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BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20240304T190000
DTEND;TZID=Europe/Vienna:20240304T210000
DTSTAMP:20260424T050113
CREATED:20240204T160017Z
LAST-MODIFIED:20240220T114545Z
UID:7594-1709578800-1709586000@www.schallfeldensemble.com
SUMMARY:The great unlearning I: Diptych
DESCRIPTION:Schallfeld Ensemble Saison 2024 – The great unlearning I: Diptych\nProgramm:\nPierluigi Billone: Mani.Stereos \nBenjamin Scheuer: Acht arten zu Atmen \nKlaus Lang: 31 ways and 8 waters \nEmre Sihan Kaleli: I am a Diptych \n\n\nClarinet: Szilárd Benes \nAccordion: Mirko Jevtović \nViolin: Lorenzo Derinni \nVioloncello: Myriam García Fidalgo \n\n\nTickets: \n€ 15 | € 10* | € 5** \n* KUG employees // unemployed persons with valid identity card \n** Students with valid ID \n*** Free entry for Hunger auf Kunst & Kultur members. \nReservation: office@schallfeldensemble.com \n 
URL:https://www.schallfeldensemble.com/event/saison-konzert-i/
LOCATION:Hermann-Markus-Pressl-Saal\, Brandhofgasse 21\, Graz\, 8010\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20240216T203000
DTEND;TZID=Europe/Vienna:20240216T220000
DTSTAMP:20260424T050113
CREATED:20240127T123137Z
LAST-MODIFIED:20240213T204322Z
UID:7584-1708115400-1708120800@www.schallfeldensemble.com
SUMMARY:Teatri del suono – Trieste
DESCRIPTION:Programm: \nBenjamin Scheuer: Acht arten zu Atmen \nRamón Lazkano: Lur-Itzalak \nKlaus Lang: 31 ways and 8 waters \nEmre Sihan Kaleli: I am a Diptych \n\nClarinet: Szilárd Benes \nAccordion: Mirko Jevtović \nViolin: Lorenzo Derinni \nVioloncello: Myriam García Fidalgo \n  \n\n  \nWith the kind support of
URL:https://www.schallfeldensemble.com/event/teatri-dil-suono-trieste/
LOCATION:Sala Luttazzi\, Magazzino 26\, Porto Vecchio\, Trieste\, Italy
ATTACH;FMTTYPE=image/png:https://www.schallfeldensemble.com/wp-content/uploads/Teatridelsuono_OTE_Martel-768x389-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20240125T200000
DTEND;TZID=Europe/Vienna:20240125T213000
DTSTAMP:20260424T050113
CREATED:20231123T175016Z
LAST-MODIFIED:20240122T165120Z
UID:7472-1706212800-1706218200@www.schallfeldensemble.com
SUMMARY:Focus on Pierre Jodlowksi - open music
DESCRIPTION:Pierre Jodlowksi Outer Space\, for trombone\, electronics\, video\, lights (2018) \nPierre Jodlowksi Time & Money\, for percussion\, video\, electronics (2006) \nPierre Jodlowksi Criogenesis\, for cello\, text (2007) \nPierre Jodlowksi People / Time\, for 5 musicians\, video\, electronics (2003) \n— \nPierre Jodlowski is a composer\, performer and multimedia artist. His music\, which is often made by means of a high level of joy\, spans the genre between acoustic and electronic music and is often directed towards a dramatic and political core. His work has taken him to France and abroad\, where he has been involved in the creation of venues for new music\, classical music and\, for example\, for tango\, theatre\, art and electronic music. His music is defined as an “active process” on the physical level (musical gestures\, energy and space) and on the psychological level. \nIn parallel to his work as a composer\, he is also active as a performer in various fields (experimental music\, jazz\, electronics) \nSchallfeld Ensemble will perform at “open music” as a Young Ensemble in Residence of the Ulysses Network funded by the Creative Europe Programme of the European Union and in cooperation with impuls\, whose associated partner is “open music” with several projects in 2023 and 2024. \n \nFoto Gilles Vidal \nEnsemble Schallfeld \nSzilárd Benes clarinet \nManuel Alcaraz Clemente percussion \nLorenzo Derinni violin \nMyriam García Fidalgo cello \nLeonhard Garms conductor \nDavide Gagliardi video\, live-electronics\, sound design \nMikael Rudolfsson trombone \nPierre Jodlowski electronics\, video\, lights \n  \n                                 \n 
URL:https://www.schallfeldensemble.com/event/focus-on-pierre-jodlowksi-open-music/
LOCATION:Theater am Lend\, Wienerstraße 58a\, Graz
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/Jodlowski2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20240112T193000
DTEND;TZID=Europe/Vienna:20240112T210000
DTSTAMP:20260424T050113
CREATED:20231129T165541Z
LAST-MODIFIED:20231129T205442Z
UID:7490-1705087800-1705093200@www.schallfeldensemble.com
SUMMARY:signale graz
DESCRIPTION:Einführungsgespräch um 19:00 Uhr: Ina Thomann im Gespräch mit Marcus Schmickler \nSchallfeld Ensemble\nMarcus Schmickler\nKlangregie: Davide Gagliardi und Peter Venus \nWerke von Else Marie Pade\, Luigi Nono und Marcus Schmickler
URL:https://www.schallfeldensemble.com/event/signale-graz-2/
LOCATION:Ligeti Saal\, Lichtenfelsgasse 14\, Graz\, 8010\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/mumuth-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20231215
DTEND;VALUE=DATE:20240205
DTSTAMP:20260424T050113
CREATED:20231215T122511Z
LAST-MODIFIED:20231215T130253Z
UID:7538-1702598400-1707091199@www.schallfeldensemble.com
SUMMARY:Call for Scores
DESCRIPTION:Workshop and concert with  Agata Zubel And Schallfeld Ensemble\, in cooperation with IGNM Styria and KULTUM – Kulturzentrum bei der Minoriten Graz. \nWorkshop: 14-17 April 2024 (Graz\, AUSTRIA) \nSchallfeld launches a call for scores for an ensemble/chamber music workshop for composers. Applications will be accepted from now until 4 February 2024. \nThe workshop consists of one private lesson with Agata Zubel and two rehearsals with the Schallfeld Ensemble. The works of the selected participants will be performed in a public concert on 17 April 2024 in the Großer Minoritensaal Graz. \nYou can find all the details here or download the PDF with all the information. \nPHOTO ŁUKASZ RAJCHERT
URL:https://www.schallfeldensemble.com/event/call-for-scores/
CATEGORIES:Masterclass
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/agata2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20231122T180000
DTEND;TZID=Europe/Vienna:20231122T200000
DTSTAMP:20260424T050113
CREATED:20231015T151902Z
LAST-MODIFIED:20231129T164324Z
UID:7446-1700676000-1700683200@www.schallfeldensemble.com
SUMMARY:Forum Küche
DESCRIPTION:Schallfeld Ensemble \nSchallfeld is an international ensemble for contemporary music based in Graz. The group inspires with virtuosity and sound sensitivity with a special attention to concert formats that creatively deal with the respective spatial conditions and open up a new dimension of listening. Schallfeld was founded in 2013 by alumni of Klangforum Wien. The artistic programming reflects the diversity and interests of its members\, currently musicians from 8 different countries. The ensemble attracts attention both through exciting programming with a focus on young composers and innovative concert stagings\, as well as through its work with live electronics and collective improvisations. \n\nEvery fourth Wednesday of the month\, vegetarian/vegan food is served for a voluntary donation. Each time\, the food is cooked by a different initiative. \n\nSound Installation of Alessandro Perini\, Styrian Artist in Residence 2023. \nPerformance of Perturbance\, for doublebass and electronics\, by Alessandro Perini. \nPerformer: Margarethe Maierhofer-Lischka \n \n  \n  \n  \n  \n  \n  \n  \n  \n  \n \n  \n  \n  \n  \n  \n  \n  \n  \nWith the kind support of Konstnärsnämnden and Helge Ax:son Johnsons stiftelse. \n  \n\nFoto Forum Stadtpark © Garfield Trummer \nFoto Margarethe Maierhofer-Lischka © Hanna Fasching \nFoto Alessandro Perini © Michela Benaglia
URL:https://www.schallfeldensemble.com/event/forum-kuche/
LOCATION:Forum Stadtpark\, Stadtpark 1\, Graz\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/forum_haus_front_01.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20231118T200000
DTEND;TZID=Europe/Vienna:20231118T220000
DTSTAMP:20260424T050113
CREATED:20230411T150050Z
LAST-MODIFIED:20231017T160854Z
UID:7283-1700337600-1700344800@www.schallfeldensemble.com
SUMMARY:Über Wege Saison Konzert IV: Wachsen
DESCRIPTION:Marco Döttlinger – Abyssal Zone Music UA \n(Kompositionsauftrag von Schallfeld mit Unterstützung des BMKÖS) \nDilay Doğanay- LULLABY(E)  UA \n(Kompositionsauftrag von Schallfeld mit Mitteln aus dem Grossen Interpretationspreis 2022 des Landes Steiermark) \nAndrés Gutiérrez Martínez – A weave of artifacts  UA \n(Kompositionsauftrag von Schallfeld Ensemble) \nLorenzo Romano – Edible Music UA
URL:https://www.schallfeldensemble.com/event/ueber-wege-saison-konzert-iv-wachsen/
LOCATION:Schaumbad – Freies Atelierhaus Graz\, Puchstraße 41\, Graz\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/portadafb.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20231113T200000
DTEND;TZID=Europe/Vienna:20231113T220000
DTSTAMP:20260424T050113
CREATED:20230411T145816Z
LAST-MODIFIED:20231015T175923Z
UID:7279-1699905600-1699912800@www.schallfeldensemble.com
SUMMARY:Über Wege Saison Konzert III: Labyrinthe
DESCRIPTION:György Ligeti – Kammerkonzert \nMarko Nikodijević – music box / selbstportrait mit ligeti und strawinsky (und messiaen ist auch dabei) \nAnahita Abbasi: Distorted Attitudes II (Labyrinth) \nFlorent Caron Darras: Soleil mat
URL:https://www.schallfeldensemble.com/event/ueber-wege-saison-konzert-iii-labyrinthe/
LOCATION:Maria Cäsar Saal\, Volkshaus Graz\, Lagergasse 98\, Graz\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/portadafb.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20231006T213000
DTEND;TZID=Europe/Vienna:20231006T223000
DTSTAMP:20260424T050113
CREATED:20230630T172344Z
LAST-MODIFIED:20230630T173253Z
UID:7397-1696627800-1696631400@www.schallfeldensemble.com
SUMMARY:musikprotokoll
DESCRIPTION:Beat Furrer – intorno al bianco \nKatherina Klement – Monde II – Fortschreibung (WP) \nSehyung Kim – NN (WP) \nCarlo Elia Praderio – Dune (WP) \n  \nSchallfeld Ensemble misses the acoustic connections to the physical world. Carlo Elia Praderio calls his new work Dune. For him\, the gradual transitions from solo instrument to ensemble in this acoustic “dune” are metaphors for climate change: small changes with big effects. \nKatharina Klement also relates individuals and space: in Monde II\, she uses the sounds of concrete mixers filled with different materials such as sand or wood. She transfers the resulting loops into a circular spatial concept\, analogous to the model of several moons that individually circle to form an open whole\, thus creating a coherent monde (world). \nBeat Furrer’s Intorno al bianco for clarinet and string quartet is also about communication between the ensemble and the individual. Sehyung Kim sets nine instruments in relation to live electronics and the theme of plastic. \n  \nThe compositions by Sehyung Kim and Katharina Klement are commissioned by ORF musikprotokoll. The composition by Carlo Elia Praderio is a commission by Schallfeld Ensemble\, part of a series of new works that Schallfeld was able to commission thanks to the Province of Styria’s Großer Interpretationspreis 2022.
URL:https://www.schallfeldensemble.com/event/musikprotokoll/
LOCATION:Helmut List Halle\, Waagner-Biro-Straße 98a\, Graz\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/347449498_797498078567246_3157729283221521613_n.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230924
DTEND;VALUE=DATE:20230929
DTSTAMP:20260424T050113
CREATED:20230611T163229Z
LAST-MODIFIED:20230630T121717Z
UID:7383-1695513600-1695945599@www.schallfeldensemble.com
SUMMARY:Residency Stanford University
DESCRIPTION:From the 24 to the 28.09\, Schallfeld will work in new compositions by Stanford graduate composers Tatiana Catanzaro\, Kimia Koochakzadeh-Yazdi\, Mike Mulshine\, Seán Ó Dálaigh\, and Julie Zhu. \n\nCCRMA -Center for Computer Research in Music and Acoustics \nDepartment of Music Stanford University \nWith the kind support of
URL:https://www.schallfeldensemble.com/event/residency-stanford-university/
LOCATION:Dinkelspiel Auditorium\, 471 Lagunita Dr\, Stanford\, CA 94305
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/Captura-de-Pantalla-2023-06-11-a-las-18.25.57.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230918
DTEND;VALUE=DATE:20230919
DTSTAMP:20260424T050113
CREATED:20230214T095252Z
LAST-MODIFIED:20230214T100124Z
UID:7198-1694995200-1695081599@www.schallfeldensemble.com
SUMMARY:Composers Lab - Klangspuren
DESCRIPTION:Masterclass in Klangspuren Festival\, with tutors Chaya Czernowin and Klaus Lang. \nOn the 18.09\, the pieces by the participants of the academy will be presented in a concert. \nApplication open until the 13.4.23! \nhttps://klangspuren.at/en/future-lab-2023
URL:https://www.schallfeldensemble.com/event/composers-lab-klangspuren/
LOCATION:Schwaz\, Schwaz\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/klangspuren30.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20230911T200000
DTEND;TZID=Europe/Vienna:20230911T213000
DTSTAMP:20260424T050113
CREATED:20230601T122538Z
LAST-MODIFIED:20230906T082759Z
UID:7377-1694462400-1694467800@www.schallfeldensemble.com
SUMMARY:Klangspuren Festival - Konzert II
DESCRIPTION:Timothy McCormack: Neues Werk\, 2023\, UA\nKompositionsauftrag finanziert durch die Ernst von Siemens Musikstiftung\nAnna Korsun: Neues Werk\, 2023\, UA\nKompositionsauftrag finanziert durch die Ernst von Siemens Musikstiftung \nHannes Kerschbaumer: Umfaltet\, 2023\, UA\nChaya Czernowin: Fast Darkness III: Moonwords\, 2022 \n\n\n\nSchallfeld Ensemble:\nElisa Azzarà\, Flöten \nSzilárd Benes\, Klarinetten \nMatej Bunderla\, Saxophone \nGeorge Lolas\, Akkordeon \nManuel Alcaraz Clemente\, Schlagzeug \nMaria Flavia Cerrato\, Klavier \nLorenzo Derinni\, Violine \nFrancesca Piccioni\, Viola \nMyriam García Fidalgo\, Violoncello \nFrantišek Výrostko\, Kontrabass \nPierre-André Valade\, Dirigent \nTyler Bouque\, Solo Stimme (Bariton) \nHelēna Sorokina\, Solo Stimme (Altistin)\nPierre-André Valade\, Dirigent \n\n\n\nIn Kooperation mit der Internationalen Gesellschaft für Neue Musik \n  \n                
URL:https://www.schallfeldensemble.com/event/klangspuren-festival-konzert-ii/
LOCATION:ORF Tirol\, Studio 3\, Innsbruck\, Österreich
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/Captura-de-Pantalla-2023-05-31-a-las-17.46.31.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20230907T200000
DTEND;TZID=Europe/Vienna:20230907T210000
DTSTAMP:20260424T050113
CREATED:20230531T162758Z
LAST-MODIFIED:20230828T133330Z
UID:7371-1694116800-1694120400@www.schallfeldensemble.com
SUMMARY:Jubiläumskonzert  30x Klangspuren Schwaz
DESCRIPTION:Eloain Lovis Hübner: crunch modes 1.0 für Ensemble und Elektronik\, 2023\, UA\nKompositionsauftrag von Klangspuren Schwaz \n\nClara Olivares: Wolffia\, 2023\, UA \n \nKompositionsauftrag von Klangspuren Schwaz \n\nFausto Romitelli: Professor Bad Trip\, Lesson I\, for eight instruments and electronics\, 1998 \n\n\n\n 
URL:https://www.schallfeldensemble.com/event/jubilaumskonzert-30x-klangspuren-schwaz/
LOCATION:SZentrum\, Silbersaal\, Schwaz\, Österreich
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/Captura-de-Pantalla-2023-05-31-a-las-17.46.31.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20230812T193000
DTEND;TZID=Europe/Vienna:20230812T203000
DTSTAMP:20260424T050113
CREATED:20230527T194417Z
LAST-MODIFIED:20230528T145412Z
UID:7359-1691868600-1691872200@www.schallfeldensemble.com
SUMMARY:"a waiting - singspiel mit musik"
DESCRIPTION:“a waiting – singspiel mit musik” \nTeam: \nEIN (Mezzosopran): Annette Schönmüller\nEINER (Tenor): Adrián Berthely \nOrchester: Schallfeld Ensemble mit\nElisa Azzarà (Flöte)\nSzilard Benes (Klarinette)\nDiego Garcia Pliego (Saxophon)\nManuel Alcaraz Clemente (Percussion)\nMirko Jevtovic (Akkordeon)\nLorenzo Derinni (Violine)\nMyriam Garcia Fidalgo (Violoncello)\nMargarethe Maierhofer-Lischka (Kontrabass) \nKomposition und musikalische Leitung: Henrik Sande\nText und Produktion: Albert Pall \na waiting \nWarten also. Warten ist sinnlos\, da sind sich die meisten Menschen einig. Wenn wir\, nur zum Beispiel\, auf Leute warten\, die DasZuSpätKommen quasi im Blut haben\, ärgern wir uns darüber\, dass die dann praktisch mit unserer Lebenszeit spazieren gehen. Oder: wir haben auf halb elf einen Termin im Gesundheitswesen und hängen dann im Wartezimmer in der Schleife der zu Versorgenden fest. Wie beim Kundendienst des dringend benötigten Fachunternehmens. Oder an der Haltestelle\, an der Ampel\, am Bahnhof\, am Flughafen. Alles behindert unser drängendes Fortkommen. \nWarten ist also verlorene Zeit. Oder eben der in Zeiteinheiten definierte Ausdruck des Desorganisationsgrades unserer Gesellschaft. Weil: was hätten wir in der mit Warten vergeudeten Zeit nicht alles machen\, gar erledigen können. Sinnvolles halt. Warten aber ist sinnlos. \nWenn das Warten aber das zu Erledigende wird? Vor allem\, wenn wir nicht wissen\, wie lange es noch dauert? Zum Beispiel\, wenn wir schon gestorben sind\, aber noch nicht tot? Warten wir dann in der beruhigenden Gewissheit\, dass eh alles vorbei ist\, gespannt auf das\, was noch kommt? Kommt da noch was? Und: wenn wir schon warten müssen\, haben wir dann Zeit? \n„a waiting – singspiel mit musik“ verhandelt in diesem Zwischenraum drängende Themen des Persönlichen und unserer Zeit in einem furiosen Streitgesang zwischen weltuntergänglerischer Larmoyanz und einer unbeugsamen Hoffnung auf eine wunderbare Zukunft. \nKarten: office@a-waiting.mur.at\nWebseite: https://www.a-waiting.mur.at/
URL:https://www.schallfeldensemble.com/event/a-waiting-singspiel-mit-musik-3/
LOCATION:Maria Cäsar Saal\, Volkshaus Graz\, Lagergasse 98\, Graz\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/schallfeld.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20230811T193000
DTEND;TZID=Europe/Vienna:20230811T203000
DTSTAMP:20260424T050113
CREATED:20230527T194243Z
LAST-MODIFIED:20230528T145322Z
UID:7355-1691782200-1691785800@www.schallfeldensemble.com
SUMMARY:"a waiting - singspiel mit musik"
DESCRIPTION:“a waiting – singspiel mit musik” \nTeam: \nEIN (Mezzosopran): Annette Schönmüller\nEINER (Tenor): Adrián Berthely \nOrchester: Schallfeld Ensemble mit\nElisa Azzarà (Flöte)\nSzilard Benes (Klarinette)\nDiego Garcia Pliego (Saxophon)\nManuel Alcaraz Clemente (Percussion)\nMirko Jevtovic (Akkordeon)\nLorenzo Derinni (Violine)\nMyriam Garcia Fidalgo (Violoncello)\nMargarethe Maierhofer-Lischka (Kontrabass) \nKomposition und musikalische Leitung: Henrik Sande\nText und Produktion: Albert Pall \na waiting \nWarten also. Warten ist sinnlos\, da sind sich die meisten Menschen einig. Wenn wir\, nur zum Beispiel\, auf Leute warten\, die DasZuSpätKommen quasi im Blut haben\, ärgern wir uns darüber\, dass die dann praktisch mit unserer Lebenszeit spazieren gehen. Oder: wir haben auf halb elf einen Termin im Gesundheitswesen und hängen dann im Wartezimmer in der Schleife der zu Versorgenden fest. Wie beim Kundendienst des dringend benötigten Fachunternehmens. Oder an der Haltestelle\, an der Ampel\, am Bahnhof\, am Flughafen. Alles behindert unser drängendes Fortkommen. \nWarten ist also verlorene Zeit. Oder eben der in Zeiteinheiten definierte Ausdruck des Desorganisationsgrades unserer Gesellschaft. Weil: was hätten wir in der mit Warten vergeudeten Zeit nicht alles machen\, gar erledigen können. Sinnvolles halt. Warten aber ist sinnlos. \nWenn das Warten aber das zu Erledigende wird? Vor allem\, wenn wir nicht wissen\, wie lange es noch dauert? Zum Beispiel\, wenn wir schon gestorben sind\, aber noch nicht tot? Warten wir dann in der beruhigenden Gewissheit\, dass eh alles vorbei ist\, gespannt auf das\, was noch kommt? Kommt da noch was? Und: wenn wir schon warten müssen\, haben wir dann Zeit? \n„a waiting – singspiel mit musik“ verhandelt in diesem Zwischenraum drängende Themen des Persönlichen und unserer Zeit in einem furiosen Streitgesang zwischen weltuntergänglerischer Larmoyanz und einer unbeugsamen Hoffnung auf eine wunderbare Zukunft. \nKarten: office@a-waiting.mur.at\nWebseite: https://www.a-waiting.mur.at/
URL:https://www.schallfeldensemble.com/event/a-waiting-singspiel-mit-musik-2/
LOCATION:Maria Cäsar Saal\, Volkshaus Graz\, Lagergasse 98\, Graz\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/schallfeld.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20230810T193000
DTEND;TZID=Europe/Vienna:20230810T203000
DTSTAMP:20260424T050113
CREATED:20230527T194046Z
LAST-MODIFIED:20230528T145145Z
UID:7351-1691695800-1691699400@www.schallfeldensemble.com
SUMMARY:"a waiting - singspiel mit musik"
DESCRIPTION:“a waiting – singspiel mit musik” \nTeam: \nEIN (Mezzosopran): Annette Schönmüller\nEINER (Tenor): Adrián Berthely \nOrchester: Schallfeld Ensemble mit\nElisa Azzarà (Flöte)\nSzilard Benes (Klarinette)\nDiego Garcia Pliego (Saxophon)\nManuel Alcaraz Clemente (Percussion)\nMirko Jevtovic (Akkordeon)\nLorenzo Derinni (Violine)\nMyriam Garcia Fidalgo (Violoncello)\nMargarethe Maierhofer-Lischka (Kontrabass) \nKomposition und musikalische Leitung: Henrik Sande\nText und Produktion: Albert Pall \na waiting \nWarten also. Warten ist sinnlos\, da sind sich die meisten Menschen einig. Wenn wir\, nur zum Beispiel\, auf Leute warten\, die DasZuSpätKommen quasi im Blut haben\, ärgern wir uns darüber\, dass die dann praktisch mit unserer Lebenszeit spazieren gehen. Oder: wir haben auf halb elf einen Termin im Gesundheitswesen und hängen dann im Wartezimmer in der Schleife der zu Versorgenden fest. Wie beim Kundendienst des dringend benötigten Fachunternehmens. Oder an der Haltestelle\, an der Ampel\, am Bahnhof\, am Flughafen. Alles behindert unser drängendes Fortkommen. \nWarten ist also verlorene Zeit. Oder eben der in Zeiteinheiten definierte Ausdruck des Desorganisationsgrades unserer Gesellschaft. Weil: was hätten wir in der mit Warten vergeudeten Zeit nicht alles machen\, gar erledigen können. Sinnvolles halt. Warten aber ist sinnlos. \nWenn das Warten aber das zu Erledigende wird? Vor allem\, wenn wir nicht wissen\, wie lange es noch dauert? Zum Beispiel\, wenn wir schon gestorben sind\, aber noch nicht tot? Warten wir dann in der beruhigenden Gewissheit\, dass eh alles vorbei ist\, gespannt auf das\, was noch kommt? Kommt da noch was? Und: wenn wir schon warten müssen\, haben wir dann Zeit? \n„a waiting – singspiel mit musik“ verhandelt in diesem Zwischenraum drängende Themen des Persönlichen und unserer Zeit in einem furiosen Streitgesang zwischen weltuntergänglerischer Larmoyanz und einer unbeugsamen Hoffnung auf eine wunderbare Zukunft. \nKarten: office@a-waiting.mur.at\nWebseite: https://www.a-waiting.mur.at/
URL:https://www.schallfeldensemble.com/event/a-waiting-singspiel-mit-musik/
LOCATION:Maria Cäsar Saal\, Volkshaus Graz\, Lagergasse 98\, Graz\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/schallfeld.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20230723T200000
DTEND;TZID=Europe/Vienna:20230723T213000
DTSTAMP:20260424T050113
CREATED:20230316T225121Z
LAST-MODIFIED:20230621T091507Z
UID:7226-1690142400-1690147800@www.schallfeldensemble.com
SUMMARY:Opening concert impuls festival
DESCRIPTION:A festival is by definition a time of celebration\, and there are many things we want to celebrate in the program of the Opening Concert of the 8th Edition of the impuls Festival: on the occasion of his 80th birthday\, we pay homage to Brian Ferneyhough\, and welcome Francesco Filidei and Francesca Verunelli\, who are tutoring at the impuls Academy for the first time. \nCertainly there is\, of course\, the new works: the Austrian premiere of an Ulysses Network commission to Elena Rykova and a new composition by Dmitri Kourliandksi\, created especially for Ensemble Schallfeld to be premiered at impuls 2023; and finally\, we also celebrate Schallfeld’s fifth participation in impuls during the tenth anniversary year of the ensemble. \nThe common thread of this program is the inspiration from extra-musical elements: Whether it is a historical painting (as in “La Chute d’Icare”)\, or the illusion of movement created by static images (as in “Cinemaolio”)\, a poem by Eduardo Sanguineti (in the case of “Finito Ogni Gesto”)\, or places\, lonely inner places in the case of Rykova\, or quite real and quite crowded ones in the case of Kourliandski. Through ekphrasis or synesthesia\, the music always seems to act as a metaphorical space. Therefore\, the score itself lends itself to becoming an abstract place that can be (re)written\, measured\, or “inhabited”. \nPROGRAM\nBrian Ferneyhough La Chute d’Icare\, for mixed Ensemble (1988)* \nDmitri Kourliandski Banlieue\, for flute\, clarinet\, accordion\, violin\, viola\, cello\, double bass\, live-electronics (2023\, world premiere)** \nFrancesco Filidei Finito Ogni Gesto\, for flute\, clarinet\, horn\, percussion\, violin\, cello (2010) \nElena Rykova In the Presence of Absence\, for clarinet\, accordion\, piano\, violin\, cello\, amplification\, electronics (2022\, Austrian premiere) \nFrancesca Verunelli Cinemaolio\, for flute\, clarinet\, piano\, violin\, viola\, cello (2014) \n\n\n—\n\n\n\n\n\nElisa Azzarà flutes | \n Szilárd Benes clarinet* | \nPéter Szűcs clarinets | \nHelene Kenyeri oboe | \nPetrean Radu horn | \nMirko Jevtović accordion | \nManuel Alcaraz Clemente percussion |  \nPatrick Skrilecz piano | \nLorenzo Derinni violin | \nPaolo Fumagalli viola | \n Myriam García Fidalgo cello | \nFrantišek Výrostko double bass \nDavide Gagliardi sound design\, live electronics \nDmitri Kourliandski live-lectronics** \nLeonhard Garms conductor \n— \n€ 16 | € 11* | € 6** \n* Pupils\, students\, conscripts/civil servants and unemployed persons with valid identity card \n** Music students with valid ID at the box office and children up to 10 years of age \n*** Free admission for Hunger auf Kunst & Kultur at the box office from 15 minutes before the start of the concert \nTicket reservation: office@impuls.cc \nEnsemble Schallfeld performs with the kind support of the Creative Europe Programme of the European Union as Young Ensemble in Residence of the EU-funded Ulysses Networkand in cooperation with open music\, a Graz based concert series for contemporary music\, associate partner of the Ulysses Network. \nElena Rykova’s piece was commissoned by Internationale Ensemble Modern Akademieand Mixtur Festival within the Ulysses Network supported by the Creative Europe Programme of the European Union. \n  \n  \n\n\n\n\n\n\n\n\n\n\n\n\n\n 
URL:https://www.schallfeldensemble.com/event/open-music-impuls/
LOCATION:Ligeti Saal\, Lichtenfelsgasse 14\, Graz\, 8010\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/C0A2319.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20230509T193000
DTEND;TZID=Europe/Vienna:20230509T210000
DTSTAMP:20260424T050113
CREATED:20230316T233027Z
LAST-MODIFIED:20230506T230627Z
UID:7232-1683660600-1683666000@www.schallfeldensemble.com
SUMMARY:Suena Festival
DESCRIPTION:Diego Jiménez Tamame –  …and they’ve got us in their cage\, ruined of grace and senses… (2016-17) \n  \nHelga Arias – Konturen (2014) \n  \nLula Romero – autonomous realities (2021) \n  \nMichelle Agnès Magalhaes – Vento Noroeste (2012) \n  \nPedro Berardinelli – Por em (2019/2020) \n  \nAndrés Gutiérrez Martínez – Gitterfenster (2016) \n  \n\n\n\n\n\n\nFoto © Iván Velasco Grima
URL:https://www.schallfeldensemble.com/event/suena-festival/
LOCATION:Studio Molière\, Liechtensteinstraße 37A\, Vienna\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/suena-festival.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20230508T200000
DTEND;TZID=Europe/Vienna:20230508T210000
DTSTAMP:20260424T050113
CREATED:20230421T201050Z
LAST-MODIFIED:20230421T201050Z
UID:7307-1683576000-1683579600@www.schallfeldensemble.com
SUMMARY:Sesin Yolculuğu - Ensemble in Residence
DESCRIPTION:From the 5. to the 8th of May\, we will be Ensemble in Residence in the Sesin Yolculuğu Festival\, in Istanbul. \nWe will perform new pieces by young composers studying in Turkey. \nElisa Azzarà – Flute \nMirko Jevtovic – Accordion \nFrantisek Vyrostko – Doublebass
URL:https://www.schallfeldensemble.com/event/sesin-yolculugu-ensemble-in-residence/
LOCATION:Cemal Reşit Rey Konser Salonu\, Harbiye\, Dar'ül Bedayi Cad No:6\, 34371 Şişli\, Istambul\, Turkey
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/schallfeld.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230502
DTEND;VALUE=DATE:20230503
DTSTAMP:20260424T050113
CREATED:20230313T081839Z
LAST-MODIFIED:20230519T170713Z
UID:7219-1682985600-1683071999@www.schallfeldensemble.com
SUMMARY:Saison Konzert II: Spuren
DESCRIPTION:  \nEduardo Moguillansky  – Zähmungen #2 Bogenwechsel (2011-2014) \nLisa Streich – Francesca (2016-2019) Austrian premiere \nPablo Galaz – Crosstalk (2023) World Premiere* \nFilippo Perocco – Velata (2023) World Premiere \n\n*Commissioned by Schallfeld Ensemble\, funded by the  \n  \n\n\nSchallfeld Ensemble\nLeonhard Garms – conductor\n\nFree entry!\n\n\nThe project was possible thanks to the support of the SACEM
URL:https://www.schallfeldensemble.com/event/saison-konzert-ii/
LOCATION:Schaumbad – Freies Atelierhaus Graz\, Puchstraße 41\, Graz\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/portadafb.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230430
DTEND;VALUE=DATE:20230502
DTSTAMP:20260424T050113
CREATED:20230413T102720Z
LAST-MODIFIED:20230413T102740Z
UID:7288-1682812800-1682985599@www.schallfeldensemble.com
SUMMARY:Masterclass with Eduardo Moguillanski and Filippo Perocco
DESCRIPTION:Schallfeld  Ensemble welcomes Eduardo Moguillanski and Filippo Perocco\, who will be present in Graz to work with us for our concert on the 2nd of May. \nFor this occasion\, Eduardo Moguillanski and Filippo Perocco offer  to interested composers the possibility of individual 60-minute lessons at times to be agreed on the afternoons of 30th April (Moguillanski) and 1st May (Perocco).\nThe lessons will be held in the premises of Schallfeld Ensemble at Dreihackengasse 26\, 8020 Graz. \nThe interested participants should send a formless application with their CV and some scores (recordings if available are welcome).  \nFor attachments over 20MB please send a download link. \nThe application (indicating the chosen teacher/s) should be sent by e-mail to office@schallfeldensemble.com by Sunday 23rd April. \nDepending on the applications received\, there might be a selection process. \nThe selected participants are asked to pay €50 as a contribution to the cost of the lesson via bank transfer to the bank details that will be communicated after the selection process. \nLooking forward to meeting  you at the Masterclass and at the concert! \nSchallfeld Ensemble
URL:https://www.schallfeldensemble.com/event/masterclass-with-eduardo-moguillanski-and-filippo-perocco/
LOCATION:Schallfeld Proberaum\, Dreihackengasse 26\, Graz\, Austria
CATEGORIES:Masterclass
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/portadafb.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20230413T200000
DTEND;TZID=Europe/Vienna:20230413T210000
DTSTAMP:20260424T050113
CREATED:20230222T142330Z
LAST-MODIFIED:20230222T142330Z
UID:7213-1681416000-1681419600@www.schallfeldensemble.com
SUMMARY:Music Current Dublin
DESCRIPTION:CHEMICAL ETUDES\nPROGRAMME:\nMarko Ciciliani\, Tympanic Touch\, for two performers and a game system (2017)\nMarko Ciciliani\, Chemical Etudes\, for Monome and SuperCollider (2018)\nMarko Ciciliani\, Time Machine\, sensor-equipped bass clarinet\, live electronics and video (2013)\nDavide Gagliardi\, Traces of indivisible (2019) for violin\, cello and live electronics\nChristof Ressi\, GIF Frenzy (for clarinet\, violin\, cello electronics and video) (2020\, r. 2023)
URL:https://www.schallfeldensemble.com/event/music-current-dublin-2/
LOCATION:Project Arts Centre\, Dublin
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/Schallfeld_Ensemble_GifFrenzy_1080.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20230315T190000
DTEND;TZID=Europe/Vienna:20230315T200000
DTSTAMP:20260424T050113
CREATED:20230123T110036Z
LAST-MODIFIED:20230123T110752Z
UID:7171-1678906800-1678910400@www.schallfeldensemble.com
SUMMARY:Symposium Composition & Research
DESCRIPTION:Music by Claus-Steffen Mahnkopf\, Pia Palme\, Alberto Posadas and Muneaki  Yoshida (winner of the composition competition of the GMPU). 
URL:https://www.schallfeldensemble.com/event/symposium-composition-research/
LOCATION:Neuer Saal\, Mießtaler Str. 8\, Klagenfurt
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/Captura-de-Pantalla-2023-01-23-a-las-12.04.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230315
DTEND;VALUE=DATE:20230316
DTSTAMP:20260424T050113
CREATED:20230112T105228Z
LAST-MODIFIED:20230112T110230Z
UID:7153-1678838400-1678924799@www.schallfeldensemble.com
SUMMARY:CROMA - Ciclo de Música Contemporânea de Oeiras
DESCRIPTION:As part of the Croma festival\, Schallfeld will perform pieces by cello solo\, violin duo and string trio. In the program\, two pieces by Franck Bedrossian\, who will attend the festival\, two world premieres  by Isabel Soveral and Lorenzo Troiani)\, and two string trios by Giacinto Scelsi and Salvatore Sciarrino.\n\nProgram\n– Isabel Soveral: New Work for string trio\n– Franck Bedrossian: a chamber to be haunted for two violins (2017)\n– Franck Bedrossian : the spider as an artist for solo (amplified) cello (2014)\n– Lorenzo Troiani: Toccare. L´abisso che dunque sono (2022)*\n– Salvatore Sciarrino: Codex purpureus (1983) 10´\n– Giacinto Scelsi: String Trio (1958)\n\n*piece commissioned by Schallfeld Ensemble with the support of BMKOES (Austrian Ministery of Culture)
URL:https://www.schallfeldensemble.com/event/croma-ciclo-de-musica-contemporanea-de-oeiras/
LOCATION:Auditório Municipal Ruy de Carvalho\, Oeiras\, Portugal
ATTACH;FMTTYPE=image/png:https://www.schallfeldensemble.com/wp-content/uploads/croma2.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20230313T200000
DTEND;TZID=Europe/Vienna:20230313T210000
DTSTAMP:20260424T050113
CREATED:20230119T124958Z
LAST-MODIFIED:20230313T082855Z
UID:7163-1678737600-1678741200@www.schallfeldensemble.com
SUMMARY:Haunted chambers
DESCRIPTION:Program\n\n– Franck Bedrossian: a chamber to be haunted for two violins (2017)\n– Franck Bedrossian : the spider as an artist for solo (amplified) cello (2014)\n– Lorenzo Troiani: Toccare. L´abisso che dunque sono (2022)*\n– Salvatore Sciarrino: Codex purpureus (1983) 10´\n– Giacinto Scelsi: String Trio (1958)\n\n\n*piece commissioned by Schallfeld Ensemble with the support of BMKOES (Austrian Ministery of Culture)\n\n\n\n\nFree entry. Ticket reservation : tickets@kultum.at
URL:https://www.schallfeldensemble.com/event/hauntedchambers/
LOCATION:imCUBUS\, Mariahilferplatz 3 / I 8020\, Graz\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/triocrop.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20230219T160000
DTEND;TZID=Europe/Vienna:20230219T170000
DTSTAMP:20260424T050113
CREATED:20221119T180913Z
LAST-MODIFIED:20221119T181335Z
UID:7125-1676822400-1676826000@www.schallfeldensemble.com
SUMMARY:Cresc... Biennale Frankfurt
DESCRIPTION:REFLECTIONS\n\nElena Rykova: In the Presence of Absence (2022)\, Deutsche Erstaufführung\nZara Ali: Neues Werk (2023)\, UA\nMarko Nikodijević: music box / selbstportrait mit ligeti und strawinsky (und messiaen ist auch dabei) (2000–01/2003/rev. 2006)\nLouis Andriessen: Workers Union (1975) \nIEMA-Ensemble 2022/23\, Schallfeld Ensemble \nKünstler*innenhaus Mousonturm \nA concert for explorers! And a chance for the audience to experience newcomers to the scene. Recent conservatory graduates intensify their expertise in contemporary music at the International Ensemble Modern Academy. Here they present themselves as the IEMA Ensemble 2022/2023\, joined for this concert by the young\, Graz-based Schallfeld Ensemble. Apart from the compositional self-reflection ›music box / selbstportrait mit ligeti und strawinsky (und messiaen ist auch dabei)‹ by Marko Nikodijević and the politically motivated piece ›Workers Union‹ by Louis Andriessen\, the programme features two premieres by young composers from Russia and USA. Entitled ›Reflections‹\, the evening offers a multitude of perspectives on the festival’s theme\, ›MeWe‹. \ncresc… is funded by Kulturfonds Frankfurt RheinMain. \nA project within Ulysses Network. The project is supported by the Creative Europe Programme of the European Union. The new piece by Elena Rykova is being commissioned by Internationale Ensemble Modern Akademie and Mixtur Festival Barcelona. \nTickets \n21\,- € | reduced 11\,50 € \nwww.hr-ticketcenter.de
URL:https://www.schallfeldensemble.com/event/cresc-biennale-frankfurt/
LOCATION:Künstler*innenhaus Mousonturm\, Waldschmidtstraße 4\, Frankfurt\, 60316\, Germany
ATTACH;FMTTYPE=image/png:https://www.schallfeldensemble.com/wp-content/uploads/mewe2.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230213
DTEND;VALUE=DATE:20230315
DTSTAMP:20260424T050113
CREATED:20230214T105754Z
LAST-MODIFIED:20230214T105754Z
UID:7207-1676246400-1678838399@www.schallfeldensemble.com
SUMMARY:Application Klangspuren Composers Lab 2023
DESCRIPTION:The Klangspuren Composers Lab (11.09. – 19.09.2023) is part of the Klangspuren Academy\, a successful new format initiated last year that is aimed at highly talented international and local composers pursuing a career as professional musicians. With its Composers Lab featuring annually changing instructors and musical partners\, Klangspuren Schwaz has created a place for encounter and learning for composers. For 2023\, it was able to enlist the collaboration of such excellent musical figures as the composers Chaya Czernowin and Klaus Lang\, from Israel and Austria respectively\, and the Graz-based Schallfeld Ensemble. The expertise of these instructors\, who also have pedagogical training\, will inspire the eight composers selected to participate in the workshop and give them new perspectives. For the participants\, the practical work of writing pieces specifically for the Schallfeld Ensemble will provide a reality check under excellent rehearsal conditions. \nThrough public master classes and concerts in Schwaz this “laboratory” will be deeply integrated into the festival. In this way\, the audience and other young composers will have the opportunity to closely observe the making of contemporary music and be able to follow the creation of new works\, their backgrounds and development. Participation in the Klangspuren Composers Lab will be determined by an international competition. Eight participants will be nominated in a two-stage selection process. There is no age limit for the applicants. The participants’ work will be premiered at the Klangspuren festival by the Schallfeld Ensemble on 18 September 2023. \nBy providing stipends\, Klangspuren seeks to make the projects accessible to all who are interested. In the selection process\, the professional qualifications will be taken into consideration in addition to applicants’s gender equality and diversity. We expressly welcome cultural and stylistic diversity in our musicians and composers\, as these enrich the musical discourse and have a uniting effect. \nApplications can be submitted from 13 February to 14 March 2023. \n\nClick here for the Klangspuren Application System 2023\n\nFACTS\nArrival and Departue: The punctual arrival of the participant on September 11 as well as his or her departure are the sole responsibility of the participant \nFees: The course fee is 450 euros and includes accommodation for eight nights in a single room with breakfast\, one private lesson each with Chaya Czernowin and Klaus Lang\, auditions\, professional recordings\, and free admission to all festival concerts. \nScholarships: A scolarship exempting participants from paying the participation fee is available. This stipend shall be awarded on a needs-oriented basis. \nAccommodation: Hotel-Gasthof Goldener Löwe\, Husslstraße 4\, 6130 Schwaz / Austria \nRehearsals: SZentrum Schwaz\, Knappensaal\, Andreas-Hofer-Str. 10\, 6130 Schwaz / Austria\nAll participants will receive a detailed rehearsal schedule in due time. \n 
URL:https://www.schallfeldensemble.com/event/application-klangspuren-composers-lab-2023/
LOCATION:Schwaz\, Schwaz\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/klangspuren30.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20230125T200000
DTEND;TZID=Europe/Vienna:20230125T210000
DTSTAMP:20260424T050113
CREATED:20221212T170821Z
LAST-MODIFIED:20221212T171425Z
UID:7140-1674676800-1674680400@www.schallfeldensemble.com
SUMMARY:Sonic Washing - echoraum Wien
DESCRIPTION:Pierre Jodlowski: In and Out  – 2004\nAaron Einbond: Xilography – 2015\nSivan Eldar: Archives  – 2010/11\nDavide Gagliardi: Borderline personality disorder  – 2016\nJorge Gómez Elizondo: Sonic Washing Youth Machine (– 2021 \n  \nSchallfeld Ensemble:\nLorenzo Derinni: Violine\nMyriam García Fidalgo: Violoncello\nMargarethe Maierhofer-Lischka: Kontrabass\nDavide Gagliardi: Klangregie\, Live Elektronik and Video\nJorge Gómez Elizondo: Video
URL:https://www.schallfeldensemble.com/event/sonic-washing-echoraum-wien/
LOCATION:echoraum\, Sechshauser Straße 66\, Wien\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/linz.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20221217T210000
DTEND;TZID=Europe/Vienna:20221217T220000
DTSTAMP:20260424T050113
CREATED:20221107T190713Z
LAST-MODIFIED:20221119T181923Z
UID:7107-1671310800-1671314400@www.schallfeldensemble.com
SUMMARY:Echi dell’inudibile - nuova consonanza
DESCRIPTION:Programm\nAnemone Actiniaria – anemone-d77ab88d\, performance audio-video \nGermán Toro-Perez (1964) – Rulfo/ecos I (2006) for violoncello and live electronics \nDavide Gagliardi (1988) – Traces of the indivisible (2019)\, for violin\, violoncello and live electronics \nDaniela Fantechi (1984) – Prossimo (2017) for violin and live electronics \nDavide Gagliardi (1988) – Incontro (2019) for violoncello and live electronics \nMaurizio Azzan (1987) – Diptych #1 (2017-21)\, for violin and live electronics \nEach mirror infects itself \nwith the abyss of its own dream (WP) \nSchallfeld Ensemble\nLorenzo Derinni – violin \nMyriam Garcia Fidalgo – violoncello \nDavide Gagliardi – live electronics \nAnemone Actiniaria\nHanns Holger Rutz\, David Pirrò – electronics and video
URL:https://www.schallfeldensemble.com/event/nuovaconsonanza/
LOCATION:Mattatoio La Pelanda\, piazza Orazio Giustiniani 4\, Rome\, Italy
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/nuova.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20221206T193000
DTEND;TZID=Europe/Vienna:20221206T210000
DTSTAMP:20260424T050113
CREATED:20220823T084848Z
LAST-MODIFIED:20221119T182640Z
UID:7047-1670355000-1670360400@www.schallfeldensemble.com
SUMMARY:Beyond Pleasure + Pendlerpauschale
DESCRIPTION:In collaboration with Opera NOW\, Schallfeld will perform two world premieres by Jonatan Sersam and Jorge Gómez Elizondo. \nBEYOND PLEASURE \nA one-act monodrama for a solo actor with three musicians. The inspiration comes from Freud’s theory of the “death drive” described in his book Beyond the Pleasure Principle. \n\nJonatan Sersam (SWE) | Concept\, Text\, Composition\, Performance \nAnna-Karin Rasmusson (SWE) | Videoart \nwith Schallfeld Ensemble \n\nJorge Gómez Elizondo \nPendlerpauschale for bass clarinet\, percussion\, accordion\, electronics and video.
URL:https://www.schallfeldensemble.com/event/beyond-pleasure/
LOCATION:Theater am Lend\, Wienerstraße 58a\, Graz
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/jorge.jpg
END:VEVENT
END:VCALENDAR