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DTSTART;TZID=UTC:20220422T193000
DTEND;TZID=UTC:20220422T203000
DTSTAMP:20211225T170412Z
CREATED:20210604T161432Z
LAST-MODIFIED:20211225T170412Z
UID:5506-1650655800-1650659400@www.schallfeldensemble.com
SUMMARY:Nouvelles Aventures Cicle - Konzerthaus Wien
DESCRIPTION:Stylianos Dimou – Les instances (Fassung für Oktett) (2019–2020) (UA) \nPanayiotis Kokoras – Asphyxia (2016) (EA) \nTheocharis Papatrechas – mitos (2021–2022) (UA) \nZesses Seglias – Conversations VII (2020) (UA) Kompositionsauftrag von Schallfeld und Wiener Konzerthaus \nGeorgia Koumará – Boojums & Bandersnatches (2019–2020) (UA) – Kompositionsauftrag von Schallfeld und Wiener Konzerthaus
URL:https://www.schallfeldensemble.com/event/nouvelles-aventures-cicle-konzerthaus-wien/
LOCATION:Wiener Konzerthaus\, Wien\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/C0A2319.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20220330T193000
DTEND;TZID=Europe/Vienna:20220330T210000
DTSTAMP:20211230T201141Z
CREATED:20211230T201141Z
LAST-MODIFIED:20211230T201141Z
UID:6823-1648668600-1648674000@www.schallfeldensemble.com
SUMMARY:HIER & JETZT
DESCRIPTION:Carola Bauckholt und ihre Schüler*innen \nWie klingt die Gegenwart? Auch die Saison 2021/22 geht in den Konzerten der Reihe Hier & Jetzt dieser Frage nach und zeigt dabei nicht zuletzt\, wie wichtig das Lehrer*innen-Schüler*innen-Verhältnis bis heute ist. Hörend nachvollziehen lässt sich das etwa im Rahmen des Eröffnungskonzerts des Festivals Leicht über Linz bei den Schüler*innen von Carola Bauckholt\, der vielfach ausgezeichneten Komponistin und Professorin für Komposition an der Anton Bruckner Privatuniversität. Acht Studierende aus sieben Nationen präsentieren mit tatkräftiger Unterstützung des Grazer Schallfeld Ensembles\, das als Botschafter für die zeitgenössische Musik international geschätzt wird\, ein wahres Füllhorn an Uraufführungen. Mehr und klangvollere Gegenwart war selten im Brucknerhaus Linz! \nEröffnungskonzert des Festivals Leicht über Linz \nPROGRAMM\n\n\n\n\n\n\n\nCarola Bauckholt (* 1959) \nTrio für Klarinette\, Violoncello und Klavier (1993) \nPaquito Ernesto Chiti (* 1996) \nEserghi (Abschnitte) für Klarinette\, Saxophon\, Violine\, Violoncello\, Kontrabass und Klavier (2020) [Uraufführung] \nBatya Frenklakh (* 1992) \nWithout Exemptions (Ohne Ausnahmen) für Klarinette\, Violine\, Violoncello\, Kontrabass\, Perkussion und Klavier (2020) [Uraufführung] \nJorge Gómez Elizondo (* 1986) \nSonic Washing / Youth Machine für Violine\, Violoncello\, Kontrabass und Video (2020–21) [Uraufführung] \nMaría Pérez Díez (* 1996) \nTangible Absence (Greifbare Abwesenheit) für Klarinette\, Saxophon\, Violine\, Violoncello und Kontrabass (2020) [Uraufführung] \n– Pause – \nÅsmund Perssønn Ødegaard (* 1996) \nMöörungen für Klarinette\, Saxophon\, Violine\, Violoncello\, Kontrabass\, Perkussion\, Klavier und Samples (2020) [Uraufführung] \nKatharina Roth (* 1990) \nmumbling grumbling für Saxophon\, Kontrabass und Perkussion (2020) [Uraufführung] \nAlireza Shahabolmolkfard (* 1991) \nSHASUSA für Stimme\, Klarinette\, Saxophon\, Violine\, Violoncello und Klavier (2020) [Uraufführung] \nJorge Villoslada Durán (* 1997) \nMacondo für Klarinette\, Saxophon\, Kontrabass und Perkussion (2020) [Uraufführung] \n\n\n\n\nBESETZUNG\n\n\n\n\n\n\n\nTina Nadjar | Stimme \nSchallfeld Ensemble \nSzilárd Benes | Klarinette \nAlvaro Collao Leon  | Saxophon \nLorenzo Derinni | Violine \nMyriam García Fidalgo | Violoncello \nMargarethe Maierhofer-Lischka | Kontrabass \nManuel Alcaraz | Perkussion \nMaria Flavia Cerrato | Klavier \nLeonhard Garms | Dirigent \n\n\n\n\n\n\n\n\n\n\nFoto © Kutzler-Wimmer-Stöllinger
URL:https://www.schallfeldensemble.com/event/hierundjetzt/
LOCATION:Brucknerhaus\, Linz
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/brucknerhaus_linz_-nachtaufnahme_2004-_930x710-c-kutzler-wimmer-stoellinger.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20220305T200000
DTEND;TZID=Europe/Vienna:20220305T210000
DTSTAMP:20220304T094923Z
CREATED:20220220T151201Z
LAST-MODIFIED:20220304T094923Z
UID:6878-1646510400-1646514000@www.schallfeldensemble.com
SUMMARY:Debris
DESCRIPTION:Das Ensemble Schallfeld widmet den ersten Abend des Konzertzyklus 2022 den offenen Fragen und ungelösten Problemen\, dem Kaputten und Unfertigen\, das uns alle trotz guter Vorsätze zum Jahresbeginn verfolgt. In welchem Zustand sind wir jetzt\, was bleibt von der letzen zwei Jahren Pandemie? Alles kaputt oder alles neu? In den musikalischen Beiträgen dieses Konzertabends hören\, spüren und schauen wir hinein in Ruinen\, wir sehen leere Stühle\, Monoliten und Fragmente\, die oft an die Grenzen der Wahrnehmbarkeit rühren oder deren Zerbrechlichkeit neue Formen der Aufmerksamkeit von uns verlangt. Kein Abend zum Aufatmen und Ausruhen\, aber vielleicht eine Art Neubeginn. \nEs erklingt Musik von Patricia Alessandrini\, Cathy van Eck\, Andrés Gutiérrez\, Hannes Kerschbaumer\, Dmitri Kourliandski und Salvatore Sciarrino. \nPROGRAMM \nCathy van Eck: Empty Chairs (ÖEA)\nAndres Gutiérrez: Monolito B (ÖEA)\nDmitri Kourliandsky: Punctuation Marks\nHannes Kerschbaumer: pedra-debris Expanded version II \nSalvatore Sciarrino: Codex Purpureus \nPatricia Alessandrini: Ada’s Song (version 2021\, UA) \nSoprano: Kaoko Amano \n\n\nUPDATE: \nThe last week has seen unprecedented developments of events in Ukraine. We are shocked and express our deepest solidarity with the people suffering by the war as well as with our colleagues and friends who are affected by the events. Schallfeld consists of people from several continents and we believe that peaceful international collaboration is the foundation for mutual growth and understanding.\nIn the light of what happens right now\, we want to dedicate this music to the support of people suffering in Ukraine. The entry is free\, but we ask for your donations which will be all given for directly supporting the humanitarian actions of ORF – Nachbar in Not. \nContemporary music always is intimately connected to social and political movements. Performing music from composers all over the world for us means to set a sign for peace. We hope that doing and enjoying music together helps to build bridges for a better future.
URL:https://www.schallfeldensemble.com/event/debris/
LOCATION:Schaumbad – Freies Atelierhaus Graz\, Puchstraße 41\, Graz\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/flyerdebris.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220222T203000
DTEND;TZID=UTC:20220222T213000
DTSTAMP:20211227T165443Z
CREATED:20211225T084042Z
LAST-MODIFIED:20211227T165443Z
UID:6727-1645561800-1645565400@www.schallfeldensemble.com
SUMMARY:Schallfeld in Milan - Ulysses Network
DESCRIPTION:The ULYSSES network selected Schallfeld as one of Europe’s best Young Ensembles and offered the group the opportunity to tour the venues of some of its partners. \nRachel Beja (1984)\, Frammenti di memoria abolita per strumenti ed elettronica* (2021) \nZeno Baldi (1988)\, Fondali (2019) \nDiana Soh (1984)\, Of Smaller Things (2020) \nSylvain Marty (nn)\, Discreet (2018) \nAgostino Di Scipio (1962)\, Texture multiple (1993-2005) \n* commissioned by Divertimento Ensemble and IRCAM\, endorsed by ULYSSES Network
URL:https://www.schallfeldensemble.com/event/schallfeld-in-milan-ulysses-network/
LOCATION:Sala Donatoni\, Via Procaccini 4\, Milan\, Italy
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/schallfeld.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20220201T200000
DTEND;TZID=Europe/Vienna:20220201T210000
DTSTAMP:20220112T201254Z
CREATED:20211227T163756Z
LAST-MODIFIED:20220112T201254Z
UID:6765-1643745600-1643749200@www.schallfeldensemble.com
SUMMARY:SELF-PORTRAITS IN IMAGINARY PLACES – VIENNA
DESCRIPTION:In this work\, Aleksandra Bajde wants to represent places\, where a place does not have to be a material\, geographical place – it can also be a metaphysical place where meanings\, feelings\, dreams and certain symbolic values are connected. The central idea of this new work is to create an abstract\, scenic musical work using sound\, the gestures and movements of the musicians and light as the main elements. \nAleksandra Bajde (SI/AT) | Concept\, composition\, voice \nLili M. Rampre (DE/BE) | Choreografie\, Movement \nConny Zenk (AT) | Light architecture \nIsabella Forciniti (IT) | Electronics\, Modular-Synthesizer \nSCHALLFELD ENSEMBLE\nElisa Azzará – Flute \nSzilárd Benes – Bassclarinet \nPatrick Skrilecz – Piano \nMirko Jevtovic – Accordion \nAlex Tentor – E-Guitar \nLorenzo Derinni – Violin \nMyriam García Fidalgo – Violoncello \nDavide Gagliardi – Sound direction   \n  \nMore details coming soon!
URL:https://www.schallfeldensemble.com/event/self-portraits-in-imaginary-places/
LOCATION:Brick-15\, Herklotzgasse 21\, Wien\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/Self-Portraits2.nada_.zgank_.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20220131T190000
DTEND;TZID=Europe/Vienna:20220131T200000
DTSTAMP:20220112T201501Z
CREATED:20211225T165711Z
LAST-MODIFIED:20220112T201501Z
UID:6746-1643655600-1643659200@www.schallfeldensemble.com
SUMMARY:Self-Portraits in Imaginary Places - Graz
DESCRIPTION:  \n\n\n\nIn this work\, Aleksandra Bajde wants to represent places\, where a place does not have to be a material\, geographical place – it can also be a metaphysical place where meanings\, feelings\, dreams and certain symbolic values are connected. \nThe central idea of this new work is to create an abstract\, scenic musical work using sound\, the gestures and movements of the musicians and light as the main elements. \n  \nAleksandra Bajde (SI/AT) | Concept\, composition\, voiceLili M. Rampre (DE/BE) | Choreografie\, MovementConny Zenk (AT) | Light architectureIsabella Forciniti (IT) | Electronics\, Modular-Synthesizer \nSchallfeld Ensemble\nElisa Azzará – Flute \nSzilárd Benes – Bassclarinet \nPatrick Skrilecz – Piano \n Mirko Jevtovic – Accordion \nAlex Tentor – E-Guitar \nLorenzo Derinni – Violin \nMyriam García Fidalgo – Violoncello \nDavide Gagliardi – Sound direction \n  \n– Ticket prices – voluntary donation \n– Registration required – selfportraitsinimaginaryplaces@gmail.comIn cooperation with NOW! Oper der Gegenwart and HAZE – Association for the Promotion of Transdisciplinary Art and Technologies.Supported by the Federal Ministry of Arts\, Culture\, Public Service and Sport (BMKÖS)\, the Theodor Körner Fund\, SKE\, the Province of Styria and the City of Graz.
URL:https://www.schallfeldensemble.com/event/self-portraits-in-imaginary-places-graz-2/
LOCATION:Theater am Lend\, Wienerstraße 58a\, Graz
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/Self-Portraits_Nada-Zgank-e1640625938229.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20211218T200000
DTEND;TZID=UTC:20211218T213000
DTSTAMP:20211207T193244Z
CREATED:20211017T142821Z
LAST-MODIFIED:20211207T193244Z
UID:5516-1639857600-1639863000@www.schallfeldensemble.com
SUMMARY:Attentional Disorders
DESCRIPTION:Program\nSantiago Díez Fischer –  Moving as not moving \nKatharina Rosenberger – Blur \nAndreas Eduardo Frank – Noise is a common sound \nFausto Romitelli – Blood on the floor\, painting 1986 \n  \n— \nFree entry. Reservations under office (@) schallfeldensemble.com \n 
URL:https://www.schallfeldensemble.com/event/attentional-disorders/
LOCATION:Theater am Lend\, Wienerstraße 58a\, Graz
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/2021/10/FlyerAttentionalDisorders-e1638307659860.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20211214T193000
DTEND;TZID=UTC:20211214T210000
DTSTAMP:20211212T072401Z
CREATED:20210906T162132Z
LAST-MODIFIED:20211212T072401Z
UID:5514-1639510200-1639515600@www.schallfeldensemble.com
SUMMARY:Zeitinseln
DESCRIPTION:Yoav Levi Time Islands UA: sax\, percussion\, cello\, electronic Frederick Neyrinck – NW Saxophon\, Akkordeon und Schlagwerk UA Zeno Baldi – Glaskörper für  Saxophon\, Akkordeon und Schlagwerk UA Pedro Berardinelli –  “Contra” für Akkordeon (12’)   In cooperation with NOW!Oper der Gegenwart \n\n\n\n\n\n\nYoav Levy (ISR) | Komposition \nHila Ben Ari (ISR) | Videokunst \nmit Schallfeld Ensemble \n \nEntrance fee: \n€ 12 / € 6 (Students) \nTickets reservation: \nnow@mur.at \n\n\n\n\n\n\n 
URL:https://www.schallfeldensemble.com/event/now-2/
LOCATION:Theater am Lend\, Wienerstraße 58a\, Graz
ATTACH;FMTTYPE=image/jpeg:https://www.schallfeldensemble.com/wp-content/uploads/ZEITINSELN-e1638729470133.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20211127T193000
DTEND;TZID=UTC:20211127T203000
DTSTAMP:20211205T174750Z
CREATED:20210906T084637Z
LAST-MODIFIED:20211205T174750Z
UID:5512-1638041400-1638045000@www.schallfeldensemble.com
SUMMARY:CANCELLED - Leicht über Linz
DESCRIPTION:PROGRAM \nCarola Bauckholt (* 1959) \nTrio für Klarinette\, Violoncello und Klavier (1993) \nPaquito Ernesto Chiti (* 1996)  \nEserghi (Abschnitte) für Klarinette\, Saxophon\, Violine\, Violoncello\, Kontrabass und Klavier (2020) [WP] \nBatya Frenklakh (* 1992) \nWithout Exemptions (Ohne Ausnahmen) für Klarinette\, Violine\, Violoncello\, Kontrabass\, Perkussion und Klavier (2020) [WP] \nJorge Gómez Elizondo (* 1986)  \nSonic Washing / Youth Machine für Violine\, Violoncello\, Kontrabass und Video (2020–21) [WP] \nMaría Pérez Díez (* 1996) \nTangible Absence (Greifbare Abwesenheit) für Klarinette\, Saxophon\, Violine\, Violoncello und Kontrabass (2020) [WP] \n– Pause – \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nÅsmund Perssønn Ødegaard (* 1996) \nMöörungen für Klarinette\, Saxophon\, Violine\, Violoncello\, Kontrabass\, Perkussion\, Klavier und Samples (2020) [WP] \nKatharina Roth (* 1990)  \nmumbling grumbling für Saxophon\, Kontrabass und Perkussion (2020) [WP] \nAlireza Shahabolmolkfard (* 1991) \nSHASUSA für Stimme\, Klarinette\, Saxophon\, Violine\, Violoncello und Klavier (2020) [WP] \nJorge Villoslada Durán (* 1997) \nMacondo für Klarinette\, Saxophon\, Kontrabass und Perkussion (2020) [WP]
URL:https://www.schallfeldensemble.com/event/leicht-uber-linz-2/
LOCATION:TRILOGY IN TWO – GENOVA
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20211106T200000
DTEND;TZID=UTC:20211106T200000
DTSTAMP:20211016T053844Z
CREATED:20211016T053844Z
LAST-MODIFIED:20211016T053844Z
UID:5515-1636228800-1636228800@www.schallfeldensemble.com
SUMMARY:Self-Portraits in Imaginary Places - Ljubljana
DESCRIPTION:Self-Portraits in Imaginary Places is a scenic musical work for a female singer/performer\, ensemble\, electronics\, movement\, video and light\, which was awarded with the Theodor Körner Förderpreis 2020. \nCreative team\nAleksandra Bajde | concept\, composition\, voice\nLili M. Rampre | choreography\, movement\nConny Zenk | light architecture \nin collaboration with \nIsabella Forciniti | electronics\, modular synthesizers\nSchallfeld Ensemble \nIn cooperation with International Society for Contemporary Music-Austrian Section\, NOW! Oper der Gegenwart\, Cankarjev dom\, REAKTOR and Festival City of Women\nSupported by the Federal Ministry for Arts\, Culture\, Civil Service and Sport\, City of Vienna\, Theodor Körner Fonds\, SKE\, State of Styria\, City of Graz\, LSG and GFÖM.
URL:https://www.schallfeldensemble.com/event/self-portraits-in-imaginary-places-ljubljana-2/
LOCATION:Contact Form
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20211104T190000
DTEND;TZID=UTC:20211104T200000
DTSTAMP:20210903T065518Z
CREATED:20210903T065518Z
LAST-MODIFIED:20210903T065518Z
UID:5511-1636052400-1636056000@www.schallfeldensemble.com
SUMMARY:MAAT ME - Wien Modern
DESCRIPTION:Programm\nPierluigi Billone: MAAT ME (2020) – 30′ \n(Commissioned by Schallfeld\, funded by the Ernst von Siemens Musikstiftung) \n  \nSolo Schlagzeug: Manuel Alcaraz Clemente \nSchallfeld Ensemble \nArmando Merino: Dirigent \n\n\nProduktion Schallfeld und Wien Modern \n  \n\n 
URL:https://www.schallfeldensemble.com/event/maat-me-wien-modern/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20211102T200000
DTEND;TZID=UTC:20211102T213000
DTSTAMP:20220401T173136Z
CREATED:20210906T084949Z
LAST-MODIFIED:20220401T173136Z
UID:5513-1635883200-1635888600@www.schallfeldensemble.com
SUMMARY:HOT
DESCRIPTION:In HOT erforscht Schallfeld radikal verschiedene Möglichkeiten der Beziehung zwischen Soloinstrument und Ensemble: von HiHuMi (UA) des StAiR-Stipendiaten Tomoya Yokokawa mit Elisa Azzarà als Solistin an der Flöte\, über Rebecca Saunders Fury II (Margarethe Maierhofer-Lischka am Solo-Kontrabass) zu Franco Donatonis Klassiker HOT (Solosaxophon: Gerald Preinfalk). \n\nZusammengefasst und abgerundet wird das Programm durch die Uraufführung von Diana Sohs of smaller things\, Kompositionsauftrag von Schallfeld\, finanziert von der EvS-Musikstiftung. Dieses Werk ist als Überlagerung von 8 Solowerken konzipiert\, sodass jede einzelne Stimme sowohl einzeln als auch in verschiedenen Kombinationen bis hin zum Ensemblestück aufgeführt werden kann.\n\n\n\n  \n \nFranco Donatoni: Hot (1989) \nSoloist: Gerald Preinfalk \nRebecca Saunders: Fury II (2009) \nSoloist: Margarethe Maierhofer-Lischka \nTomoya Yokokawa*: Hi Hu Mi (2020\, commissioned by Ensemble Schallfeld\, World premiere) \nSoloist: Elisa Azzarà \nDiana Soh: of smaller things\, (2020\, commissioned by Ensemble Schallfeld\, funded by the Ernst von Siemens Musikstiftung.  World premiere) \n* Styrian Artist in Residence 2020 \n  \n\nFree entry. Reservations under office (@) schallfeldensemble.com
URL:https://www.schallfeldensemble.com/event/hot/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20211022T193000
DTEND;TZID=UTC:20211022T203000
DTSTAMP:20210126T175927Z
CREATED:20210126T175927Z
LAST-MODIFIED:20210126T175927Z
UID:5498-1634931000-1634934600@www.schallfeldensemble.com
SUMMARY:Signale - Portrait: Annea Lockwood
DESCRIPTION:Programm: \nBuoyant (2013)\, stereo electroacoustic\nEar-Walking Woman (1996)\, prepared piano\nRuth Anderson\, I come out of your sleep (1979\, revised 1997)\, 4-channel electroacoustic\nbayou–borne for Pauline (2016)\, six players\, vocal and/or instrumental \nEnsemble Schallfeld\nKlangregie: Ulrich Gladisch \nEintritt frei \n\nACHTUNG: \n18.10.2021\, 14h00 (Inffeldgasse 10/3\, IEM CUBE)\nsignalegraz Interview und Lecture mit Annea Lockwood \n20.10. – 22.10.2021\, ganztägig im MUMUTH GRAZ (Lichtenfelsgasse 14\, Foyer)\nKlanginstallation\nA Sound Map of the Housatonic River (2010)\, 4-channel sound installation
URL:https://www.schallfeldensemble.com/event/signale-portrait-annea-lockwood-2/
LOCATION:Ligeti Saal\, Lichtenfelsgasse 14\, Graz\, 8010\, Austria
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20211004T193000
DTEND;TZID=UTC:20211004T203000
DTSTAMP:20210205T175331Z
CREATED:20210205T175331Z
LAST-MODIFIED:20210205T175331Z
UID:5502-1633375800-1633379400@www.schallfeldensemble.com
SUMMARY:ZZM - Klagenfurt
DESCRIPTION:Wojtek Blecharz (2013): “Small talks” für Bariton Saxophon und Akkordeon (8′) \nAlex Mincek (2008): “Nucleus” für Tenor Saxophon und Schlagzeug (12′) \nPedro Berardinelli (2020): “Contra” für Akkordeon (12′) ÖEA \nFrederik Neyrinck (2021): 5 Klangstudien für Saxophon\, Akkordeon und Schlagwerk UA \nZeno Baldi* (2021): Glaskörper für Saxophon\, Akkordeon und Schlagwerk UA \n(*Styrian Artist in Residence 2021) \n  \n \n\nDiego Garcia Pliego\, Saxophon \nMirko Jevtovic\, Akkordeon \nManuel Alcaraz\, Schlagwerk
URL:https://www.schallfeldensemble.com/event/zzm-klagenfurt-2/
LOCATION:Gallery
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210923T200000
DTEND;TZID=UTC:20210923T210000
DTSTAMP:20220129T112133Z
CREATED:20210823T061948Z
LAST-MODIFIED:20220129T112133Z
UID:5509-1632427200-1632430800@www.schallfeldensemble.com
SUMMARY:CANCELLED Self-Portraits in Imaginary Places - Vienna
DESCRIPTION:  \n\nCANCELLED DUE TO ILLNESS\nA new date will be announced soon \n  \nSelf-Portraits in Imaginary Places is a scenic musical work for a female singer/performer\, ensemble\, electronics\, movement\, video and light\, which was awarded with the Theodor Körner Förderpreis 2020. \nCreative team\nAleksandra Bajde | concept\, composition\, voice\nLili M. Rampre | choreography\, movement\nConny Zenk | light architecture \nin collaboration with \nIsabella Forciniti | electronics\, modular synthesizers\nSchallfeld Ensemble \nIn cooperation with International Society for Contemporary Music-Austrian Section\, NOW! Oper der Gegenwart\, Cankarjev dom\, REAKTOR and Festival City of Women\nSupported by the Federal Ministry for Arts\, Culture\, Civil Service and Sport\, City of Vienna\, Theodor Körner Fonds\, SKE\, State of Styria\, City of Graz\, LSG and GFÖM. \n\n\n 
URL:https://www.schallfeldensemble.com/event/self-portraits-in-imaginary-places-vienna/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210920T200000
DTEND;TZID=UTC:20210920T210000
DTSTAMP:20211220T112255Z
CREATED:20210823T062315Z
LAST-MODIFIED:20211220T112255Z
UID:5510-1632168000-1632171600@www.schallfeldensemble.com
SUMMARY:CANCELLED  Self-Portraits in Imaginary Places - Ljubljana
DESCRIPTION:CANCELLED DUE TO ILLNESS\nA new date will be announced soon   Self-Portraits in Imaginary Places is a scenic musical work for a female singer/performer\, ensemble\, electronics\, movement\, video and light\, which was awarded with the Theodor Körner Förderpreis 2020. Creative team Aleksandra Bajde | concept\, composition\, voice Lili M. Rampre | choreography\, movement Conny Zenk | light architecture in collaboration with  Isabella Forciniti | electronics\, modular synthesizers Schallfeld Ensemble In cooperation with International Society for Contemporary Music-Austrian Section\, NOW! Oper der Gegenwart\, Cankarjev dom\, REAKTOR and Festival City of Women Supported by the Federal Ministry for Arts\, Culture\, Civil Service and Sport\, City of Vienna\, Theodor Körner Fonds\, SKE\, State of Styria\, City of Graz\, LSG and GFÖM.\n 
URL:https://www.schallfeldensemble.com/event/self-portraits-in-imaginary-places-ljubljana/
LOCATION:Contact Form
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210918T200000
DTEND;TZID=UTC:20210918T210000
DTSTAMP:20210823T061535Z
CREATED:20210823T061535Z
LAST-MODIFIED:20210823T061535Z
UID:5508-1631995200-1631998800@www.schallfeldensemble.com
SUMMARY:CANCELLED - Self-Portraits in Imaginary Places - Graz
DESCRIPTION:[:en]Self-Portraits in Imaginary Places is a scenic musical work for a female singer/performer\, ensemble\, electronics\, movement\, video and light\, which was awarded with the Theodor Körner Förderpreis 2020. \nCreative team\nAleksandra Bajde | concept\, composition\, voice\nLili M. Rampre | choreography\, movement\nConny Zenk | light architecture \nin collaboration with \nIsabella Forciniti | electronics\, modular synthesizers\nSchallfeld Ensemble \n \nIn cooperation with International Society for Contemporary Music-Austrian Section\, NOW! Oper der Gegenwart\, Cankarjev dom\, REAKTOR and Festival City of Women\nSupported by the Federal Ministry for Arts\, Culture\, Civil Service and Sport\, City of Vienna\, Theodor Körner Fonds\, SKE\, State of Styria\, City of Graz\, LSG and GFÖM.[:de]Ein szenisches Musikwerk für Sängerin/Performerin\, Ensemble\, Elektronik\, Bewegung\, Video und Licht \nSamstag\, 18.09.2021 | 20:00 \nTheater am Lend\, Wiener Str. 58a\, 8020 Graz \nAleksandra Bajde (SI/AT) | Konzept\, Komposition\, Stimme \nLili M. Rampre (DE/BE) | Choreografie\, Bewegung \nConny Zenk (AT) | Lichtarchitektur \nIsabella Forciniti (IT) | Elektronik\, Modular-Synthesizer \nSchallfeld Ensemble | Elisa Azzará – Flöte\, Szilárd Benes – Bassklarinette\, Patrick Skrilecz – Klavier\,  Mirko Jevtović – Akkordeon\, Alex Tentor – E-Gitarre\, Lorenzo Derinni – Violine\, Myriam García Fidalgo – Violoncello\, Davide Gagliardi – Klangregie \n \n  \nIn diesem Werk möchte Aleksandra Bajde Orte darstellen wobei ein Ort kein materieller\, geografischer Ort sein muss – es kann auch ein metaphysischer Ort sein\, mit dem Bedeutungen\, Gefühle\, Träume und bestimmte symbolische Werte Verbunden sind. Die zentrale Idee dieses neuen Werkes ist\, ein abstraktes\, szenisches Musikwerk hervorzubringen\, bei dem Klang\, die Gesten und Bewegungen der MusikerInnen und Licht als Hauptelemente eingesetzt werden. Die imaginären Orte werden daher – das heißt eine Reihe unterschiedlicher und kontrastierender Szenen – durch das komplexe Wechselspiel zwischen unterschiedlichen Erscheinungsformen der eingesetzten Medien\, wie z.B. Klang / Stille\, Spannung / Entspannung\, Bewegung / Bewegungslosigkeit\, Licht / Dunkelheit\, Ton / Geräusch\, geschaffen. Self-Portraits in Imaginary Places bieten dem Publikum somit ein multidimensionales Erlebnis. \n– Eintrittspreise – \nfreiwillige Spende \n– Kartenreservierung –\nper Mail über: selfportraitsinimaginaryplaces@gmail.com \n– Zutrittsberechtigung –\nWir bitten die Besucher*innen getestet zu den Veranstaltungen zu erscheinen. Die Erbringung eines Nachweis „geringer epidemiologischer Gefahr“ ist obligatorisch. Mehr Informationen zu den geltenden Zutrittsregelungen finden Sie HIER . Für spontane Besucher*innen wird es vor Ort eine Lösung geben. \nIn Kooperation mit NOW! Oper der Gegenwart. \nGefördert vom Bundesministerium für Kunst\, Kultur\, öffentlichen Dienst und Sport (BMKÖS)\, dem Theodor Körner Fonds\, der SKE\, dem Land Steiermark und der Stadt Graz. \n© Design von Noemi Hans[:]
URL:https://www.schallfeldensemble.com/event/self-portraits-in-imaginary-places-graz/
LOCATION:Theater am Lend\, Wienerstraße 58a\, Graz
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210816
DTEND;VALUE=DATE:20210829
DTSTAMP:20220129T111858Z
CREATED:20210127T165246Z
LAST-MODIFIED:20220129T111858Z
UID:5500-1629072000-1630195199@www.schallfeldensemble.com
SUMMARY:impuls . 12th International Ensemble and Composers Academy for Contemporary Music | 2021
DESCRIPTION:Schallfeld will be Ensemble in Residence in the next edition of the Impuls Festival and Academy. \nMore info about our concerts will come soon!! \nCheck the impuls website for updates! \n\nSpecial Programs with \nEnsemble Schallfeld \nCall for Scores + Reading Sessions + Feedback-Meetings  \n  \nwith Manuel Alcaraz Clemente \nSound Session with Percussion  \n  \nwith Szilárd Benes \n(Bass-)Clarinet: Demonstration-Workshop and Call \n  \nwith Elisa Azzarà and Margarethe Maierhofer-Lischka \nInstruments + Voices . Call + Workshop \n 
URL:https://www.schallfeldensemble.com/event/impuls-12th-international-ensemble-and-composers-academy-for-contemporary-music-2021/
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210725
DTEND;VALUE=DATE:20210726
DTSTAMP:20211207T194143Z
CREATED:20210127T172010Z
LAST-MODIFIED:20211207T194143Z
UID:5501-1627171200-1627257599@www.schallfeldensemble.com
SUMMARY:Ensemble in Residence - INTERNATIONAL ilSUONO CONTEMPORARY MUSIC WEEK
DESCRIPTION:Program:\nDilay Doğanay:\nDativo Tobarra:\nBeat Furrer:\nJohannes Maria Staud:\nPascal Dusapin:\nRebecca Saunders:  –\nFrancesco Filidei:   \nFree admission. Reservations required.\nInfo: ilsuono.academy@gmail.com / +39 320 910 6574 \nEnsemble Schallfeld\nwww.schallfeldensemble.com \nilSUONO Contemporary Music Week\nwww.ilsuonoacademy.com \nThis event is made possible with the friendly support of the\n-Ernst von Siemens Music Foundation\n-Sogepu\n-Bundesministerium Kunst\, Kultur öffentlicher Dienst und Sport\n-Austromechana\n-Das Land Steiermark\n-AVL Cultural Foundation
URL:https://www.schallfeldensemble.com/event/ensemble-in-residence-international-ilsuono-contemporary-music-week/
LOCATION:Pages
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210718
DTEND;VALUE=DATE:20210723
DTSTAMP:20210126T180525Z
CREATED:20210126T180525Z
LAST-MODIFIED:20210126T180525Z
UID:5499-1626566400-1626998399@www.schallfeldensemble.com
SUMMARY:AIMC 2021 - 2nd Conference on AI Music Creativity
DESCRIPTION:18.-22. July 2021\, online\n\n\n\n\n\n\nThe second Conference on AI Music Creativity brings together two overlapping research forums: The Computer Simulation of Music Creativity Conference (est. 2016) and The International Workshop on Musical Metacreation (est. 2012). The objective of the conference is to bring together scholars and artists interested in the emulation and extension of musical creativity through computational means and to provide them with an interdisciplinary platform in which to present and discuss their work in scientific and artistic contexts. \n\n\n\n\n\n\nThe 2021 Conference on AI Music Creativity will be hosted by the Institute of Electronic Music and Acoustics (IEM) of the University of Music and Performing Arts of Graz\, Austria and held online. The five-day program will feature paper presentations\, concerts\, panel discussions\, workshops\, tutorials\, sound installations and two keynotes. \n\nCALL FOR SCORES
URL:https://www.schallfeldensemble.com/event/aimc-2021-2nd-conference-on-ai-music-creativity/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210630T190000
DTEND;TZID=UTC:20210630T203000
DTSTAMP:20210624T085557Z
CREATED:20210624T085557Z
LAST-MODIFIED:20210624T085557Z
UID:5507-1625079600-1625085000@www.schallfeldensemble.com
SUMMARY:The Fragility of Sounds Concert Night 2021
DESCRIPTION:30. Juni 2021\, 19:00 Schaumbad – Freies Atelierhaus Graz\, 8020 Puchstrasse 41\n\n\nmit Séverine Ballon\, Pia Palme und dem Ensemble Schallfeld \nLorenzo Derinni\, Violine\nFrancesca Piccioni\, Viola\nMyriam Garcia Fidalgo\, Violoncello\nMargarethe Maierhofer-Lischka\, Kontrabass \nSéverine Ballon\, Violoncello\nPia Palme\, Bassblockflöte \nProgramm:\nSéverine Ballon:\nForêts intérieures ( 2018) für zwei Celli\nAu travers des paupières closes (2020) UA für Ensemble [Auftragswerk von Fragility of Sounds] \nPia Palme:\nWEITERUNG (2020/2021) für Ensemble \nNach dem Konzert gibt es ein Gespräch mit den Künstler*innen\, moderiert von der Theaterwissenschafterin Dr. Irene Lehmann. \nEintritt gegen freie Spende \n  \n \nAn diesem Abend spielt die Cellistin und Komponistin Séverine Ballon gemeinsam mit dem Ensemble Schallfeld die Uraufführung ihres Stücks ‘Au travers des paupières closes’. Zu hören sind weitere Arbeiten von Séverine Ballon und ein neues Stück der Komponistin und Performerin Pia Palme. Beide Künstlerinnen setzen in ihrer Musik gern innere Welten in Szene. Aus der Position der komponierenden Musikerin – oder musizierenden Komponistin – heraus verbinden Ballon und Palme individuelle Klangräume mit der Außenwelt. So entstehen auf einzigartige Weise Interferenzen und Resonanzen des Persönlichen mit der Umgebung: ein theatrales Ökosystem wird hörbar. \nDieses Konzert schließt eine Reihe von Aufführungen ab\, die seit 2019 laufend – real oder online – im Auftrag des umfassenden künstlerischen Forschungsprojektes ‘On the Fragility of Sounds’ stattgefunden haben. Die Komponistin Pia Palme untersuchte mit der Musikologin Christina Lessiak und der Theaterwissenschafterin Irene Lehmann heutiges Musiktheater im weitesten Sinn; sie wurden dabei weltweit unterstützt von Künstler*innen und Wissenschafter*innen\, Ensembles und kulturellen Institutionen. \n  \nDas Forschungsprojekt ‘On the Fragility of Sounds’ (2019 – 2021) ist an der KUG Kunstuniversität Graz\, Zentrum für Genderforschung | FWF PEEK AR537 verankert. Gefördert vom FWF Austrian Science Fund\, von der Mariann-Stegmann Foundation und vom Land Steiermark.
URL:https://www.schallfeldensemble.com/event/the-fragility-of-sounds-concert-night-2021/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210620T073000
DTEND;TZID=UTC:20210620T203000
DTSTAMP:20210604T152903Z
CREATED:20210604T152903Z
LAST-MODIFIED:20210604T152903Z
UID:5505-1624174200-1624221000@www.schallfeldensemble.com
SUMMARY:Mostra Sonora de Sueca
DESCRIPTION:[:en]Moving Surfaces\nSchallfeld Ensemble is presented for the first time at the Mostra Sonora de Sueca with a chamber music program articulated around two works by two of the most important authors in the international contemporary music scene: Beat Furrer and Giorgio Netti.\nThe program will be completed by Charisma of Iannis Xenakis and two works by young composers with whom Schallfeld has developed a close collaboration over the years: Anahita Abassi and Diego Jiménez Tamame\, both students at the University of Music and Performing Arts in Graz . \n  \nGiorgio  Netti  :   due  lune  più  in  là (clarinet\, sax\, cello\, piano\, percussion ) \nBeat Furrer: Aer (2010): clarinet\, cello\, piano \nAnahita Abassi: Moving Surfaces III / Another birth (Piano\, Tenor Sax\, Percussion ) \nI. Xenakis: Charisma (violoncello\, clarinet) \nDiego Jiménez Tamame: …and they’ve got us in their cage\, ruined of grace and senses… : clarinet and cello \n \n[:de]Moving Surfaces\nSchallfeld Ensemble is presented for the first time at the Mostra Sonora de Sueca with a chamber music program articulated around two works by two of the most important authors in the international contemporary music scene: Beat Furrer and Giorgio Netti.\nThe program will be completed by Charisma of Iannis Xenakis and two works by young composers with whom Schallfeld has developed a close collaboration over the years: Anahita Abassi and Diego Jiménez Tamame\, both students at the University of Music and Performing Arts in Graz . \n  \nGiorgio  Netti  :   due  lune  più  in  là (clarinet\, sax\, cello\, piano\, percussion ) \nBeat Furrer: Aer (2010): clarinet\, cello\, piano \nAnahita Abassi: Moving Surfaces III / Another birth (Piano\, Tenor Sax\, Percussion ) \nI. Xenakis: Charisma (violoncello\, clarinet) \nDiego Jiménez Tamame: …and they’ve got us in their cage\, ruined of grace and senses… : clarinet and cello \n  \n  [:]
URL:https://www.schallfeldensemble.com/event/mostra-sonora-de-sueca/
LOCATION:Sueca\, Sueca\, Spain
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210617T200000
DTEND;TZID=UTC:20210617T210000
DTSTAMP:20210525T154240Z
CREATED:20210525T154240Z
LAST-MODIFIED:20210525T154240Z
UID:5504-1623960000-1623963600@www.schallfeldensemble.com
SUMMARY:Ariadne - ManiFeste Festival
DESCRIPTION:For its first appearance at ManiFeste\, the Austrian ensemble Schallfeld has chosen to focus on the adventure of the young Italian composer Maurizio Azzan\, who set out on the traces of Ariadne. She who helped Theseus to destroy the Minotaur\, embodies sleeping beauty\, abandonment and solitude on her island\, perplexity and doubt\, all mythological and contemporary attributes. An intimate voice diffracted in the audience\, the non-linear narration conceived by librettist Daniele Bellomi\, Ariadne embodies wandering more than a marked path. From Ariadne to Beat Furrer’s Aria\, a family history emerges that explores dramaturgy in space and the constant ambiguity between instrumental and vocal. Between these two universes\, the young composer Rachel Beja experiments with a new kind of music: strings\, electronics\, and the beating of a Daf\, a large drum from the Persian tradition. \nAnna Piroli soprano\nEnsemble Schallfeld\nLeonhard Garms conductor\nÉtienne Démoulin IRCAM computer-music design \n  \nMaurizio Azzan Ariadne – French premiere\nRachel Beja Frammenti di memoria abolita – premiere 2021\ncommissiond by IRCAM-Centre Pompidou and the Divertimento ensemble with the support of the ULYSSES network\, supported by the European Union’s Creative Europe program\nBeat Furrer Aria
URL:https://www.schallfeldensemble.com/event/ariadne-manifeste-festival/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210519T193000
DTEND;TZID=UTC:20210519T203000
DTSTAMP:20220401T171918Z
CREATED:20210126T174852Z
LAST-MODIFIED:20220401T171918Z
UID:5497-1621452600-1621456200@www.schallfeldensemble.com
SUMMARY:Ariadne
DESCRIPTION:  \n\n \n\nPROGRAM\n\n\nARIADNE – Maurizio Azzan (2021\, World Premiere)\nmonodrama-installation for voice\, five performers\, sound objects and electronics\nCommissioned by Schallfeld Ensemble\, funded by the Ernst von Siemens Musikstiftung  \n \n\n\n  \nLibretto by Daniele Bellomi \nMusic by Maurizio Azzan \nAriadne is a story of absence and abandon. A woman marooned on a desert island tries to reassemble the pieces of her life\, marred by the abuses of men who egoistically took her\, used her and then disposed of her or carried her away without any regard\, treating her as a mere object. Fragmented memories emerge out of a dense fog where different versions of the myth blur together\, although the only constant is Ariadne’s unheard voice beneath the gods careless eyes. The protagonist\, as a final effort to escape her condition\, attempts to find her true self again\, in order to retrace a truth that in spite of all other versions might lead her to the end of her sufferings. Ariadne is a monodrama for voice\, spatialized instruments and electronics\, thought of as a sort of immersive installation\, which starts even before the entering of the audience in the hall\, thus making so that the space of the performance\, instruments\, voice and public itself become all an active participant of the setup\, almost symbolically. From space\, which widens all the way to the foyer and its clatter\, to the piano\, which echoes the processed voice and its dialogue with the rest of the instruments\, scattered across the hall like rocks in the sea\, up to the public\, at once water that surrounds Ariadne and careless eyes of the gods that observe her pain. The very same moment in which the audience enters the hall\, music starts to gradually take shape\, transforming the background noises in sound through live electronics in a process that blurs the boundaries between performance and audience by making the latter an active element of the setup. [/su_spoiler] \nRead the libretto by Daniele Bellomi \nARIA – Beat Furrer (2010)\nText „Hörst du? Sieh\, ich kann zu dir sprechen\, als wärst du hier\, – und liegt doch die Nacht zwischen uns wie ein schwarzes Gebirge\, und jeder Augenblick ist eine neue Felswand von Trennung\, unübersteigbar\, endgültiger mit jeder Stunde! Und dennoch bist du hier\, immer näher bei mir\, und nie konnte ich so zu dir sprechen wie jetzt. Du kamst aus der einen Einsamkeit und gehst in die andere\, – jeder Kuss macht dich fremder\, jede Umarmung ärmer. – Ich grüße dich\, wie eine Klippe ihren Adler grüßt\, der davonfliegt\, seine Schwingen werden unsichtbar in der eisigen Ferne; wo seine Kralle ruhte\, löst sich ein Stein und fällt in die Tiefe\, das ist alles\, und die Wälder bemerkten es nicht. Dorthin gelüstet es dich\, nach den Wohnungen der Menschen\, nach der tröstlichen Sprache des Windes im Geäst\, ebenso wie es mich gelüstet. Höre nicht auf dein Herz und verstopfe mit Wachs deine Ohren\, – denn nie wirst du das erreichen\, was du ersehnst. Nicht hier und nirgendwo. Aber geh weiter\, kehre nie zurück! Deine Einsamkeit verdoppelt die meine.“ (“Do you hear me? See\, I can speak to you as if you were here\, – yet the night lies between us as a black mountain range\, and every moment is a new cliff of separation\, insurmountable\, more final by the hour! And yet you are here\, ever closer to me\, and never could I speak to you as I do now. You came from a solitude and continue into the next\, – every kiss makes you stranger\, every embrace poorer. – I greet you\, as a cliff greets its eagle\, flying away\, the wings disappearing in the icy distance\, where its claws rested\, a stone loosens and falls into the deep\, that is all\, and the forests took no notice. You desire to be there\, longing for the apartments of people\, for the comforting language of the wind in the branches\, just as I desire it. Do not listen to your heart and plug your ears with wax\, – for you will never obtain what you long for. Not here and nowhere. But go further\, never return! Your solitude doubles mine.” )  \nOVER THE SEA – Édith Canat de Chizy (2011\, Austrian Premiere)\nProgram notesOVER THE SEA The idea for this pieces is a result of my interest in Monet’s painting. His almost obsessive fondness for different kinds of transparency leads to continuously changing objects in an ubiquitous watery element: sea\, river\, lake\, pond… A similar relationship has developed between instruments and electronics in my music: at the beginning there is the written\, instrumental composition; all transformations except for the synthetized sounds can be traced back to it. A dialectic is installed between acoustic and digital sound sources from the first bar of this piece: algorithms distort the instrumental template until it is unrecognizable\, then they wait for the instrumental writing to gain back control – thus triggering the next round of processing. The result is an unstable\, constantly changing sound world\, that however from a formal point of view is strictly subdivided in six sequences. The accordion is mostly acting in symbiosis with the string instruments\, in terms of colour it is an ideal bridge between acoustical and electronic spheres. My relationship to the sea has been an important source of inspiration for many compositions; in this piece it is seminal\, the word „over“ having a multitude of spacial and figurative meanings.  \n\n  \n \nAnna Piroli Italian soprano born in Cremona\, she trained under the guidance of Luisa Castellani at the Conservatorio della Svizzera Italiana in Lugano. Contemporary music has become her niche of privileged research: to this end\, she has completed studies with M. Hirayama in Rome on Scelsi’s vocal works\, with A. Caiello and the Divertimento Ensemble in Milan\, with N. Isherwood and the Ensemble Linea in Strasbourg. In 2016 she played the main character in the opera Limbus–Limbo by S. Gervasoni at the National Opera House in Kiev. Often praised in her performances of Berio’s Folksongs\, in Italy and in Switzerland\, she was also a soloist in Laborintus II at the Sala Verdi in Milan. Her performance of U. Chin’s Akrostichon-Wortspiel at the Spinola Banna Foundation\, with the mdi ensemble under the direction of F. Perocco\, was broadcast by Italy’s RadioTre. Together with Divertimento Ensemble\, she sang Ligeti’s Aventures\, Furrer’s Lotófagos and Castiglioni’s Cantus Planus\, and she recorded Arie di Troposfera by F. Ciurlo for his upcoming monographic disc. With the vocal ensemble Vox Àltera she premiered B. Furrer’s “A sei voci” in Mendrisio and in Venice. She has collaborated with Biennale Musica in Venice\, LaVerdi Barocca\, Scelsi Foundation\, Milano Film Festival and various international symposiums and festivals of early music in Milan\, Trento\, Rovereto\, Cagliari\, Innsbruck and Ljubljana. In 2018 she won the competition for the post of soprano in the Choir of the Opéra de Dijon (France)\, where she also has soloistic collaborations: in 2019 she sang with Cappella Mediterranea in La finta pazza by F. Sacrati\, on tour at Victoria Hall in Geneva and at the Opéra Royal in Versailles. In February 2020 she got the role of La Bonne in the world premiere of Strafen/Les Châtiments by B. Pauset\, conducted by E. Pomarico.  \n  \n  \n\n           \n 
URL:https://www.schallfeldensemble.com/event/ariadne/
LOCATION:Theater am Lend\, Wienerstraße 58a\, Graz
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210510T080000
DTEND;TZID=UTC:20210510T210000
DTSTAMP:20210331T083955Z
CREATED:20210331T083955Z
LAST-MODIFIED:20210331T083955Z
UID:5503-1620633600-1620680400@www.schallfeldensemble.com
SUMMARY:Ensems Festival
DESCRIPTION:MAAT – ME (2020) Pierluigi Billone (1960) 30′ Premiere \nCommissioned by Schallfeld\, funded by the Ernst von Siemens Music Foundation \nFIGURE / ICONOSONICS 1 (2009) Clemens Gadenstätter (1966) 30′ \n  \n   
URL:https://www.schallfeldensemble.com/event/ensems-festival/
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210309
DTEND;VALUE=DATE:20210311
DTSTAMP:20200521T150603Z
CREATED:20200521T150603Z
LAST-MODIFIED:20200521T150603Z
UID:5487-1615248000-1615420799@www.schallfeldensemble.com
SUMMARY:Leicht über Linz - Recording
DESCRIPTION:Pieces by students from the Anton Bruckner Privat – Universität Linz \nMore info coming soon
URL:https://www.schallfeldensemble.com/event/leicht-uber-linz/
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210221
DTEND;VALUE=DATE:20210222
DTSTAMP:20220129T112514Z
CREATED:20200524T153636Z
LAST-MODIFIED:20220129T112514Z
UID:5488-1613865600-1613951999@www.schallfeldensemble.com
SUMMARY:HOT - Cancelled
DESCRIPTION:Franco Donatoni: Hot (1989) \nSoloist: Gerald Preinfalk \nRebecca Saunders: Fury II (2009) \nSoloist: Margarethe Maierhofer-Lischka \nTomoya Yokokawa: Hi Hu Mi (2020\, commissioned by Ensemble Schallfeld\, World premiere) \nSoloist: Elisa Azzarà \nDiana Soh: of smaller things\, (2020\, commissioned by Ensemble Schallfeld\, funded by the Ernst von Siemens Musikstiftung.  World premiere)
URL:https://www.schallfeldensemble.com/event/soloensemble/
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210114
DTEND;VALUE=DATE:20210117
DTSTAMP:20191221T164706Z
CREATED:20191221T164706Z
LAST-MODIFIED:20191221T164706Z
UID:5478-1610582400-1610841599@www.schallfeldensemble.com
SUMMARY:Festival and Symposium Fragility of Sounds - recording
DESCRIPTION:[:en]music | performance | discourse\nThe concerts on the 8. – 9. May 2020 were postponed to 14. – 16. January 2021 and will be recorded\, since public concerts are not allowed\n[:de]music | performance | discourse\nThe concerts on the 8. – 9. May 2020 were postponed to 14. – 16. January 2021 and will be recorded\, since public concerts are not allowed \n[:]
URL:https://www.schallfeldensemble.com/event/festival-and-symposium-fragility-of-sounds/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20201214T190000
DTEND;TZID=UTC:20201214T203000
DTSTAMP:20191221T131338Z
CREATED:20191221T131338Z
LAST-MODIFIED:20191221T131338Z
UID:5475-1607972400-1607977800@www.schallfeldensemble.com
SUMMARY:CANCELLED - MUSIC CURRENT DUBLIN
DESCRIPTION:Marko Ciciliani – Tympanic Touch\nMarko Ciciliani – Stück for Monomi\nMarko Ciciliani – Time machine\nDavide Gagliardi – Traces of indivisible\nChristof Ressi – GIF frenzy – Trio Version
URL:https://www.schallfeldensemble.com/event/music-current-dublin/
LOCATION:Project Arts Centre\, Dublin
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20201126
DTEND;VALUE=DATE:20201127
DTSTAMP:20200627T154044Z
CREATED:20200627T154044Z
LAST-MODIFIED:20200627T154044Z
UID:5490-1606348800-1606435199@www.schallfeldensemble.com
SUMMARY:POSTPONED Manipulationen V
DESCRIPTION:Pieces for solo and ensemble \nMore info coming soon
URL:https://www.schallfeldensemble.com/event/manipulationen-v/
END:VEVENT
END:VCALENDAR