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BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20230313T200000
DTEND;TZID=Europe/Vienna:20230313T210000
DTSTAMP:20260424T080552
CREATED:20230119T124958Z
LAST-MODIFIED:20230313T082855Z
UID:7163-1678737600-1678741200@www.schallfeldensemble.com
SUMMARY:Haunted chambers
DESCRIPTION:Program\n\n– Franck Bedrossian: a chamber to be haunted for two violins (2017)\n– Franck Bedrossian : the spider as an artist for solo (amplified) cello (2014)\n– Lorenzo Troiani: Toccare. L´abisso che dunque sono (2022)*\n– Salvatore Sciarrino: Codex purpureus (1983) 10´\n– Giacinto Scelsi: String Trio (1958)\n\n\n*piece commissioned by Schallfeld Ensemble with the support of BMKOES (Austrian Ministery of Culture)\n\n\n\n\nFree entry. Ticket reservation : tickets@kultum.at
URL:https://www.schallfeldensemble.com/event/hauntedchambers/
LOCATION:imCUBUS\, Mariahilferplatz 3 / I 8020\, Graz\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/triocrop.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20230219T160000
DTEND;TZID=Europe/Vienna:20230219T170000
DTSTAMP:20260424T080552
CREATED:20221119T180913Z
LAST-MODIFIED:20221119T181335Z
UID:7125-1676822400-1676826000@www.schallfeldensemble.com
SUMMARY:Cresc... Biennale Frankfurt
DESCRIPTION:REFLECTIONS\n\nElena Rykova: In the Presence of Absence (2022)\, Deutsche Erstaufführung\nZara Ali: Neues Werk (2023)\, UA\nMarko Nikodijević: music box / selbstportrait mit ligeti und strawinsky (und messiaen ist auch dabei) (2000–01/2003/rev. 2006)\nLouis Andriessen: Workers Union (1975) \nIEMA-Ensemble 2022/23\, Schallfeld Ensemble \nKünstler*innenhaus Mousonturm \nA concert for explorers! And a chance for the audience to experience newcomers to the scene. Recent conservatory graduates intensify their expertise in contemporary music at the International Ensemble Modern Academy. Here they present themselves as the IEMA Ensemble 2022/2023\, joined for this concert by the young\, Graz-based Schallfeld Ensemble. Apart from the compositional self-reflection ›music box / selbstportrait mit ligeti und strawinsky (und messiaen ist auch dabei)‹ by Marko Nikodijević and the politically motivated piece ›Workers Union‹ by Louis Andriessen\, the programme features two premieres by young composers from Russia and USA. Entitled ›Reflections‹\, the evening offers a multitude of perspectives on the festival’s theme\, ›MeWe‹. \ncresc… is funded by Kulturfonds Frankfurt RheinMain. \nA project within Ulysses Network. The project is supported by the Creative Europe Programme of the European Union. The new piece by Elena Rykova is being commissioned by Internationale Ensemble Modern Akademie and Mixtur Festival Barcelona. \nTickets \n21\,- € | reduced 11\,50 € \nwww.hr-ticketcenter.de
URL:https://www.schallfeldensemble.com/event/cresc-biennale-frankfurt/
LOCATION:Künstler*innenhaus Mousonturm\, Waldschmidtstraße 4\, Frankfurt\, 60316\, Germany
ATTACH;FMTTYPE=image/png:https://www.schallfeldensemble.com/wp-content/uploads/mewe2.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230213
DTEND;VALUE=DATE:20230315
DTSTAMP:20260424T080552
CREATED:20230214T105754Z
LAST-MODIFIED:20230214T105754Z
UID:7207-1676246400-1678838399@www.schallfeldensemble.com
SUMMARY:Application Klangspuren Composers Lab 2023
DESCRIPTION:The Klangspuren Composers Lab (11.09. – 19.09.2023) is part of the Klangspuren Academy\, a successful new format initiated last year that is aimed at highly talented international and local composers pursuing a career as professional musicians. With its Composers Lab featuring annually changing instructors and musical partners\, Klangspuren Schwaz has created a place for encounter and learning for composers. For 2023\, it was able to enlist the collaboration of such excellent musical figures as the composers Chaya Czernowin and Klaus Lang\, from Israel and Austria respectively\, and the Graz-based Schallfeld Ensemble. The expertise of these instructors\, who also have pedagogical training\, will inspire the eight composers selected to participate in the workshop and give them new perspectives. For the participants\, the practical work of writing pieces specifically for the Schallfeld Ensemble will provide a reality check under excellent rehearsal conditions. \nThrough public master classes and concerts in Schwaz this “laboratory” will be deeply integrated into the festival. In this way\, the audience and other young composers will have the opportunity to closely observe the making of contemporary music and be able to follow the creation of new works\, their backgrounds and development. Participation in the Klangspuren Composers Lab will be determined by an international competition. Eight participants will be nominated in a two-stage selection process. There is no age limit for the applicants. The participants’ work will be premiered at the Klangspuren festival by the Schallfeld Ensemble on 18 September 2023. \nBy providing stipends\, Klangspuren seeks to make the projects accessible to all who are interested. In the selection process\, the professional qualifications will be taken into consideration in addition to applicants’s gender equality and diversity. We expressly welcome cultural and stylistic diversity in our musicians and composers\, as these enrich the musical discourse and have a uniting effect. \nApplications can be submitted from 13 February to 14 March 2023. \n\nClick here for the Klangspuren Application System 2023\n\nFACTS\nArrival and Departue: The punctual arrival of the participant on September 11 as well as his or her departure are the sole responsibility of the participant \nFees: The course fee is 450 euros and includes accommodation for eight nights in a single room with breakfast\, one private lesson each with Chaya Czernowin and Klaus Lang\, auditions\, professional recordings\, and free admission to all festival concerts. \nScholarships: A scolarship exempting participants from paying the participation fee is available. This stipend shall be awarded on a needs-oriented basis. \nAccommodation: Hotel-Gasthof Goldener Löwe\, Husslstraße 4\, 6130 Schwaz / Austria \nRehearsals: SZentrum Schwaz\, Knappensaal\, Andreas-Hofer-Str. 10\, 6130 Schwaz / Austria\nAll participants will receive a detailed rehearsal schedule in due time. \n 
URL:https://www.schallfeldensemble.com/event/application-klangspuren-composers-lab-2023/
LOCATION:Schwaz\, Schwaz\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/klangspuren30.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20230125T200000
DTEND;TZID=Europe/Vienna:20230125T210000
DTSTAMP:20260424T080552
CREATED:20221212T170821Z
LAST-MODIFIED:20221212T171425Z
UID:7140-1674676800-1674680400@www.schallfeldensemble.com
SUMMARY:Sonic Washing - echoraum Wien
DESCRIPTION:Pierre Jodlowski: In and Out  – 2004\nAaron Einbond: Xilography – 2015\nSivan Eldar: Archives  – 2010/11\nDavide Gagliardi: Borderline personality disorder  – 2016\nJorge Gómez Elizondo: Sonic Washing Youth Machine (– 2021 \n  \nSchallfeld Ensemble:\nLorenzo Derinni: Violine\nMyriam García Fidalgo: Violoncello\nMargarethe Maierhofer-Lischka: Kontrabass\nDavide Gagliardi: Klangregie\, Live Elektronik and Video\nJorge Gómez Elizondo: Video
URL:https://www.schallfeldensemble.com/event/sonic-washing-echoraum-wien/
LOCATION:echoraum\, Sechshauser Straße 66\, Wien\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/linz.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20221217T210000
DTEND;TZID=Europe/Vienna:20221217T220000
DTSTAMP:20260424T080552
CREATED:20221107T190713Z
LAST-MODIFIED:20221119T181923Z
UID:7107-1671310800-1671314400@www.schallfeldensemble.com
SUMMARY:Echi dell’inudibile - nuova consonanza
DESCRIPTION:Programm\nAnemone Actiniaria – anemone-d77ab88d\, performance audio-video \nGermán Toro-Perez (1964) – Rulfo/ecos I (2006) for violoncello and live electronics \nDavide Gagliardi (1988) – Traces of the indivisible (2019)\, for violin\, violoncello and live electronics \nDaniela Fantechi (1984) – Prossimo (2017) for violin and live electronics \nDavide Gagliardi (1988) – Incontro (2019) for violoncello and live electronics \nMaurizio Azzan (1987) – Diptych #1 (2017-21)\, for violin and live electronics \nEach mirror infects itself \nwith the abyss of its own dream (WP) \nSchallfeld Ensemble\nLorenzo Derinni – violin \nMyriam Garcia Fidalgo – violoncello \nDavide Gagliardi – live electronics \nAnemone Actiniaria\nHanns Holger Rutz\, David Pirrò – electronics and video
URL:https://www.schallfeldensemble.com/event/nuovaconsonanza/
LOCATION:Mattatoio La Pelanda\, piazza Orazio Giustiniani 4\, Rome\, Italy
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/nuova.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20221206T193000
DTEND;TZID=Europe/Vienna:20221206T210000
DTSTAMP:20260424T080552
CREATED:20220823T084848Z
LAST-MODIFIED:20221119T182640Z
UID:7047-1670355000-1670360400@www.schallfeldensemble.com
SUMMARY:Beyond Pleasure + Pendlerpauschale
DESCRIPTION:In collaboration with Opera NOW\, Schallfeld will perform two world premieres by Jonatan Sersam and Jorge Gómez Elizondo. \nBEYOND PLEASURE \nA one-act monodrama for a solo actor with three musicians. The inspiration comes from Freud’s theory of the “death drive” described in his book Beyond the Pleasure Principle. \n\nJonatan Sersam (SWE) | Concept\, Text\, Composition\, Performance \nAnna-Karin Rasmusson (SWE) | Videoart \nwith Schallfeld Ensemble \n\nJorge Gómez Elizondo \nPendlerpauschale for bass clarinet\, percussion\, accordion\, electronics and video.
URL:https://www.schallfeldensemble.com/event/beyond-pleasure/
LOCATION:Theater am Lend\, Wienerstraße 58a\, Graz
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/jorge.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20221109T200000
DTEND;TZID=Europe/Vienna:20221109T210000
DTSTAMP:20260424T080552
CREATED:20220823T165536Z
LAST-MODIFIED:20221107T185359Z
UID:7052-1668024000-1668027600@www.schallfeldensemble.com
SUMMARY:The new normal
DESCRIPTION:Programm\nWilliam Dougherty The new normal  \nMilica Djordjevic Rdja \nClaudio Panariello To Learn the Obscene Art of Suffering Pain \nEnsemble Kompositionsauftrag des Schallfeld Ensembles im Rahmen des StAiR (Styrian artist in residence) Programmes 2022 des Landes Steiermark \nMisato Mochizuki Chimera \n  \nAt the end of 2021\, when we conceived our 2022 season\, we wanted to focus on an optimistic (but still critical) reflection about the consequences of two years of pandemic in our lives and in the way we experience music together. \nSince February 2022\, the war and many other changes in the world gave a new and unexpected turn to the topics we choose for our concerts (Debris\, Nahe). \nIn our mind\, “The New Normal” stays probably  more close to its original meaning of a reunion to urgent socio-political and existential topics that we might have forgotten or recontextualized during the pandemic as in the last months.  \nThe piece “the new normal” by William Daugherty reminds us about social inequality (on a world scale as in his own country\, the USA)\, choosing a direct impact to the audience – however filtered through a calibrated work of collage from ethnomusicological material\, ancient music quotations and other samples. \nMoving from apparently objective scientific phenomena (oxidation and hybridation)\, the works by Milica Djordjevic and Misato Mochizuki bring us respectively to our “rusty”\,  jammed aptitude in the expression of  feelings as to alienating and extraneous processes of transformation. \nClaudio Panariello’s work (Styrian artist in residency 2022) mediates between the innest existential reflection about the experience of pain and its possible narrativity in our society\, which seem to mirror in the “impossible” antiphonal dialogue between a (human) instrumental ensemble and its analogic Doppelgänger – a feedback system driven by piezos microphones and loudspeakers. \nFree entry\, ticket reservation under office@schallfeldensemble.com.
URL:https://www.schallfeldensemble.com/event/the-new-normal/
LOCATION:Next Liberty\, Kaiser-Josef-Platz 10\, Graz\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/verticalnuevo-e1667847229923.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20221105T200000
DTEND;TZID=Europe/Vienna:20221105T210000
DTSTAMP:20260424T080552
CREATED:20220308T194215Z
LAST-MODIFIED:20220814T082941Z
UID:6890-1667678400-1667682000@www.schallfeldensemble.com
SUMMARY:Text im Klang #5
DESCRIPTION:Alexander Bauer New work for bass clarinet\, accordion\, percussion\, cello\, electronics (2022\, world premiere) \nVíctor Morató Ribera im kopf\, for clarinet\, accordion\, percussion\, cello (2022\, world premiere) \nSinan Samanlı New work for clarinet\, accordion\, percussion\, electronics (2022\, world premiere) \nManuel Zwerger New work for clarinet\, percussion\, cello\, ad hoc performer (2022\, world premiere) \n  \nFerdinand Schmatz text & reading: das gehörte feuer. orphische skizzen (2016) \n  \nEnsemble Schallfeld \nSzilárd Benes clarinet\, bass clarinet \nMirko Jevtović accordion \nManuel Clemente percussion \nMyriam García cello \nDavide Gagliardi electronics \n\n\n\n\n\n\n\n„Text im Klang” is already looking forward to its 5th edition this year. From the very beginning\, the project has seen itself as a laboratory\, where medial interlacings with a focal point on impulses are put into practice. In specific\, literary texts as well as the active exchange between composer and author hereby provide the initial impulses for new compositions. The intention of the project hereby does not pursue a classical setting such as words to music\, nor a simple translation of the words with voices\, nor tonal representations of the texts – what is called for is rather texts functioning as movens with their\, for example\, rhythmic and syntactic qualities\, in its tonal coloration\, its timbre\, in its atmospheric or thematic density\, as semantic abutment\, … \nThe experimental setup of „Text im Klang” has always been slightly modified throughout the years: in 2014 and 2016\, texts by various Austrian authors served the composers in various pairings as a source of inspiration; in the performances\, music and text were sometimes intertwined\, the latter read by actors or the authors themselves\, sometimes being integrated directly in the composition itself live or f.e. as an edited or processed recording. In 2018 in turn\, the focus for all composers was put on one specific short text\, and in 2020\, both text and music were created from scratch on a jointly developed theme. \nLike in former years\, with Ensemble Schallfeld also the musicians of course play an important role in the project\, being included in the process from the very beginning and standing in close connection specially with the composers for the realisation of their new works. Throughout the different editions Ensemble Schallfeld has hereby presented itself in various line-ups. \nFor 2022\, impuls has been able to interest Ferdinand Schmatz for the project\, whose „das gehörte feuer. orphische skizzen“ (published in 2016) offers an ideal starting point for four new compositions commissioned by impuls not only thematically and in terms of sound language. The world premieres and the reading will again be presented in a dramaturgically developed evening on November 5th\, which will conclude the following day with an open brunch\, including reflections on the overall process of the project and an exchange with the audience on their impressions. \n  \n\n\n\n€ 16 | € 11* | € 6** \n* Pupils\, students\, conscripts/civil servants and unemployed persons with valid identity card \nTicket reservation: office@impuls.cc \n** Music students with valid ID at the box office and children up to 10 years of age \n*** Free admission for Hunger for Art & Culture at the box office from 15 minutes before the start of the concert. \nEnsemble Schallfeld as Ensemble in Residency at impuls is performing with co-funding by the Creative Europe Programme of the European Union. \n  \nText im Klang #5\n6.11.2022\, 10.00-13.00\nDiscourse : Open Brunch \nStatements by and discussion with the involved author\, composers and interpreters of the project “Text im Klang” after the premieres and reading on November 5th with Alexander Bauer | Víctor Morató Ribera | Sinan Samanlı | Manuel Zwerger | Ferdinand Schmatz | Ensemble Schallfeld \nhttps://www.impuls.cc/events-2022/611-text-im-klang \n  \n   
URL:https://www.schallfeldensemble.com/event/text-im-klang-5/
LOCATION:Priesterseminar\, Barocksaal\, Bürgergasse 2\, Graz\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/schallfeld.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20221028T193000
DTEND;TZID=Europe/Vienna:20221028T203000
DTSTAMP:20260424T080552
CREATED:20220926T131307Z
LAST-MODIFIED:20221009T135238Z
UID:7069-1666985400-1666989000@www.schallfeldensemble.com
SUMMARY:Leicht über Linz II
DESCRIPTION:Programm\n\n\n\n\nDominik Leitner Hubble pictures are too crisp   \nfür Flöte\, Saxofon\, Percussion\, Piano\, Violine und Kontrabass  Uraufführung \nMoldir Slyamova Jüz Alde Qaishy \nfür Klarinette\, Saxofon\, Percussion und Cello  Uraufführung \nCarlos Gonzales Bolanos Contra el sentido inhalo) (B)                     – \nfür Klarinette\, Violine und Cello  Uraufführung \nCarlos Gonzales Bolanos En la ulteridad (in)humana        \nfür Flöte und Violine  Uraufführung \nMaría Pérez Díez Sounddescriptions \nfür Flöte\, Klarinette\, Saxofon\, Percussion\, Piano\, Violine\, Cello und Kontrabass   Uraufführung \n\n\n\n\nCost\n\n\n\nEintritt frei
URL:https://www.schallfeldensemble.com/event/leicht-uber-linz-ii-schallfeld-ensemble/
LOCATION:Anton Brucker Universität\, Linz
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20221027T193000
DTEND;TZID=Europe/Vienna:20221027T203000
DTSTAMP:20260424T080552
CREATED:20220926T130947Z
LAST-MODIFIED:20221009T134840Z
UID:7066-1666899000-1666902600@www.schallfeldensemble.com
SUMMARY:Leicht über Linz I
DESCRIPTION:Programm\n\n\n\n\nJadwiga Frej  (Un)Besetzt \nFünf kurze Szenen für Ensemble\, 2 Stühle\, Zuspiel und Licht  Uraufführung \nIxta Rodero Gil Colours: for and against  \nfür Flöte\, Klarinette\, Saxofon\, Percussion\, Violine\, Cello und Kontrabass  Uraufführung \nAlireza Shahabolmolkfard Either Or\nSaxofon\, Percussion\, Piano  Uraufführung \nJorge Villoslada Durán   Vorhölle II  \nfür Flöte\, Klarinette\, Percussion\, Piano\, Violine und Cello  Uraufführung \n\n\n\n\n\n\n\nEintritt frei
URL:https://www.schallfeldensemble.com/event/leicht-uber-linz-i/
LOCATION:Anton Brucker Universität\, Linz
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20221020
DTEND;VALUE=DATE:20221021
DTSTAMP:20260424T080552
CREATED:20220926T125658Z
LAST-MODIFIED:20220926T130700Z
UID:7061-1666224000-1666310399@www.schallfeldensemble.com
SUMMARY:Intrada Festival
DESCRIPTION:PROGRAM\nBeat Furrer –  Aer \nFrancesco Filidei – Gagliarda \nFrancesco Filidei – Corde Vuote \nJohannes Maria Staud –  Lagrein \n\nMihai Măniceanu – NW\n\nDoina Rotaru – Metamorphosis\n\n\nSCHALLLFELD ENSEMBLE\nSzilárd Benes – clarinets\nPatrick Skrilecz – piano\nLorenzo Derinni – violin\nMyriam Garcia Fidalgo – violoncello\n\nMore info coming soon
URL:https://www.schallfeldensemble.com/event/intrada-festival/
LOCATION:Timisoara\, Timisoara\, Romania
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20221014T200000
DTEND;TZID=Europe/Vienna:20221014T210000
DTSTAMP:20260424T080552
CREATED:20220815T123539Z
LAST-MODIFIED:20220926T125042Z
UID:7025-1665777600-1665781200@www.schallfeldensemble.com
SUMMARY:Mixtur
DESCRIPTION:Program\nIn the Presence of Absence (2022)\, Elena Rykova (RU) – 10’* \neros-tans-tngi-ugog-celö-ese (2020)\, Joan Gómez Alemany (ES) 12’ \n//INPUT_PULLUP; (2022)\, Emil Vijgen (DK) – 15’ ** \nBreak Through Capestrano (2022)\, June Young Will Kim(KR) –   3’  (Mixtur Composition Workshop Student) \nMiniature (2022)\, Sara Stevanovic (RS) –   3’  (Mixtur Composition Workshop Student) \n…after (2022)\, Ryan Carraher (US) –   3’  (Mixtur Composition Workshop Student) \nTerritorio interior (2015)\, José María Sánchez-Verdú(ES/DE) – 9’ (Mixtur Workshops Teacher) \n  \nZinajda Kodrič (IT)\, fl / Johannes Feuchter (AT)\, cl / Patrick Skrilecz (AT)\, pn  / Mirko Jevtović (RS)\, ac / Lorenzo Derinni (IT)\, vl / Myriam García Fidalgo (ES)\, vc \nDirector: Leonhard Garms (IT) \nSound Director: Davide Gagliardi (IT) \n  \n* A commission by Festival Mixtur and International Ensemble Modern Academy supported by the European Commission. \n** Festival Klang commission. \nTickets: https://entradium.com/es/events/festival-mixtur-2022/sessions/14-10-2022-20-00 \nSchallfeld Ensemble is one of the young ensembles most recognized in Europe and will perform at Festival Mixtur for the first time. Schallfeld was selected as young ensemble in residence by Ulysses network and will perform in Spain the following premieres: In the presence of absence by Elena Rykova\, INPUT_PullUP by Emil Vijgen and eros-tans-tngi-ugog-celö-esel by Joan Gómez Alemany. The programme will be rounded off by Territorio interior by José María Sánchez-Verdú and three miniatures composed by students from the Composition and Sound Experimentation Workshop Mixtur 2022. \nSchallfeld is a contemporary music ensemble based in Gaz (Austria). The ensemble has attracted the interest of international audiences due to its virtuosity and its refined chamber sound\, as well as their attention to the concert formats that they seek to create a new dimension of listening.\nSchallfeld has participated in festivals such as Wien Modern\, Impuls\, Klangspuren\, Darmstadt\, Afekt (Estonia)\, Romaeuropa\, Signale (Graz) and Daegu Festival (South Korea)\, among others\, and has been ensemble-in-residence in Darmstadt\, Impuls\, California San Diego University and Harvard University.
URL:https://www.schallfeldensemble.com/event/mixtur/
LOCATION:Institut Français Barcelona\, Carrer de Moià\, 8\, 08006\, Barcelona\, Spain
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/mixtur_2022-formatkey-jpg-w1022.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20221008T200000
DTEND;TZID=Europe/Vienna:20221008T213000
DTSTAMP:20260424T080552
CREATED:20220818T125455Z
LAST-MODIFIED:20221008T143628Z
UID:7038-1665259200-1665264600@www.schallfeldensemble.com
SUMMARY:Bludenzer Tage zeitgemäßer Musik
DESCRIPTION:Programm\nCathy van Eck – Wings (2007–2008)\nfür 3 Performer und Electronics \nClaudio Panariello – To Learn the Obscene Art of Suffering Pain (2022)\, UA\, für Ensemble Kompositionsauftrag des Schallfeld Ensembles im Rahmen des StAiR (Styrian artist in residence) Programmes 2022 des Landes Steiermark \nAnqi Liu – While Snow … (2022)\, UA\, für Ensemble Auftragswerk der BTZM Kompositionsauftrag gefördert von Ernst von Siemens Musikstiftung \nIsaac Roth Blumfield – End of summer\, light between your eyes (2022)\, UA\, für Ensemble Auftragswerk der BTZM Kompositionsauftrag gefördert von der Ernst von Siemens Musikstiftung
URL:https://www.schallfeldensemble.com/event/bludenzer-tage-zeitgemaser-musik-2/
LOCATION:Remise\, Raiffeisenplatz 1\, Bludenz\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/schallfeldcopia-e1660827183606.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20220922T200000
DTEND;TZID=Europe/Vienna:20220922T210000
DTSTAMP:20260424T080552
CREATED:20220208T112704Z
LAST-MODIFIED:20220829T151753Z
UID:6868-1663876800-1663880400@www.schallfeldensemble.com
SUMMARY:CANCELLED - VANG! Músicas en Vanguardia
DESCRIPTION:The concert has been cancelled due to health problems.\nVANG #6\nSchallfeld Ensemble will perform in the Vang cicle (Centro Centro\, Madrid) a program for string trio\, with music by Arnold Schönberg\, Francisco Guerrero\, Anna Korsun and a world premiere by Lorenzo Troiani. \nProgram\nArnold Schönberg  \nString trio op. 45 (1946) \nFrancisco Guerrero  \nZayin V (1995) \nAnna Korsun \nSottilissime (2019)  \nLorenzo Troiani \nToccare. L’abisso che dunque sono (2022) * \n*World Premiere \n  \n\nSchallfeld Ensemble:\nLorenzo Derinni: violin \nFrancesca Piccioni: viola \nMyriam García Fidalgo: cello \n  \n// \nFree entry \n\n\n\n\n 
URL:https://www.schallfeldensemble.com/event/vang-madrid/
LOCATION:Centro Centro\, CentroCentro Plaza de Cibeles\, 1 Auditorio Caja de Música.\, Madrid\, 28014\, Spain
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/73A_CentroCentro_INTEGR._11_-850x596-web_1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20220920T193000
DTEND;TZID=Europe/Vienna:20220920T210000
DTSTAMP:20260424T080552
CREATED:20220818T130836Z
LAST-MODIFIED:20220818T130836Z
UID:7041-1663702200-1663707600@www.schallfeldensemble.com
SUMMARY:Warsaw Autumn
DESCRIPTION:Manuel Alcaraz Clemente percussion solo\nSCHALLFELD ENSEMBLE:\nElisa Azzarà flute\nSzilárd Benes clarinet\nMatej Bunderla saxophone\nStefan Obmann trombone\nPatrick Skrilecz piano\nHannes Schöggl percussion\nLorenzo Derinni violin\nMyriam García Fidalgo cello\nMargarethe Maierhofer-Lischka double bass\nLeonhard Garms conductor \nPierluigi Billone MAAT ME *\nintermission\nDominik Karski The Unknowable ** (Warsaw Autumn commission)\nAnna Korsun Spleen *\nFranck Bedrossian It * \n** first performance\n* first Polish performance
URL:https://www.schallfeldensemble.com/event/warsaw-autumn/
LOCATION:Fryderyk Chopin University of Music\, Okólnik 2\, Warsaw\, Poland
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/Warszawska-Jesien-2021-autor-Adam-Dudek.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20220711T200000
DTEND;TZID=Europe/Vienna:20220711T210000
DTSTAMP:20260424T080552
CREATED:20220616T175831Z
LAST-MODIFIED:20220622T140822Z
UID:7008-1657569600-1657573200@www.schallfeldensemble.com
SUMMARY:Time of music II: Systema Naturae
DESCRIPTION:Mauro Lanza & Andrea Valle: Systema Naturae \nThe cycle Systema Naturae includes four pieces. Its main feature is the use of acoustic instruments together with computer controlled physical objects placed in a specific spatial organization.\nTwo references are at the base of the whole cycle. The first is the medieval\, phantasmagoric tradition of bestiaria\, herbaria and lapidaria intended as multi-faceted catalogues of miscellaneous beings (animals\, stones\, plants). A second reference is taxonomy\, the systematic description of living organisms that dates back to Linnaeus’ Systema Naturae (hence the name of the cycle) as the rationalistic ordering of nature. As a consequence\, each piece is organized following the model of the catalogue\, as a collection of short pieces receiving an invented latin name. \n \nRegnum animale (2013) – For string trio and electromechanical objects \nRegnum vegetabile (2014) – For sextet and electromechanical objects \nRegnum lapideum (2016) – For ensemble and electromechanical objects \nFossilia (2016/17) – For ten musicians and electromechanical objects \n*** \nPart of the Ulysses project co-funded by Creative Europe.
URL:https://www.schallfeldensemble.com/event/time-of-music-ii-systema-naturae/
LOCATION:Viitasaari Arena\, Urheilutie 9\, 44500\, Viitasaari\, Finnland
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/1024682-mundi-novi-new-worlds-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20220710T170000
DTEND;TZID=Europe/Vienna:20220710T180000
DTSTAMP:20260424T080552
CREATED:20220616T173550Z
LAST-MODIFIED:20220616T173821Z
UID:6998-1657472400-1657476000@www.schallfeldensemble.com
SUMMARY:Time of music I
DESCRIPTION:Composer course final concert I\nParish Hall | Free entrance \nSchallfeld Ensemble \nInternational Ensemble Modern Academy \nTímea Hvozdíková\nLi He\nMathias Schmidhammer\nZhuosheng Jin\nMatteo Gualandi\nÞorkell Nordal\nJinwook Jung \n(premieres)\n*** \nPart of the Ulysses project co-funded by Creative Europe
URL:https://www.schallfeldensemble.com/event/time-of-music-i/
LOCATION:Parish Hall\, Pappilantie 6\, 44500\, Viitasaari\, Finland
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/1024682-mundi-novi-new-worlds-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20220626T190000
DTEND;TZID=Europe/Vienna:20220626T203000
DTSTAMP:20260424T080552
CREATED:20220623T140611Z
LAST-MODIFIED:20220623T140611Z
UID:7017-1656270000-1656275400@www.schallfeldensemble.com
SUMMARY:Schallfeld meets the Johann-Joseph-Fux Conservatory Graz
DESCRIPTION:As the conclusion of several contemporary music workshops over two semesters\, students of the Johann Joseph Fux Conservatory in Graz will perform together with soloists from the Schallfeld Ensemble. \nPROGRAM\nBeat Furrer – Aer \nFrederick Neyrinck – aus 10 Klangstudien für Klavier und Klarinette \nNiccolò Castiglioni – Per la bella Verena \nCarola Bauckholt – Klarinettentrio \nGiacinto Scelsi – Ko Lho \nBeat Furrer – Trio \nToshio Hosokawa – Vertical Time Study 1 \n  \nSchallfeld Ensemble\nSzilárd Benes – Clarinet \nPatrick Skrilecz – Piano \nMyriam García Fidalgo – violoncello \n  \nSoloists and ensembles of the Johann Joseph Fux Conservatory
URL:https://www.schallfeldensemble.com/event/schallfeld-meets-the-johann-joseph-fux-conservatory-graz/
LOCATION:Fux Saal\, Nikolaigasse 2 8020\, Graz\, Österreich
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/schallfeld.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20220613T200000
DTEND;TZID=Europe/Vienna:20220613T210000
DTSTAMP:20260424T080552
CREATED:20220407T090423Z
LAST-MODIFIED:20220503T173253Z
UID:6941-1655150400-1655154000@www.schallfeldensemble.com
SUMMARY:KLANG - Copenhagen Avantgarde Music Festival
DESCRIPTION:KLANG-Festival is the largest\, international festival for contemporary musik in Denmark. Since 2009\, KLANG has been a permanent bastion in Danish cultural life. Every year\, KLANG is visited by thousands of audiences\, volunteers\, artists and other interested people who share the fascination for contemporary music. \nProgramm\nElena Rykova: New Work (World Premiere)\nJoan Gómez Alemany: eros-tans-tngi-ugog-celö-esel\nSantiago Díez Fischer: New Work\nEmil Vijgen: //INPUT_PULLUP; (World Premiere)\nClara Iannotta: the people here go mad…
URL:https://www.schallfeldensemble.com/event/klang-copenhagen-avantgarde-music-festival/
LOCATION:Koncertkirken\, Blågårds Pl. 6A 2200\, Copenhagen\, Denmark
ATTACH;FMTTYPE=image/png:https://www.schallfeldensemble.com/wp-content/uploads/klangfinal.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20220525T200000
DTEND;TZID=Europe/Vienna:20220525T210000
DTSTAMP:20260424T080552
CREATED:20220407T082504Z
LAST-MODIFIED:20220515T170042Z
UID:6936-1653508800-1653512400@www.schallfeldensemble.com
SUMMARY:Nahe
DESCRIPTION:Pedro Berardinelli – Esbatimento negro (UA\, Kompositionsauftrag von Schallfeld Ensemble mit Unterstützung der SKE Kompositionsförderung) \nErik Oña – Alles Nahe werde fern \nGerard Pesson\, Carmagnole \nWojtek Blecharz\, Small Talks \nEsaias Järnegard\, Y \nDas zweite Saisonkonzert von Schallfeld lädt dazu ein\, über das Thema Nähe nachzudenken und wie sich unser Verhältnis dazu in den letzten Jahren verändert hat.\nTauchen Sie mit uns ein in verschiedene Nahe-Fern-Beziehungen: tonale Nähe spiegelt sich im Bezug von Tönen zueinander\, etwa in der mikrotonalen Fragilität Erik Oñas und den Schwebungen Esaias Järnegards; sinnliche Nähe und das Annähern von Sehen und Hören gibt es zu erleben in Esbatimento negro\, (“schwarze Unschärfe”) des jungen in Wien lebenden Komponisten Pedro Berardinelli. Die Ferne zur Vergangenheit\, die sich ebenfalls durch EInfühlung in Nähe verwandeln lässt\, spiegelt sich in Gérard Pessons Bezügen auf Alte Musik (Gerard Pesson\, Carmagnole)\, während wir die Nähe zu den unscheinbaren Gesten und Routinen des Alltags oft nur wahrnehmen\, wenn sie jemand so kunstvoll heraushebt wie Wojtek Blecharz in seinem Stück Small Talk. Vergessen Sie mit uns die innere und äußere Distanzierung der Pandemie und lassen Sie sich ein auf einen Konzertabend\, in dem uns Musik gefahrlos “nahe” gehen kann. \n  \nFree entry! \nReservations under office(@)schallfeldensemble.com \n  \nFoto by Tom Roeleveld under CC BY
URL:https://www.schallfeldensemble.com/event/nahe/
LOCATION:Maria Cäsar Saal\, Volkshaus Graz\, Lagergasse 98\, Graz\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/nahefin.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220519
DTEND;VALUE=DATE:20220523
DTSTAMP:20260424T080552
CREATED:20220503T175142Z
LAST-MODIFIED:20220503T175258Z
UID:6985-1652918400-1653263999@www.schallfeldensemble.com
SUMMARY:Civic Newsroom - Cocreations
DESCRIPTION:Three operas\, each written and composed by teams of seven people within three days\, and premiered on the evening of the third day: From May 19 to 22\, 2022\, our audience can witness this seemingly impossible task and its implementation live. “CIVIC NEWSROOM” is the name of the contemporary opera project that artistic director Carmen C. Kruse and creative producer Leonora Scheib have brought to life with their opera start-up\, “Civic Opera Creations” (COCREATIONS).\n\n\n\n\nThey bring a total of 21 composers\, librettists\, directors\, singers\, musicians\, stage and costume designers from Germany\, Great Britain\, Iran\, Italy\, Russia\, Sweden and Austria  together for this project and its subsequent premiere in Vienna. \nThe topics for the new short operas are specified by Kruse and Scheib\, as well as their cooperation partners: For the first issue of CIVIC NEWSROOM\, the areas are diversity & participation\, the hopes for the future & “What do I wish for tomorrow?”\, ecology & sustainability are starting points for the artistic work of the three teams. The artists take up current social issues and like reporter engage with local community members. They then use the skills of modern music theater to shine a new light on current discourses. \n​The following institutions were won as cooperation partners and venues for the first CIVIC NEWSROOM: KUNST HAUS WIEN/Museum Hundertwasser\, Kulturhaus Brotfabrik and CAPE 10 – House of Social Innovation. \n​The entire process of the three operas in development can be followed live via social media from May 19 to May 22. Anyone who is interested in partticipating has the opportunity to get involved directly on May 19 from 4:30 p.m. Three days later\, the audience is invited to see the end result in the form of sight-specific\, station theater with free admission and an exchangeof thoughts and  ideas with the participating artists aftter each performance. \n​ \nAdmission to all events is free. We kindly ask for advance registration up to the start of the performance via EMAIL: contact@cocreations.eu. \n\n\n\n  \nCIVIC OPERA CREATIONS (COCREATIONS) is a producer for new innovative music theater and opera created in dialogue and thought exchange between communities and artists. In connection with new technologies and impulses from interdisciplinary scenes\,we expand the traditional opera space and its narratives. Founded in Vienna in 2020\, COCREATIONS builds bridges between traditional and new structures and creates new methods of cooperation and reference to establish opera as a representative part of the 21st century and a place for repeated encounters. \n\n\n\n\n\n\nMore info in https://www.cckruse.com/civicnewsroom \n\n\n\n\n\n\n 
URL:https://www.schallfeldensemble.com/event/civic-newsroom-cocreations/
LOCATION:Viena\, Various locations
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/civicnewsroom.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220422T193000
DTEND;TZID=UTC:20220422T203000
DTSTAMP:20260424T080552
CREATED:20210604T161432Z
LAST-MODIFIED:20211225T170412Z
UID:5506-1650655800-1650659400@www.schallfeldensemble.com
SUMMARY:Nouvelles Aventures Cicle - Konzerthaus Wien
DESCRIPTION:Stylianos Dimou – Les instances (Fassung für Oktett) (2019–2020) (UA) \nPanayiotis Kokoras – Asphyxia (2016) (EA) \nTheocharis Papatrechas – mitos (2021–2022) (UA) \nZesses Seglias – Conversations VII (2020) (UA) Kompositionsauftrag von Schallfeld und Wiener Konzerthaus \nGeorgia Koumará – Boojums & Bandersnatches (2019–2020) (UA) – Kompositionsauftrag von Schallfeld und Wiener Konzerthaus
URL:https://www.schallfeldensemble.com/event/nouvelles-aventures-cicle-konzerthaus-wien/
LOCATION:Wiener Konzerthaus\, Wien\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/C0A2319.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20220330T193000
DTEND;TZID=Europe/Vienna:20220330T210000
DTSTAMP:20260424T080552
CREATED:20211230T201141Z
LAST-MODIFIED:20211230T201141Z
UID:6823-1648668600-1648674000@www.schallfeldensemble.com
SUMMARY:HIER & JETZT
DESCRIPTION:Carola Bauckholt und ihre Schüler*innen \nWie klingt die Gegenwart? Auch die Saison 2021/22 geht in den Konzerten der Reihe Hier & Jetzt dieser Frage nach und zeigt dabei nicht zuletzt\, wie wichtig das Lehrer*innen-Schüler*innen-Verhältnis bis heute ist. Hörend nachvollziehen lässt sich das etwa im Rahmen des Eröffnungskonzerts des Festivals Leicht über Linz bei den Schüler*innen von Carola Bauckholt\, der vielfach ausgezeichneten Komponistin und Professorin für Komposition an der Anton Bruckner Privatuniversität. Acht Studierende aus sieben Nationen präsentieren mit tatkräftiger Unterstützung des Grazer Schallfeld Ensembles\, das als Botschafter für die zeitgenössische Musik international geschätzt wird\, ein wahres Füllhorn an Uraufführungen. Mehr und klangvollere Gegenwart war selten im Brucknerhaus Linz! \nEröffnungskonzert des Festivals Leicht über Linz \nPROGRAMM\n\n\n\n\n\n\n\nCarola Bauckholt (* 1959) \nTrio für Klarinette\, Violoncello und Klavier (1993) \nPaquito Ernesto Chiti (* 1996) \nEserghi (Abschnitte) für Klarinette\, Saxophon\, Violine\, Violoncello\, Kontrabass und Klavier (2020) [Uraufführung] \nBatya Frenklakh (* 1992) \nWithout Exemptions (Ohne Ausnahmen) für Klarinette\, Violine\, Violoncello\, Kontrabass\, Perkussion und Klavier (2020) [Uraufführung] \nJorge Gómez Elizondo (* 1986) \nSonic Washing / Youth Machine für Violine\, Violoncello\, Kontrabass und Video (2020–21) [Uraufführung] \nMaría Pérez Díez (* 1996) \nTangible Absence (Greifbare Abwesenheit) für Klarinette\, Saxophon\, Violine\, Violoncello und Kontrabass (2020) [Uraufführung] \n– Pause – \nÅsmund Perssønn Ødegaard (* 1996) \nMöörungen für Klarinette\, Saxophon\, Violine\, Violoncello\, Kontrabass\, Perkussion\, Klavier und Samples (2020) [Uraufführung] \nKatharina Roth (* 1990) \nmumbling grumbling für Saxophon\, Kontrabass und Perkussion (2020) [Uraufführung] \nAlireza Shahabolmolkfard (* 1991) \nSHASUSA für Stimme\, Klarinette\, Saxophon\, Violine\, Violoncello und Klavier (2020) [Uraufführung] \nJorge Villoslada Durán (* 1997) \nMacondo für Klarinette\, Saxophon\, Kontrabass und Perkussion (2020) [Uraufführung] \n\n\n\n\nBESETZUNG\n\n\n\n\n\n\n\nTina Nadjar | Stimme \nSchallfeld Ensemble \nSzilárd Benes | Klarinette \nAlvaro Collao Leon  | Saxophon \nLorenzo Derinni | Violine \nMyriam García Fidalgo | Violoncello \nMargarethe Maierhofer-Lischka | Kontrabass \nManuel Alcaraz | Perkussion \nMaria Flavia Cerrato | Klavier \nLeonhard Garms | Dirigent \n\n\n\n\n\n\n\n\n\n\nFoto © Kutzler-Wimmer-Stöllinger
URL:https://www.schallfeldensemble.com/event/hierundjetzt/
LOCATION:Brucknerhaus\, Linz
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/brucknerhaus_linz_-nachtaufnahme_2004-_930x710-c-kutzler-wimmer-stoellinger.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20220305T200000
DTEND;TZID=Europe/Vienna:20220305T210000
DTSTAMP:20260424T080552
CREATED:20220220T151201Z
LAST-MODIFIED:20220304T094923Z
UID:6878-1646510400-1646514000@www.schallfeldensemble.com
SUMMARY:Debris
DESCRIPTION:Das Ensemble Schallfeld widmet den ersten Abend des Konzertzyklus 2022 den offenen Fragen und ungelösten Problemen\, dem Kaputten und Unfertigen\, das uns alle trotz guter Vorsätze zum Jahresbeginn verfolgt. In welchem Zustand sind wir jetzt\, was bleibt von der letzen zwei Jahren Pandemie? Alles kaputt oder alles neu? In den musikalischen Beiträgen dieses Konzertabends hören\, spüren und schauen wir hinein in Ruinen\, wir sehen leere Stühle\, Monoliten und Fragmente\, die oft an die Grenzen der Wahrnehmbarkeit rühren oder deren Zerbrechlichkeit neue Formen der Aufmerksamkeit von uns verlangt. Kein Abend zum Aufatmen und Ausruhen\, aber vielleicht eine Art Neubeginn. \nEs erklingt Musik von Patricia Alessandrini\, Cathy van Eck\, Andrés Gutiérrez\, Hannes Kerschbaumer\, Dmitri Kourliandski und Salvatore Sciarrino. \nPROGRAMM \nCathy van Eck: Empty Chairs (ÖEA)\nAndres Gutiérrez: Monolito B (ÖEA)\nDmitri Kourliandsky: Punctuation Marks\nHannes Kerschbaumer: pedra-debris Expanded version II \nSalvatore Sciarrino: Codex Purpureus \nPatricia Alessandrini: Ada’s Song (version 2021\, UA) \nSoprano: Kaoko Amano \n\n\nUPDATE: \nThe last week has seen unprecedented developments of events in Ukraine. We are shocked and express our deepest solidarity with the people suffering by the war as well as with our colleagues and friends who are affected by the events. Schallfeld consists of people from several continents and we believe that peaceful international collaboration is the foundation for mutual growth and understanding.\nIn the light of what happens right now\, we want to dedicate this music to the support of people suffering in Ukraine. The entry is free\, but we ask for your donations which will be all given for directly supporting the humanitarian actions of ORF – Nachbar in Not. \nContemporary music always is intimately connected to social and political movements. Performing music from composers all over the world for us means to set a sign for peace. We hope that doing and enjoying music together helps to build bridges for a better future.
URL:https://www.schallfeldensemble.com/event/debris/
LOCATION:Schaumbad – Freies Atelierhaus Graz\, Puchstraße 41\, Graz\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/flyerdebris.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220222T203000
DTEND;TZID=UTC:20220222T213000
DTSTAMP:20260424T080552
CREATED:20211225T084042Z
LAST-MODIFIED:20211227T165443Z
UID:6727-1645561800-1645565400@www.schallfeldensemble.com
SUMMARY:Schallfeld in Milan - Ulysses Network
DESCRIPTION:The ULYSSES network selected Schallfeld as one of Europe’s best Young Ensembles and offered the group the opportunity to tour the venues of some of its partners. \nRachel Beja (1984)\, Frammenti di memoria abolita per strumenti ed elettronica* (2021) \nZeno Baldi (1988)\, Fondali (2019) \nDiana Soh (1984)\, Of Smaller Things (2020) \nSylvain Marty (nn)\, Discreet (2018) \nAgostino Di Scipio (1962)\, Texture multiple (1993-2005) \n* commissioned by Divertimento Ensemble and IRCAM\, endorsed by ULYSSES Network
URL:https://www.schallfeldensemble.com/event/schallfeld-in-milan-ulysses-network/
LOCATION:Sala Donatoni\, Via Procaccini 4\, Milan\, Italy
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/schallfeld.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20220201T200000
DTEND;TZID=Europe/Vienna:20220201T210000
DTSTAMP:20260424T080552
CREATED:20211227T163756Z
LAST-MODIFIED:20220112T201254Z
UID:6765-1643745600-1643749200@www.schallfeldensemble.com
SUMMARY:SELF-PORTRAITS IN IMAGINARY PLACES – VIENNA
DESCRIPTION:In this work\, Aleksandra Bajde wants to represent places\, where a place does not have to be a material\, geographical place – it can also be a metaphysical place where meanings\, feelings\, dreams and certain symbolic values are connected. The central idea of this new work is to create an abstract\, scenic musical work using sound\, the gestures and movements of the musicians and light as the main elements. \nAleksandra Bajde (SI/AT) | Concept\, composition\, voice \nLili M. Rampre (DE/BE) | Choreografie\, Movement \nConny Zenk (AT) | Light architecture \nIsabella Forciniti (IT) | Electronics\, Modular-Synthesizer \nSCHALLFELD ENSEMBLE\nElisa Azzará – Flute \nSzilárd Benes – Bassclarinet \nPatrick Skrilecz – Piano \nMirko Jevtovic – Accordion \nAlex Tentor – E-Guitar \nLorenzo Derinni – Violin \nMyriam García Fidalgo – Violoncello \nDavide Gagliardi – Sound direction   \n  \nMore details coming soon!
URL:https://www.schallfeldensemble.com/event/self-portraits-in-imaginary-places/
LOCATION:Brick-15\, Herklotzgasse 21\, Wien\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/Self-Portraits2.nada_.zgank_.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20220131T190000
DTEND;TZID=Europe/Vienna:20220131T200000
DTSTAMP:20260424T080552
CREATED:20211225T165711Z
LAST-MODIFIED:20220112T201501Z
UID:6746-1643655600-1643659200@www.schallfeldensemble.com
SUMMARY:Self-Portraits in Imaginary Places - Graz
DESCRIPTION:  \n\n\n\nIn this work\, Aleksandra Bajde wants to represent places\, where a place does not have to be a material\, geographical place – it can also be a metaphysical place where meanings\, feelings\, dreams and certain symbolic values are connected. \nThe central idea of this new work is to create an abstract\, scenic musical work using sound\, the gestures and movements of the musicians and light as the main elements. \n  \nAleksandra Bajde (SI/AT) | Concept\, composition\, voiceLili M. Rampre (DE/BE) | Choreografie\, MovementConny Zenk (AT) | Light architectureIsabella Forciniti (IT) | Electronics\, Modular-Synthesizer \nSchallfeld Ensemble\nElisa Azzará – Flute \nSzilárd Benes – Bassclarinet \nPatrick Skrilecz – Piano \n Mirko Jevtovic – Accordion \nAlex Tentor – E-Guitar \nLorenzo Derinni – Violin \nMyriam García Fidalgo – Violoncello \nDavide Gagliardi – Sound direction \n  \n– Ticket prices – voluntary donation \n– Registration required – selfportraitsinimaginaryplaces@gmail.comIn cooperation with NOW! Oper der Gegenwart and HAZE – Association for the Promotion of Transdisciplinary Art and Technologies.Supported by the Federal Ministry of Arts\, Culture\, Public Service and Sport (BMKÖS)\, the Theodor Körner Fund\, SKE\, the Province of Styria and the City of Graz.
URL:https://www.schallfeldensemble.com/event/self-portraits-in-imaginary-places-graz-2/
LOCATION:Theater am Lend\, Wienerstraße 58a\, Graz
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/Self-Portraits_Nada-Zgank-e1640625938229.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20211218T200000
DTEND;TZID=UTC:20211218T213000
DTSTAMP:20260424T080552
CREATED:20211017T142821Z
LAST-MODIFIED:20211207T193244Z
UID:5516-1639857600-1639863000@www.schallfeldensemble.com
SUMMARY:Attentional Disorders
DESCRIPTION:Program\nSantiago Díez Fischer –  Moving as not moving \nKatharina Rosenberger – Blur \nAndreas Eduardo Frank – Noise is a common sound \nFausto Romitelli – Blood on the floor\, painting 1986 \n  \n— \nFree entry. Reservations under office (@) schallfeldensemble.com \n 
URL:https://www.schallfeldensemble.com/event/attentional-disorders/
LOCATION:Theater am Lend\, Wienerstraße 58a\, Graz
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/2021/10/FlyerAttentionalDisorders-e1638307659860.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20211214T193000
DTEND;TZID=UTC:20211214T210000
DTSTAMP:20260424T080552
CREATED:20210906T162132Z
LAST-MODIFIED:20211212T072401Z
UID:5514-1639510200-1639515600@www.schallfeldensemble.com
SUMMARY:Zeitinseln
DESCRIPTION:Yoav Levi Time Islands UA: sax\, percussion\, cello\, electronic Frederick Neyrinck – NW Saxophon\, Akkordeon und Schlagwerk UA Zeno Baldi – Glaskörper für  Saxophon\, Akkordeon und Schlagwerk UA Pedro Berardinelli –  “Contra” für Akkordeon (12’)   In cooperation with NOW!Oper der Gegenwart \n\n\n\n\n\n\nYoav Levy (ISR) | Komposition \nHila Ben Ari (ISR) | Videokunst \nmit Schallfeld Ensemble \n \nEntrance fee: \n€ 12 / € 6 (Students) \nTickets reservation: \nnow@mur.at \n\n\n\n\n\n\n 
URL:https://www.schallfeldensemble.com/event/now-2/
LOCATION:Theater am Lend\, Wienerstraße 58a\, Graz
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/ZEITINSELN-e1638729470133.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20211127T193000
DTEND;TZID=UTC:20211127T203000
DTSTAMP:20260424T080552
CREATED:20210906T084637Z
LAST-MODIFIED:20211205T174750Z
UID:5512-1638041400-1638045000@www.schallfeldensemble.com
SUMMARY:CANCELLED - Leicht über Linz
DESCRIPTION:PROGRAM \nCarola Bauckholt (* 1959) \nTrio für Klarinette\, Violoncello und Klavier (1993) \nPaquito Ernesto Chiti (* 1996)  \nEserghi (Abschnitte) für Klarinette\, Saxophon\, Violine\, Violoncello\, Kontrabass und Klavier (2020) [WP] \nBatya Frenklakh (* 1992) \nWithout Exemptions (Ohne Ausnahmen) für Klarinette\, Violine\, Violoncello\, Kontrabass\, Perkussion und Klavier (2020) [WP] \nJorge Gómez Elizondo (* 1986)  \nSonic Washing / Youth Machine für Violine\, Violoncello\, Kontrabass und Video (2020–21) [WP] \nMaría Pérez Díez (* 1996) \nTangible Absence (Greifbare Abwesenheit) für Klarinette\, Saxophon\, Violine\, Violoncello und Kontrabass (2020) [WP] \n– Pause – \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nÅsmund Perssønn Ødegaard (* 1996) \nMöörungen für Klarinette\, Saxophon\, Violine\, Violoncello\, Kontrabass\, Perkussion\, Klavier und Samples (2020) [WP] \nKatharina Roth (* 1990)  \nmumbling grumbling für Saxophon\, Kontrabass und Perkussion (2020) [WP] \nAlireza Shahabolmolkfard (* 1991) \nSHASUSA für Stimme\, Klarinette\, Saxophon\, Violine\, Violoncello und Klavier (2020) [WP] \nJorge Villoslada Durán (* 1997) \nMacondo für Klarinette\, Saxophon\, Kontrabass und Perkussion (2020) [WP]
URL:https://www.schallfeldensemble.com/event/leicht-uber-linz-2/
LOCATION:TRILOGY IN TWO – GENOVA
END:VEVENT
END:VCALENDAR