \nLorenzo Troiani \nL’onda diagonale (2025-26\, 18′)\n\nCommission Schallfeld Ensemble with the support of BMWKMS
URL:https://www.schallfeldensemble.com/event/milano-musica/
LOCATION:Fabbrica del Vapore\, Via Giulio Cesare Procaccini\, 4\, Milan\, Italy
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/1.-MIMU26_Banner-1150x500px.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260623
DTEND;VALUE=DATE:20260624
DTSTAMP:20260423T234736
CREATED:20251108T112720Z
LAST-MODIFIED:20260317T164015Z
UID:8356-1782172800-1782259199@www.schallfeldensemble.com
SUMMARY:Ist das Oper oder kann das weg?
DESCRIPTION:Several tables\, packed with dishes\, glasses\, stuff and junk. Is that art or can it be thrown away? Here\, trivial things come to life and tell an ambiguous story with an absurd ending. A mini-drama that unfolds at the kitchen table. Curtain up and join in! Ist das Oper oder kann das weg? (eng. Is that Opera or can it be thrown away?) is a music theatre education project in response format. \n\n\n\n\n\n\n\n\n\n\n\n\n\nInspired by the contemporary music theatre piece L’opera (forse) (eng. The maybe opera) by the Italian composer Francesco Filidei (with a libretto by Pierre Senges)\, several teams of students work on their own visions and versions of a ‘table and pocket opera’ in which everyday objects become musical instruments or scenic characters. Six classes from Styrian secondary schools develop their own ideas of what art is and what can be ‘left out’ based on Filidei’s anti-opera. The students learn to apply their practical skills creatively by working in groups\, with each group making an independent contribution to the overall performance. The project uses the potential of opera as a multidisciplinary art form: just as many trades come together in the theatre\, the students implement their own ideas for Filidei’s piece in an interdisciplinary way: texts\, costumes and scenography\, alternative dramaturgies and their own musical compositions for new scenes. \n\n\n\n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\nA team of experts in music and theatre education\, together with members of Schallfeld\, is developing a workshop concept in collaboration with teachers from several Styrian secondary and vocational schools that is tailored to the respective classes and school situations and takes into account the abilities of the students and their respective specialisations (craftsmanship\, music\, visual arts). A total of three schools with two classes each will be involved. \nThe results will be part of several concerts by the Schallfeld Ensemble\, in which both the original and the new perspectives will be presented. The low-threshold encounter with contemporary art and opera will spark curiosity about cultural activities. At the same time\, contemporary music will be made more accessible. The original setup of L’opera (forse) serves as the starting point in the workshops for new instruments as well as for writing and composing one’s own scenes. Everyday objects (bottles\, cutlery\, crockery…) become a creative field of experimentation for making sound generators or scenic objects. In addition\, the question arises: Could there be other twists instead of the tragic ending in Filidei? The project promotes interdisciplinary engagement with music and theatre while also providing a creative approach to sustainability\, as everyday materials and ‘junk’ are upcycled to become components of a musical theatre production. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nFilidei’s piece shows in a congenial way how the seemingly irreconcilable can come together: how poetry can arise from trash\, how kitchen Latin can be combined with profound philosophy\, and how music can be created from everyday gestures and objects. At the same time\, L’opera (forse) offers a broad framework for reflection through its multi-layered themes. The opera’s format\, in which an unlikely love story between a fish and a bird ends tragically – both end up as a banquet on Filidei’s table – makes it possible to talk about serious topics such as social exclusion and unequal friendships in a witty\, poetic and ironic way. Ist das Oper oder kann das weg? invites young people to bring their own social and future designs onto the stage in a poetic way. \nThe project is made possible by the Ernst von Siemens Music Foundation. \n  \n \n\n\nMore info: office (at) schallfeldensemble.com \n  \nDATES\n24.06.2026: 10:00 and 12:00 \n25.06.2026: 10:00 an 19:30 \nTheater am Ortweinplatz\, Ortweinplatz 1\, 8010\, Graz \n  \n\n\nTickets for the 23.06 are not available\, you can find the tickets for the 24. and 25.06 here\n 
URL:https://www.schallfeldensemble.com/event/ist-das-oper-oder-kann-das-weg/
LOCATION:Theater am Ortweinplatz\, Ortweinplatz 1\, Graz\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/DSC8567-1536x1024-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20260624T100000
DTEND;TZID=Europe/Vienna:20260624T110000
DTSTAMP:20260423T234736
CREATED:20251108T113641Z
LAST-MODIFIED:20260226T192851Z
UID:8361-1782295200-1782298800@www.schallfeldensemble.com
SUMMARY:Ist das Oper oder kann das weg?
DESCRIPTION:Several tables\, packed with dishes\, glasses\, stuff and junk. Is that art or can it be thrown away? Here\, trivial things come to life and tell an ambiguous story with an absurd ending. A mini-drama that unfolds at the kitchen table. Curtain up and join in! Ist das Oper oder kann das weg? (eng. Is that Opera or can it be thrown away?) is a music theatre education project in response format. \n(c) ORF musikprotokoll\, Martin Gross \n\n\n\n\n\n\n\n\n\n\n\n\n\nInspired by the contemporary music theatre piece L’opera (forse) (eng. The maybe opera) by the Italian composer Francesco Filidei (with a libretto by Pierre Senges)\, several teams of students work on their own visions and versions of a ‘table and pocket opera’ in which everyday objects become musical instruments or scenic characters. Six classes from Styrian secondary schools develop their own ideas of what art is and what can be ‘left out’ based on Filidei’s anti-opera. The students learn to apply their practical skills creatively by working in groups\, with each group making an independent contribution to the overall performance. The project uses the potential of opera as a multidisciplinary art form: just as many trades come together in the theatre\, the students implement their own ideas for Filidei’s piece in an interdisciplinary way: texts\, costumes and scenography\, alternative dramaturgies and their own musical compositions for new scenes. \n\n\n\n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\nA team of experts in music and theatre education\, together with members of Schallfeld\, is developing a workshop concept in collaboration with teachers from several Styrian secondary and vocational schools that is tailored to the respective classes and school situations and takes into account the abilities of the students and their respective specialisations (craftsmanship\, music\, visual arts). A total of three schools with two classes each will be involved. \nThe results will be part of several concerts by the Schallfeld Ensemble\, in which both the original and the new perspectives will be presented. The low-threshold encounter with contemporary art and opera will spark curiosity about cultural activities. At the same time\, contemporary music will be made more accessible. The original setup of L’opera (forse) serves as the starting point in the workshops for new instruments as well as for writing and composing one’s own scenes. Everyday objects (bottles\, cutlery\, crockery…) become a creative field of experimentation for making sound generators or scenic objects. In addition\, the question arises: Could there be other twists instead of the tragic ending in Filidei? The project promotes interdisciplinary engagement with music and theatre while also providing a creative approach to sustainability\, as everyday materials and ‘junk’ are upcycled to become components of a musical theatre production. \n\n\n\n\n\n\n\n\n\n\n\n\nFilidei’s piece shows in a congenial way how the seemingly irreconcilable can come together: how poetry can arise from trash\, how kitchen Latin can be combined with profound philosophy\, and how music can be created from everyday gestures and objects. At the same time\, L’opera (forse) offers a broad framework for reflection through its multi-layered themes. The opera’s format\, in which an unlikely love story between a fish and a bird ends tragically – both end up as a banquet on Filidei’s table – makes it possible to talk about serious topics such as social exclusion and unequal friendships in a witty\, poetic and ironic way. Ist das Oper oder kann das weg? invites young people to bring their own social and future designs onto the stage in a poetic way. \nThe project is made possible by the Ernst von Siemens Music Foundation. \n \n\n\nMore info: office (at) schallfeldensemble.com \n\n\n TICKETS\n 
URL:https://www.schallfeldensemble.com/event/ist-das-oper-oder-kann-das-weg-2/
LOCATION:Theater am Ortweinplatz\, Ortweinplatz 1\, Graz\, Austria
CATEGORIES:Musikvermittlung
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/DSC8567-1536x1024-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20260624T120000
DTEND;TZID=Europe/Vienna:20260624T130000
DTSTAMP:20260423T234736
CREATED:20260226T193713Z
LAST-MODIFIED:20260226T193713Z
UID:8673-1782302400-1782306000@www.schallfeldensemble.com
SUMMARY:Ist das Oper oder kann das weg?
DESCRIPTION:Several tables\, packed with dishes\, glasses\, stuff and junk. Is that art or can it be thrown away? Here\, trivial things come to life and tell an ambiguous story with an absurd ending. A mini-drama that unfolds at the kitchen table. Curtain up and join in! Ist das Oper oder kann das weg? (eng. Is that Opera or can it be thrown away?) is a music theatre education project in response format. \n(c) ORF musikprotokoll\, Martin Gross \n\n\n\n\n\n\n\n\n\n\n\n\n\nInspired by the contemporary music theatre piece L’opera (forse) (eng. The maybe opera) by the Italian composer Francesco Filidei (with a libretto by Pierre Senges)\, several teams of students work on their own visions and versions of a ‘table and pocket opera’ in which everyday objects become musical instruments or scenic characters. Six classes from Styrian secondary schools develop their own ideas of what art is and what can be ‘left out’ based on Filidei’s anti-opera. The students learn to apply their practical skills creatively by working in groups\, with each group making an independent contribution to the overall performance. The project uses the potential of opera as a multidisciplinary art form: just as many trades come together in the theatre\, the students implement their own ideas for Filidei’s piece in an interdisciplinary way: texts\, costumes and scenography\, alternative dramaturgies and their own musical compositions for new scenes. \n\n\n\n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\nA team of experts in music and theatre education\, together with members of Schallfeld\, is developing a workshop concept in collaboration with teachers from several Styrian secondary and vocational schools that is tailored to the respective classes and school situations and takes into account the abilities of the students and their respective specialisations (craftsmanship\, music\, visual arts). A total of three schools with two classes each will be involved. \nThe results will be part of several concerts by the Schallfeld Ensemble\, in which both the original and the new perspectives will be presented. The low-threshold encounter with contemporary art and opera will spark curiosity about cultural activities. At the same time\, contemporary music will be made more accessible. The original setup of L’opera (forse) serves as the starting point in the workshops for new instruments as well as for writing and composing one’s own scenes. Everyday objects (bottles\, cutlery\, crockery…) become a creative field of experimentation for making sound generators or scenic objects. In addition\, the question arises: Could there be other twists instead of the tragic ending in Filidei? The project promotes interdisciplinary engagement with music and theatre while also providing a creative approach to sustainability\, as everyday materials and ‘junk’ are upcycled to become components of a musical theatre production. \n\n\n\n\n\n\n\n\n\n\n\n\nFilidei’s piece shows in a congenial way how the seemingly irreconcilable can come together: how poetry can arise from trash\, how kitchen Latin can be combined with profound philosophy\, and how music can be created from everyday gestures and objects. At the same time\, L’opera (forse) offers a broad framework for reflection through its multi-layered themes. The opera’s format\, in which an unlikely love story between a fish and a bird ends tragically – both end up as a banquet on Filidei’s table – makes it possible to talk about serious topics such as social exclusion and unequal friendships in a witty\, poetic and ironic way. Ist das Oper oder kann das weg? invites young people to bring their own social and future designs onto the stage in a poetic way. \nThe project is made possible by the Ernst von Siemens Music Foundation. \n \n\n\nMore info: office (at) schallfeldensemble.com \n\n\n TICKETS\n 
URL:https://www.schallfeldensemble.com/event/ist-das-oper-oder-kann-das-weg-4/
LOCATION:Theater am Ortweinplatz\, Ortweinplatz 1\, Graz\, Austria
CATEGORIES:Musikvermittlung
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/DSC8567-1536x1024-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20260625T100000
DTEND;TZID=Europe/Vienna:20260625T110000
DTSTAMP:20260423T234736
CREATED:20251108T113742Z
LAST-MODIFIED:20260226T194026Z
UID:8363-1782381600-1782385200@www.schallfeldensemble.com
SUMMARY:Ist das Oper oder kann das weg?
DESCRIPTION:Several tables\, packed with dishes\, glasses\, stuff and junk. Is that art or can it be thrown away? Here\, trivial things come to life and tell an ambiguous story with an absurd ending. A mini-drama that unfolds at the kitchen table. Curtain up and join in! Ist das Oper oder kann das weg? (eng. Is that Opera or can it be thrown away?) is a music theatre education project in response format. \n(c) ORF musikprotokoll\, Martin Gross \n\n\n\n\n\n\n\n\n\n\n\n\n\nInspired by the contemporary music theatre piece L’opera (forse) (eng. The maybe opera) by the Italian composer Francesco Filidei (with a libretto by Pierre Senges)\, several teams of students work on their own visions and versions of a ‘table and pocket opera’ in which everyday objects become musical instruments or scenic characters. Six classes from Styrian secondary schools develop their own ideas of what art is and what can be ‘left out’ based on Filidei’s anti-opera. The students learn to apply their practical skills creatively by working in groups\, with each group making an independent contribution to the overall performance. The project uses the potential of opera as a multidisciplinary art form: just as many trades come together in the theatre\, the students implement their own ideas for Filidei’s piece in an interdisciplinary way: texts\, costumes and scenography\, alternative dramaturgies and their own musical compositions for new scenes. \n\n\n\n\n\n\n\n\n\n\n\n\n(c) Ivan Bandic \n\n\n\n\n\n\n\n\n\n\n\n\nA team of experts in music and theatre education\, together with members of Schallfeld\, is developing a workshop concept in collaboration with teachers from several Styrian secondary and vocational schools that is tailored to the respective classes and school situations and takes into account the abilities of the students and their respective specialisations (craftsmanship\, music\, visual arts). A total of three schools with two classes each will be involved. \nThe results will be part of several concerts by the Schallfeld Ensemble\, in which both the original and the new perspectives will be presented. The low-threshold encounter with contemporary art and opera will spark curiosity about cultural activities. At the same time\, contemporary music will be made more accessible. The original setup of L’opera (forse) serves as the starting point in the workshops for new instruments as well as for writing and composing one’s own scenes. Everyday objects (bottles\, cutlery\, crockery…) become a creative field of experimentation for making sound generators or scenic objects. In addition\, the question arises: Could there be other twists instead of the tragic ending in Filidei? The project promotes interdisciplinary engagement with music and theatre while also providing a creative approach to sustainability\, as everyday materials and ‘junk’ are upcycled to become components of a musical theatre production. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nFilidei’s piece shows in a congenial way how the seemingly irreconcilable can come together: how poetry can arise from trash\, how kitchen Latin can be combined with profound philosophy\, and how music can be created from everyday gestures and objects. At the same time\, L’opera (forse) offers a broad framework for reflection through its multi-layered themes. The opera’s format\, in which an unlikely love story between a fish and a bird ends tragically – both end up as a banquet on Filidei’s table – makes it possible to talk about serious topics such as social exclusion and unequal friendships in a witty\, poetic and ironic way. Ist das Oper oder kann das weg? invites young people to bring their own social and future designs onto the stage in a poetic way. \nThe project is made possible by the Ernst von Siemens Music Foundation. \n \n\n\nMore info: office (at) schallfeldensemble.com \n\n\n TICKETS
URL:https://www.schallfeldensemble.com/event/ist-das-oper-oder-kann-das-weg-3/
LOCATION:Theater am Ortweinplatz\, Ortweinplatz 1\, Graz\, Austria
CATEGORIES:Musikvermittlung
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/DSC8567-1536x1024-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20260625T193000
DTEND;TZID=Europe/Vienna:20260625T203000
DTSTAMP:20260423T234736
CREATED:20260226T194510Z
LAST-MODIFIED:20260407T075112Z
UID:8679-1782415800-1782419400@www.schallfeldensemble.com
SUMMARY:Ist das Oper oder kann das weg?
DESCRIPTION:Several tables\, packed with dishes\, glasses\, stuff and junk. Is that art or can it be thrown away? Here\, trivial things come to life and tell an ambiguous story with an absurd ending. A mini-drama that unfolds at the kitchen table. Curtain up and join in! Ist das Oper oder kann das weg? (eng. Is that Opera or can it be thrown away?) is a music theatre education project in response format. \n(c) ORF musikprotokoll\, Martin Gross \n\n\n\n\n\n\n\n\n\n\n\n\n\nInspired by the contemporary music theatre piece L’opera (forse) (eng. The maybe opera) by the Italian composer Francesco Filidei (with a libretto by Pierre Senges)\, several teams of students work on their own visions and versions of a ‘table and pocket opera’ in which everyday objects become musical instruments or scenic characters. Six classes from Styrian secondary schools develop their own ideas of what art is and what can be ‘left out’ based on Filidei’s anti-opera. The students learn to apply their practical skills creatively by working in groups\, with each group making an independent contribution to the overall performance. The project uses the potential of opera as a multidisciplinary art form: just as many trades come together in the theatre\, the students implement their own ideas for Filidei’s piece in an interdisciplinary way: texts\, costumes and scenography\, alternative dramaturgies and their own musical compositions for new scenes. \n\n\n\n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\nA team of experts in music and theatre education\, together with members of Schallfeld\, is developing a workshop concept in collaboration with teachers from several Styrian secondary and vocational schools that is tailored to the respective classes and school situations and takes into account the abilities of the students and their respective specialisations (craftsmanship\, music\, visual arts). A total of three schools with two classes each will be involved. \nThe results will be part of several concerts by the Schallfeld Ensemble\, in which both the original and the new perspectives will be presented. The low-threshold encounter with contemporary art and opera will spark curiosity about cultural activities. At the same time\, contemporary music will be made more accessible. The original setup of L’opera (forse) serves as the starting point in the workshops for new instruments as well as for writing and composing one’s own scenes. Everyday objects (bottles\, cutlery\, crockery…) become a creative field of experimentation for making sound generators or scenic objects. In addition\, the question arises: Could there be other twists instead of the tragic ending in Filidei? The project promotes interdisciplinary engagement with music and theatre while also providing a creative approach to sustainability\, as everyday materials and ‘junk’ are upcycled to become components of a musical theatre production. \n\n\n\n\n\n\n\n\n\n\n\n\nFilidei’s piece shows in a congenial way how the seemingly irreconcilable can come together: how poetry can arise from trash\, how kitchen Latin can be combined with profound philosophy\, and how music can be created from everyday gestures and objects. At the same time\, L’opera (forse) offers a broad framework for reflection through its multi-layered themes. The opera’s format\, in which an unlikely love story between a fish and a bird ends tragically – both end up as a banquet on Filidei’s table – makes it possible to talk about serious topics such as social exclusion and unequal friendships in a witty\, poetic and ironic way. Ist das Oper oder kann das weg? invites young people to bring their own social and future designs onto the stage in a poetic way. \nThe project is made possible by the Ernst von Siemens Music Foundation. \n \n\n\nMore info: office (at) schallfeldensemble.com \n\n\n TICKETS\n 
URL:https://www.schallfeldensemble.com/event/ist-das-oper-oder-kann-das-weg-5/
LOCATION:Theater am Ortweinplatz\, Ortweinplatz 1\, Graz\, Austria
CATEGORIES:Musikvermittlung
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/DSC8567-1536x1024-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20260629T190000
DTEND;TZID=Europe/Vienna:20260629T203000
DTSTAMP:20260423T234736
CREATED:20251006T173025Z
LAST-MODIFIED:20251006T182950Z
UID:8337-1782759600-1782765000@www.schallfeldensemble.com
SUMMARY:Workshop presentation KONSonanzen - Schallfeld Ensemble
DESCRIPTION:In der Schwebe – 100 Jahre Morton Feldman\n \n  \nOn the occasion of the 100th birthday of Morton Feldman (1926– 1987)\, this concert is dedicated to works that focus on listening itself – beyond clear forms\, categories and traditions.\nFeldman’s ‘Between Categories’ is symbolic of music that moves between sound and silence\, structure and dissolution. Francesco Filidei’s ‘Corde vuote’ and Arvo Pärt’s ‘Fratres’ also follow this search for the essential\, for the inner resonance of sound. Together\, the works create a state of suspension – sensitive\, open\, concentrated.\nIn this intergenerational exchange about the quiet possibilities of music\, members of the Schallfeld Ensemble perform together with pupils\, students and undergraduates from the Johann Joseph Fux Conservatory and participants in the supplementary subject ‘New Sounds’.
URL:https://www.schallfeldensemble.com/event/workshop-presentation-konsonanzen-schallfeld-ensemble/
LOCATION:Grazer Konservatorium\, Graz\, Austria
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20260721
DTEND;VALUE=DATE:20260728
DTSTAMP:20260423T234736
CREATED:20260220T165949Z
LAST-MODIFIED:20260220T165949Z
UID:8660-1784592000-1785196799@www.schallfeldensemble.com
SUMMARY:San Marino international summer music courses
DESCRIPTION:Schallfeld Ensemble will be ensemble in residence of the San Marino International Music Summer Courses new music project. \nSchallfeld will perform music by the selected composition students (who will have lessons with Maurizio Azzan and Lorenzo Pagliei) and will also offer contemporary violin\, cello and chamber music lessons.\n\nMore information here
URL:https://www.schallfeldensemble.com/event/san-marino-international-summer-music-courses/
LOCATION:San Marino\, San Marino
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/C0A2393.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20261003T130000
DTEND;TZID=Europe/Vienna:20261003T140000
DTSTAMP:20260423T234736
CREATED:20260331T162338Z
LAST-MODIFIED:20260331T164443Z
UID:8764-1791032400-1791036000@www.schallfeldensemble.com
SUMMARY:WIGMORE HALL -  VOICES OF TODAY
DESCRIPTION:Programme\nPATRICIA ALESSANDRINI (b. 1970) A place no one lives for soprano and ensemble (an extended version for live performance) (world première) [1]\nBEAT FURRER (b. 1954) Aria for soprano and six instruments \nEDA ER (b. 1989) Happily Ever After \nPATRICIA ALESSANDRINI New commission (for 2 sopranos and ensemble) (world première) [1]\n[1] Commissioned by Wigmore Hall (with the generous support of the Marchus Trust and the Wigmore Hall Endowment Fund) \n\n\nMarisol Montalvo – Soprano\n\nJohanna Vargas – Soprano\n\n\n\n\nOverview\nPatricia Alessandrini’s intricate sound sculptures encompass a seemingly unlimited range of tonal colours and textures\, both acoustic and electronic. The American composer and sound artist\, whose teachers include Tristan Murail and Thea Musgrave\, received praise from Gramophone for ‘her formidably disciplined manipulation of febrile emotions’. Her captivating art\, including a major new composition\, is complemented by the restless energy of Beat Furrer’s Aria from 1998-9.
URL:https://www.schallfeldensemble.com/event/wigmore-hall-voices-of-today/
LOCATION:Wigmore Hall\, 36 Wigmore Street\, London\, United Kingdom
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BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20261016T193000
DTEND;TZID=Europe/Vienna:20261016T210000
DTSTAMP:20260423T234736
CREATED:20250930T170401Z
LAST-MODIFIED:20260329T173846Z
UID:8320-1792179000-1792184400@www.schallfeldensemble.com
SUMMARY:Text im Klang #7
DESCRIPTION:Premieres of impuls composition commissions\n16.10.2026\, 19.30\nKUG . Palais Meran . Florentinersaal\, Leonhardstraße 15\, 8010 Graz\n\n\n\n\n\nKlaus Kastberger Introduction to the work of Friederike Mayröcker \n  \nLuca Bardelle New Work (2026\, world premiere) \nDilay Doğanay New Work (2026\, world premiere) \nForrest Moody New Work (2026\, world premiere) \nJoanna Wozny New Work (2026\, world premiere) \n  \n  \nSchallfeld Ensemble \nZinajda Kodrič flute \nSzilárd Benes clarinet \nNN piano \nLorenzo Derinni violin \nMyriam García Fidalgo cello \n\n\n \n\n\n\n\n„Text im Klang” is already looking forward to its 7th edition in 2026. From the very beginning\, the project has seen itself as a laboratory\, where medial interlacings with a focal point on impulses are put into practice. In specific\, literary texts as well as the active exchange between composer and author hereby provide the initial impulses for new compositions. The intention of the project hereby does not pursue a classical setting such as words to music\, nor a simple translation of the words with voices\, nor tonal representations of the texts – what is called for is rather texts functioning as movens with their\, for example\, rhythmic and syntactic qualities\, in its tonal coloration\, its timbre\, in its atmospheric or thematic density\, as semantic abutment\, … Hereby the experimental setup of „Text im Klang” has always been slightly modified throughout the years: in 2014 and 2016\, preselected texts by various Austrian authors served the composers in various pairings as a source of inspiration; in the performances\, music and text were sometimes intertwined\, the latter read by actors or the authors themselves\, sometimes being integrated directly in the composition itself live or e.g. as an edited or processed recording. In 2018 in turn\, the focus for all composers was put on one specific short text\, in 2020\, both text and music were created from scratch on a jointly developed theme. In 2022 Ferdinand Schmatz´s „das gehörte feuer. orphische skizzen“ was the starting point for the new compositions\, which partly included fragments of the text both in acoustic and visual ways aside from other parts being read by the author\, and in 2024 Elfriede Jelinek agreed that any of her numerous texts could function as impulse and starting point for new musical works\, which that time were written for the very classical line-up of Schubert´s Forellenquintett. \n  \nLike in former years\, with Schallfeld Ensemble also the musicians of course play an important role in the project\, being included in the process from the very beginning and standing in close connection specially with the composers for the realization of their new works. Throughout the different editions Schallfeld Ensemble has hereby presented itself in various line-ups. \n  \nIn 2026 five years will have passed since the death of one of the Grandes Dames of Austrian literature\, Friederike Mayröcker. With unwavering curiosity\, she worked until the very end on a multi-award-winning body of work comprising over 120 books — with numerous references to music\, visual arts\, philosophy\, and poetry. Its magic\, visual power\, and poetic radicalism had a decisive influence on German-language literature. Klaus Kastberger\, who has worked and published on her oeuvre\, accompanies the project as an intermediary to the writer and her literary work as well as to her musical preferences\, giving an introduction also at the day of the premieres. Once more „Text im Klang“ offers a dramaturgically coherent program on October 16th\, and concludes the following day with an open brunch\, allowing reflections on the overall process of the project and an exchange with the audience on their impressions. \n\n\n€ 18 | € 12* | € 7** \n* Pupils\, students\, conscripts/civil servants and unemployed persons with valid identity card \n** Music students with valid ID at the box office and children up to 10 years of age \n*** Free admission for Hunger auf Kunst & Kultur at the box office from 15 minutes before the start of the concert. \nTicket reservation: office@impuls.cc \nThe program will also be performed on October 20th\, 2026 at echoraum in Vienna.
URL:https://www.schallfeldensemble.com/event/text-im-klang-7/
LOCATION:Florentinersaal\, Palais Meran . Florentinersaal\, Leonhardstraße 15\, Graz\, 8010\, Austria
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20261017T100000
DTEND;TZID=Europe/Vienna:20261017T130000
DTSTAMP:20260423T234736
CREATED:20250930T172902Z
LAST-MODIFIED:20250930T173038Z
UID:8326-1792231200-1792242000@www.schallfeldensemble.com
SUMMARY:Text im Klang #7 Discourse : Open Brunch
DESCRIPTION:Statements by and discussion with the involved artists of the project “Text im Klang” after the premieres on October 16th with Luca Bardelle | Forrest Moody | Dilay Doğanay | Joanna Wozny | Schallfeld Ensemble as well as Klaus Kastberger \n  \nFree admission / guests are asked to pay for their consumption though.
URL:https://www.schallfeldensemble.com/event/text-im-klang-7-discourse-open-brunch/
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/schallfeld5.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261020
DTEND;VALUE=DATE:20261021
DTSTAMP:20260423T234736
CREATED:20251002T092907Z
LAST-MODIFIED:20260330T094728Z
UID:8329-1792454400-1792540799@www.schallfeldensemble.com
SUMMARY:Text im Klang #7 Vienna
DESCRIPTION:Impuls composition commissions\n\n\n\n\n\n  \nLuca Bardelle New Work (2026) \nForrest Moody New Work (2026) \nDilay Doğanay New Work (2026) \nJoanna Wozny New Work (2026) \n  \nSchallfeld Ensemble \nElisa Azzarà flute \nSzilárd Benes clarinet \nNN piano \nLorenzo Derinni violin \nMyriam García Fidalgo cello \n\n\n\n\n\n\n\n„Text im Klang” is already looking forward to its 7th edition in 2026. From the very beginning\, the project has seen itself as a laboratory\, where medial interlacings with a focal point on impulses are put into practice. In specific\, literary texts as well as the active exchange between composer and author hereby provide the initial impulses for new compositions. The intention of the project hereby does not pursue a classical setting such as words to music\, nor a simple translation of the words with voices\, nor tonal representations of the texts – what is called for is rather texts functioning as movens with their\, for example\, rhythmic and syntactic qualities\, in its tonal coloration\, its timbre\, in its atmospheric or thematic density\, as semantic abutment\, … Hereby the experimental setup of „Text im Klang” has always been slightly modified throughout the years: in 2014 and 2016\, preselected texts by various Austrian authors served the composers in various pairings as a source of inspiration; in the performances\, music and text were sometimes intertwined\, the latter read by actors or the authors themselves\, sometimes being integrated directly in the composition itself live or e.g. as an edited or processed recording. In 2018 in turn\, the focus for all composers was put on one specific short text\, in 2020\, both text and music were created from scratch on a jointly developed theme. In 2022 Ferdinand Schmatz´s „das gehörte feuer. orphische skizzen“ was the starting point for the new compositions\, which partly included fragments of the text both in acoustic and visual ways aside from other parts being read by the author\, and in 2024 Elfriede Jelinek agreed that any of her numerous texts could function as impulse and starting point for new musical works\, which that time were written for the very classical line-up of Schubert´s Forellenquintett. \nLike in former years\, with Schallfeld Ensemble also the musicians of course play an important role in the project\, being included in the process from the very beginning and standing in close connection specially with the composers for the realization of their new works. Throughout the different editions Schallfeld Ensemble has hereby presented itself in various line-ups. \nIn 2026 five years will have passed since the death of one of the Grandes Dames of Austrian literature\, Friederike Mayröcker. With unwavering curiosity\, she worked until the very end on a multi-award-winning body of work comprising over 120 books — with numerous references to music\, visual arts\, philosophy\, and poetry. Its magic\, visual power\, and poetic radicalism had a decisive influence on German-language literature. Klaus Kastberger\, who has worked and published on her oeuvre\, accompanies the project as an intermediary to the writer and her literary work as well as to her musical preferences. \nThe pieces will be premiered on the 16.10.2026 in Graz. More info in the impuls website \n\n\nMore info coming soon
URL:https://www.schallfeldensemble.com/event/text-im-klang-7-vienna/
LOCATION:echoraum\, Sechshauser Straße 66\, Wien\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/schallfeld5.jpg
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END:VCALENDAR