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X-ORIGINAL-URL:https://www.schallfeldensemble.com
X-WR-CALDESC:Events for Schallfeld Ensemble
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TZID:UTC
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TZOFFSETFROM:+0000
TZOFFSETTO:+0000
TZNAME:UTC
DTSTART:20180101T000000
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20200703
DTEND;VALUE=DATE:20200707
DTSTAMP:20260424T160957
CREATED:20200515T160451Z
LAST-MODIFIED:20231103T163047Z
UID:5485-1593734400-1594079999@www.schallfeldensemble.com
SUMMARY:Reading session and masterclass with Pierluigi Billone
DESCRIPTION:Schallfeld Ensemble and IGNM Austria present a call for scores:\nReading sessions with a recording in combination with a composition masterclass with Pierluigi Billone will take place on July 3rd to 6th 2020 in Graz.\nEach participant will have 1 individual lesson with Pierluigi Billone and 2 rehearsals + recording session with Schallfeld Ensemble. It is also possible to combine a lesson with a reading session\, in order to investigate compositional questions with M°Billone and the ensemble at the same time. \nScores for the following instruments can be submitted: flute (piccolo\, C\, G and Bass)\, clarinet (B and Bass)\, saxophone (SATB)\, violin\, cello\, double-bass (5 Strings)\, piano\, percussion*\, conductor\nMinimum instrumentation is trio.\nThere is no age limit for participants. \nThe participation fee of 100€ includes lesson\, rehearsals and recording without editing.\nPlease send your CV and 1 or 2 scores (with recording\, if available) to academy@schallfeldensemble.com\, submission deadline is may\, 31st.\nThe selected composers will be notified by June 10th. \n*please see detailed percussion instrumentarium under: \nhttps://www.schallfeld-archive.cloud/owncloud/index.php/s/OfoWoFLOgCiftnf
URL:https://www.schallfeldensemble.com/event/reading-session-and-masterclass-with-pierluigi-billone/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20200619T080000
DTEND;TZID=UTC:20200619T170000
DTSTAMP:20260424T160957
CREATED:20200302T074314Z
LAST-MODIFIED:20200302T074314Z
UID:5483-1592553600-1592586000@www.schallfeldensemble.com
SUMMARY:Cancelled - Der ferne Klang
DESCRIPTION:Mit Werken von Franz Schreker\, Roman Haubenstock-Ramati u.a.
URL:https://www.schallfeldensemble.com/event/der-ferne-klang/
LOCATION:neue Galerie Graz\, Joanneumsviertel\, Graz
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20200608T190000
DTEND;TZID=UTC:20200608T200000
DTSTAMP:20260424T160957
CREATED:20200301T204901Z
LAST-MODIFIED:20200301T204901Z
UID:5482-1591642800-1591646400@www.schallfeldensemble.com
SUMMARY:Postponed - StAiR Residency Concert
DESCRIPTION:Music by Alec Hall
URL:https://www.schallfeldensemble.com/event/stair-residency-concert/
LOCATION:iem – CUBE\, Inffeldgasse 10/3\, Graz
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20200604T200000
DTEND;TZID=UTC:20200604T230000
DTSTAMP:20260424T160957
CREATED:20200301T204202Z
LAST-MODIFIED:20200301T204202Z
UID:5481-1591300800-1591311600@www.schallfeldensemble.com
SUMMARY:Postponed - Manipulationen
DESCRIPTION:more info coming soon
URL:https://www.schallfeldensemble.com/event/manipulationen/
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20200512
DTEND;VALUE=DATE:20200513
DTSTAMP:20260424T160957
CREATED:20200301T203920Z
LAST-MODIFIED:20200301T203920Z
UID:5480-1589241600-1589327999@www.schallfeldensemble.com
SUMMARY:CANCELLED - Die blaue Stunde
DESCRIPTION:Schallfeld Ensemble with Severine Ballon \nMore info coming soon
URL:https://www.schallfeldensemble.com/event/die-blaue-stunde/
LOCATION:echoraum\, Sechshauser Straße 66\, Wien\, Austria
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20200425
DTEND;VALUE=DATE:20200426
DTSTAMP:20260424T160957
CREATED:20191221T164246Z
LAST-MODIFIED:20191221T164246Z
UID:5477-1587772800-1587859199@www.schallfeldensemble.com
SUMMARY:CANCELLED - Bridges 2020 – Konzerthaus Wien
DESCRIPTION:More info coming soon
URL:https://www.schallfeldensemble.com/event/bridges-2020-konzerthaus-wien/
LOCATION:Wiener Konzerthaus\, Wien\, Austria
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20200423T183000
DTEND;TZID=UTC:20200423T193000
DTSTAMP:20260424T160957
CREATED:20191221T163945Z
LAST-MODIFIED:20191221T163945Z
UID:5476-1587666600-1587670200@www.schallfeldensemble.com
SUMMARY:CANCELLED - MICROFEST PRAGUE 2020
DESCRIPTION:[:en]\nProgram\nKlaus LANG (AT/DE): Origami (2011; fl.\, acc.\, vc.)  \nXue HAN(CN/CAN): SharpDop PupPipTrip (2019; fl.\, cb.  \nHyeokjae KIM (KR/AT): Bubblegum Music (2019; fl.\, acc.\, vc.  \nJ-T VESIKKALA WITTMACHER (FIN/CZ): New work for quartet (2020; fl.\, acc.\, vc.\, cb.) ca. 5′ \nSylvain MARTY (FR/AT): Saddle node (2019; fl.\, acc.\, vc.) \nEleni RALLI (GR/CH): Small Moments (like these) – Quartet Version (2019; fl.\, acc.\, vc.\, cb.) \n\nMargarethe Maierhofer-Lischka: Kontrabass \nMirko Jevtovic: Akordeon \nLucía Pérez Diego: Violoncello \nElisa Azzarà: Flöte \n[:de]\nProgramm\nKlaus LANG (AT/DE): Origami (2011; fl.\, acc.\, vc.) \nXue HAN(CN/CAN): SharpDop PupPipTrip (2019; fl.\, cb. \nHyeokjae KIM (KR/AT): Bubblegum Music (2019; fl.\, acc.\, vc. \nJ-T VESIKKALA WITTMACHER (FIN/CZ): New work for quartet (2020; fl.\, acc.\, vc.\, cb.) ca. 5′ \nSylvain MARTY (FR/AT): Saddle node (2019; fl.\, acc.\, vc.) \nEleni RALLI (GR/CH): Small Moments (like these) – Quartet Version (2019; fl.\, acc.\, vc.\, cb.) \n\nMargarethe Maierhofer-Lischka: Kontrabass \nMirko Jevtovic: Akordeon \nLucía Pérez Diego: Violoncello \nElisa Azzarà: Flöte \n  \n[:]
URL:https://www.schallfeldensemble.com/event/microfest-prague-2020/
LOCATION:HAMU\, Malostranské náměstí 258\, 118 00 Malá Strana\, Prague\, Prague
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20200403T193000
DTEND;TZID=UTC:20200403T203000
DTSTAMP:20260424T160957
CREATED:20200303T112420Z
LAST-MODIFIED:20200303T112420Z
UID:5484-1585942200-1585945800@www.schallfeldensemble.com
SUMMARY:[:en]CANCELLED Signale - Portrait: Annea Lockwood[:de]ABGESAGT Signale - Portrait: Annea Lockwood[:]
DESCRIPTION:Programm: \nBuoyant (2013)\, stereo electroacoustic\nEar-Walking Woman (1996)\, prepared piano\nRuth Anderson\, I Come Out of Your Sleep (1979\, revised 1997)\, 4-channel electroacoustic\nbayou–borne for Pauline (2016)\, six players\, vocal and/or instrumental \nEnsemble Schallfeld\nKlangregie: Peter Venus \nEintritt frei \nACHTUNG: \n31.3.2020\, 16h30 (Inffeldgasse 10/3\, IEM CUBE)\nsignalegraz Interview und Lecture mit Annea Lockwood \n1.4. – 3.4.2020\, ganztägig im MUMUTH GRAZ (Lichtenfelsgasse 14\, Foyer)\nKlanginstallation\nA Sound Map of the Housatonic River (2010)\, 4-channel sound installation
URL:https://www.schallfeldensemble.com/event/signale-portrait-annea-lockwood/
LOCATION:Ligeti Saal\, Lichtenfelsgasse 14\, Graz\, 8010\, Austria
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20200331T200000
DTEND;TZID=UTC:20200331T210000
DTSTAMP:20260424T160957
CREATED:20190520T140618Z
LAST-MODIFIED:20190520T140618Z
UID:5459-1585684800-1585688400@www.schallfeldensemble.com
SUMMARY:POSTPONED: Jeunesse: SHARAFI | HARNIK | POULEUKHINA
DESCRIPTION:[:en]\n\nINTERPRETEN\nRojin Sharafi Synthesizer\, Elektronik \nElisabeth Harnik Klavier \nMarina Poleukhina expressive objects \nEnsemble Schallfeld Ensemble \nMatej Bunderla Saxophon \nAlexander Montgomery Smith Schlagzeug \nPatrick Skrilecz Klavier \nMyriam García Fidalgo Violoncello \nMargarethe Maierhofer-Lischka Kontrabass \nLeonhard Garms Dirigent \n— \nWolfgang Musil Sound \n\n\nPROGRAMM\nElisabeth Harnik Floating shadows on flatland für Saxophon\, Violoncello und Kontrabass (2012) \nImprovisation von Elisabeth Harnik \nImprovisation von Marina Poleukhina \nMarina Poleukhina war nichts\, worin man Ihre Füße baden hätte dürfen für Violoncello\, Kontrabass und Klavier (2012) \n— Pause — \nNina Polaschegg im Gespräch mit Rojin Sharafi\, Elisabeth Harnik und Marina Poleukhina \nRojin Sharafi Elektroakustische Soloperformance \nRojin Sharafi Neues Werk (2019–2020\, Kompositionsauftrag von ORF und Jeunesse) \nRojin Sharafi\, Elisabeth Harnik\, Marina Poleukhina im Gespräch \n\n\n [:de]\n\nINTERPRETEN\nRojin Sharafi Synthesizer\, Elektronik \nElisabeth Harnik Klavier \nMarina Poleukhina expressive objects \nEnsemble Schallfeld Ensemble \nMatej Bunderla Saxophon \nAlexander Montgomery Smith Schlagzeug \nPatrick Skrilecz Klavier \nMyriam García Fidalgo Violoncello \nMargarethe Maierhofer-Lischka Kontrabass \nLeonhard Garms Dirigent \n— \nWolfgang Musil Sound \n\n\nPROGRAMM\nElisabeth Harnik Floating shadows on flatland für Saxophon\, Violoncello und Kontrabass (2012) \nImprovisation von Elisabeth Harnik \nImprovisation von Marina Poleukhina \nMarina Poleukhina war nichts\, worin man Ihre Füße baden hätte dürfen für Violoncello\, Kontrabass und Klavier (2012) \n— Pause — \nNina Polaschegg im Gespräch mit Rojin Sharafi\, Elisabeth Harnik und Marina Poleukhina \nRojin Sharafi Elektroakustische Soloperformance \nRojin Sharafi Neues Werk (2019–2020\, Kompositionsauftrag von ORF und Jeunesse) \nRojin Sharafi\, Elisabeth Harnik\, Marina Poleukhina im Gespräch \n\n[:]
URL:https://www.schallfeldensemble.com/event/jeunesse-yu-harnik-pouleukhina/
LOCATION:ORF RadioKulturhaus\, Argentinierstraße 30a\, Wien\, Austria
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20200312T200000
DTEND;TZID=UTC:20200312T220000
DTSTAMP:20260424T160957
CREATED:20200117T092212Z
LAST-MODIFIED:20200117T092212Z
UID:5479-1584043200-1584050400@www.schallfeldensemble.com
SUMMARY:Swing It
DESCRIPTION:[:en]\nDAS KONZERT FINDET WIE GEPLANT STATT // THE CONCERT IS NOT CANCELLED\nProgram\nFranck Bedrossian – Swing \nFranck Bedrossian – We met as Sparks \nFranck Bedrossian – It \nClara Iannotta – D’après \nMauro Lanza – Tutto ciò che è solido si dissolve nell’aria \n  \nIn Kooperation mit dem   [:de]\nDAS KONZERT FINDET WIE GEPLANT STATT // THE CONCERT IS NOT CANCELLED\n\n“…ein Übermaß an Klangmaterial\, an Energie\, Bewegung und an Klangfarbe…” *\n\nDer Komponist Franck  Bedrossian lebt und lehrt seit diesem Jahr in Graz\, Schallfeld widmet ihm am 12. März ein Willkommenskonzert.\nBedrossian schreibt eine Musik der Extreme: \nVirtuosität überlagert sich mit Noise\, raffinierte Farbschattierungen münden in tosende Kaskaden. \nIn ganz andere\, schillernde und unheimliche (Klang-)Welten entführen die kontrastierenden Werke von Clara Iannotta und Maura Lanza\, die um Fragen von Wahrnehmung\, Wiederholung und Erinnerung kreisen.\n\n“…Wiederholung ändert nichts im wiederholten Objekt\, aber ändert etwas in dem Kopf\, der es betrachtet…”**\n\n\n*Dominique Jameux\, 2008 \n** Gilles Deleuze\n\nProgramm\n\nFranck Bedrossian – Swing \nFranck Bedrossian – We met as Sparks \nFranck Bedrossian – It \nClara Iannotta – D’après \nMauro Lanza – Tutto ciò che è solido si dissolve nell’aria \n  \nIn Kooperation mit dem   [:]
URL:https://www.schallfeldensemble.com/event/swing/
LOCATION:Theater am Lend\, Wienerstraße 58a\, Graz
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20200222T200000
DTEND;TZID=UTC:20200222T210000
DTSTAMP:20260424T160957
CREATED:20190706T164658Z
LAST-MODIFIED:20190706T164658Z
UID:5468-1582401600-1582405200@www.schallfeldensemble.com
SUMMARY:Harvard Group for new Music - Harvard University
DESCRIPTION:[:en]Schallfeld Ensemble will be in Residence at Harvard February 17-22nd\, working on new works for quartet by composition PhDs there: Lorenzo Troiani \, Marie Carroll\, Kelley Sheehan\, Golnaz Shariatzadeh and Chris Lock . \nThe programm will be presented on the 22.2. in the Paine Hall. \nProgram\nGolnaz Shariatzadeh\, Hollowing for violin\, cello\, doublebass\,  clarinet and electronics \nLorenzo Troiani\, New piece\, for solo clarinet \nKelley Sheehan\, Strange Strain for violin\, cello\, doublebass\,  clarinet and electronics \nChris Lock\, new piece for doublebass and electronics \nMarie Carroll\, new piece for violin\, cello\, doublebass\,  clarinet and electronics \n                [:de]Schallfeld Ensemble will be in Residence at Harvard February 17-22nd\, working on new works for quartet by composition PhDs there: Lorenzo Troiani \, Marie Carroll\, Kelley Sheehan\, Golnaz Shariatzadeh and Chris Lock . \nThe programm will be presented on the 22.2. in the Paine Hall. \nProgram\nGolnaz Shariatzadeh\, Hollowing for violin\, cello\, doublebass\,  clarinet and electronics \nLorenzo Troiani\, New piece\, for solo clarinet \nKelley Sheehan\, Strange Strain for violin\, cello\, doublebass\,  clarinet and electronics \nChris Lock\, new piece for doublebass and electronics \nMarie Carroll\, new piece for violin\, cello\, doublebass\,  clarinet and electronics \n                 \n [:]
URL:https://www.schallfeldensemble.com/event/harvard/
LOCATION:Paine Hall\, 3 Oxford St\, Cambridge\, MA 02138\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20200215T190000
DTEND;TZID=UTC:20200215T203000
DTSTAMP:20260424T160957
CREATED:20191221T091046Z
LAST-MODIFIED:20191221T091046Z
UID:5473-1581793200-1581798600@www.schallfeldensemble.com
SUMMARY:Schallfeld goes to UCSD
DESCRIPTION:[:en]February 10-14th \, Schallfeld will work with composers  from the University of South California / San Diego\, joining forces with local instrumentalists\, performing pieces by the PhD Students .Anahita Abassi\, Andrés Gutiérrez Martínez\, Stephen de Filippo\, Ioannis Mitsialis\, Nasim Khorassani\, Qingqing Wang and Tiange Zhou. \nProgram\nAnahita Abassi -Situation II / Dialoge for Flute\, Clarinet\, Saxophone\, Piano\, Violin\, Cello\, Double bass & Objects \nAndrés Gutiérrez Martínez – Monolito\, for bassclarinet\, doublebass and piano \nStephen de Filippo – A moment exposed\, for mixed chamber ensemble \nIoannis Mitsialis – Jupiter\, for ensemble \nNasim Khorassani – Paper Pigeons\, for Schallfeld Ensemble and papers \nQingqing Wang – Circles\, for clarinet\, piano\, violin violoncello and contrabass \nTiange Zhou -Morphing \n                [:de]February 10-15th \, Schallfeld will work with composers  from the University of South California / San Diego\, joining forces with local instrumentalists\, performing pieces by the PhD Students .Anahita Abassi\, Andrés Gutiérrez Martínez\, Stephen de Filippo\, Ioannis Mitsialis\, Nasim Khorassani\, Qingqing Wang and Tiange Zhou. \nProgram\nAnahita Abassi -Situation II / Dialoge for Flute\, Clarinet\, Saxophone\, Piano\, Violin\, Cello\, Double bass & Objects \nAndrés Gutiérrez Martínez – Monolito\, for bassclarinet\, doublebass and piano \nStephen de Filippo – A moment exposed\, for mixed chamber ensemble \nIoannis Mitsialis – Jupiter\, for ensemble \nNasim Khorassani – Paper Pigeons\, for Schallfeld Ensemble and papers \nQingqing Wang – Circles\, for clarinet\, piano\, violin violoncello and contrabass \nTiange Zhou -Morphing \n  \n                [:]
URL:https://www.schallfeldensemble.com/event/ucsd/
LOCATION:[:en]UCSD – Conrad Prebys Concert Hall[:de]UCSD[:]\, La Jolla\, CA 92093\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20191130
DTEND;VALUE=DATE:20191201
DTSTAMP:20260424T160957
CREATED:20190531T172316Z
LAST-MODIFIED:20190531T172316Z
UID:5467-1575072000-1575158399@www.schallfeldensemble.com
SUMMARY:Zeitgeist
DESCRIPTION:[:en]\n\n\n\n(c) Petra Kožušníková \nKlaviermusik für zwei Hände\, vier Hände\, zwei Klaviere und fünf Hände\nMaria Flavia Cerrato und Patrick Skrilecz \nEin gemeinsames Projekt des Schallfeld Ensembles und Schülern des J.J.F. Konservatoriums \nProgramm\nGeorge Crumb – Zeitgeist\nJohannes Maria Staud –  Im Lichte II\nMaurice Ravel – Frontispice\nSalvatore Sciarrino – Dita unite a quattro mani\nMorton Feldman – Piano Four Hands\nLuciano Berio – Brin \n\n\n\n[:de]\n\n\n\n(c) Petra Kožušníková \n\nKlaviermusik für zwei Hände\, vier Hände\, zwei Klaviere und fünf Hände\nMaria Flavia Cerrato und Patrick Skrilecz \nEin gemeinsames Projekt des Schallfeld Ensembles und Schülern des J.J.F. Konservatoriums \nProgramm\nGeorge Crumb – Zeitgeist\nJohannes Maria Staud –  Im Lichte II\nMaurice Ravel – Frontispice\nSalvatore Sciarrino – Dita unite a quattro mani\nMorton Feldman – Piano Four Hands\nLuciano Berio – Brin \n\n\n\n[:]
URL:https://www.schallfeldensemble.com/event/zeitgeist/
LOCATION:Grazer Konservatorium\, Graz\, Austria
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191129T200000
DTEND;TZID=UTC:20191129T213000
DTSTAMP:20260424T160957
CREATED:20190824T163013Z
LAST-MODIFIED:20190824T163013Z
UID:5471-1575057600-1575063000@www.schallfeldensemble.com
SUMMARY:Oh\, I see
DESCRIPTION:[:en]\n\n\n\nPROGRAMM\nCarola Bauckholt: Oh\, I see (2015/16) \nNick Morrish Rarity*: Projections in real time UA (2019) \n\n\n\nGiuliano Bracci: Ritroverai le nubi UA (2019) \nSupported by the Performing Arts Fund NL \n\nHannes Kerschbaumer: Tektono (2019) \nCommissioned by Wien Modern and Schallfeld Ensemble\, supported by the Ernst von Siemens Musikstiftung \n*Resident Styrian Artist in Residence (St.A.i.R) Programm \n\n\n  \nDas Projekt findet in Kooperation mit der IGNM – der Internationalen Gesellschaft für Neue Musik statt \n \n  \n  \n  \n  \n  \n  \n  \n \n                   \n  \n  \n\n\n  \n\n\n[:de]\n\n\nOh\, I see!\n\n\nZwei Werke für Ensemble und Elektronik und zwei für Ensemble\, Elektronik und Video spielen auf teils humorvolle Weise mit verschiedenen Möglichkeiten des Zusammentreffen von Klang und Bild; individuellen Assoziationen ist dabei freier Raum gegeben. \nCarola Bauckholts „Oh\, I see“ verbindet lustvoll Augäpfel\, den Mond und zarte Habaneraweisen\, während Nick Morrish Raritymit seinem neuen Werk in den Grenzbereich von Klang und Bild vordringt – „optical sound“ nennt er es\, wenn Licht zu Klang wird. \nMit dem bei Wien Modern uraufgeführten Werk Tektono von Hannes Kerschbaumer bringen wir ein eindrucksvolles Klangkunstwerk zu Gehör: Bilder von urzeitlichen Plattenverschiebungen werden durch instrumentale und elektronische Klänge fast zu einer haptischen Erfahrung\, während Giuliano Braccis „Ritroverai le nubi“ (zu deutsch: „Du wirst die Wolken wiederfinden“) als eine zart poetische Innenschau gewissermaßen einen Gegenpol darstellt. \n  \nPROGRAMM \nCarola Bauckholt: Oh I see (2015/16) \nNick Morrish Rarity: Projections in real time UA (2019). Resident Styrian Artist in Residence (St.A.i.R) \nGiuliano Bracci: Ritroverai le nubi UA (2019). \n Supported by the Performing Arts Fund NL \nHannes Kerschbaumer: Tektono (2019) \nCommissioned by Wien Modern and Schallfeld Ensemble\, supported by the Ernst von Siemens Musikstiftung \nPreise: 10€/5€ Ermäßigt/Kulturpass frei \n  \n\nDas Projekt findet in Kooperation mit der IGNM – der Internationalen Gesellschaft für Neue Musik statt \n\n  \n\n\n \n  \n  \n  \n  \n  \n  \n  \n \n                   \n  \n  \n\n\n[:]
URL:https://www.schallfeldensemble.com/event/oh-i-see/
LOCATION:Theater am Lend\, Wienerstraße 58a\, Graz
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20191114
DTEND;VALUE=DATE:20191115
DTSTAMP:20260424T160957
CREATED:20190824T114929Z
LAST-MODIFIED:20190824T114929Z
UID:5470-1573689600-1573775999@www.schallfeldensemble.com
SUMMARY:La chute d´Icare
DESCRIPTION:Open rehearsal with Brian Ferneyhough and performance of La Chute d´Icare (Soloist – Szilárd Benes)
URL:https://www.schallfeldensemble.com/event/la-chute-dicare/
LOCATION:Kunst Universität Graz\, Leonhardstraße 15\, Graz\, 8010\, Austria
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191109T050000
DTEND;TZID=UTC:20191109T183000
DTSTAMP:20260424T160957
CREATED:20190525T055209Z
LAST-MODIFIED:20190525T055209Z
UID:5462-1573275600-1573324200@www.schallfeldensemble.com
SUMMARY:Crossroads Festival Salzburg
DESCRIPTION:[:en]\n\n\n\nProgram\nNew pieces by Brendan Champeaux\, Mattia Clera\, Misaki Goto\, Elnaz Seyedi and Francisco Uberto \n\n\n\n[:de]\nProgram\nNew pieces by Brendan Champeaux\, Mattia Clera\, Misaki Goto\, Elnaz Seyedi and Francisco Uberto[:]
URL:https://www.schallfeldensemble.com/event/crossroads-festival-salzburg/
LOCATION:Mozarteum University\, Kleines Studio\, Salzburg\, Austria
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191108T200000
DTEND;TZID=UTC:20191108T200000
DTSTAMP:20260424T160957
CREATED:20191021T161414Z
LAST-MODIFIED:20191021T161414Z
UID:5472-1573243200-1573243200@www.schallfeldensemble.com
SUMMARY:InTaKT 2019: Aufzeichnungen einer Blinden
DESCRIPTION:[:en]Music by: Peter Ablinger\, Reinhold Schinwald\, Germán Toro Pérez\nVoices: Gina Mattiello\, Ninja Reichert\nPercussion: Manuel Alcaraz Clemente\nVioloncello: Myriam García Fidalgo\nSound direction: Reinhold Schinwald[:de]\n\nEine Produktion von büro lunaire in Kooperation mit dem InTaKT Festival Graz\, dem Blinden- und Sehbehindertenverband Salzburg und der Steiermark und dem Ensemble Schallfeld. \n\n\n\nDas Live-Hörspiel im Dunkeln beruht in erster Linie auf Gesprächen mit blinden Menschen\, die den Entstehungsprozess begleitet haben\, sowie einer Suchbewegung im Schreiben\, die wie ein Tasten im Ungewissen verläuft. Im Zentrum des Textes stehen zwei Frauenfiguren\, die sich wie zwei Linien aufeinander zu bewegen\, umgeben von Klanglandschaften\, die sich aus Geräuschen speisen\, die dem Text entnommen sind oder mit dem Vorgang des Lesens (von Blindenschrift) in Zusammenhang stehen: Die Hand\, die über das Papier streift\, der Schlägel\, der auf die Trommelhaut fällt\, das Tropfen des Wassers auf Glasröhren. Aufzeichnungen einer Blinden ist der Versuch einer Fokusierung auf den Hör- und Tastsinn. \n  \nTEXT: Gina Mattiello\nGeschrieben während eines von der Österreichischen Gesellschaft für Literatur und dem Bundeskanzleramt geförderten Aufenthaltes in der casa litterarum im Juli 2019 in Paliano.\nKOMPOSITIONEN: Peter Ablinger\, Reinhold Schinwald\, Germán Toro Pérez\nSTIMMEN: Gina Mattiello\, Ninja Reichert\nSCHLAGWERK: Manuel Alcaraz Clemente\nVIOLONCELLO: Myriam García Fidalgo\nKLANGREGIE: Reinhold Schinwald \n\n[:]
URL:https://www.schallfeldensemble.com/event/intakt-2019-aufzeichnungen-einer-blinden/
LOCATION:Schauspielhaus Graz\, HAUS DREI\, Hofgasse 11\, Graz\, Austria
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20191106
DTEND;VALUE=DATE:20191107
DTSTAMP:20260424T160957
CREATED:20190531T171215Z
LAST-MODIFIED:20190531T171215Z
UID:5466-1572998400-1573084799@www.schallfeldensemble.com
SUMMARY:TRILOGY IN TWO - ROMA
DESCRIPTION:TRILOGY IN TWO\na mosaic opera  by Andrea Liberovici with   Helga Davis and  Schallfeld Ensemble. \nMusical direction : Sara Caneva \nMusic\, libretto\, video\, direction: Andrea Liberovici \na co-production by Teatro Nazionale di Genova and Fondazione I Teatri / Festival Aperto\, Reggio Emilia with Schallfeld Ensemble \n \nTrilogy in Two is a contemporary opera inspired by three emblematic figures and composed of two interlaced acts\, as the title is alluding to. Liberovici’s dramaturgical work has always been focused on the fragment\, but a fragment which is part of an overall design that\, as in a mosaic\, piece by piece\, finally reveals its shape. Trilogy in two is a reflection on the theme of beauty as an identity (if not lost\, largely in crisis) of Europe through three models of beauty. \n“The ephemeral beauty of illusions\, the profound beauty of solidarity\, the ancient beauty of listening. Personalized respectively in three European archetypes: Faust as a fictional character\, Florence Nightingale (founder of modern nursing) as an historic personality\, and Venice as a listening architecture: the selfishness of the former\, the attention to others of the latter (counterposed to the new racisms)\, the synthesis of the objective and indisputable beauty of the lagoon city\, which in its architecture made of water and mosaics preserves the aptitude for listening and meeting.” (Andrea Liberovici) \nThe stage is dominated by the extraordinary American performer Helga Davis\, the principal actor in the most recent edition of Einstein on the Beach by Robert Wilson and Philip Glass. With her on stage the Schallfeld Ensemble\, an international ensemble of contemporary music based in Graz\, Austria\, featuring musicians of various nationalities and the talented Sara Caneva as musical director. \nLiberovici in his musical and theatrical works has always favored the idea of ​​a sound theater supported by an ‘acoustic’ set giving to viewers narrative stimuli\, that should be the freest and most personal. For this reason\, the sets of his works are apparently very sparse and minimal\, favoring the invisible and dramaturgical quality of music\, with sounds in movement and in relation to each other\, which are quickly provoking emotions. In this case the musicians will share with the performer the stage where there is only one large mirror/screen on which reflections are projected\, mixing unusual percussions and the wonderful voice-cameo by Robert Wilson\, just to mention some of the pieces of this mosaic-opera that overcomes the separation between genres\, and is at the same time concert\, theatre\, poetry\, and visual art.
URL:https://www.schallfeldensemble.com/event/trilogy-in-two-roma/
LOCATION:Auditorium Parco della Musica\, Roma\, Italy
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191103T193000
DTEND;TZID=UTC:20191103T210000
DTSTAMP:20260424T160957
CREATED:20190824T113941Z
LAST-MODIFIED:20190824T113941Z
UID:5469-1572809400-1572814800@www.schallfeldensemble.com
SUMMARY:Wien Modern
DESCRIPTION:PROGRAMM\n\n\nCathy van Eck: Stumme Diener (2011) – Performance für Musiker und Notenständer \nDiana Soh: Modicum (2019) EA \nLorenzo Troiani: La fine è senza fine (2017) \nSylvain Marty: Discreet for ensemble \nHannes Kerschbaumer: Neues Stück* UA \n*Kompositionsauftrag von Wien Modern und Schallfeld Ensemble\, gefördert von der Ernst von Siemens Musikstiftung. \n\n  \nKuratiert vom Schallfeld Ensemble | Produktion Wien Modern | Koproduktion Schallfeld Ensemble mit freundlicher Unterstützung von Pro Helvetia Schweizer Kulturstiftung \n  \n                                        
URL:https://www.schallfeldensemble.com/event/wien-modern2019/
LOCATION:Wiener Konzerthaus\, Wien\, Austria
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191022T190000
DTEND;TZID=UTC:20191022T203000
DTSTAMP:20260424T160957
CREATED:20190525T054208Z
LAST-MODIFIED:20190525T054208Z
UID:5461-1571770800-1571776200@www.schallfeldensemble.com
SUMMARY:Olomouc Festival
DESCRIPTION:[:en]\n\n\n\nProgram\nMorton Feldman (1926-1987\, USA): Piano Four Hands \n\n\n\nJohannes Maria Staud: im Lichte II für 2 Klaviere \nGeorge Crumb: Zeitgeist (Tableaux vivants) (1988) für 2 Klaviere. \n\n\n\nMaurizio Azzan: Dove tutto è stato preso (Innerspace II) (2016) für Klavier \n  \n\n\n\n[:de]\nProgram\nMorton Feldman (1926-1987\, USA): Piano Four Hands  \n\n\n\nJohannes Maria Staud: im Lichte II für 2 Klaviere \nGeorge Crumb: Zeitgeist (Tableaux vivants) (1988) für 2 Klaviere. \n\n\n\nMaurizio Azzan: Dove tutto è stato preso (Innerspace II) (2016) für Klavier[:]
URL:https://www.schallfeldensemble.com/event/olmutz-festival/
LOCATION:Corpus Christi Chapel\, Art center of Palaky University\, Olomouc\, Czech Republic
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20191022
DTEND;VALUE=DATE:20191031
DTSTAMP:20260424T160957
CREATED:20190531T170918Z
LAST-MODIFIED:20211205T174751Z
UID:4119-1571702400-1572479999@www.schallfeldensemble.com
SUMMARY:TRILOGY IN TWO - GENOVA
DESCRIPTION:TRILOGY IN TWO\na mosaic opera  by Andrea Liberovici with   Helga Davis and  Schallfeld Ensemble. \nMusical direction : Sara Caneva \nMusic\, libretto\, video\, direction: Andrea Liberovici \na co-production by Teatro Nazionale di Genova and Fondazione I Teatri / Festival Aperto\, Reggio Emilia with Schallfeld Ensemble \n \nTrilogy in Two is a contemporary opera inspired by three emblematic figures and composed of two interlaced acts\, as the title is alluding to. Liberovici’s dramaturgical work has always been focused on the fragment\, but a fragment which is part of an overall design that\, as in a mosaic\, piece by piece\, finally reveals its shape. Trilogy in two is a reflection on the theme of beauty as an identity (if not lost\, largely in crisis) of Europe through three models of beauty. \n“The ephemeral beauty of illusions\, the profound beauty of solidarity\, the ancient beauty of listening. Personalized respectively in three European archetypes: Faust as a fictional character\, Florence Nightingale (founder of modern nursing) as an historic personality\, and Venice as a listening architecture: the selfishness of the former\, the attention to others of the latter (counterposed to the new racisms)\, the synthesis of the objective and indisputable beauty of the lagoon city\, which in its architecture made of water and mosaics preserves the aptitude for listening and meeting.” (Andrea Liberovici) \nThe stage is dominated by the extraordinary American performer Helga Davis\, the principal actor in the most recent edition of Einstein on the Beach by Robert Wilson and Philip Glass. With her on stage the Schallfeld Ensemble\, an international ensemble of contemporary music based in Graz\, Austria\, featuring musicians of various nationalities and the talented Sara Caneva as musical director. \nLiberovici in his musical and theatrical works has always favored the idea of ​​a sound theater supported by an ‘acoustic’ set giving to viewers narrative stimuli\, that should be the freest and most personal. For this reason\, the sets of his works are apparently very sparse and minimal\, favoring the invisible and dramaturgical quality of music\, with sounds in movement and in relation to each other\, which are quickly provoking emotions. In this case the musicians will share with the performer the stage where there is only one large mirror/screen on which reflections are projected\, mixing unusual percussions and the wonderful voice-cameo by Robert Wilson\, just to mention some of the pieces of this mosaic-opera that overcomes the separation between genres\, and is at the same time concert\, theatre\, poetry\, and visual art.
URL:https://www.schallfeldensemble.com/event/trilogy-in-two-genova-2/
LOCATION:Teatro Modena\, Genova\, Italy
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20191022
DTEND;VALUE=DATE:20191031
DTSTAMP:20260424T160957
CREATED:20190531T170918Z
LAST-MODIFIED:20190531T170918Z
UID:5465-1571702400-1572479999@www.schallfeldensemble.com
SUMMARY:TRILOGY IN TWO - GENOVA
DESCRIPTION:TRILOGY IN TWO\na mosaic opera  by Andrea Liberovici with   Helga Davis and  Schallfeld Ensemble. \nMusical direction : Sara Caneva \nMusic\, libretto\, video\, direction: Andrea Liberovici \na co-production by Teatro Nazionale di Genova and Fondazione I Teatri / Festival Aperto\, Reggio Emilia with Schallfeld Ensemble \n \nTrilogy in Two is a contemporary opera inspired by three emblematic figures and composed of two interlaced acts\, as the title is alluding to. Liberovici’s dramaturgical work has always been focused on the fragment\, but a fragment which is part of an overall design that\, as in a mosaic\, piece by piece\, finally reveals its shape. Trilogy in two is a reflection on the theme of beauty as an identity (if not lost\, largely in crisis) of Europe through three models of beauty. \n“The ephemeral beauty of illusions\, the profound beauty of solidarity\, the ancient beauty of listening. Personalized respectively in three European archetypes: Faust as a fictional character\, Florence Nightingale (founder of modern nursing) as an historic personality\, and Venice as a listening architecture: the selfishness of the former\, the attention to others of the latter (counterposed to the new racisms)\, the synthesis of the objective and indisputable beauty of the lagoon city\, which in its architecture made of water and mosaics preserves the aptitude for listening and meeting.” (Andrea Liberovici) \nThe stage is dominated by the extraordinary American performer Helga Davis\, the principal actor in the most recent edition of Einstein on the Beach by Robert Wilson and Philip Glass. With her on stage the Schallfeld Ensemble\, an international ensemble of contemporary music based in Graz\, Austria\, featuring musicians of various nationalities and the talented Sara Caneva as musical director. \nLiberovici in his musical and theatrical works has always favored the idea of ​​a sound theater supported by an ‘acoustic’ set giving to viewers narrative stimuli\, that should be the freest and most personal. For this reason\, the sets of his works are apparently very sparse and minimal\, favoring the invisible and dramaturgical quality of music\, with sounds in movement and in relation to each other\, which are quickly provoking emotions. In this case the musicians will share with the performer the stage where there is only one large mirror/screen on which reflections are projected\, mixing unusual percussions and the wonderful voice-cameo by Robert Wilson\, just to mention some of the pieces of this mosaic-opera that overcomes the separation between genres\, and is at the same time concert\, theatre\, poetry\, and visual art.
URL:https://www.schallfeldensemble.com/event/trilogy-in-two-genova/
LOCATION:Teatro Modena\, Genova\, Italy
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20191020
DTEND;VALUE=DATE:20191021
DTSTAMP:20260424T160957
CREATED:20190531T170706Z
LAST-MODIFIED:20190531T170706Z
UID:5464-1571529600-1571615999@www.schallfeldensemble.com
SUMMARY:TRILOGY IN TWO - Reggio Emilia
DESCRIPTION:[:en]\nTRILOGY IN TWO\na mosaic opera  by Andrea Liberovici with   Helga Davis and  Schallfeld Ensemble. \nMusical direction : Sara Caneva \nMusic\, libretto\, video\, direction: Andrea Liberovici \na co-production by Teatro Nazionale di Genova and Fondazione I Teatri / Festival Aperto\, Reggio Emilia with Schallfeld Ensemble \n \nTrilogy in Two is a contemporary opera inspired by three emblematic figures and composed of two interlaced acts\, as the title is alluding to. Liberovici’s dramaturgical work has always been focused on the fragment\, but a fragment which is part of an overall design that\, as in a mosaic\, piece by piece\, finally reveals its shape. Trilogy in two is a reflection on the theme of beauty as an identity (if not lost\, largely in crisis) of Europe through three models of beauty. \n“The ephemeral beauty of illusions\, the profound beauty of solidarity\, the ancient beauty of listening. Personalized respectively in three European archetypes: Faust as a fictional character\, Florence Nightingale (founder of modern nursing) as an historic personality\, and Venice as a listening architecture: the selfishness of the former\, the attention to others of the latter (counterposed to the new racisms)\, the synthesis of the objective and indisputable beauty of the lagoon city\, which in its architecture made of water and mosaics preserves the aptitude for listening and meeting.” (Andrea Liberovici) \nThe stage is dominated by the extraordinary American performer Helga Davis\, the principal actor in the most recent edition of Einstein on the Beach by Robert Wilson and Philip Glass. With her on stage the Schallfeld Ensemble\, an international ensemble of contemporary music based in Graz\, Austria\, featuring musicians of various nationalities and the talented Sara Caneva as musical director. \nLiberovici in his musical and theatrical works has always favored the idea of ​​a sound theater supported by an ‘acoustic’ set giving to viewers narrative stimuli\, that should be the freest and most personal. For this reason\, the sets of his works are apparently very sparse and minimal\, favoring the invisible and dramaturgical quality of music\, with sounds in movement and in relation to each other\, which are quickly provoking emotions. In this case the musicians will share with the performer the stage where there is only one large mirror/screen on which reflections are projected\, mixing unusual percussions and the wonderful voice-cameo by Robert Wilson\, just to mention some of the pieces of this mosaic-opera that overcomes the separation between genres\, and is at the same time concert\, theatre\, poetry\, and visual art. \n[:de]\nTRILOGY IN TWO\na mosaic opera  by Andrea Liberovici with   Helga Davis and  Schallfeld Ensemble. \nMusical direction : Sara Caneva \nMusic\, libretto\, video\, direction: Andrea Liberovici \na co-production by Teatro Nazionale di Genova and Fondazione I Teatri / Festival Aperto\, Reggio Emilia with Schallfeld Ensemble \n \nTrilogy in Two is a contemporary opera inspired by three emblematic figures and composed of two interlaced acts\, as the title is alluding to. Liberovici’s dramaturgical work has always been focused on the fragment\, but a fragment which is part of an overall design that\, as in a mosaic\, piece by piece\, finally reveals its shape. Trilogy in two is a reflection on the theme of beauty as an identity (if not lost\, largely in crisis) of Europe through three models of beauty. \n“The ephemeral beauty of illusions\, the profound beauty of solidarity\, the ancient beauty of listening. Personalized respectively in three European archetypes: Faust as a fictional character\, Florence Nightingale (founder of modern nursing) as an historic personality\, and Venice as a listening architecture: the selfishness of the former\, the attention to others of the latter (counterposed to the new racisms)\, the synthesis of the objective and indisputable beauty of the lagoon city\, which in its architecture made of water and mosaics preserves the aptitude for listening and meeting.” (Andrea Liberovici) \nThe stage is dominated by the extraordinary American performer Helga Davis\, the principal actor in the most recent edition of Einstein on the Beach by Robert Wilson and Philip Glass. With her on stage the Schallfeld Ensemble\, an international ensemble of contemporary music based in Graz\, Austria\, featuring musicians of various nationalities and the talented Sara Caneva as musical director. \nLiberovici in his musical and theatrical works has always favored the idea of ​​a sound theater supported by an ‘acoustic’ set giving to viewers narrative stimuli\, that should be the freest and most personal. For this reason\, the sets of his works are apparently very sparse and minimal\, favoring the invisible and dramaturgical quality of music\, with sounds in movement and in relation to each other\, which are quickly provoking emotions. In this case the musicians will share with the performer the stage where there is only one large mirror/screen on which reflections are projected\, mixing unusual percussions and the wonderful voice-cameo by Robert Wilson\, just to mention some of the pieces of this mosaic-opera that overcomes the separation between genres\, and is at the same time concert\, theatre\, poetry\, and visual art. \n[:]
URL:https://www.schallfeldensemble.com/event/trilogy-in-two-reggio-emilia-2/
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20191019
DTEND;VALUE=DATE:20191020
DTSTAMP:20260424T160957
CREATED:20190531T170336Z
LAST-MODIFIED:20190531T170336Z
UID:5463-1571443200-1571529599@www.schallfeldensemble.com
SUMMARY:TRILOGY IN TWO - Reggio Emilia
DESCRIPTION:[:en]\nTRILOGY IN TWO\na mosaic opera  by Andrea Liberovici with   Helga Davis and  Schallfeld Ensemble. \nMusical direction : Sara Caneva  \nMusic\, libretto\, video\, direction: Andrea Liberovici \na co-production by Teatro Nazionale di Genova and Fondazione I Teatri / Festival Aperto\, Reggio Emilia with Schallfeld Ensemble \n \nTrilogy in Two is a contemporary opera inspired by three emblematic figures and composed of two interlaced acts\, as the title is alluding to. Liberovici’s dramaturgical work has always been focused on the fragment\, but a fragment which is part of an overall design that\, as in a mosaic\, piece by piece\, finally reveals its shape. Trilogy in two is a reflection on the theme of beauty as an identity (if not lost\, largely in crisis) of Europe through three models of beauty. \n“The ephemeral beauty of illusions\, the profound beauty of solidarity\, the ancient beauty of listening. Personalized respectively in three European archetypes: Faust as a fictional character\, Florence Nightingale (founder of modern nursing) as an historic personality\, and Venice as a listening architecture: the selfishness of the former\, the attention to others of the latter (counterposed to the new racisms)\, the synthesis of the objective and indisputable beauty of the lagoon city\, which in its architecture made of water and mosaics preserves the aptitude for listening and meeting.” (Andrea Liberovici) \nThe stage is dominated by the extraordinary American performer Helga Davis\, the principal actor in the most recent edition of Einstein on the Beach by Robert Wilson and Philip Glass. With her on stage the Schallfeld Ensemble\, an international ensemble of contemporary music based in Graz\, Austria\, featuring musicians of various nationalities and the talented Sara Caneva as musical director.  \nLiberovici in his musical and theatrical works has always favored the idea of ​​a sound theater supported by an ‘acoustic’ set giving to viewers narrative stimuli\, that should be the freest and most personal. For this reason\, the sets of his works are apparently very sparse and minimal\, favoring the invisible and dramaturgical quality of music\, with sounds in movement and in relation to each other\, which are quickly provoking emotions. In this case the musicians will share with the performer the stage where there is only one large mirror/screen on which reflections are projected\, mixing unusual percussions and the wonderful voice-cameo by Robert Wilson\, just to mention some of the pieces of this mosaic-opera that overcomes the separation between genres\, and is at the same time concert\, theatre\, poetry\, and visual art. \n[:de]\nTRILOGY IN TWO\na mosaic opera  by Andrea Liberovici with   Helga Davis and  Schallfeld Ensemble. \nMusical direction : Sara Caneva \nMusic\, libretto\, video\, direction: Andrea Liberovici \na co-production by Teatro Nazionale di Genova and Fondazione I Teatri / Festival Aperto\, Reggio Emilia with Schallfeld Ensemble \n \nTrilogy in Two is a contemporary opera inspired by three emblematic figures and composed of two interlaced acts\, as the title is alluding to. Liberovici’s dramaturgical work has always been focused on the fragment\, but a fragment which is part of an overall design that\, as in a mosaic\, piece by piece\, finally reveals its shape. Trilogy in two is a reflection on the theme of beauty as an identity (if not lost\, largely in crisis) of Europe through three models of beauty. \n“The ephemeral beauty of illusions\, the profound beauty of solidarity\, the ancient beauty of listening. Personalized respectively in three European archetypes: Faust as a fictional character\, Florence Nightingale (founder of modern nursing) as an historic personality\, and Venice as a listening architecture: the selfishness of the former\, the attention to others of the latter (counterposed to the new racisms)\, the synthesis of the objective and indisputable beauty of the lagoon city\, which in its architecture made of water and mosaics preserves the aptitude for listening and meeting.” (Andrea Liberovici) \nThe stage is dominated by the extraordinary American performer Helga Davis\, the principal actor in the most recent edition of Einstein on the Beach by Robert Wilson and Philip Glass. With her on stage the Schallfeld Ensemble\, an international ensemble of contemporary music based in Graz\, Austria\, featuring musicians of various nationalities and the talented Sara Caneva as musical director. \nLiberovici in his musical and theatrical works has always favored the idea of ​​a sound theater supported by an ‘acoustic’ set giving to viewers narrative stimuli\, that should be the freest and most personal. For this reason\, the sets of his works are apparently very sparse and minimal\, favoring the invisible and dramaturgical quality of music\, with sounds in movement and in relation to each other\, which are quickly provoking emotions. In this case the musicians will share with the performer the stage where there is only one large mirror/screen on which reflections are projected\, mixing unusual percussions and the wonderful voice-cameo by Robert Wilson\, just to mention some of the pieces of this mosaic-opera that overcomes the separation between genres\, and is at the same time concert\, theatre\, poetry\, and visual art. \n[:]
URL:https://www.schallfeldensemble.com/event/trilogy-in-two-reggio-emilia/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191010T200000
DTEND;TZID=UTC:20191010T200000
DTSTAMP:20260424T160957
CREATED:20190525T053233Z
LAST-MODIFIED:20190525T053233Z
UID:5460-1570737600-1570737600@www.schallfeldensemble.com
SUMMARY:Overload and Emptiness
DESCRIPTION:[:en]\n\n\n\nPROGRAMM\nCathy van Eck (1979) –  Stumme Diener (2011)  für Notenständer\, Kontaktmikrofonen\, kleine Lautsprecher und Live Elektronik. \nAlexander Khubeev (1986) -Memory scars  (2019) Kompositionsauftrag BTZM \nSara Caneva* (1991) – Idoli et Incubi (2019) \nDiana Soh (1984) – Modicum (2019) EA \nLorenzo Troiani (1989) – Chronicles of the Afterbomb (2019) UA  Kompositionsauftrag finanziert durch das österreichische Bundeskanzleramt – Kunst und Kultur \n*Artist-in-residence des StAiR-Programms 2019 des Landes Steiermark \n\n19:00 Gespräch mit den Komponist*innen\n20:00 Konzert\n\nSCHALLFELD ENSEMBLE \nLorenzo Derinni – Geige \nFrancesca Piccioni – Viola \nMyriam García Fidalgo – Violoncello \nMargarethe Maierhofer-Lischka – Kontrabass \nAlessandro Baticci – Flöten \nSzilárd Benes – Klarinetten \nDiego García-Pliego – Saxophon \nPatrick Skrilecz – Klavier \nManuel Alcaraz Clemente – Schlagzeug \nElina Viluma – Stimme \nDavide Gagliardi – Klangregie\, live electronics \nLeonhard Garms – Dirigent \n[:de]\n\n\n\nPROGRAMM\nCathy van Eck (1979) –  Stumme Diener (2011)  für Notenständer\, Kontaktmikrofonen\, kleine Lautsprecher und Live Elektronik. \nAlexander Khubeev (1986) -Memory scars  (2019) Kompositionsauftrag BTZM \nSara Caneva* (1991) – Idoli et Incubi (2019) \nDiana Soh (1984) – Modicum (2019) EA \nLorenzo Troiani (1989) – Chronicles of the Afterbomb (2019) UA  Kompositionsauftrag finanziert durch das österreichische Bundeskanzleramt – Kunst und Kultur \n*Artist-in-residence des StAiR-Programms 2019 des Landes Steiermark \n  \n  \nSCHALLFELD ENSEMBLE \nLorenzo Derinni – Geige \nFrancesca Piccioni – Viola \nMyriam García Fidalgo – Violoncello \nMargarethe Maierhofer-Lischka – Kontrabass \nAlessandro Baticci – Flöten \nSzilárd Benes – Klarinetten \nDiego García-Pliego – Saxophon \nPatrick Skrilecz – Klavier \nManuel Alcaraz Clemente – Schlagzeug \nElina Viluma – Stimme \nDavide Gagliardi – Klangregie\, live electronics \nLeonhard Garms – Dirigent \n[:]
URL:https://www.schallfeldensemble.com/event/overload-and-emptiness/
LOCATION:Theater am Lend\, Wienerstraße 58a\, Graz
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191004T080000
DTEND;TZID=UTC:20191004T090000
DTSTAMP:20260424T160957
CREATED:20190104T185414Z
LAST-MODIFIED:20190104T185414Z
UID:5453-1570176000-1570179600@www.schallfeldensemble.com
SUMMARY:Bludenzer Tage zeitgemäßer Musik
DESCRIPTION:Program\nLorenzo Troiani \nLa fine è senza fine (2019) for quintet \nFranck Bedrossian \nIt (2005) \nAnna Korsun \nspleen (2019)\, UA \nAuftragswerk der BTzM \nAlexander Khubeev \nMemory Scars (2019)\, UA \nAuftragswerk der BTzM \nSara Caneva \nIdoli et Incubi (2019)\, UA \nAuftragswerk des Ensemble Schallfeld
URL:https://www.schallfeldensemble.com/event/bludenzer-tage-zeitgemaser-musik/
LOCATION:Remise\, Raiffeisenplatz 1\, Bludenz\, Austria
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190612T200000
DTEND;TZID=UTC:20190612T213000
DTSTAMP:20260424T160957
CREATED:20190422T144548Z
LAST-MODIFIED:20190422T144548Z
UID:5458-1560369600-1560375000@www.schallfeldensemble.com
SUMMARY:Transduktionen: Klang als Schnittstelle - Wien
DESCRIPTION:[:en]\nTRANSDUKTIONEN. Klang als Schnittstelle\n\nProgram: \n\nLiza Lim: Invisibility (2009) für Cello\nMaurizio Azzan: Dove tutto è stato preso (Innerspace II) (2016) für Klavier\nAndrés Gutiérrez Martínez: Draht (2016) für Violine\, Cello und Kontrabass (neue Version mit Live Elektronik\, 2019)\nLuc Döbereiner: Neues Werk (2018-19) – für Cello\, Kontrabass und Live Elektronik\nDavide Gagliardi: Traces of indivisible (2019) für Violine\, Cello und Live-Elektronik\nMaurizio Azzan: In limine (2013-14) für Violine\, Cello und Klavier \nSchallfeld Ensemble\nVioline: Lorenzo Derinni\nVioloncello: Myriam Garcia\nKontrabass: Margarethe Maierhofer-Lischka\nKlavier: Maria Flavia Cerrato\nKlangregie und Live Elektronik: Davide Gagliardi \n\nKlang existiert auf vielfältige Weisen. Er ist einerseits das gehörte Phänomen\, d.h. ein Gegenstand der Wahrnehmung\, der selbst immer auf einen realen oder nicht-realen Ursprung verweist. Wir hören einen Klang und damit immer auch ein Ereignis\, eine Handlung\, einen Raum oder Gegenstand\, Andererseits ist Klang eine sich räumlich ausbreitende Oszillation\, eine Bewegung\, die verschiedene Körper und Medien verbindet und berührt. Die Medien\, durch die sich Klang ausbreiten und in denen er gespeichert und übertragen wird\, sind vielfältig. Klang ist ein digitales Signal\, eine Schallwelle\, ein vibrierender Körper oder eine elektromagnetische Welle\, die Spuren hinterlässt und unterschiedliche Räume und Zeitebenen miteinander verbindet. Dabei macht er räumliche und körperliche Eigenschaften wahrnehmbar\, geht aber auch – wie z.B. der Ultraschall – über das Wahrnehmbare hinaus. Klang ist also eine verbindende Bewegung\, eine Transduktion\, die Subjekt und Objekt durchzieht. \n  \nEin Projekt von Schallfeld Ensemble und IGNM Steiermark\, mit der Unterstützung von KKA\, echoraum und Musikfonds Deutschland. \n  \n  \n\n \n [:de]\nTRANSDUKTIONEN. Klang als Schnittstelle\n\nKlang existiert auf vielfältige Weisen. Er ist einerseits das gehörte Phänomen\, d.h. ein Gegenstand der Wahrnehmung\, der selbst immer auf einen realen oder nicht-realen Ursprung verweist. Wir hören einen Klang und damit immer auch ein Ereignis\, eine Handlung\, einen Raum oder Gegenstand. Andererseits ist Klang eine sich räumlich ausbreitende Oszillation\, eine Bewegung\, die verschiedene Körper und Medien verbindet und berührt. Die Medien\, durch die sich Klang ausbreitet und in denen er gespeichert und übertragen wird\, sind vielfältig. Klang verbindet unterschiedliche Räume und Zeitebenen miteinander. Dabei macht er räumliche und körperliche Eigenschaften wahrnehmbar\, geht aber auch – wie z.B. der Ultraschall – über das Wahrnehmbare hinaus. Klang ist also eine Transduktion\, die Subjekt und Objekt durchzieht. (Luc Döbereiner) \n\n\nProgram: \n\nLiza Lim: Invisibility (2009) für Cello\nMaurizio Azzan: Dove tutto è stato preso (Innerspace II) (2016) für Klavier\nAndrés Gutiérrez Martínez: Draht (2016) für Violine\, Cello und Kontrabass (neue Version mit Live Elektronik\, 2019)\nLuc Döbereiner: Neues Werk (2018-19) – für Cello\, Kontrabass und Live Elektronik\nDavide Gagliardi: Traces of indivisible (2019) für Violine\, Cello und Live-Elektronik\nMaurizio Azzan: In limine (2013-14) für Violine\, Cello und Klavier \nSchallfeld Ensemble\nVioline: Lorenzo Derinni\nVioloncello: Myriam Garcia\nKontrabass: Margarethe Maierhofer-Lischka\nKlavier: Maria Flavia Cerrato\nKlangregie und Live Elektronik: Davide Gagliardi \n\n[:]
URL:https://www.schallfeldensemble.com/event/transduktionen-klang-als-schnittstelle-wien/
LOCATION:echoraum\, Sechshauser Straße 66\, Wien\, Austria
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BEGIN:VEVENT
DTSTART;TZID=UTC:20190604T200000
DTEND;TZID=UTC:20190604T230000
DTSTAMP:20260424T160957
CREATED:20190422T143613Z
LAST-MODIFIED:20190422T143613Z
UID:5457-1559678400-1559689200@www.schallfeldensemble.com
SUMMARY:Transduktionen:  Klang als Schnittstelle Graz
DESCRIPTION:TRANSDUKTIONEN. Klang als Schnittstelle\n\n20:00 Schallfeld Ensemble\nMusik von Musik von A. Gutiérrez Martínez\, D. Gagliardi\, A. di Scipio\, L. Döbereiner\, L. Romero und D. Fantechi \n22.00 Claire Colombo und Juan Pablo Trad Hasbun spielen Musik von Sinan Samanli und Milica Vujadinovic \n—-\nWir hören einen Klang und damit immer auch die Spur eines Ereignisses\, eines Raums oder Gegenstands. Die Stücke des Programms untersuchen materielle Eigenschaften von Klang und erforschen körperliche Dimensionen akustischer Instrumente in ihrer Verbindung mit technologischer Klangverarbeitung. Dabei wird Klang als Schnittstelle verstanden\, die zwischen Instrumenten\, MusikerInnen\, Technologien und HörerInnen liegt. \nProgramm\nI. 20:00\nDavide Gagliardi – Traces of the indivisible (2019)\nAndrés Gutiérrez Martínez: Draht (2016) für Violine\, Cello und Kontrabass (neue Version mit Live Elektronik\, 2019 EA)\nAgostino Di Scipio – Violazioni della presenza (2018)\nLuc Döbereiner -Spur (2018-19)\nLula Romero – die Wanderung III (2015-16)\nDaniela Fantechi: Sistema di Prossimità (2018) für Violine\, Cello und Kontrabass\, Kontakt-Mikrofone und Live Elektronik (EA) \nEnsemble Schallfeld:\nLorenzo Derinni (Violine)\, Myriam García Fidalgo (Cello)\, Margarethe Maierhofer-Lischka (Kontrabass)\nDavide Gagliardi (Live-Elektronik) \nEin Projekt von Schallfeld Ensemble und IGNM Steiermark \nII. 22:00\nSinan Samanli – To the Forum!\, Claire Colombo\, Oboe\nMilica Vujadinovic – Space of Sound\, Juan Pablo Trad Hasbun\, E-guitar \n\n 
URL:https://www.schallfeldensemble.com/event/transduktionen-klang-als-schnittstelle-graz/
LOCATION:imCUBUS\, Mariahilferplatz 3 / I 8020\, Graz\, Austria
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20190529
DTEND;VALUE=DATE:20190530
DTSTAMP:20260424T160957
CREATED:20190214T171912Z
LAST-MODIFIED:20190214T171912Z
UID:5456-1559088000-1559174399@www.schallfeldensemble.com
SUMMARY:Transduktionen: Klang als Schnittstelle - Berlin
DESCRIPTION:[:en]\nProgramm\nLiza Lim –  Invisibility (2009) für Cello solo mit zwei Bogen \nDavide Gagliardi –  Neues Werk (2019) für Violine\, Cello und Live-Elektronik \nAndrés Gutiérrez Martínez –  Draht (2016) für Violine\, Cello und Kontrabass \nAgostino Di Scipio –  Violazioni della presenza (2018) für Violine und Live-Elektronik \nLuc Döbereiner –  Neues Werk (2018-19) – für Cello\, Kontrabass und Live- Elektronik \nLula Romero – die Wanderung III (2015-16) für Cello und Live-Elektronik \nDaniela Fantechi – “Sistema di prossimità” (2018) für Violine\, Cello\,  Kontrabass und Elektronik und Live-Elektronik \n  \n \n[:de]\nProgramm\nLiza Lim –  Invisibility (2009) für Cello solo mit zwei Bogen \nDavide Gagliardi –  Neues Werk (2019) für Violine\, Cello und Live-Elektronik \nAndrés Gutiérrez Martínez –  Draht (2016) für Violine\, Cello und Kontrabass \nAgostino Di Scipio –  Violazioni della presenza (2018) für Violine und Live-Elektronik \nLuc Döbereiner –  Neues Werk (2018-19) – für Cello\, Kontrabass und Live- Elektronik \nLula Romero – die Wanderung III (2015-16) für Cello und Live-Elektronik \nDaniela Fantechi – “Sistema di prossimità” (2018) für Violine\, Cello\,  Kontrabass und Elektronik und Live-Elektronik \n  \n  \nKlang existiert auf vielfältige Weisen. Er ist einerseits das gehörte Phänomen\, d.h. ein Gegenstand der Wahrnehmung\, der selbst immer auf einen realen oder nicht-realen Ursprung verweist. Wir hören einen Klang und damit immer auch ein Ereignis\, eine Handlung\, einen Raum oder Gegenstand\, Andererseits ist Klang eine sich räumlich ausbreitende Oszillation\, eine Bewegung\, die verschiedene Körper und Medien verbindet und berührt. Die Medien durch die sich Klang ausbreiten und in denen er gespeichert und übertragen wird sind vielfältig. Klang ist ein digitales Signal\, eine Schallwelle\, ein vibrierender Körper oder eine elektromagnetische Welle\, die Spuren hinterlässt und unterschiedliche Räume und Zeitebenen miteinander verbindet. Dabei macht er räumliche und körperliche Eigenschaften wahrnehmbar\, geht aber auch – wie z.B. der Ultraschall – über das Wahrnehmbare hinaus. Klang ist also eine verbindende Bewegungen\, eine Transduktion\, die Subjekt und Objekt durchzieht. \nDie verschiedenen Stücke des Programms untersuchen materielle Eigenschaften von Klang und seiner Produktion und erforschen körperliche Dimensionen akustischer Instrumente in ihrer Verbindung mit technologischer Klangverarbeitung. Dabei wird Klang als unberechenbares emergentes Ergebnis materieller Prozesse verstanden. Die Stücke untersuchen verschiedene Arten\, wie diese Unberechenbarkeit performativ hervorgerufen werden kann. Instabile Zustände und unvorhersagbare Ereignisse in der physikalischen Klangerzeugung durch die spezifischen Eigenschaften der drei Streichinstrumente\, sowie die Materialität der technologischen Mittel samt ihres systemischen Verhaltens stehen dabei im Vordergrund. \nDie Ansätze der verschiedenen KomponistInnen teilen dabei ein Verständnis von Technologie\, das nicht auf die virtuose Realisierung bereits existierender Vorstellungen abzielt\, sondern Technologie als Möglichkeit begreift\, explorativ dynamische Verknüpfungen zwischen Menschen\, Maschinen\, Räumen und Dingen herzustellen. \nTitelgebend für dieses Projekt ist eine Formulierung des Komponisten Agostino Di Scipio\, der einen systemtheoretischen Blick auf live-elektronische Musik geprägt hat. \nDi Scipio beschreibt einen Ansatz\, nach dem die Interaktionen zwischen Komponenten eines Systems\, welche Instrumente\, Mikrofone oder Klangverarbeitungen sein können\, immer im Medium Klang selbst stattfnden. Dass heißt\, Klang wird das Interface\, die Schnittstelle zwischen Technologien\, Bewegungen\, Räumen und Körpern. In diesem Projekt gilt das in einem erweiterten Sinne nicht nur für live-elektronische Werke\, sondern auch für rein akustische Stücke\, wie in der Komposition „Draht“ des mexikanischen Komponisten Andrés Gutiérrez Martínez und in Liza Lims „Invisibility”\, das die Berührbarkeit und Unvorhersehbarkeit des Klangs untersucht\, wobei sich der Titel auf „die unsichtbaren oder latenten Kräfte des physischen Aufbaus des Instruments“ (Lim) bezieht. In Di Scipios 2018 für das Ensemble geschriebenem Stück „Violazioni della presenza“ werden Geige\, elektroakustische und digitale Elemente als „hybrides System“ gedacht\, indem die Geige die Aufgabe hat\, „das Netz von Beziehungen in dem sie sich befindet zu stören und zu gefährden“ (Di Scipio). In Daniela Fantechis Werk werden Kontakt-Mikrofone wie ein Stethoskop zur Vergrößerung und räumlichen Ausbreitung leiser und lokalisierter Klänge der Streichinstrumente verwendet. Die Kontakt-Mikrofone werden somit Teil des Instruments. Das Programm umfasst auch zwei Uraufführungen. Die Komposition des Berliner Komponisten Luc Döbereiner befasst sich damit\, wie Klänge einander begegnen können und wie digitale Klangerzeugung als Vermittler instrumentaler Klänge agieren kann. Die Komposition des in Graz lebende Komponisten Davide Gagliardi setzt sich damit auseinander\, wie Klang als Schnittstelle in einem Feedback-basierten System fungieren kann. Das Stück „die Wanderung III“ der Berliner Komponistin Lula Romero ist Teil eines größeren Zyklus und beschäftigt sich mit verschiedenen Ebenen der Umdeutung und Übersetzung\, wobei Instrument\, Notation\, Raum und Elektronik verschiedene Schnittstellen bilden\, durch die sich musikalisches Material bewegt und transformiert. \n(Text: Luc Döbereiner) \n \n[:]
URL:https://www.schallfeldensemble.com/event/transduktionen/
LOCATION:[:en]Villa Elisabeth Berlin[:de]Kultur Büro Elisabeth Berlin[:]\, Invalidenstr. 3\, Berlin\, 10115\, Germany
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DTSTART;TZID=UTC:20190415T200000
DTEND;TZID=UTC:20190415T210000
DTSTAMP:20260424T160957
CREATED:20181224T091458Z
LAST-MODIFIED:20181224T091458Z
UID:5452-1555358400-1555362000@www.schallfeldensemble.com
SUMMARY:Fluid disorder - Ljubljana
DESCRIPTION:[:en]More info about the project \nProgram\n\n\n\n\nLorenzo Romano – Furore\n(for violin\, cello\, clarinet\, flute\, percussion and electronics) \nArash Yazdani – New Piece \n(for flute\, clarinet\, saxophone\, keyboard\, percussion\, violin\, cello\, doublebass) \nAndrés Gutiérrez – Grain*\n(for violin\, cello\, doublebass\, clarinet\, flute\, saxophone\, percussion and electronics) \nHannes Kerschbaumer – Kritzung(for violin and three performers) \nJorge Sánchez-Chiong – Interludes(for ensemble) \n\n\n\n\n\n  \n*Pieces commisioned thanks to the support of the \n \n\n\n\n\n\n\n\n[:de]\nProgramm\n\n\n\n\nLorenzo Romano – Furore\n(for violin\, cello\, clarinet\, flute\, percussion and electronics) \nArash Yazdani – New Piece \n(for flute\, clarinet\, saxophone\, keyboard\, percussion\, violin\, cello\, doublebass) \nAndrés Gutiérrez – Grain*\n(for violin\, cello\, doublebass\, clarinet\, flute\, saxophone\, percussion and electronics) \nHannes Kerschbaumer – Kritzung (for violin and three performers) \nJorge Sánchez-Chiong – Interludes (for ensemble) \n\n\n\n\n\n  \n*Pieces commisioned thanks to the support of the \n \n\n\n\n\n\n\nMehr Info hier\n\n\n\n\n[:]
URL:https://www.schallfeldensemble.com/event/fluid-disorder-ljubljana/
LOCATION:Contact Form
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