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BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20230907T200000
DTEND;TZID=Europe/Vienna:20230907T210000
DTSTAMP:20260424T063510
CREATED:20230531T162758Z
LAST-MODIFIED:20230828T133330Z
UID:7371-1694116800-1694120400@www.schallfeldensemble.com
SUMMARY:Jubiläumskonzert  30x Klangspuren Schwaz
DESCRIPTION:Eloain Lovis Hübner: crunch modes 1.0 für Ensemble und Elektronik\, 2023\, UA\nKompositionsauftrag von Klangspuren Schwaz \n\nClara Olivares: Wolffia\, 2023\, UA \n \nKompositionsauftrag von Klangspuren Schwaz \n\nFausto Romitelli: Professor Bad Trip\, Lesson I\, for eight instruments and electronics\, 1998 \n\n\n\n 
URL:https://www.schallfeldensemble.com/event/jubilaumskonzert-30x-klangspuren-schwaz/
LOCATION:SZentrum\, Silbersaal\, Schwaz\, Österreich
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/Captura-de-Pantalla-2023-05-31-a-las-17.46.31.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20230812T193000
DTEND;TZID=Europe/Vienna:20230812T203000
DTSTAMP:20260424T063510
CREATED:20230527T194417Z
LAST-MODIFIED:20230528T145412Z
UID:7359-1691868600-1691872200@www.schallfeldensemble.com
SUMMARY:"a waiting - singspiel mit musik"
DESCRIPTION:“a waiting – singspiel mit musik” \nTeam: \nEIN (Mezzosopran): Annette Schönmüller\nEINER (Tenor): Adrián Berthely \nOrchester: Schallfeld Ensemble mit\nElisa Azzarà (Flöte)\nSzilard Benes (Klarinette)\nDiego Garcia Pliego (Saxophon)\nManuel Alcaraz Clemente (Percussion)\nMirko Jevtovic (Akkordeon)\nLorenzo Derinni (Violine)\nMyriam Garcia Fidalgo (Violoncello)\nMargarethe Maierhofer-Lischka (Kontrabass) \nKomposition und musikalische Leitung: Henrik Sande\nText und Produktion: Albert Pall \na waiting \nWarten also. Warten ist sinnlos\, da sind sich die meisten Menschen einig. Wenn wir\, nur zum Beispiel\, auf Leute warten\, die DasZuSpätKommen quasi im Blut haben\, ärgern wir uns darüber\, dass die dann praktisch mit unserer Lebenszeit spazieren gehen. Oder: wir haben auf halb elf einen Termin im Gesundheitswesen und hängen dann im Wartezimmer in der Schleife der zu Versorgenden fest. Wie beim Kundendienst des dringend benötigten Fachunternehmens. Oder an der Haltestelle\, an der Ampel\, am Bahnhof\, am Flughafen. Alles behindert unser drängendes Fortkommen. \nWarten ist also verlorene Zeit. Oder eben der in Zeiteinheiten definierte Ausdruck des Desorganisationsgrades unserer Gesellschaft. Weil: was hätten wir in der mit Warten vergeudeten Zeit nicht alles machen\, gar erledigen können. Sinnvolles halt. Warten aber ist sinnlos. \nWenn das Warten aber das zu Erledigende wird? Vor allem\, wenn wir nicht wissen\, wie lange es noch dauert? Zum Beispiel\, wenn wir schon gestorben sind\, aber noch nicht tot? Warten wir dann in der beruhigenden Gewissheit\, dass eh alles vorbei ist\, gespannt auf das\, was noch kommt? Kommt da noch was? Und: wenn wir schon warten müssen\, haben wir dann Zeit? \n„a waiting – singspiel mit musik“ verhandelt in diesem Zwischenraum drängende Themen des Persönlichen und unserer Zeit in einem furiosen Streitgesang zwischen weltuntergänglerischer Larmoyanz und einer unbeugsamen Hoffnung auf eine wunderbare Zukunft. \nKarten: office@a-waiting.mur.at\nWebseite: https://www.a-waiting.mur.at/
URL:https://www.schallfeldensemble.com/event/a-waiting-singspiel-mit-musik-3/
LOCATION:Maria Cäsar Saal\, Volkshaus Graz\, Lagergasse 98\, Graz\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/schallfeld.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20230811T193000
DTEND;TZID=Europe/Vienna:20230811T203000
DTSTAMP:20260424T063510
CREATED:20230527T194243Z
LAST-MODIFIED:20230528T145322Z
UID:7355-1691782200-1691785800@www.schallfeldensemble.com
SUMMARY:"a waiting - singspiel mit musik"
DESCRIPTION:“a waiting – singspiel mit musik” \nTeam: \nEIN (Mezzosopran): Annette Schönmüller\nEINER (Tenor): Adrián Berthely \nOrchester: Schallfeld Ensemble mit\nElisa Azzarà (Flöte)\nSzilard Benes (Klarinette)\nDiego Garcia Pliego (Saxophon)\nManuel Alcaraz Clemente (Percussion)\nMirko Jevtovic (Akkordeon)\nLorenzo Derinni (Violine)\nMyriam Garcia Fidalgo (Violoncello)\nMargarethe Maierhofer-Lischka (Kontrabass) \nKomposition und musikalische Leitung: Henrik Sande\nText und Produktion: Albert Pall \na waiting \nWarten also. Warten ist sinnlos\, da sind sich die meisten Menschen einig. Wenn wir\, nur zum Beispiel\, auf Leute warten\, die DasZuSpätKommen quasi im Blut haben\, ärgern wir uns darüber\, dass die dann praktisch mit unserer Lebenszeit spazieren gehen. Oder: wir haben auf halb elf einen Termin im Gesundheitswesen und hängen dann im Wartezimmer in der Schleife der zu Versorgenden fest. Wie beim Kundendienst des dringend benötigten Fachunternehmens. Oder an der Haltestelle\, an der Ampel\, am Bahnhof\, am Flughafen. Alles behindert unser drängendes Fortkommen. \nWarten ist also verlorene Zeit. Oder eben der in Zeiteinheiten definierte Ausdruck des Desorganisationsgrades unserer Gesellschaft. Weil: was hätten wir in der mit Warten vergeudeten Zeit nicht alles machen\, gar erledigen können. Sinnvolles halt. Warten aber ist sinnlos. \nWenn das Warten aber das zu Erledigende wird? Vor allem\, wenn wir nicht wissen\, wie lange es noch dauert? Zum Beispiel\, wenn wir schon gestorben sind\, aber noch nicht tot? Warten wir dann in der beruhigenden Gewissheit\, dass eh alles vorbei ist\, gespannt auf das\, was noch kommt? Kommt da noch was? Und: wenn wir schon warten müssen\, haben wir dann Zeit? \n„a waiting – singspiel mit musik“ verhandelt in diesem Zwischenraum drängende Themen des Persönlichen und unserer Zeit in einem furiosen Streitgesang zwischen weltuntergänglerischer Larmoyanz und einer unbeugsamen Hoffnung auf eine wunderbare Zukunft. \nKarten: office@a-waiting.mur.at\nWebseite: https://www.a-waiting.mur.at/
URL:https://www.schallfeldensemble.com/event/a-waiting-singspiel-mit-musik-2/
LOCATION:Maria Cäsar Saal\, Volkshaus Graz\, Lagergasse 98\, Graz\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/schallfeld.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20230810T193000
DTEND;TZID=Europe/Vienna:20230810T203000
DTSTAMP:20260424T063510
CREATED:20230527T194046Z
LAST-MODIFIED:20230528T145145Z
UID:7351-1691695800-1691699400@www.schallfeldensemble.com
SUMMARY:"a waiting - singspiel mit musik"
DESCRIPTION:“a waiting – singspiel mit musik” \nTeam: \nEIN (Mezzosopran): Annette Schönmüller\nEINER (Tenor): Adrián Berthely \nOrchester: Schallfeld Ensemble mit\nElisa Azzarà (Flöte)\nSzilard Benes (Klarinette)\nDiego Garcia Pliego (Saxophon)\nManuel Alcaraz Clemente (Percussion)\nMirko Jevtovic (Akkordeon)\nLorenzo Derinni (Violine)\nMyriam Garcia Fidalgo (Violoncello)\nMargarethe Maierhofer-Lischka (Kontrabass) \nKomposition und musikalische Leitung: Henrik Sande\nText und Produktion: Albert Pall \na waiting \nWarten also. Warten ist sinnlos\, da sind sich die meisten Menschen einig. Wenn wir\, nur zum Beispiel\, auf Leute warten\, die DasZuSpätKommen quasi im Blut haben\, ärgern wir uns darüber\, dass die dann praktisch mit unserer Lebenszeit spazieren gehen. Oder: wir haben auf halb elf einen Termin im Gesundheitswesen und hängen dann im Wartezimmer in der Schleife der zu Versorgenden fest. Wie beim Kundendienst des dringend benötigten Fachunternehmens. Oder an der Haltestelle\, an der Ampel\, am Bahnhof\, am Flughafen. Alles behindert unser drängendes Fortkommen. \nWarten ist also verlorene Zeit. Oder eben der in Zeiteinheiten definierte Ausdruck des Desorganisationsgrades unserer Gesellschaft. Weil: was hätten wir in der mit Warten vergeudeten Zeit nicht alles machen\, gar erledigen können. Sinnvolles halt. Warten aber ist sinnlos. \nWenn das Warten aber das zu Erledigende wird? Vor allem\, wenn wir nicht wissen\, wie lange es noch dauert? Zum Beispiel\, wenn wir schon gestorben sind\, aber noch nicht tot? Warten wir dann in der beruhigenden Gewissheit\, dass eh alles vorbei ist\, gespannt auf das\, was noch kommt? Kommt da noch was? Und: wenn wir schon warten müssen\, haben wir dann Zeit? \n„a waiting – singspiel mit musik“ verhandelt in diesem Zwischenraum drängende Themen des Persönlichen und unserer Zeit in einem furiosen Streitgesang zwischen weltuntergänglerischer Larmoyanz und einer unbeugsamen Hoffnung auf eine wunderbare Zukunft. \nKarten: office@a-waiting.mur.at\nWebseite: https://www.a-waiting.mur.at/
URL:https://www.schallfeldensemble.com/event/a-waiting-singspiel-mit-musik/
LOCATION:Maria Cäsar Saal\, Volkshaus Graz\, Lagergasse 98\, Graz\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/schallfeld.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20230723T200000
DTEND;TZID=Europe/Vienna:20230723T213000
DTSTAMP:20260424T063510
CREATED:20230316T225121Z
LAST-MODIFIED:20230621T091507Z
UID:7226-1690142400-1690147800@www.schallfeldensemble.com
SUMMARY:Opening concert impuls festival
DESCRIPTION:A festival is by definition a time of celebration\, and there are many things we want to celebrate in the program of the Opening Concert of the 8th Edition of the impuls Festival: on the occasion of his 80th birthday\, we pay homage to Brian Ferneyhough\, and welcome Francesco Filidei and Francesca Verunelli\, who are tutoring at the impuls Academy for the first time. \nCertainly there is\, of course\, the new works: the Austrian premiere of an Ulysses Network commission to Elena Rykova and a new composition by Dmitri Kourliandksi\, created especially for Ensemble Schallfeld to be premiered at impuls 2023; and finally\, we also celebrate Schallfeld’s fifth participation in impuls during the tenth anniversary year of the ensemble. \nThe common thread of this program is the inspiration from extra-musical elements: Whether it is a historical painting (as in “La Chute d’Icare”)\, or the illusion of movement created by static images (as in “Cinemaolio”)\, a poem by Eduardo Sanguineti (in the case of “Finito Ogni Gesto”)\, or places\, lonely inner places in the case of Rykova\, or quite real and quite crowded ones in the case of Kourliandski. Through ekphrasis or synesthesia\, the music always seems to act as a metaphorical space. Therefore\, the score itself lends itself to becoming an abstract place that can be (re)written\, measured\, or “inhabited”. \nPROGRAM\nBrian Ferneyhough La Chute d’Icare\, for mixed Ensemble (1988)* \nDmitri Kourliandski Banlieue\, for flute\, clarinet\, accordion\, violin\, viola\, cello\, double bass\, live-electronics (2023\, world premiere)** \nFrancesco Filidei Finito Ogni Gesto\, for flute\, clarinet\, horn\, percussion\, violin\, cello (2010) \nElena Rykova In the Presence of Absence\, for clarinet\, accordion\, piano\, violin\, cello\, amplification\, electronics (2022\, Austrian premiere) \nFrancesca Verunelli Cinemaolio\, for flute\, clarinet\, piano\, violin\, viola\, cello (2014) \n\n\n—\n\n\n\n\n\nElisa Azzarà flutes | \n Szilárd Benes clarinet* | \nPéter Szűcs clarinets | \nHelene Kenyeri oboe | \nPetrean Radu horn | \nMirko Jevtović accordion | \nManuel Alcaraz Clemente percussion |  \nPatrick Skrilecz piano | \nLorenzo Derinni violin | \nPaolo Fumagalli viola | \n Myriam García Fidalgo cello | \nFrantišek Výrostko double bass \nDavide Gagliardi sound design\, live electronics \nDmitri Kourliandski live-lectronics** \nLeonhard Garms conductor \n— \n€ 16 | € 11* | € 6** \n* Pupils\, students\, conscripts/civil servants and unemployed persons with valid identity card \n** Music students with valid ID at the box office and children up to 10 years of age \n*** Free admission for Hunger auf Kunst & Kultur at the box office from 15 minutes before the start of the concert \nTicket reservation: office@impuls.cc \nEnsemble Schallfeld performs with the kind support of the Creative Europe Programme of the European Union as Young Ensemble in Residence of the EU-funded Ulysses Networkand in cooperation with open music\, a Graz based concert series for contemporary music\, associate partner of the Ulysses Network. \nElena Rykova’s piece was commissoned by Internationale Ensemble Modern Akademieand Mixtur Festival within the Ulysses Network supported by the Creative Europe Programme of the European Union. \n  \n  \n\n\n\n\n\n\n\n\n\n\n\n\n\n 
URL:https://www.schallfeldensemble.com/event/open-music-impuls/
LOCATION:Ligeti Saal\, Lichtenfelsgasse 14\, Graz\, 8010\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/C0A2319.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20230509T193000
DTEND;TZID=Europe/Vienna:20230509T210000
DTSTAMP:20260424T063510
CREATED:20230316T233027Z
LAST-MODIFIED:20230506T230627Z
UID:7232-1683660600-1683666000@www.schallfeldensemble.com
SUMMARY:Suena Festival
DESCRIPTION:Diego Jiménez Tamame –  …and they’ve got us in their cage\, ruined of grace and senses… (2016-17) \n  \nHelga Arias – Konturen (2014) \n  \nLula Romero – autonomous realities (2021) \n  \nMichelle Agnès Magalhaes – Vento Noroeste (2012) \n  \nPedro Berardinelli – Por em (2019/2020) \n  \nAndrés Gutiérrez Martínez – Gitterfenster (2016) \n  \n\n\n\n\n\n\nFoto © Iván Velasco Grima
URL:https://www.schallfeldensemble.com/event/suena-festival/
LOCATION:Studio Molière\, Liechtensteinstraße 37A\, Vienna\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/suena-festival.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20230508T200000
DTEND;TZID=Europe/Vienna:20230508T210000
DTSTAMP:20260424T063510
CREATED:20230421T201050Z
LAST-MODIFIED:20230421T201050Z
UID:7307-1683576000-1683579600@www.schallfeldensemble.com
SUMMARY:Sesin Yolculuğu - Ensemble in Residence
DESCRIPTION:From the 5. to the 8th of May\, we will be Ensemble in Residence in the Sesin Yolculuğu Festival\, in Istanbul. \nWe will perform new pieces by young composers studying in Turkey. \nElisa Azzarà – Flute \nMirko Jevtovic – Accordion \nFrantisek Vyrostko – Doublebass
URL:https://www.schallfeldensemble.com/event/sesin-yolculugu-ensemble-in-residence/
LOCATION:Cemal Reşit Rey Konser Salonu\, Harbiye\, Dar'ül Bedayi Cad No:6\, 34371 Şişli\, Istambul\, Turkey
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/schallfeld.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230502
DTEND;VALUE=DATE:20230503
DTSTAMP:20260424T063510
CREATED:20230313T081839Z
LAST-MODIFIED:20230519T170713Z
UID:7219-1682985600-1683071999@www.schallfeldensemble.com
SUMMARY:Saison Konzert II: Spuren
DESCRIPTION:  \nEduardo Moguillansky  – Zähmungen #2 Bogenwechsel (2011-2014) \nLisa Streich – Francesca (2016-2019) Austrian premiere \nPablo Galaz – Crosstalk (2023) World Premiere* \nFilippo Perocco – Velata (2023) World Premiere \n\n*Commissioned by Schallfeld Ensemble\, funded by the  \n  \n\n\nSchallfeld Ensemble\nLeonhard Garms – conductor\n\nFree entry!\n\n\nThe project was possible thanks to the support of the SACEM
URL:https://www.schallfeldensemble.com/event/saison-konzert-ii/
LOCATION:Schaumbad – Freies Atelierhaus Graz\, Puchstraße 41\, Graz\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/portadafb.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230430
DTEND;VALUE=DATE:20230502
DTSTAMP:20260424T063510
CREATED:20230413T102720Z
LAST-MODIFIED:20230413T102740Z
UID:7288-1682812800-1682985599@www.schallfeldensemble.com
SUMMARY:Masterclass with Eduardo Moguillanski and Filippo Perocco
DESCRIPTION:Schallfeld  Ensemble welcomes Eduardo Moguillanski and Filippo Perocco\, who will be present in Graz to work with us for our concert on the 2nd of May. \nFor this occasion\, Eduardo Moguillanski and Filippo Perocco offer  to interested composers the possibility of individual 60-minute lessons at times to be agreed on the afternoons of 30th April (Moguillanski) and 1st May (Perocco).\nThe lessons will be held in the premises of Schallfeld Ensemble at Dreihackengasse 26\, 8020 Graz. \nThe interested participants should send a formless application with their CV and some scores (recordings if available are welcome).  \nFor attachments over 20MB please send a download link. \nThe application (indicating the chosen teacher/s) should be sent by e-mail to office@schallfeldensemble.com by Sunday 23rd April. \nDepending on the applications received\, there might be a selection process. \nThe selected participants are asked to pay €50 as a contribution to the cost of the lesson via bank transfer to the bank details that will be communicated after the selection process. \nLooking forward to meeting  you at the Masterclass and at the concert! \nSchallfeld Ensemble
URL:https://www.schallfeldensemble.com/event/masterclass-with-eduardo-moguillanski-and-filippo-perocco/
LOCATION:Schallfeld Proberaum\, Dreihackengasse 26\, Graz\, Austria
CATEGORIES:Masterclass
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/portadafb.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20230413T200000
DTEND;TZID=Europe/Vienna:20230413T210000
DTSTAMP:20260424T063510
CREATED:20230222T142330Z
LAST-MODIFIED:20230222T142330Z
UID:7213-1681416000-1681419600@www.schallfeldensemble.com
SUMMARY:Music Current Dublin
DESCRIPTION:CHEMICAL ETUDES\nPROGRAMME:\nMarko Ciciliani\, Tympanic Touch\, for two performers and a game system (2017)\nMarko Ciciliani\, Chemical Etudes\, for Monome and SuperCollider (2018)\nMarko Ciciliani\, Time Machine\, sensor-equipped bass clarinet\, live electronics and video (2013)\nDavide Gagliardi\, Traces of indivisible (2019) for violin\, cello and live electronics\nChristof Ressi\, GIF Frenzy (for clarinet\, violin\, cello electronics and video) (2020\, r. 2023)
URL:https://www.schallfeldensemble.com/event/music-current-dublin-2/
LOCATION:Project Arts Centre\, Dublin
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/Schallfeld_Ensemble_GifFrenzy_1080.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20230315T190000
DTEND;TZID=Europe/Vienna:20230315T200000
DTSTAMP:20260424T063510
CREATED:20230123T110036Z
LAST-MODIFIED:20230123T110752Z
UID:7171-1678906800-1678910400@www.schallfeldensemble.com
SUMMARY:Symposium Composition & Research
DESCRIPTION:Music by Claus-Steffen Mahnkopf\, Pia Palme\, Alberto Posadas and Muneaki  Yoshida (winner of the composition competition of the GMPU). 
URL:https://www.schallfeldensemble.com/event/symposium-composition-research/
LOCATION:Neuer Saal\, Mießtaler Str. 8\, Klagenfurt
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/Captura-de-Pantalla-2023-01-23-a-las-12.04.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230315
DTEND;VALUE=DATE:20230316
DTSTAMP:20260424T063510
CREATED:20230112T105228Z
LAST-MODIFIED:20230112T110230Z
UID:7153-1678838400-1678924799@www.schallfeldensemble.com
SUMMARY:CROMA - Ciclo de Música Contemporânea de Oeiras
DESCRIPTION:As part of the Croma festival\, Schallfeld will perform pieces by cello solo\, violin duo and string trio. In the program\, two pieces by Franck Bedrossian\, who will attend the festival\, two world premieres  by Isabel Soveral and Lorenzo Troiani)\, and two string trios by Giacinto Scelsi and Salvatore Sciarrino.\n\nProgram\n– Isabel Soveral: New Work for string trio\n– Franck Bedrossian: a chamber to be haunted for two violins (2017)\n– Franck Bedrossian : the spider as an artist for solo (amplified) cello (2014)\n– Lorenzo Troiani: Toccare. L´abisso che dunque sono (2022)*\n– Salvatore Sciarrino: Codex purpureus (1983) 10´\n– Giacinto Scelsi: String Trio (1958)\n\n*piece commissioned by Schallfeld Ensemble with the support of BMKOES (Austrian Ministery of Culture)
URL:https://www.schallfeldensemble.com/event/croma-ciclo-de-musica-contemporanea-de-oeiras/
LOCATION:Auditório Municipal Ruy de Carvalho\, Oeiras\, Portugal
ATTACH;FMTTYPE=image/png:https://www.schallfeldensemble.com/wp-content/uploads/croma2.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20230313T200000
DTEND;TZID=Europe/Vienna:20230313T210000
DTSTAMP:20260424T063510
CREATED:20230119T124958Z
LAST-MODIFIED:20230313T082855Z
UID:7163-1678737600-1678741200@www.schallfeldensemble.com
SUMMARY:Haunted chambers
DESCRIPTION:Program\n\n– Franck Bedrossian: a chamber to be haunted for two violins (2017)\n– Franck Bedrossian : the spider as an artist for solo (amplified) cello (2014)\n– Lorenzo Troiani: Toccare. L´abisso che dunque sono (2022)*\n– Salvatore Sciarrino: Codex purpureus (1983) 10´\n– Giacinto Scelsi: String Trio (1958)\n\n\n*piece commissioned by Schallfeld Ensemble with the support of BMKOES (Austrian Ministery of Culture)\n\n\n\n\nFree entry. Ticket reservation : tickets@kultum.at
URL:https://www.schallfeldensemble.com/event/hauntedchambers/
LOCATION:imCUBUS\, Mariahilferplatz 3 / I 8020\, Graz\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/triocrop.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20230219T160000
DTEND;TZID=Europe/Vienna:20230219T170000
DTSTAMP:20260424T063510
CREATED:20221119T180913Z
LAST-MODIFIED:20221119T181335Z
UID:7125-1676822400-1676826000@www.schallfeldensemble.com
SUMMARY:Cresc... Biennale Frankfurt
DESCRIPTION:REFLECTIONS\n\nElena Rykova: In the Presence of Absence (2022)\, Deutsche Erstaufführung\nZara Ali: Neues Werk (2023)\, UA\nMarko Nikodijević: music box / selbstportrait mit ligeti und strawinsky (und messiaen ist auch dabei) (2000–01/2003/rev. 2006)\nLouis Andriessen: Workers Union (1975) \nIEMA-Ensemble 2022/23\, Schallfeld Ensemble \nKünstler*innenhaus Mousonturm \nA concert for explorers! And a chance for the audience to experience newcomers to the scene. Recent conservatory graduates intensify their expertise in contemporary music at the International Ensemble Modern Academy. Here they present themselves as the IEMA Ensemble 2022/2023\, joined for this concert by the young\, Graz-based Schallfeld Ensemble. Apart from the compositional self-reflection ›music box / selbstportrait mit ligeti und strawinsky (und messiaen ist auch dabei)‹ by Marko Nikodijević and the politically motivated piece ›Workers Union‹ by Louis Andriessen\, the programme features two premieres by young composers from Russia and USA. Entitled ›Reflections‹\, the evening offers a multitude of perspectives on the festival’s theme\, ›MeWe‹. \ncresc… is funded by Kulturfonds Frankfurt RheinMain. \nA project within Ulysses Network. The project is supported by the Creative Europe Programme of the European Union. The new piece by Elena Rykova is being commissioned by Internationale Ensemble Modern Akademie and Mixtur Festival Barcelona. \nTickets \n21\,- € | reduced 11\,50 € \nwww.hr-ticketcenter.de
URL:https://www.schallfeldensemble.com/event/cresc-biennale-frankfurt/
LOCATION:Künstler*innenhaus Mousonturm\, Waldschmidtstraße 4\, Frankfurt\, 60316\, Germany
ATTACH;FMTTYPE=image/png:https://www.schallfeldensemble.com/wp-content/uploads/mewe2.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230213
DTEND;VALUE=DATE:20230315
DTSTAMP:20260424T063510
CREATED:20230214T105754Z
LAST-MODIFIED:20230214T105754Z
UID:7207-1676246400-1678838399@www.schallfeldensemble.com
SUMMARY:Application Klangspuren Composers Lab 2023
DESCRIPTION:The Klangspuren Composers Lab (11.09. – 19.09.2023) is part of the Klangspuren Academy\, a successful new format initiated last year that is aimed at highly talented international and local composers pursuing a career as professional musicians. With its Composers Lab featuring annually changing instructors and musical partners\, Klangspuren Schwaz has created a place for encounter and learning for composers. For 2023\, it was able to enlist the collaboration of such excellent musical figures as the composers Chaya Czernowin and Klaus Lang\, from Israel and Austria respectively\, and the Graz-based Schallfeld Ensemble. The expertise of these instructors\, who also have pedagogical training\, will inspire the eight composers selected to participate in the workshop and give them new perspectives. For the participants\, the practical work of writing pieces specifically for the Schallfeld Ensemble will provide a reality check under excellent rehearsal conditions. \nThrough public master classes and concerts in Schwaz this “laboratory” will be deeply integrated into the festival. In this way\, the audience and other young composers will have the opportunity to closely observe the making of contemporary music and be able to follow the creation of new works\, their backgrounds and development. Participation in the Klangspuren Composers Lab will be determined by an international competition. Eight participants will be nominated in a two-stage selection process. There is no age limit for the applicants. The participants’ work will be premiered at the Klangspuren festival by the Schallfeld Ensemble on 18 September 2023. \nBy providing stipends\, Klangspuren seeks to make the projects accessible to all who are interested. In the selection process\, the professional qualifications will be taken into consideration in addition to applicants’s gender equality and diversity. We expressly welcome cultural and stylistic diversity in our musicians and composers\, as these enrich the musical discourse and have a uniting effect. \nApplications can be submitted from 13 February to 14 March 2023. \n\nClick here for the Klangspuren Application System 2023\n\nFACTS\nArrival and Departue: The punctual arrival of the participant on September 11 as well as his or her departure are the sole responsibility of the participant \nFees: The course fee is 450 euros and includes accommodation for eight nights in a single room with breakfast\, one private lesson each with Chaya Czernowin and Klaus Lang\, auditions\, professional recordings\, and free admission to all festival concerts. \nScholarships: A scolarship exempting participants from paying the participation fee is available. This stipend shall be awarded on a needs-oriented basis. \nAccommodation: Hotel-Gasthof Goldener Löwe\, Husslstraße 4\, 6130 Schwaz / Austria \nRehearsals: SZentrum Schwaz\, Knappensaal\, Andreas-Hofer-Str. 10\, 6130 Schwaz / Austria\nAll participants will receive a detailed rehearsal schedule in due time. \n 
URL:https://www.schallfeldensemble.com/event/application-klangspuren-composers-lab-2023/
LOCATION:Schwaz\, Schwaz\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/klangspuren30.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20230125T200000
DTEND;TZID=Europe/Vienna:20230125T210000
DTSTAMP:20260424T063510
CREATED:20221212T170821Z
LAST-MODIFIED:20221212T171425Z
UID:7140-1674676800-1674680400@www.schallfeldensemble.com
SUMMARY:Sonic Washing - echoraum Wien
DESCRIPTION:Pierre Jodlowski: In and Out  – 2004\nAaron Einbond: Xilography – 2015\nSivan Eldar: Archives  – 2010/11\nDavide Gagliardi: Borderline personality disorder  – 2016\nJorge Gómez Elizondo: Sonic Washing Youth Machine (– 2021 \n  \nSchallfeld Ensemble:\nLorenzo Derinni: Violine\nMyriam García Fidalgo: Violoncello\nMargarethe Maierhofer-Lischka: Kontrabass\nDavide Gagliardi: Klangregie\, Live Elektronik and Video\nJorge Gómez Elizondo: Video
URL:https://www.schallfeldensemble.com/event/sonic-washing-echoraum-wien/
LOCATION:echoraum\, Sechshauser Straße 66\, Wien\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/linz.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20221217T210000
DTEND;TZID=Europe/Vienna:20221217T220000
DTSTAMP:20260424T063510
CREATED:20221107T190713Z
LAST-MODIFIED:20221119T181923Z
UID:7107-1671310800-1671314400@www.schallfeldensemble.com
SUMMARY:Echi dell’inudibile - nuova consonanza
DESCRIPTION:Programm\nAnemone Actiniaria – anemone-d77ab88d\, performance audio-video \nGermán Toro-Perez (1964) – Rulfo/ecos I (2006) for violoncello and live electronics \nDavide Gagliardi (1988) – Traces of the indivisible (2019)\, for violin\, violoncello and live electronics \nDaniela Fantechi (1984) – Prossimo (2017) for violin and live electronics \nDavide Gagliardi (1988) – Incontro (2019) for violoncello and live electronics \nMaurizio Azzan (1987) – Diptych #1 (2017-21)\, for violin and live electronics \nEach mirror infects itself \nwith the abyss of its own dream (WP) \nSchallfeld Ensemble\nLorenzo Derinni – violin \nMyriam Garcia Fidalgo – violoncello \nDavide Gagliardi – live electronics \nAnemone Actiniaria\nHanns Holger Rutz\, David Pirrò – electronics and video
URL:https://www.schallfeldensemble.com/event/nuovaconsonanza/
LOCATION:Mattatoio La Pelanda\, piazza Orazio Giustiniani 4\, Rome\, Italy
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/nuova.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20221206T193000
DTEND;TZID=Europe/Vienna:20221206T210000
DTSTAMP:20260424T063510
CREATED:20220823T084848Z
LAST-MODIFIED:20221119T182640Z
UID:7047-1670355000-1670360400@www.schallfeldensemble.com
SUMMARY:Beyond Pleasure + Pendlerpauschale
DESCRIPTION:In collaboration with Opera NOW\, Schallfeld will perform two world premieres by Jonatan Sersam and Jorge Gómez Elizondo. \nBEYOND PLEASURE \nA one-act monodrama for a solo actor with three musicians. The inspiration comes from Freud’s theory of the “death drive” described in his book Beyond the Pleasure Principle. \n\nJonatan Sersam (SWE) | Concept\, Text\, Composition\, Performance \nAnna-Karin Rasmusson (SWE) | Videoart \nwith Schallfeld Ensemble \n\nJorge Gómez Elizondo \nPendlerpauschale for bass clarinet\, percussion\, accordion\, electronics and video.
URL:https://www.schallfeldensemble.com/event/beyond-pleasure/
LOCATION:Theater am Lend\, Wienerstraße 58a\, Graz
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/jorge.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20221109T200000
DTEND;TZID=Europe/Vienna:20221109T210000
DTSTAMP:20260424T063510
CREATED:20220823T165536Z
LAST-MODIFIED:20221107T185359Z
UID:7052-1668024000-1668027600@www.schallfeldensemble.com
SUMMARY:The new normal
DESCRIPTION:Programm\nWilliam Dougherty The new normal  \nMilica Djordjevic Rdja \nClaudio Panariello To Learn the Obscene Art of Suffering Pain \nEnsemble Kompositionsauftrag des Schallfeld Ensembles im Rahmen des StAiR (Styrian artist in residence) Programmes 2022 des Landes Steiermark \nMisato Mochizuki Chimera \n  \nAt the end of 2021\, when we conceived our 2022 season\, we wanted to focus on an optimistic (but still critical) reflection about the consequences of two years of pandemic in our lives and in the way we experience music together. \nSince February 2022\, the war and many other changes in the world gave a new and unexpected turn to the topics we choose for our concerts (Debris\, Nahe). \nIn our mind\, “The New Normal” stays probably  more close to its original meaning of a reunion to urgent socio-political and existential topics that we might have forgotten or recontextualized during the pandemic as in the last months.  \nThe piece “the new normal” by William Daugherty reminds us about social inequality (on a world scale as in his own country\, the USA)\, choosing a direct impact to the audience – however filtered through a calibrated work of collage from ethnomusicological material\, ancient music quotations and other samples. \nMoving from apparently objective scientific phenomena (oxidation and hybridation)\, the works by Milica Djordjevic and Misato Mochizuki bring us respectively to our “rusty”\,  jammed aptitude in the expression of  feelings as to alienating and extraneous processes of transformation. \nClaudio Panariello’s work (Styrian artist in residency 2022) mediates between the innest existential reflection about the experience of pain and its possible narrativity in our society\, which seem to mirror in the “impossible” antiphonal dialogue between a (human) instrumental ensemble and its analogic Doppelgänger – a feedback system driven by piezos microphones and loudspeakers. \nFree entry\, ticket reservation under office@schallfeldensemble.com.
URL:https://www.schallfeldensemble.com/event/the-new-normal/
LOCATION:Next Liberty\, Kaiser-Josef-Platz 10\, Graz\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/verticalnuevo-e1667847229923.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20221105T200000
DTEND;TZID=Europe/Vienna:20221105T210000
DTSTAMP:20260424T063510
CREATED:20220308T194215Z
LAST-MODIFIED:20220814T082941Z
UID:6890-1667678400-1667682000@www.schallfeldensemble.com
SUMMARY:Text im Klang #5
DESCRIPTION:Alexander Bauer New work for bass clarinet\, accordion\, percussion\, cello\, electronics (2022\, world premiere) \nVíctor Morató Ribera im kopf\, for clarinet\, accordion\, percussion\, cello (2022\, world premiere) \nSinan Samanlı New work for clarinet\, accordion\, percussion\, electronics (2022\, world premiere) \nManuel Zwerger New work for clarinet\, percussion\, cello\, ad hoc performer (2022\, world premiere) \n  \nFerdinand Schmatz text & reading: das gehörte feuer. orphische skizzen (2016) \n  \nEnsemble Schallfeld \nSzilárd Benes clarinet\, bass clarinet \nMirko Jevtović accordion \nManuel Clemente percussion \nMyriam García cello \nDavide Gagliardi electronics \n\n\n\n\n\n\n\n„Text im Klang” is already looking forward to its 5th edition this year. From the very beginning\, the project has seen itself as a laboratory\, where medial interlacings with a focal point on impulses are put into practice. In specific\, literary texts as well as the active exchange between composer and author hereby provide the initial impulses for new compositions. The intention of the project hereby does not pursue a classical setting such as words to music\, nor a simple translation of the words with voices\, nor tonal representations of the texts – what is called for is rather texts functioning as movens with their\, for example\, rhythmic and syntactic qualities\, in its tonal coloration\, its timbre\, in its atmospheric or thematic density\, as semantic abutment\, … \nThe experimental setup of „Text im Klang” has always been slightly modified throughout the years: in 2014 and 2016\, texts by various Austrian authors served the composers in various pairings as a source of inspiration; in the performances\, music and text were sometimes intertwined\, the latter read by actors or the authors themselves\, sometimes being integrated directly in the composition itself live or f.e. as an edited or processed recording. In 2018 in turn\, the focus for all composers was put on one specific short text\, and in 2020\, both text and music were created from scratch on a jointly developed theme. \nLike in former years\, with Ensemble Schallfeld also the musicians of course play an important role in the project\, being included in the process from the very beginning and standing in close connection specially with the composers for the realisation of their new works. Throughout the different editions Ensemble Schallfeld has hereby presented itself in various line-ups. \nFor 2022\, impuls has been able to interest Ferdinand Schmatz for the project\, whose „das gehörte feuer. orphische skizzen“ (published in 2016) offers an ideal starting point for four new compositions commissioned by impuls not only thematically and in terms of sound language. The world premieres and the reading will again be presented in a dramaturgically developed evening on November 5th\, which will conclude the following day with an open brunch\, including reflections on the overall process of the project and an exchange with the audience on their impressions. \n  \n\n\n\n€ 16 | € 11* | € 6** \n* Pupils\, students\, conscripts/civil servants and unemployed persons with valid identity card \nTicket reservation: office@impuls.cc \n** Music students with valid ID at the box office and children up to 10 years of age \n*** Free admission for Hunger for Art & Culture at the box office from 15 minutes before the start of the concert. \nEnsemble Schallfeld as Ensemble in Residency at impuls is performing with co-funding by the Creative Europe Programme of the European Union. \n  \nText im Klang #5\n6.11.2022\, 10.00-13.00\nDiscourse : Open Brunch \nStatements by and discussion with the involved author\, composers and interpreters of the project “Text im Klang” after the premieres and reading on November 5th with Alexander Bauer | Víctor Morató Ribera | Sinan Samanlı | Manuel Zwerger | Ferdinand Schmatz | Ensemble Schallfeld \nhttps://www.impuls.cc/events-2022/611-text-im-klang \n  \n   
URL:https://www.schallfeldensemble.com/event/text-im-klang-5/
LOCATION:Priesterseminar\, Barocksaal\, Bürgergasse 2\, Graz\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/schallfeld.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20221028T193000
DTEND;TZID=Europe/Vienna:20221028T203000
DTSTAMP:20260424T063510
CREATED:20220926T131307Z
LAST-MODIFIED:20221009T135238Z
UID:7069-1666985400-1666989000@www.schallfeldensemble.com
SUMMARY:Leicht über Linz II
DESCRIPTION:Programm\n\n\n\n\nDominik Leitner Hubble pictures are too crisp   \nfür Flöte\, Saxofon\, Percussion\, Piano\, Violine und Kontrabass  Uraufführung \nMoldir Slyamova Jüz Alde Qaishy \nfür Klarinette\, Saxofon\, Percussion und Cello  Uraufführung \nCarlos Gonzales Bolanos Contra el sentido inhalo) (B)                     – \nfür Klarinette\, Violine und Cello  Uraufführung \nCarlos Gonzales Bolanos En la ulteridad (in)humana        \nfür Flöte und Violine  Uraufführung \nMaría Pérez Díez Sounddescriptions \nfür Flöte\, Klarinette\, Saxofon\, Percussion\, Piano\, Violine\, Cello und Kontrabass   Uraufführung \n\n\n\n\nCost\n\n\n\nEintritt frei
URL:https://www.schallfeldensemble.com/event/leicht-uber-linz-ii-schallfeld-ensemble/
LOCATION:Anton Brucker Universität\, Linz
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20221027T193000
DTEND;TZID=Europe/Vienna:20221027T203000
DTSTAMP:20260424T063510
CREATED:20220926T130947Z
LAST-MODIFIED:20221009T134840Z
UID:7066-1666899000-1666902600@www.schallfeldensemble.com
SUMMARY:Leicht über Linz I
DESCRIPTION:Programm\n\n\n\n\nJadwiga Frej  (Un)Besetzt \nFünf kurze Szenen für Ensemble\, 2 Stühle\, Zuspiel und Licht  Uraufführung \nIxta Rodero Gil Colours: for and against  \nfür Flöte\, Klarinette\, Saxofon\, Percussion\, Violine\, Cello und Kontrabass  Uraufführung \nAlireza Shahabolmolkfard Either Or\nSaxofon\, Percussion\, Piano  Uraufführung \nJorge Villoslada Durán   Vorhölle II  \nfür Flöte\, Klarinette\, Percussion\, Piano\, Violine und Cello  Uraufführung \n\n\n\n\n\n\n\nEintritt frei
URL:https://www.schallfeldensemble.com/event/leicht-uber-linz-i/
LOCATION:Anton Brucker Universität\, Linz
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20221020
DTEND;VALUE=DATE:20221021
DTSTAMP:20260424T063510
CREATED:20220926T125658Z
LAST-MODIFIED:20220926T130700Z
UID:7061-1666224000-1666310399@www.schallfeldensemble.com
SUMMARY:Intrada Festival
DESCRIPTION:PROGRAM\nBeat Furrer –  Aer \nFrancesco Filidei – Gagliarda \nFrancesco Filidei – Corde Vuote \nJohannes Maria Staud –  Lagrein \n\nMihai Măniceanu – NW\n\nDoina Rotaru – Metamorphosis\n\n\nSCHALLLFELD ENSEMBLE\nSzilárd Benes – clarinets\nPatrick Skrilecz – piano\nLorenzo Derinni – violin\nMyriam Garcia Fidalgo – violoncello\n\nMore info coming soon
URL:https://www.schallfeldensemble.com/event/intrada-festival/
LOCATION:Timisoara\, Timisoara\, Romania
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20221014T200000
DTEND;TZID=Europe/Vienna:20221014T210000
DTSTAMP:20260424T063510
CREATED:20220815T123539Z
LAST-MODIFIED:20220926T125042Z
UID:7025-1665777600-1665781200@www.schallfeldensemble.com
SUMMARY:Mixtur
DESCRIPTION:Program\nIn the Presence of Absence (2022)\, Elena Rykova (RU) – 10’* \neros-tans-tngi-ugog-celö-ese (2020)\, Joan Gómez Alemany (ES) 12’ \n//INPUT_PULLUP; (2022)\, Emil Vijgen (DK) – 15’ ** \nBreak Through Capestrano (2022)\, June Young Will Kim(KR) –   3’  (Mixtur Composition Workshop Student) \nMiniature (2022)\, Sara Stevanovic (RS) –   3’  (Mixtur Composition Workshop Student) \n…after (2022)\, Ryan Carraher (US) –   3’  (Mixtur Composition Workshop Student) \nTerritorio interior (2015)\, José María Sánchez-Verdú(ES/DE) – 9’ (Mixtur Workshops Teacher) \n  \nZinajda Kodrič (IT)\, fl / Johannes Feuchter (AT)\, cl / Patrick Skrilecz (AT)\, pn  / Mirko Jevtović (RS)\, ac / Lorenzo Derinni (IT)\, vl / Myriam García Fidalgo (ES)\, vc \nDirector: Leonhard Garms (IT) \nSound Director: Davide Gagliardi (IT) \n  \n* A commission by Festival Mixtur and International Ensemble Modern Academy supported by the European Commission. \n** Festival Klang commission. \nTickets: https://entradium.com/es/events/festival-mixtur-2022/sessions/14-10-2022-20-00 \nSchallfeld Ensemble is one of the young ensembles most recognized in Europe and will perform at Festival Mixtur for the first time. Schallfeld was selected as young ensemble in residence by Ulysses network and will perform in Spain the following premieres: In the presence of absence by Elena Rykova\, INPUT_PullUP by Emil Vijgen and eros-tans-tngi-ugog-celö-esel by Joan Gómez Alemany. The programme will be rounded off by Territorio interior by José María Sánchez-Verdú and three miniatures composed by students from the Composition and Sound Experimentation Workshop Mixtur 2022. \nSchallfeld is a contemporary music ensemble based in Gaz (Austria). The ensemble has attracted the interest of international audiences due to its virtuosity and its refined chamber sound\, as well as their attention to the concert formats that they seek to create a new dimension of listening.\nSchallfeld has participated in festivals such as Wien Modern\, Impuls\, Klangspuren\, Darmstadt\, Afekt (Estonia)\, Romaeuropa\, Signale (Graz) and Daegu Festival (South Korea)\, among others\, and has been ensemble-in-residence in Darmstadt\, Impuls\, California San Diego University and Harvard University.
URL:https://www.schallfeldensemble.com/event/mixtur/
LOCATION:Institut Français Barcelona\, Carrer de Moià\, 8\, 08006\, Barcelona\, Spain
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/mixtur_2022-formatkey-jpg-w1022.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20221008T200000
DTEND;TZID=Europe/Vienna:20221008T213000
DTSTAMP:20260424T063510
CREATED:20220818T125455Z
LAST-MODIFIED:20221008T143628Z
UID:7038-1665259200-1665264600@www.schallfeldensemble.com
SUMMARY:Bludenzer Tage zeitgemäßer Musik
DESCRIPTION:Programm\nCathy van Eck – Wings (2007–2008)\nfür 3 Performer und Electronics \nClaudio Panariello – To Learn the Obscene Art of Suffering Pain (2022)\, UA\, für Ensemble Kompositionsauftrag des Schallfeld Ensembles im Rahmen des StAiR (Styrian artist in residence) Programmes 2022 des Landes Steiermark \nAnqi Liu – While Snow … (2022)\, UA\, für Ensemble Auftragswerk der BTZM Kompositionsauftrag gefördert von Ernst von Siemens Musikstiftung \nIsaac Roth Blumfield – End of summer\, light between your eyes (2022)\, UA\, für Ensemble Auftragswerk der BTZM Kompositionsauftrag gefördert von der Ernst von Siemens Musikstiftung
URL:https://www.schallfeldensemble.com/event/bludenzer-tage-zeitgemaser-musik-2/
LOCATION:Remise\, Raiffeisenplatz 1\, Bludenz\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/schallfeldcopia-e1660827183606.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20220922T200000
DTEND;TZID=Europe/Vienna:20220922T210000
DTSTAMP:20260424T063510
CREATED:20220208T112704Z
LAST-MODIFIED:20220829T151753Z
UID:6868-1663876800-1663880400@www.schallfeldensemble.com
SUMMARY:CANCELLED - VANG! Músicas en Vanguardia
DESCRIPTION:The concert has been cancelled due to health problems.\nVANG #6\nSchallfeld Ensemble will perform in the Vang cicle (Centro Centro\, Madrid) a program for string trio\, with music by Arnold Schönberg\, Francisco Guerrero\, Anna Korsun and a world premiere by Lorenzo Troiani. \nProgram\nArnold Schönberg  \nString trio op. 45 (1946) \nFrancisco Guerrero  \nZayin V (1995) \nAnna Korsun \nSottilissime (2019)  \nLorenzo Troiani \nToccare. L’abisso che dunque sono (2022) * \n*World Premiere \n  \n\nSchallfeld Ensemble:\nLorenzo Derinni: violin \nFrancesca Piccioni: viola \nMyriam García Fidalgo: cello \n  \n// \nFree entry \n\n\n\n\n 
URL:https://www.schallfeldensemble.com/event/vang-madrid/
LOCATION:Centro Centro\, CentroCentro Plaza de Cibeles\, 1 Auditorio Caja de Música.\, Madrid\, 28014\, Spain
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/73A_CentroCentro_INTEGR._11_-850x596-web_1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20220920T193000
DTEND;TZID=Europe/Vienna:20220920T210000
DTSTAMP:20260424T063510
CREATED:20220818T130836Z
LAST-MODIFIED:20220818T130836Z
UID:7041-1663702200-1663707600@www.schallfeldensemble.com
SUMMARY:Warsaw Autumn
DESCRIPTION:Manuel Alcaraz Clemente percussion solo\nSCHALLFELD ENSEMBLE:\nElisa Azzarà flute\nSzilárd Benes clarinet\nMatej Bunderla saxophone\nStefan Obmann trombone\nPatrick Skrilecz piano\nHannes Schöggl percussion\nLorenzo Derinni violin\nMyriam García Fidalgo cello\nMargarethe Maierhofer-Lischka double bass\nLeonhard Garms conductor \nPierluigi Billone MAAT ME *\nintermission\nDominik Karski The Unknowable ** (Warsaw Autumn commission)\nAnna Korsun Spleen *\nFranck Bedrossian It * \n** first performance\n* first Polish performance
URL:https://www.schallfeldensemble.com/event/warsaw-autumn/
LOCATION:Fryderyk Chopin University of Music\, Okólnik 2\, Warsaw\, Poland
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/Warszawska-Jesien-2021-autor-Adam-Dudek.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20220711T200000
DTEND;TZID=Europe/Vienna:20220711T210000
DTSTAMP:20260424T063510
CREATED:20220616T175831Z
LAST-MODIFIED:20220622T140822Z
UID:7008-1657569600-1657573200@www.schallfeldensemble.com
SUMMARY:Time of music II: Systema Naturae
DESCRIPTION:Mauro Lanza & Andrea Valle: Systema Naturae \nThe cycle Systema Naturae includes four pieces. Its main feature is the use of acoustic instruments together with computer controlled physical objects placed in a specific spatial organization.\nTwo references are at the base of the whole cycle. The first is the medieval\, phantasmagoric tradition of bestiaria\, herbaria and lapidaria intended as multi-faceted catalogues of miscellaneous beings (animals\, stones\, plants). A second reference is taxonomy\, the systematic description of living organisms that dates back to Linnaeus’ Systema Naturae (hence the name of the cycle) as the rationalistic ordering of nature. As a consequence\, each piece is organized following the model of the catalogue\, as a collection of short pieces receiving an invented latin name. \n \nRegnum animale (2013) – For string trio and electromechanical objects \nRegnum vegetabile (2014) – For sextet and electromechanical objects \nRegnum lapideum (2016) – For ensemble and electromechanical objects \nFossilia (2016/17) – For ten musicians and electromechanical objects \n*** \nPart of the Ulysses project co-funded by Creative Europe.
URL:https://www.schallfeldensemble.com/event/time-of-music-ii-systema-naturae/
LOCATION:Viitasaari Arena\, Urheilutie 9\, 44500\, Viitasaari\, Finnland
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/1024682-mundi-novi-new-worlds-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20220710T170000
DTEND;TZID=Europe/Vienna:20220710T180000
DTSTAMP:20260424T063510
CREATED:20220616T173550Z
LAST-MODIFIED:20220616T173821Z
UID:6998-1657472400-1657476000@www.schallfeldensemble.com
SUMMARY:Time of music I
DESCRIPTION:Composer course final concert I\nParish Hall | Free entrance \nSchallfeld Ensemble \nInternational Ensemble Modern Academy \nTímea Hvozdíková\nLi He\nMathias Schmidhammer\nZhuosheng Jin\nMatteo Gualandi\nÞorkell Nordal\nJinwook Jung \n(premieres)\n*** \nPart of the Ulysses project co-funded by Creative Europe
URL:https://www.schallfeldensemble.com/event/time-of-music-i/
LOCATION:Parish Hall\, Pappilantie 6\, 44500\, Viitasaari\, Finland
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/1024682-mundi-novi-new-worlds-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20220626T190000
DTEND;TZID=Europe/Vienna:20220626T203000
DTSTAMP:20260424T063510
CREATED:20220623T140611Z
LAST-MODIFIED:20220623T140611Z
UID:7017-1656270000-1656275400@www.schallfeldensemble.com
SUMMARY:Schallfeld meets the Johann-Joseph-Fux Conservatory Graz
DESCRIPTION:As the conclusion of several contemporary music workshops over two semesters\, students of the Johann Joseph Fux Conservatory in Graz will perform together with soloists from the Schallfeld Ensemble. \nPROGRAM\nBeat Furrer – Aer \nFrederick Neyrinck – aus 10 Klangstudien für Klavier und Klarinette \nNiccolò Castiglioni – Per la bella Verena \nCarola Bauckholt – Klarinettentrio \nGiacinto Scelsi – Ko Lho \nBeat Furrer – Trio \nToshio Hosokawa – Vertical Time Study 1 \n  \nSchallfeld Ensemble\nSzilárd Benes – Clarinet \nPatrick Skrilecz – Piano \nMyriam García Fidalgo – violoncello \n  \nSoloists and ensembles of the Johann Joseph Fux Conservatory
URL:https://www.schallfeldensemble.com/event/schallfeld-meets-the-johann-joseph-fux-conservatory-graz/
LOCATION:Fux Saal\, Nikolaigasse 2 8020\, Graz\, Österreich
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/schallfeld.jpg
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END:VCALENDAR